The First Algernon Blackwood Megapack

  I remembered that some such fantastic experience had been mine. Put it as one may, the fact remains that for certain temperaments Egypt can rob the Present of some thread of interest that was formerly there. the memory became for me an integral part of personality; something in me yearned for its curious and awful beauty. He who has drunk of the Nile shall return to drink of it again.… And if for myself this was possible, what might not happen to a character of George Isley’s type? Some glimmer of comprehension came to me. the ancient, buried, hidden Egypt had cast her net about his soul. Grown shadowy in the Present, his life was being transferred into some golden, reconstructed Past, where it was real. Some countries give, while others take away. And George Isley was worth robbing.…

  Disturbed by these singular reflections, I moved away from the open window, closing it. But the closing did not exclude the presence of the Third. the biting night air followed me in. I drew the mosquito curtains round the bed, but the light I left still burning; and, lying there, I jotted down upon a scrap of paper this curious impression as best I could, only to find that it escaped easily between the words. Such visionary and spiritual perceptions are too elusive to be trapped in language. Reading it over after an interval of years, it is difficult to recall with what intense meaning, what uncanny emotion, I wrote those faded lines in pencil. Their rhetoric seems cheap, their content much exaggerated; yet at the time truth burned in every syllable. Egypt, which since time began has suffered robbery with violence at the hands of all the world, now takes her vengeance, choosing her individual prey. Her time has come. Behind a modern mask she lies in wait, intensely active, sure of her hidden power. Prostitute of dead empires, she lies now at peace beneath the same old stars, her loveliness unimpaired, bejewelled with the beaten gold of ages, her breasts uncovered, and her grand limbs flashing in the sun. Her shoulders of alabaster are lifted above the sand-drifts; she surveys the little figures of today. She takes her choice.…

  That night I did not dream, but neither did the whole of me lie down in sleep. During the long dark hours I was aware of that picture endlessly repeating itself, the picture of George Isley stealing out into the moonlight desert. the night so swiftly dropped her hood about him; so mysteriously he merged into the unchanging thing which cloaks the past. It lifted. Some huge shadowy hand, gloved softly yet of granite, stretched over the leagues to take him. He disappeared.

  They say the desert is motionless and has no gestures! That night I saw it moving, hurrying. It went tearing after him. You understand my meaning? No! Well, when excited it produces this strange impression, and the terrible moment is—when you surrender helplessly—you desire it shall swallow you. You let it come. George Isley spoke of a web. It is, at any rate, some central power that conceals itself behind the surface glamor folk call the spell of Egypt. Its home is not apparent. It dwells with ancient Egypt—underground. Behind the stillness of hot windless days, behind the peace of calm, gigantic nights, it lurks unrealised, monstrous and irresistible. My mind grasped it as little as the fact that our solar system with all its retinue of satellites and planets rushes annually many million miles towards a star in Hercules, while yet that constellation appears no closer than it did six thousand years ago. But the clue dropped into me. George Isley, with his entire retinue of thought and life and feeling, was being similarly drawn. And I, a minor satellite, had become aware of the horrifying pull. It was magnificent.… And I fell asleep on the crest of this enormous wave.

  V

  The next few days passed idly; weeks passed too, I think; hidden away in this cosmopolitan hotel we lived apart, unnoticed. There was the feeling that time went what pace it pleased, now fast, now slow, now standing still. the similarity of the brilliant days, set between wondrous dawns and sunsets, left the impression that it was really one long, endless day without divisions. the mind’s machinery of measurement suffered dislocation. Time went backwards; dates were forgotten; the month, the time of year, the century itself went down into undifferentiated life.

  The Present certainly slipped away curiously. Newspapers and politics became unimportant, news uninteresting, English life so remote as to be unreal, European affairs shadowy. the stream of life ran in another direction altogether—backwards. the names and faces of friends appeared through mist. People arrived as though dropped from the skies. They suddenly were there; one saw them in the dining-room, as though they had just slipped in from an outer world that once was real—somewhere. of course, a steamer sailed four times a week, and the journey took five days, but these things were merely known, not realised. the fact that here it was summer, whereas over there winter reigned, helped to make the distance not quite thinkable. We looked at the desert and made plans. “We will do this, we will do that; we must go there, we’ll visit such and such a place…” yet nothing happened. It always was tomorrow or yesterday, and we shared the discovery of Alice that there was no real “today.” For our thinking made everything happen. That was enough. It had happened. It was the reality of dreams. Egypt was a dream-world that made the heart live backwards.

  It came about, thus, that for the next few weeks I watched a fading life, myself alert and sympathetic, yet unable somehow to intrude and help. Noticing various little things by which George Isley betrayed the progress of the unequal struggle, I found my assistance negatived by the fact that I was in similar case myself. What he experienced in large and finally, I, too, experienced in little and for the moment. For I seemed also caught upon the fringe of the invisible web. My feelings were entangled sufficiently for me to understand.… And the decline of his being was terrible to watch. His character went with it; I saw his talents fade, his personality dwindle, his very soul dissolve before the insidious and invading influence. He hardly struggled. I thought of those abominable insects that paralyse the motor systems of their victims and then devour them at their leisure—alive. the incredible adventure was literally true, but, being spiritual, may not be told in the terms of a detective story. This version must remain an individual rendering—an aspect of one possible version. All who know the real Egypt, that Egypt which has nothing to do with dams and Nationalists and the external welfare of the falaheen, will understand. the pilfering of her ancient dead she suffers still; she, in revenge, preys at her leisure on the living.

