DR14 - Crusader's Cross

  I sat beside him under the shelter and unscrewed the cap on a thermos of coffee and hot milk I had brought from home.

  "You went after Billy Joe Pitts, didn't you?" I said.

  "I found out he hangs around the casino in Lake Charles on the weekends. But that's not all he does over there. He's part owner of a motel that operates as a cat-house for high rollers."

  Clete sipped his coffee, the steam rising into his face. He wore a rumpled suit with a white shirt and no tie, and a yellow straw cowboy hat that was bright with dew. The back of his neck was thick and red and pocked with scars below his hairline. I waited for him to go on, but he didn't.

  "What happened?" I said.

  "He made me at the casino and got me busted. I spent Saturday night in the Calcasieu Parish Jail. I'd still be in there if Nig and Willie hadn't called in some IOUs for me. I was in a cell with a meth freak who tried to talk to his wife in the women's section by yelling into the toilet bowl."

  Wee Willie Bimstine and Nig Rosewater were two New Orleans bondsmen Clete worked for, but I didn't want to hear about them or Clete's night in the can. When Clete's stories digressed, he was usually trying to hide a disaster of some kind inside an incessant stream of minutiae. "What did you do when you got out, Clete?"

  "Hung around town, bought some books at Barnes and Noble, went swimming out at the lake. You ever been to Shell Beach?"

  "Clete —"

  "Toward evening I made a house call out at Pitts's motel. He was lifting weights in a cottage out back. He was also getting a blow job. The girl was black, maybe sixteen or seventeen years old." Clete tossed the remainder of his coffee into the grass and stared at the bayou.

  "Go on," I said.

  "The girl went into the motel, probably to scrub her teeth with Liquid Drano. So I ducked into the cottage. I was just going to have a motivational talk with the guy. He was lying on a bench, pressing a bar with maybe a hundred and seventy-five pounds on it. I waited till the bar was down on his chest, then I came up behind him and grabbed it and held it there so he couldn't lift it up again."

  "I go, 'You busted up my podjo, motherfucker. That means you take the payback or give up the guy who sent you. Want a second to think it over'?"

  "He goes, 'Oh, it's Louisiana Fats again. I thought you were getting your cheeks oiled at the jail.' "

  "I go, 'Bad time to be a wiseass, Billy Joe,' and roll the bar toward his throat."

  "I thought he'd give it up. He was popping with sweat, his face starting to get a little purple. Then he says, 'Does Robicheaux make you squat down for your nose lube?' "

  Clete blew out his breath. "What was I supposed to do? The clock was running. The guy almost took your head off with a two-by-four. He made a teenage girl cop his swizzle stick. He's a dirty cop. He should have had his spokes ripped out a long time ago. So I did it."

  "What?"

  "Maybe hurt him a little when I picked up the bar and dropped it on him."

  Clete looked sideways at me, then back at the bayou again. I could hear the rain ticking on the trees and the camellias that grew along the water's edge. I was afraid to ask the next question. "Is he —"

  "I didn't hang around. Last I saw, he was thrashing around on the floor, holding his throat. Red froth was kind of blowing out of his mouth," Clete said. He looked at me again, waiting for me to speak, unable to hide the apprehension in his face.

  So I slipped back into my old role as Clete's enabler and answered the question that was in his eyes. "To my knowledge no one has contacted the department. Did you check in with Willie and Nig?" I said.

  "Are you kidding? The last thing they want is their hired skip chaser bringing an A and B beef down on their heads."

  He lit a Lucky Strike with an old Zippo and flicked the cap shut. He inhaled on the cigarette, blowing the smoke out through his fingers, then ground it out in the dirt. I could almost see his heart beating against his shirt.

  "I'll make some calls. It's probably not as bad as you think," I said.

  St. Augustine said we should never use the truth to injure. Who was I to argue with a patristic saint? Besides, what else can you do when your best friend regularly allows his soul to be shot out of a cannon on your behalf?

  I changed the subject and told him about my encounter with Valentine Chalons at the homicide scene Thursday night. At first Clete's eyes remained focused inward on his own thoughts, then I saw his attention begin to shift from his own troubles to mine.

