The Zinn Reader: Writings on Disobedience and Democracy
The triple murder last summer in Mississippi probably would not have taken place if there had not been plans to set up a school at the Mount Zion Baptist Church near Philadelphia. It was the visit of three young civil rights workers to the burned-out school site which led them to arrest, and then death. That a school should frighten a band of Americans into committing murder is not totally credible; that those particular killers made a deliberate mental connection between their act and the establishment of a "Freedom School" in the area is unlikely. Yet education spells danger to certain people at certain times, and what happened in Mississippi last summer suggests a continued sensing of peril.
This article will be concerned, however, not so much with the danger the Freedom Schools represented to some in Mississippi but with the promise they opened for the rest of us, throughout America. For eight weeks, more than 2,000 Negro youngsters, averaging fifteen years of age but ranging from six to twenty-six and older, went to schools which violated all the rules and regulations of educational orthodoxy. They were taught by teachers who met no official qualifications; they assembled in church basements or on the streets or in the fields; they came and went without attendance records, grades or examinations.
It was an experiment that cannot be assessed in the usual terms of "success" and "failure," and it would be wrong to hail it with an enthusiasm which would then lead it to be judged by traditional criteria. But that venture of last summer in Mississippi deserves close attention by all Americans interested in the relationship between education and social change.
The idea, and the term "freedom school," were first brought before the civil rights movement by a slender Howard University student named Charles Cobb, who several years ago interrupted his studies to plunge into the Mississippi Delta as a field secretary for the Student Nonviolent Coordinating Committee. Cobb pursued his scheme with quiet, slow persistence, and when plans were laid last fall for a big "Mississippi Summer," with 1,000 or more volunteers to arrive in the state, Freedom Schools were on the agenda. Bob Moses, director of the Mississippi project, has a Masters degree from Harvard. He gave the idea close attention, and when Northern students were recruited during the spring many of them were told to be ready to teach.
The man who took charge of the summer Freedom School project for COFO (the Council of Federated Organizations: a union of SNCC, CORE and other civil rights groups in Mississippi) was Staughton Lynd, a young historian whose field, some might have noted warningly, is the American Revolution. He had spent three years in north Georgia in a rural cooperative community, and then three more years at Spelman College, a Negro women's college in Atlanta. He had just resigned from Spelman in protest against restrictions on the academic freedom of both students and faculty, and was then immediately hired by Yale University. From the orientation session at Oxford, Ohio, in early June to the end of August, Lynd was a dynamo of an administrator, driving into the remotest rural regions of Mississippi to keep the schools going.
At Oxford, the Freedom School teachers were warned about difficulties: "You'll arrive in Ruleville, in the Delta. It will be 100 degrees, and you'll be sweaty and dirty. You won't be able to bathe often or sleep well or eat good food. The first day of school, there may be four teachers and three students. And the local Negro minister will phone to say you can't use his church basement after all, because his life has been threatened. And the curriculum we've drawn up—Negro history and American government—may be something you know only a little about yourself. Well, you'll knock on doors all day in the hot sun to find students. You'll meet on someone's lawn under a tree. You'll tear up the curriculum and teach what you know."
They were also told to be prepared for violence, injury, even death. But they hardly expected it so soon. The first batch of teachers had just left the orientation session for Mississippi when word came that one of the summer volunteers (Andrew Goodman), a white community center director (Mickey Schwerner) and a local Meridian Negro youth (James Chaney) were missing. A publicity stunt, said Mississippi officials. But the SNCC veterans of Mississippi disagreed. "Man, those guys are dead," Jim Forman said.
The summer volunteers got into cars and into buses, and moved into Mississippi. Two hundred Freedom School teachers spread out over the state, from Biloxi in the Gulf Coast up into Ruleville in the Delta, and farther north to Holly Springs, covering twenty-five communities. Day by day, more and more Negro kids came around to the schools, and the expected enrollment of 1,000 rose to 1,500 then to 2,000.
One of the Jackson Freedom Schools opened in early August in a church basement just a short walk from the state COFO office on Lynch Street. Its combination of disorder and inspiration was very much like that of the other schools in the state. The "faculty" was more experienced than most: a young high school teacher of English from Vermont acted as "coordinator"—a combination of principal, janitor, recreation supervisor, and father confessor. Another youthful junior high school teacher of mathematics was from Brooklyn; there was one college professor of history who had taught for a number of years in a Southern Negro college; also, an enthusiastic young woman named Jimmy Miller, whose husband, Warren Miller, had written in The Cool World about young Harlem Negro kids. The teachers lived in spare rooms, or spare corners of rooms, in Negro houses of the neighborhood.
Two days before the school was set to open, in close to 100 degree heat, the teachers canvassed the neighborhood for students. Each asked one of the Negro youngsters hanging around the COFO office to go along with him, so as to establish from the start that these were friendly visitors walking up on the porches, knocking on the doors, asking: "Do y'all know about the Freedom School starting on Wednesday over at Pratt Memorial Church?" No, they mostly didn't, and so the information passed across the threshold: "It's for teen-age boys and girls, to learn about Negro history, and the Constitution, and the civil rights movement, and mathematics, and maybe French and Spanish, the way they don't get learning in the regular school." Kids on bicycles stopped, and one friend told another, and the word was passed on.
