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      eight-year-old girl.

      I did tend to direct my hostility at the square world and business1 7 7

      LAST WORDS

      men. Disturbing, because it seemed to control me: I couldn't turn

      it on and off. I embarrassed myself a lot and probably Brenda just as

      much. At times it was a component of the drug taking, but it also

      existed independent of drugs. When I became successful as an outsider and could be physically identified as such, the famous outsider,

      "the one who's saying all those things," I became very defensive.

      Despite my self-discovery and self-fulfillment and excitement

      about them, I was frustrated at the way the things I was saying in

      my work—my only artistic way of expressing my feelings—were being received. I really believed that the way these suits ran the world

      was seriously wrong. Not only were they wrong, they were ignoring

      people over property and profit. But I wasn't being fully understood:

      the people on the other side of the fence—or the street—saw me as a

      simplistic slogan-monger, a left-wing poseur. I resented that. But my

      artistic role—comedian—made it impossible to explain how carefully structured it was, how it sprang from profound changes that

      had occurred in my head as well as my heart. I felt misunderstood

      and self-conscious. In other words, hostile.

      One convenience of our new house was that right up there on the

      hill lived an actor who became my most reliable source of cocaine—

      an actor who later cleaned up and became quite successful. I spent a

      lot of time up there; it was so easy to go up and score. The only celebrity I ever ran into was Peter Lawford. We did a lot of lines together.

      I had other, less memorable sources, and Brenda would soon

      develop her own independent ones. It was during this period—in

      '73 and '74—that things really began to unravel. On top of the liquor, Brenda was now doing coke, plus the pills—like Valium—she

      took to balance the coke. At least she never got involved with heavy

      downers like reds and Tuinal.

      I'd always used Ritalin. My Ritalin habit didn't make me crazy. I

      used to take half a Ritalin, or at most one and a half. (I had a doctor's

      prescription for the stuff.) That was my speed during my so-called

      straight years: the groundwork was laid early on for my attraction to

      cocaine.

      The timetable on this downward path is not exact—it never is, I

      guess—except that it began to happen with the success of my first

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      three records. In that context, Brenda's pain and problems were understandable. She'd been my partner during my changes, helping

      me—again—with the press kit, travel, support, whatever her misgivings, while others were firing me and bitching about my new direction. Once I began to make money again and there were managers

      and agents and record execs handling things, these jobs went away.

      Again. She had nothing left to do.

      The money didn't help because she felt she was losing me. She

      didn't have a husband. She had a man who was out there for everybody else, but was hardly ever there for her. Or Kelly. I don't remember this—there's a lot I don't remember—but she said that once an

      interviewer asked me how old Kelly was, and I didn't know.

      So she'd sit around and drink. And snort cocaine. She went out

      to lunch. She went shopping. No life at all. She used to say she felt

      not just replaced by my managers, but patronized. As if she were a

      houseplant. Stick her over there. Water her from time to time. Keep

      her in the shade.

      She was already like Jekyll and Hyde on alcohol. Add in the coke,

      and the mix became toxic. And while she wouldn't be mean to anyone else, she was incredibly mean to me. There was a lot of hitting. I'd try to move her from one place to another when she was

      drunk on top of cocaine, or at least restrain her. But it was hard,

      very hard. At least with a person who's fucked up on cocaine you

      can get through to some extent. There's a vestige of linear thought.

      But alcohol changes everything, rationality, personality. I lived for

      years with, "No, you're not going out. Give me the car keys. You're

      not going out." She would hit me, and then I would not punch her,

      exactly—I never did that—but I probably slapped her. I'm sure I

      pushed her a lot. And she kicked me in the balls a lot.

      By '74 she was having hallucinations. One time when I was on

      the road she saw many, many people on the roof. She kept calling

      the security service to drive by and see what they were doing up

      there. Or she'd see mobs of people outside in our deserted suburban

      street. One night I came home late, unexpectedly, without calling.

      Brenda tried to stab me with a sword she had and just missed skewering me. She didn't know who I was.

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      LAST WORDS

      I wasn't a lot better. Once I had a long conversation in my room

      with five people who weren't there. I came out to find Brenda:

      "Brenda, Pat's in there and Doug and Jimmy Mellon and a couple

      of the other guys. Could you call the liquor store? We need some

      beers." She said, "What are you talking about?" I said, "For the guys.

      We're in my room. We're listening to records and shit." And she said,

      "There's nobody in the house. Nobody's come here all day." We

      go back, look around and the place is empty. And yet, I'd sat there

      seeing all these people for hours. Answered their questions. Asked

      them things. Got replies, apparently.

      In 1973, on a trip we took to Hawaii with Kelly, the craziness hit

      new heights. We stayed in a hotel called the Napili Kai in Maui.