  The occasions when he betrayed himself were ordinary enough; it was the glimpse they afforded of what was in progress beneath his calm exterior that made them interesting. Once, I remember, we had lunched together at Mena, and, after visiting certain excavations beyond the Gizeh pyramids, we made our way homewards by way of the Sphinx. It was dusk, and the main army of tourists had retired, though some few dozen sight-seers still moved about to the cries of donkey-boys and baksheesh. the vast head and shoulders suddenly emerged, riding undrowned above the sea of sand. Dark and monstrous in the fading light, it loomed, as ever, a being of non-human lineage; no amount of familiarity could depreciate its grandeur, its impressive setting, the lost expression of the countenance that is too huge to focus as a face. A thousand visits leave its power undiminished. It has intruded upon our earth from some uncommon world. George Isley and myself both turned aside to acknowledge the presence of this alien, uncomfortable thing. We did not linger, but we slackened pace. It was the obvious, inevitable thing to do. He pointed then, with a suddenness that made me start. He indicated the tourists standing round.

  “See,” he said, in a lowered tone, “day and night you’ll always find a crowd obedient to that thing. But notice their behavior. People don’t do that before any other ruin in the world I’ve ever seen.” He referred to the attempts of individuals to creep away alone and stare into the stupendous visage by themselves. At different points in the deep sandy basin were men and women, standing solitary, lying, crouching, apart from the main company where the dragomen mouthed their exposition with impertinent glibness.

  “The desire to be alone,” he went on, half to himself, as we paused a moment, “the sense of worship which insists
on privacy.”

  It was significant, for no amount of advertising could dwarf the impressiveness of the inscrutable visage into whose eyes of stone the silent humans gazed. Not even the red-coat, standing inside one gigantic ear, could introduce the commonplace. But my companion’s words let another thing into the spectacle, a less exalted thing, dropping a hint of horror about that sandy cup: It became easy, for a moment, to imagine these tourists worshipping—against their will; to picture the monster noticing that they were there; that it might slowly turn its awful head; that the sand might visibly trickle from a stirring paw; that, in a word, they might be taken—changed.

  “Come,” he whispered in a dropping tone, interrupting my fancies as though he half divined them, “it is getting late, and to be alone with the thing is intolerable to me just now. But you notice, don’t you,” he added, as he took my arm to hurry me away, “how little the tourists matter? Instead of injuring the effect, they increase it. It uses them.”

  And again a slight sensation of chill, communicated possibly by his nervous touch, or possibly by his earnest way of saying these curious words, passed through me. Some part of me remained behind in that hollow trough of sand, prostrate before an immensity that symbolised the past. A curious, wild yearning caught me momentarily, an intense desire to understand exactly why that terror stood there, its actual meaning long ago to the hearts that set it waiting for the sun, what definite rôle it played, what souls it stirred and why, in that system of towering belief and faith whose indestructible emblem it still remained. the past stood grouped so solemnly about its menacing presentment. I was distinctly aware of this spiritual suction backwards that my companion yielded to so gladly, yet against his normal, modern self. For it made the past appear magnificently desirable, and loosened all the rivets of the present. It bodied forth three main ingredients of this deep Egyptian spell—size, mystery, and immobility.

  Yet, to my relief, the cheaper aspect of this Egyptian glamor left him cold. He remained unmoved by the commonplace mysterious; he told no mummy stories, nor ever hinted at the supernatural quality that leaps to the mind of the majority. There was no play in him. the influence was grave and vital. And, although I knew he held strong views with regard to the impiety of disturbing the dead, he never in my hearing attached any possible revengeful character to the energy of an outraged past. the current tales of this description he ignored; they were for superstitious minds or children; the deities that claimed his soul were of a grander order altogether. He lived, if it may be so expressed, already in a world his heart had reconstructed or remembered; it drew him in another direction altogether; with the modern, sensational view of life his spirit held no traffic any longer; he was living backwards. I saw his figure receding mournfully, yet never sentimentally, into the spacious, golden atmosphere of recaptured days. the enormous soul of buried Egypt drew him down. the dwindling of his physical appearance was, of course, a mental interpretation of my own; but another, stranger interpretation of a spiritual kind moved parallel with it—marvellous and horrible. For, as he diminished outwardly and in his modern, present aspect, he grew within—gigantic. the size of Egypt entered into him. Huge proportions now began to accompany any presentment of his personality to my inner vision. He towered. These two qualities of the land already obsessed him—magnitude and immobility.