  "You say this guy Chalons blew it?" he said.

  "He told me he never heard of Troy Bordelon. But his news crew was at the hospital. I'm sure they were covering the knife attack on Troy."

  "That doesn't mean Chalons knew about it," Clete said.

  "He's a good newsman. Nothing slides by him."

  "We're back to this Ida Durbin broad again? And rich people in St. Mary Parish you can't stand. There's a pattern here, big mon," Clete said.

  "Clete, sometimes you can make me wish one of us was stone drunk or down at the methadon clinic," I said.

  "What can I say? You'll never change. If you don't believe me, ask anybody who knows you."

  I wanted to punch him.

  I went to the office and buried myself in our newly opened investigation into the death by strangulation and massive head trauma of Fontaine Belloc, the wife of the DEQ officer serving federal time at Seagoville, Texas. She had been raped before she died., and the semen in her body had come back a match with the Baton Rouge serial killer's, pulling us into an investigation that was now drawing national attention and every kind of meddlesome intrusion imaginable.

  A famous crime novelist from the East ensconced herself in the middle of the investigation and the attendant publicity; psychics came out of the woodwork; and psychological profilers were interviewed on state television almost daily. The revelation that the murders of over thirty Baton Rouge women had remained unsolved in the last decade left local people stunned and disbelieving. Sporting goods stores quickly ran out of pepper spray and handguns.

  Law enforcement agencies in other states began to contact Baton Rouge P.D. looking for ties to their own files of unsolved pattern homicides. The number of serial killings throughout the United States, as well as disappearances that were likely homicides, was a comment about the underside of our society that no humanist would care to dwell upon.

  In Wichita, Kansas, a psychopath who called himself BTK, for "bind, torture, and kill," had committed crimes against whole families that were so cruel, depraved, and inhuman that police reporters as well as homicide investigators refused to reveal specific details to the public, even in the most euphemistic language.

  Baton Rouge P.D. received inquiries from Miami and Fort Lauderdale about a series of silk stocking strangulations back in the 1970s that came to be known as the "Canal Murders," which may have been committed by one or several persons.

  Years ago, in Texas, a demented man by the name of Henry Lucas confessed to whatever crime police authorities wished to feed him information about. Now some of those same cops who had closed their files at Lucas's expense privately acknowledged over the phone the real killer was probably still out there or, worse, in their midst.

  The names of celebrity monsters reentered our vocabulary, perhaps because they put a human face on a level of evil most of us cannot comprehend. Or perhaps, like Dahmer or Gacy or Bundy, they're safely dead and their fate assures us that our legal apparatus will protect us against our present adversaries.

  But what troubled me most about this investigation, as well as two other serial killer cases I had been involved with, was the lack of collective knowledge we possess about the perpetrators. They take their secrets to the grave. In their last moments, with nothing to gain, they refuse to tell the victims' families where their loved ones are buried. When a family member makes a special appeal to them, they gaze into space, as though someone is speaking to them in a foreign language.

  None I ever interviewed showed anger or resentment. Their sp
eech is remarkably lucid and their syntax shows no evidence of a thought disorder, as in the case of paranoids and schizophrenics. They're polite, not given to profanity, and disturbingly normal in appearance. Invariably they tell you their victims never had a clue as to the fate that was about to befall them.

  They look like your next-door neighbor, or a man selling Fuller brushes, or a hardware store employee grinding a spare key for your house. I believe their numbers are greater than we think. I believe the causes that create them are theological in nature rather than societal. I believe they make a conscious choice to erase God's thumbprint from their souls. But that's just one man's opinion. The truth is, nobody knows.

  It was raining when I went to lunch. Our drought was broken and Bayou Teche was running high and dark under the drawbridge, and black people were fishing with bamboo poles in the lee of the bridge. Even though it was early summer, the wind was cool and smelled of salt and wet trees. When I got back to the office, I temporarily put away my expanding file on the murder of Fontaine Belloc and kept my promise to Clete, namely, to determine the fate of Billy Joe Pitts after Clete bounced one hundred and seventy-five pounds in iron weights off his sternum.