      I was buying eighths or quarters from a chef in a local restaurant

      and doing them in the hotel. It was one of those hotels where everyone had their own little cottage or condo, but of course everybody

      was also right next door. And here were these Carlin people, fighting and yelling and threatening one another, creating this terrible

      fucking aura, all this horrible, out-of-control, pathetic drug use and

      abuse of one another.

      Kelly often ended up being the arbitrator between us. She was

      the one who said what we never did: "Let's save the marriage." At

      the Napili Kai, in the depths of this cocaine madness, she attempted

      an actual intervention. At ten years old she was going to solve everything.

      The trigger of it was that Brenda and I had taken knives to each

      other. We hadn't stuck them in each other's flesh yet but we were

      wielding them. Probably not intending to use them but making dramatic, dangerous gestures. That's when Kelly sat us down and said,

      "This has got to stop." She was crying and sobbing: "I have to tell

      you about how I feel about all this . . . It's my turn to talk!"

      Then and there she wrote a contract for us, which read: "You/I

      will not drink or snort coke or smoke pot for the next X days of our

      vacation. We're going to have a family vacation and we're going to

      have a good time." She made us sign it.

      It lasted all of thirty minutes. For some reason I went in the bathroom and shut the door. Brenda accused me of doing drugs—which

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      for once I wasn't—and went back down to the bar. So then I did have

      to do some. And that seemed like it for Kelly's
    contract.

      Except it wasn't. What she'd written and done was like a roundhouse punch to the solar plexus. Even if it didn't have immediate

      results, it had a dramatic long-term impact. From then on I tried

      harder to do right. It had a more lingering effect on Brenda that she

      wasn't immediately conscious of. But before very long she'd hit bottom and was getting sober.

      One great hallucination story—which demonstrates where your

      head goes on this stuff—happened right after we got back from Hawaii. The air is very clear in Hawaii and the sun stands out as a disc.

      Not a perfect disc, because of the brilliance around it, but still there's

      the sun, bright and clear. But in Pacific Palisades, where there's a

      constant marine layer of clouds, sometimes you're above the clouds

      and sometimes in the midst of them. Since the sky is amorphous and

      hazy, the sun is only detectable if the cloud cover is thin enough.

      I wake up the morning after returning from Hawaii, where I ' v e

      grown accustomed to seeing the sun this certain way, and I'm still

      full of cocaine. I get up. My mother is sleeping in the room we have

      for her. Brenda is asleep. I look up and I see what looks like the sun

      through the cloud layer, but far bigger and more diffuse than I'm

      used to seeing it. I decide it has exploded.

      I shake Brenda awake: "Get Kelly up! The sun has exploded! We

      have eight minutes to live!" Not understanding that if I was able to

      detect the explosion, the radiant energy would have reached earth

      by now. No, I was certain it had exploded and we had eight minutes

      for the shock wave to get here, which would then be the end of the

      world. I wake up my mother and Kelly and get them all outside and

      they're still groggy and agreeing with me: "Okay, this is the end of

      the world. The sun has exploded. We should go inside."

      Then Brenda said, "Wait, maybe you're not right." I accept that

      remote possibility and call a friend of mine in Sacramento, Joe Balladino, a drummer and a good friend, a big Italian pothead. He'd

      given up drumming and had been out with me on the road as my

      road manager. We wore the same kind of hats and we called ourselves the Blip Brothers.

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      I said: "Hey, Joe, would you go outside and take a look at the sun?

      Tell me if it has exploded, will ya?" He said: "Sure, man—hold on

      a minute." There's a short silence and he came back and said, "No,

      looks okay up here." So I said, "Okay, maybe I'm wrong about this.

      Maybe it's not the end of the world."

      A lot, a lot, a lot of cocaine. We would each have some—separate

      stashes—another of those deceptive practices you think will keep

      the peace, but which actually leads to more conflict. I would use

      all of mine up and I would want some of hers. So she would hide

      hers, or if I knew she'd finished hers, I would hide mine. Then we'd

      start looking for each other's stash. Then we would forget where

      we had hidden our own. We'd kiss and make up: "Look, you have

      some and I have some, so we'll pool and we'll both have some. Let's

      look together." We'd take every book from the bookcase because

      we thought we'd hidden it there. Hundreds of books. We'd look in

      every page of every book. Look behind the books. Try to put the

      books back. Leave the books stacked up.

      Or I'd decide it was time to sort out all the nuts and bolts and

      nails in the house. I wasn't a homey, do-it-yourself guy at all, but

      I had thousands of nuts and bolts and nails and washers that the

      anal me hadn't thrown away over the years. Brenda would find me

      hours later with every nut and bolt and screw and washer and nail

      carefully laid out on the carpet. I was putting the ones that matched

      each other together. Very important work. Must be done now—even

      though it's four-thirty in the morning. If I'd thought of it, I would

      have scrubbed the lawn, each blade of grass with a toothbrush, separately. Get it nice and clean. Clean and green.