  And that awe which modern life ignores contemptuously woke in my heart. I almost feared his presence at certain times. For one aspect of the Egyptian spell is explained by sheer size and bulk. Disdainful of mere speed today, the heart is still uncomfortable with magnitude; and in Egypt there is size that may easily appal, for every detail shunts it laboriously upon the mind. It elbows out the present. the desert’s vastness is not made comprehensible by mileage, and the sources of the Nile are so distant that they exist less on the map than in the imagination. the effort to realise suffers paralysis; they might equally be in the moon or Saturn. the undecorated magnificence of the desert remains unknown, just as the proportions of pyramid and temple, of pylons and Colossi approach the edge of the mind yet never enter in. All stand outside, clothed in this prodigious measurement of the past. And the old beliefs not only share this titanic effect upon the consciousness, but carry it stages further. the entire scale haunts with uncomfortable immensity, so that the majority run back with relief to the measurable details of a more manageable scale. Express trains, flying machines, Atlantic liners—these produce no unpleasant stretching of the faculties compared to the influence of the Karnak pylons, the pyramids, or the interior of the Serapeum.

  Close behind this magnitude, moreover, steps the monstrous. It is revealed not in sand and stone alone, in queer effects of light and shadow, of glittering sunsets and of magical dusks, but in the very aspect of the bird and animal life. the heavy-headed buffaloes betray it equally with the vultures, the myriad kites, the grotesqueness of the mouthing camels. the rude, enormous scenery has it everywhere. There is nothing lyrical in this land of passionate mirages. Uncouth immensity notes the little human flittings. the days roll by in a tide of golden splendor; one goes helplessly with the flood; but it is an irresistible flood that sweeps backwards and below. the silent-footed natives in their colored robes move before a curtain, and behind that curtain dwells the soul of ancient Egypt—the Reality, as George Isley called it—watching, with sleepless eyes of grey infinity. Then, sometimes the curtain stirs and lifts an edge; an invisible hand creeps forth; the soul is touched. And someone disappears.

  VI

  The process of disintegration must have been at work a long time before I appeared upon the scene; the changes went forward with such rapidity.

  It was his third year in Egypt, two of which had been spent without interruption in company with an Egyptologist named Moleson, in the neighborhood of Thebes. I soon discovered that this region was for him the center of attraction, or as he put it, of the web. Not Luxor, of course, nor the images of reconstructed Karnak; but that stretch of grim, forbidding mountains where royalty, earthly and spiritual, sought eternal peace for the physical remains. There, amid surroundings of superb desolation, great priests and mighty kings had thought themselves secure from sacrilegious touch. In caverns underground they kept their faithful tryst with centuries, guarded by the silence of magnificent gloom. There they waited, communing with passing ages in their sleep, till Ra, their glad divinity, should summon them to the fulfilment of their ancient dream. And there, in the Valley of the Tombs of the Kings, their dream was shattered, their lovely prophecies derided, and their glory dimmed by the impious desecration of the curious.

  That George Isley and his companion had spent their time, not merely digging and deciphering like their practical confrères, but engaged in some strange experiments of recovery and reconstruction, was matter for open comment among the fraternity. That incredible things had happened there was the big story of two Egyptian seasons at least. I heard this later only—tales of utterly incredible kind, that the desolate vale of rock was seen repeopled on moonlit nights, that the smoke of unaccustomed fires rose to cap the flat-topped peaks, that the pageantry of some forgotten worship had been seen to issue from the openings of these hills, and that sounds of chanting, sonorous and marvellously sweet, had been heard to echo from those bleak, repellent precipices. the tales apparently were grossly exaggerated; wandering Bedouins brought them in; the guides and dragomen repeated them with mysterious additions; till they filtered down through the native servants in the hotels and reached the tourists with highly picturesque embroidery. They reached the authorities too. the only accurate fact I gathered at the time, however, was that they had abruptly ceased. George Isley and Moleson, moreover, had parted company. And Moleson, I heard, was the originator of the business. He was, at this time, unknown to me; his arresting book, A Modern Reconstruction of Sun-worship in Ancient Egypt being my only link with his unusual mind. Apparently he regarded the sun as the deity of the scientific religion of the future which would replace the various anthropomor
phic gods of childish creeds. He discussed the possibility of the zodiacal signs being some kind of Celestial Intelligences. Belief blazed on every page. Men’s life is heat, derived solely from the sun, and men were, therefore, part of the sun in the sense that a Christian is part of his personal deity. And absorption was the end. His description of “sun-worship ceremonials” conveyed an amazing reality and beauty. This singular book, however, was all I knew of him until he came to visit us in Helouan, though I easily discerned that his influence somehow was the original cause of the change in my companion.

  At Thebes, then, was the active center of the influence that drew my friend away from modern things. It was there, I easily guessed, that “obstacles” had been placed in the way of these men’s too close enquiry. In that haunted and oppressive valley, where profane and reverent come to actual grips, where modern curiosity is most busily organised, and even tourists are aware of a masked hostility that dogs the prying of the least imaginative mind—there, in the neighborhood of the hundred-gated city, had Egypt set the headquarters of her irreconcilable enmity. And it was there, amid the ruins of her loveliest past, that George Isley had spent his years of magical reconstruction and met the influence that now dominated his entire life.