  I knew the police chief in Lake Charles, where Pitts evidently moonlighted as a pimp, but I decided to take the problem straight to its source and called the sheriff's department in the parish north of Alexandria where Pitts lived and worked. The dispatcher said Pitts was off that day.

  "Give me his home number, please. This is in reference to a murder investigation," I said.

  "I can't do that," the dispatcher said.

  "Call him and give him my number. I need to hear from him in the next half hour or I'll go through the sheriff," I said.

  Ten minutes later, my extension rang. "What do you want, Robicheaux?" Pitts said.

  "Sounds like you have an obstruction in your throat," I said.

  "I said what do you want."

  Actually his response had already given me the information I needed. Pitts was alive, not in a hospital, and he probably wasn't filing charges against Clete. "I think Troy Bordelon may have been witness to the murder of a prostitute by the name of Ida Durbin. But I hit a dead end every time I mention her name. So I talked to Val Chalons, you know, the newsman? He told me you might have some helpful information."

  "Me?"

  "He mentioned your name specifically," I lied.

  "I see Val Chalons when he fishes up here on my dad's lake. I don't talk police business with him. He doesn't give me tips on the stock market."

  "But you know Val Chalons, right?"

  "Listen, I don't know what you're up to, but you tell rhino-butt it's not over between us."

  "Who would rhino-butt be?" I asked.

  "Duh," he replied.

  "It's been good talking with you, Billy Joe. Try gargling with some warm salt water. And the next time you come around my house with a weapon in your hand, be advised I'm going to blow your fucking head off," I said.

  Then I made a call to my half brother, Jimmie, in New Orleans, where he owned one restaurant in the Quarter and another uptown, in the Carrollton district. Jimmie had never married, although any number of attractive and interesting women drifted in and out of his life. He was known in the life as "Jimmie the Gent" and over the years had acquired a kind of benign notoriety as a player in the city's traditional vices — video poker machines, offtrack betting, card clubs, and trafficking in large amounts of illegal Mexican rum and gin. By their nature, all these enterprises took Jimmie into a working relationship with the Giacano family, who had run New Orleans since Governor Huey Long made a present of the state to Frank Costello.

  But the patriarch of the Giacanos, a Dumpster load of whaleshit by the name of Didi Gee, paid back Jimmie's trust by putting a contract on me, except the button man mistakenly shot Jimmie and blinded him in one eye.

  "This guy Bordelon saw Ida die?" Jimmie said.

  "I didn't say that," I replied.

  "Then what did you say?"

  "He saw blood on a chair. He said they smashed her mandolin. He wasn't sure what happened to her."

  The line was quiet a long time. "And some redneck cops came after you because they thought you knew too much? Cops who might work for the Chalons family?"

  "That about sums it up."

  "I'm coming over there."

  "Not a good idea," I said.

  "You want me to stay at a motel?" he said.

  chapter SIX

  After I had hung up I went downstairs and tapped on Helen's door. Her desk was covered with photos of women who were thought to be victims of the Baton Rouge serial killer.

  "Val Chalons was covering the story on our DOA Thursday night," I said. "I brought up the name of Billy Joe Pitts. He told me he never heard of him."

  Helen was chewing on the corner of her lip, trying to concentrate on what I was saying, her fingers splayed on the photos of the dead women. "You lost me," she said.

  "I just talked with Pitts. He says Chalons fishes at his father's lake. Chalons was lying."

  Helen closed her eyes and opened them. "Dave, we've got our hands full here. We're going to get Pitts. We're going to get that other jerk, what's-his-name, Shockly. But right now —"

  "Guys like Pitts don't operate without sanction, Helen. Why did Chalons lie?"

  "Maybe he isn't interested in the subject. Maybe he couldn't care less about you or Pitts. Maybe everything isn't about you."

  It was quiet in the room. Outside, rain swept across the window. "The assault against my person is an open investigation. I was bringing you up to date."

  "Good," she said, her face coloring with embarrassment at her own level of irritation.

  I nodded at her desktop. "I went over those this morning. Pretty grim."