      Hallucinations could come not just from the drug alone, but

      from starving for days on end. I'd stay up as much as six days and not

      eat, or eat only morsels of food. Fasting, in fact. Now, as we know,

      mystics often have visions purely from lack of food. I was right up

      there with those medieval saints the good sisters introduced me to.

      Never did see Jesus though. Many guys from the old neighborhood.

      No Jesus.

      Even without visions, there was the deadly treadmill of staying awake and taking more drugs to try to put off the time when

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      you would finally have to go to sleep and running out and going

      through the rigamarole of getting more and taking it and putting

      off sleeptime and then realizing that you couldn't go any further. It

      would all just come crashing down and you'd go into this deep, deep

      sleep.

      They'd have to cancel dates. I'd miss whole strings of dates.

      Then I'd go to the cocaine-doctor in Westwood, Dr. von Leden.

      He'd write me physician notes that excused me from the concerts so

      we wouldn't get sued. Usually the excuse was that I had laryngitis,

      which I often did, as I'd sing for six days straight at the top of my

      voice to the music I was playing. Or I would talk, talk, talk, whether

      I had company or not. Then I'd try to do a two-and-a-half-hour concert and I would lose my voice. Part of it was the numbing from

      the sheer bulk of cocaine; part the things it was cut with, which

      anesthetized vocal cords and mucous membranes, making speech

      mechanically impossible.

      Dr. von Leden had an Austrian accent and a slight speech impediment. He'd say, "Ja, you see, this cocaine you shouldn't take, because it makes you wap. And when you wap you lose your voice. You

      must stop wapping." I'd always agree to stop wapping but a month

      later I'd be back again, all wapped out.

      Early on in this lunacy, I bought a jet. An Aero Commander 1121

      Jet Commander. I flew everywhere in it, usually with my pal the

      singer Kenny Rankin. Kenny was an ex-speed freak, who'd gone

      through Phoenix House and got clean. That didn't last. Traveling with me and being around all the coke brought him solidly

      back. So I'm zipping around the country high on cocaine, in my

      own jet. With my own pilot, my own copilot. Sheer fucking madness.

      There was one wonderful moment with the plane. We flew into

      LaCuardia from Cleveland to do some New York dates. They parked

      the jet on a ramp out near Butler Aviation: the executive-jet area. I

      didn't have to work anywhere that night, so after we'd checked in,

      I went back out to LaCuardia. I brought my Sony jam box (an early

      incarnation of the ghetto blaster), my music tapes, two six-packs, an

      ounce of pot and several grams of cocaine. I sat in my own jet plane,

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      playing the music as loud as it would go, alone on the ramp at LaGuardia, and had myself a one-man party.

      LaGuardia had special meaning for me. When we were kids, we'd

      steal these crappy bikes in the neighborhood and ride them across

      125th Street, over the Triborough Bridge and along the Grand Central Parkway all the way out to LaGuardia. At LaGuardia there were

      bike r
    acks, where nice kids would leave their nice, expensive bikes.

      We'd leave our crappy, stolen bikes in the racks, steal the nice bikes

      and ride them home.

      There was a nostalgic contrast between the bicycle of my

      boyhood—the lowest, slowest mode of transportation—and the supersonic jet—the highest and fastest. Where I used to come to steal

      a bicycle, now I was sitting in my own jet, soaking up the music and

      cocaine. A wonderful symbol of success and speed and seventies

      drug madness.

      We leased it out occasionally; once to Jeff Wald and his wife,

      Helen Reddy. They were flying around doing a series of dates, and

      somewhere the plane suddenly lost fifteen thousand feet of altitude.

      They were sure they were going to die. For some reason, they never

      leased it again.

      Her near-death experience wasn't the only brush I had with

      Ms. Reddy. On another occasion she was at a party at Monte Kay's

      house, where Brenda got blind, falling-down drunk but wouldn't

      come home. Just refused, point-blank. I forced her out of the place

      physically, pushing, jostling, shoving, picking her up, trying to

      carry her.

      Helen was a fierce women's libber, having had a huge hit with

      one of the anthems of the women's movement ("I Am Woman").

      She took great exception to the combination of physical things 1

      had to do to get Brenda out of Montes house to the driveway and

      into the car. Having no prior knowledge of the actual situation,

      this appeared to Helen as violent physical abuse of a woman by

      a man and she reacted accordingly. She was woman, I heard her

      roar.

      In the end it was yet another of the endless examples of how out

      of control we both were, and as '75 proceeded, things really began to

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      fall apart. A big part of the problem was my mother. She had come

      out for some birthday early in the year and never went home. The

      woman who came to dinner.

      I knew how corrosive she could be. This time she had become

      Brenda's drinking buddy. Though my mother didn't drink most of

     
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