No one paid attention to details like age requirements, so that at the opening of school, sixty kids showed up, from six to nineteen; Jimmy Miller marched the six to ten children off to a corner, to read with them, and teach them freedom songs, and sound out French words whose English equivalents they had not yet discovered, and painstakingly correct their spelling.
With the older ones, fourteen to nineteen, any idea of going in an organized way through an outline of Negro history or American government was soon dropped. Beyond a core of seven or eight who came faithfully every morning at nine and stayed until mid-afternoon, there were a dozen others who came and went as they liked. So the history professor started each day from where the mood struck him, from some point on which he thought the students' recognition might be fastened just long enough to pull them onward.
One day, it was an editorial in the morning's Clarion-Ledger, charging that civil rights workers were teaching people to break the law. "What do you think about that editorial? Is it true? If you could write a letter to the editor about it, what would you say?...Here's paper and pencil, go ahead. We'll pick out one or two and really send them to the editor." This was not education for grades, not writing for teacher's approval, but for an immediate use; it was a learning surrounded with urgency. And the students responded with seriousness, picking apart the issues: Are we for the law? Is there a higher law? When is civil disobedience justified? Then the teacher explored with them the differences between statutory law, constitutional law, "natural" law.
On another day the teacher told his students about the annual fair he had visited the previous afternoon. It was held in Neshoba County where the bodies of the three murdered civil rights workers had just been discovered. A strain of tension and fear pervaded the crowds that day at the fair. Gov. Paul Johnson had said: "It is not Mississippi's obligation to enforce federal statutes." A representative of the John Birch Society had said: "I am for the Constitution, for freedom, fo
r the open Bible." The students were asked: Do you disagree? Aren't you for the Constitution? For freedom? The discussion became heated. Distinctions were drawn, and became more and more refined, all by the students themselves, the teacher just listening: "Which Constitution does he mean, U.S. or Mississippi?...Maybe we're for different parts of the U.S. Constitution...Well, maybe we're for the same part, but we interpretit differently."
Teachers and students ate lunch together in the church basement, sang together, then separated into various activities. In a creative writing class, a teen-age girl named Lillie Mae Powell wrote a poem "The Negro Soldier":
One day while I was visiting a certain
City this is what I saw. A Negro
soldier with a broken arm who
was wounded in the war.
The wind was blowing from the
North; there was a drizzle of
Rain. He was looking from the
Last place; his arm was in a sling.
The Negro soldier didn't go
Home. He was looking to the east
And to the west. His broken arm
was in a sling.
The Jackson Freedom Schools faced only mild harassment. Early in the session, while canvassing for more students, two teachers—one a slim, blonde Skidmore undergraduate—were picked up by the police, held for several hours, then discharged. Violence spluttered around the COFO office in Jackson one ugly Saturday night: a young man building book shelves for a Freedom School bookmobile on the street across from the office was clubbed to the ground by a white man who fled in a car; a dance hall where teachers and students were spending the evening was sprayed with bullets by a passing car, and a Negro boy was wounded; crosses were burned. But by Mississippi standards, Jackson was peaceful.
In the rural areas of the state, the danger was greater. A church used as a Freedom School in the little town of Fluckstadt was burned to the ground (when the teachers arrived on the scene, fifteen youngsters were waiting under a tree for class to begin). A Northern doctor who spent the summer in Mississippi with the movement told of the two white girls who lived along in a hilltop house out in the country, 30 miles from Canton, and held a Freedom School there. In McComb, so dangerous that the Justice Department pleaded with the Mississippi project not to send anyone in there, a Freedom School was started by a Washington, D.C., speech teacher, a young Negro named Ralph Featherstone. Two days after the first contingent arrived, a bomb exploded in the midst of sleeping SNCC workers. But 100 children came regularly to attend the McComb Freedom School.
Violence took the headlines, but behind it a phenomenal thing was happening to Mississippi: 2,000 young people were having experiences that would—for some in a small way, for some drastically—change their lives.
The kind of teaching that was done in the Freedom Schools was, despite its departure from orthodoxy—or, more likely, because of it—just about the best kind there is. For the teachers were selected not by any mechanical set of requirements but on the basis of general intelligence, enthusiasm and the kind of social conscience that would drive them to spend a hot summer in Mississippi without pay. They taught, not out of textbooks, but out of life, trying to link the daily headlines with the best and deepest of man's intellectual tradition.
Their object was not to cram a prescribed amount of factual material into young minds, but to give them that first look into new worlds which would, some day if not immediately, lead them to books and people and ideas not found in the everyday lives of Mississippi Negroes. They didn't always succeed, but even their failures were warmed by the affection that sprang up everywhere between teachers and students, both aware that they talked with one another inside a common cradle of concern.