  She stood up from her desk and tightened the tuck of her shirt with her thumbs, her shoulders flexing, her expression recomposing itself. She picked up a glossy plastic folder and handed it to me. "Here's the Baton Rouge coroner's file. A couple of the women were dead when most of the damage was done to them. Some of them weren't."

  "I'll read it and check with you later."

  "Do that," she said.

  I started out the door.

  "Hold on a minute, bwana," she said. "I apologize if I'm a little on edge. This is the worst case I've ever seen. How does a guy this sick go undetected for years?"

  In my mind's eye I saw an image from years ago of a nineteen-year-old door gunner blowing apart a South Vietnamese wedding party inside a free-fire zone.

  "Because he looks like a regular guy, cooking hot dogs on the grill next door," I said.

  After five o'clock, I drove into St. Mary Parish and resumed my own investigation into the fate of Ida Durbin.

  To say the Chalons family lived in an antebellum home on Bayou Teche does not go anywhere near an accurate description of the singularity that characterized their home and their way of life. The house was enormous, two and a half stories tall, and had been built in the 1850s inside oak trees that were already mature. Now the trees were centuries old and kept the house in perpetual shade. But rather than restore the home to its original grandeur, as the Chalons's wealth would have allowed them to do, they seemed to treat modernity as an enemy to be kept in abeyance.

  According to the legend, the builder had mixed milk and hog's blood in the paint, and it had dried on the cypress and oak planks as hard as iron. I suspected the truth was otherwise. The hardened texture and grayish-green color of the paint was probably due to the smoke from cane stubble fires and the mold and dampness caused by lack of sunlight inside the trees.

  Or maybe I just didn't like the romantic legends that seemed to attach themselves to the Chalons family.

  Valentine's father was named Raphael. He had become a widower twice and was notorious for his illegitimate children., erotic excursions to the Islands, and his affairs with married women in New Orleans. I wondered sometimes if his home did not mirror his soul. He hired no gardeners and let
his grounds run riot. But the result was a rough kind of subtropical Edenic beauty, threaded with snakes and thorned plants that had no names. Even more incongruently, his magnolia trees grew to a huge size, dripping with flowers, his grapefruit trees bursting with golden orbs, without sunlight ever directly touching the leaves.

  Formosa termites had eaten through the outbuildings, the old slave quarters, and part of the house's walls and lower veranda, robbing them of any sense of historical severity they might have once contained, as though their edges had been molded by the gentle forces of time and foliage rather than parasitical insects. Raphael had finally relented and allowed chemical treatment of his property, but the accumulative effect of his organized neglect was a tangle of air vines, wild persimmons, palmettos, pecan trees, blooming flowers, and desiccated wood that no film company could replicate.

  I stopped my pickup in front of the heavy iron gate that closed off the driveway and prevented tourists from entering the property and photographing it. But before I could get out of the truck, a black man emerged from the shadows and scraped back the gate for me. He was a heavyset, pie-faced man, with big, half-moon eyebrows and a cranium like an inverted pot. What was his name? Andrew? No, Andre. Andre Bergeron. He ran errands and did chores for the Chalons family and used to sell iced-down oysters off the tailgate of a pickup by the drawbridge near Burke Street.

  "Thank you," I said.

  "Yes, suh," he replied. "You here to see Mr. Val?"

  "How'd you know?" I said.

  " 'Cause you a po-liceman in New Iberia. 'Cause you probably working on a crime and you here to see Mr. Val 'cause he's a TV newsman and he got a lot of information on them kind of t'ings."

  "You got it pretty well figured out," I said.

  "Yes, suh. I do."

  I drove into the grounds, through towering oak trees that creaked with the wind. The rain had stopped and the sky was marbled with purple and gold clouds, and through the trees I could see the sunlight winking on the bayou.

  Val opened the front door. He was expansive, jocular, a bourbon and crushed ice in his hand, his sister Honoria seated at the piano in the middle of the living room, a solitary lamp burning behind her. The woodwork was dark, the furniture heavy, the air musky-smelling. "How you doing, old buddy?" Val said.