One afternoon in Jackson, a visiting folk singer brought the students of a Freedom School out into the sun-baked street back of the church, formed them into a huge circle, and taught them an Israeli dance chant imploring the heavens for rain to help the harvest. Older Negroes passed by, sat on porches, listened to their children utter strange words and dance this strange dance. The young ones seemed to understand; they were beginning, for the first time in their lives, to reach beyond their street, beyond their state, to join in some universal plea.
A Stanford University professor of English told how hard he had to work to make contact with these young boys and girls, so different from his regular students. But it came. He walked into class, put them at ease with some foolery, got them to talk about the events in the morning newspaper. Then: "Who would like to read a story?" One girl stubbornly had her back to the class. He asked her to read and she turned around. "She then read this story by Eudora Welty, 'The Worn Path,' and read it beautifully; it could have been a staged performance. And this was back of the church, the only place we had for my class, with the noise of traffic all around."
When the girl finished reading, the teacher asked the class: "Did you like the story?" There was a chorus: "Yes!" "Why?" They responded. He told them about subject and plot, about description and dialogue, how in general one analyzes a story. He asked how the story made them feel, and one said sad, and another said it made her laugh, and he asked how could a story do both at the same time, and spoke to them of irony. "God, how they understood!"
He bridged what they read and how they lived. He read to them from Ralph Ellison's Invisible Man. This was written, he said out of a Negro boy's personal experience. "Now I'll tell you a story of my personal experience." And he told of a wartime incident involving himself and Negro soldiers, in Charleston, South Carolina. And then, to the class: "Who else wants to tell a personal story?" The next day, one girl brought in a story which, he realized, was prose as good as that written by any Stanford freshmen he had encountered. And so, literature was read and created at the same time.
In these classes, discussions of democracy, of the philosophy of nonviolence, were hardly academic. In one Jackson school the class met to elect delegates to a convention of all the Jackson Freedom Schools. An older fellow named Jimmy, age 24, had been hanging around the class for the past few days. He spoke breezily of having recently spent three years in jail for a knifing. The teacher suggested that Jimmy sit up at the desk and chair the meeting. He laughed and complied, "OK, now, I'll choose the delegates," he announced. There were objections from all over the room: "We've got to elect them"!
"What kind of resolutions are we going to propose to the convention?" a girl asked. One was suggested: "If any kid is treated brutally in school in Jackson, all the kids in the Jackson schools walk out; we'll have a chairman in each school; we won't act just on say-so; we'll get written affidavits and witnesses before we take action. It's something like a student union."
The teacher was curious: "Do students get beaten up in your schools?" A girl answered: her principal had beaten a boy until he bled.
Jimmy then told how he'd been beaten by a teacher when he was younger. And how he and some friends had then found the teacher alone and taken revenge. "We had a nice understanding after that." He hesitated. "But I don't know what I'd do now. You know this nonviolence we're talking about. If it happened now I might beat him. Or I might just laugh and go away. I was young then and full of hate. At that time, I see something I want. I take it. Now, I ask. It's the movement I guess...I want my son to come up different."
Role playing was used very often in the Freedom Schools. "Kids that age are natural actors," a teacher explained. "And it puts them in other people's shoes. We don't want to win easy arguments over straw foes. They have got to be tough thinkers, tough arguers." The teacher listed on the blackboard Barry Goldwater's reasons for voting against the civil rights bill: (1) It is unconstitutional. (2) No law will end prejudice ("We cannot pass a law that will make you like me or me like you."). (3) It can't be enforced. (4) It violates the idea of States' rights. The class went over the arguments, with one boy portraying Goldwater, and defending his points powerfully, another trying to break them down.
Outside on the street, in front of t
he building, an energetic, redheaded teacher was pointing to a blackboard propped up in the sun, the kids sitting in rows in the shade of the building. "OK, we can build any kind of community we want now. What will the rules be?" This was a hortatory kind of teaching, but a kind the schools fostered: constantly talking with students not just about what is, but about what should be.
A Harvard graduate in literature who had taught in Israel worked in a Vicksburg Freedom School.
It was hard. Youngsters hung around the school, slept there. Every morning, they were like corpses on the floor. To start class, you had to clean them out. The school was cramped, noisy. We used role playing a lot. Kids would portray three generations of Negro families, and we learned history that way. We sat in a circle rather than the usual classroom format, to stress the equality of teacher and student. I read to them from Thomas Wolfe's You Can't Go Home Again and from Martin Luther King's I Have a Dream, then had them write speeches as if they were Senators urging passage of the civil rights bill. I tried to extend the idea of oppression beyond race. If you pick on a small kid with glasses and beat him up, aren't you acting the same as these white segregationists? I asked them.
One teacher spent a whole hour with his students discussing the word "skeptical." He told them: "This is a Freedom School and we should mean what we say. We should feel free to think as we want, question whomever we like, whether it's our parents, our ministers, our teachers, yes, me, right here. Don't take my word for things. Check up on them. Be skeptical." For these youngsters it was a new way of looking at the classroom. They told how in their high school in Jackson the rooms were wired so that at the flick of a switch the principal could listen in on any class in the school. Teachers were afraid to discuss controversial subjects.