Complete Poems 3 (Robert Graves Programme)

  And the First Power moves

  Over void and dearth.

  Is that Love? no, but Death,

  A passion, a shout,

  The deep in-breath,

  The breath roaring out,

  And once that is flown,

  You must lie alone,

  Without hope, without life,

  Poor flesh, sad bone.

  LOST LOVE

  His eyes are quickened so with grief,

  He can watch a grass or leaf

  Every instant grow; he can

  Clearly through a flint wall see,

  Or watch the startled spirit flee

  From the throat of a dead man.

  Across two counties he can hear

  And catch your words before you speak.

  The woodlouse or the maggot’s weak

  Clamour rings in his sad ear,

  And noise so slight it would surpass

  Credence – drinking sound of grass,

  Worm talk, clashing jaws of moth

  Chumbling holes in cloth;

  The groan of ants who undertake

  Gigantic loads for honour’s sake

  (Their sinews creak, their breath comes thin);

  Whir of spiders when they spin,

  And minute whispering, mumbling, sighs

  Of idle grubs and flies.

  This man is quickened so with grief,

  He wanders god-like or like thief

  Inside and out, below, above,

  Without relief seeking lost love.

  FOX’S DINGLE

  Take now a country mood,

  Resolve, distil it: –

  Nine Acre swaying alive,

  June flowers that fill it,

  Spicy sweet-briar bush,

  The uneasy wren

  Fluttering from ash to birch

  And back again,

  Milkwort on its low stem,

  Spread hawthorn tree,

  Sunlight patching the wood,

  A hive-bound bee….

  Girls riding nim-nim-nim,

  Ladies, trot-trot,

  Gentlemen hard at gallop,

  Shouting, steam-hot.

  Now over the rough turf

  Bridles go jingle,

  And there’s a well loved pool,

  By Fox’s Dingle,

  Where Sweetheart, my brown mare,

  Old Glory’s daughter,

  May loll her leathern tongue

  In snow-cool water.

  MIRROR, MIRROR!

  Mirror, Mirror, tell me,

  Am I pretty or plain?

  Or am I downright ugly

  And ugly to remain?

  Shall I marry a gentleman?

  Shall I marry a clown?

  Or shall I marry old Knives-and-Scissors

  Shouting through the town?

  Country Sentiment

  (1920)

  A FROSTY NIGHT

  ‘Alice, dear, what ails you,

  Dazed and lost and shaken?

  Has the chill night numbed you?

  Is it fright you have taken?’

  ‘Mother, I am very well,

  I was never better.

  Mother, do not hold me so,

  Let me write my letter.’

  ‘Sweet, my dear, what ails you?’

  ‘No, but I am well.

  The night was cold and frosty –

  There’s no more to tell.’

  ‘Ay, the night was frosty,

  Coldly gaped the moon,

  Yet the birds seemed twittering

  Through green boughs of June.

  ‘Soft and thick the snow lay,

  Stars danced in the sky –

  Not all the lambs of May-day

  Skip so bold and high.

  ‘Your feet were dancing, Alice,

  Seemed to dance on air,

  You looked a ghost or angel

  In the star-light there.

  ‘Your eyes were frosted star-light;

  Your heart, fire and snow.

  Who was it said, “I love you”?’

  ‘Mother, let me go!’

  A SONG FOR TWO CHILDREN

  ‘Make a song, father, make a new song,

  All for Jenny and Davey.’

  Balow lalow or Hey derry down,

  Or The Dog that Licked the Gravy?

  Is there any song sweet enough

  For Davey and for Jenny?

  Said Simple Simon to the pieman,

  ‘Indeed I know not any.

  ‘I’ve counted the miles to Babylon,

  I’ve flown the earth like a bird,

  I’ve ridden cock-horse to Banbury Cross,

  But no such song have I heard.’

  Some speak of Alexander,

  And some of Hercules,

  But where are there any like Davey and Jenny,

  Where are there any like these?

  DICKY

  Mother: Oh, what a heavy sigh!

  Dicky, are you ailing?

  Dicky: Even by this fireside, mother,

  My heart is failing.

  To-night, across the down,

  Whistling and jolly,

  I sauntered out from town

  With my stick of holly.

  Bounteous and cool from sea

  The wind was blowing,

  Cloud shadows under the moon

  Coming and going.

  I sang old roaring songs,

  Ran and leaped quick,

  And turned home by St. Swithin’s

  Twirling my stick.

  And there as I was passing

  The churchyard gate,

  An old man stopped me, ‘Dicky,

  You’re walking late.’

  I did not know the man,

  I grew afeared

  At his lean, lolling jaw,

  His spreading beard,

  His garments old and musty,

  Of antique cut,

  His body very lean and bony,

  His eyes tight shut.

  Oh, even to tell it now

  My courage ebbs…

  His face was clay, mother,

  His beard, cobwebs.

  In that long horrid pause

  ‘Good-night,’ he said,

  Entered and clicked the gate,

  ‘Each to his bed.’

  Mother: Do not sigh or fear, Dicky.

  How is it right

  To grudge the dead their ghostly dark

  And wan moonlight?

  We have the glorious sun,

  Lamp and fireside.

  Grudge not the dead their moon-beams

  When abroad they ride.

  THE THREE DRINKERS

  Blacksmith Green had three strong sons,

  With bread and beef did fill ’em,

  Now John and Ned are perished and dead,

  But plenty remains of William.

  John Green was a whiskey drinker,

  The Land of Cakes supplied him,

  Till at last his soul flew out by the hole

  That the fierce drink burned inside him.

  Ned Green was a water drinker,

  And, Lord, how Ned would fuddle!

  He rotted away his mortal clay

  Like an old boot thrown in a puddle.

  Will Green was a wise young drinker,

  Shrank from whiskey or water,

  But he made good cheer with headstrong beer,

  And married an alderman’s daughter.

  THE BOY OUT OF CHURCH

  As Jesus and his followers

  Upon a Sabbath morn

  Were walking by a wheat field

  They plucked the ears of corn.

  They plucked it, they rubbed it,

  They blew the husks away,

  Which grieved the pious Pharisees

  Upon the Sabbath day.

  And Jesus said, ‘A riddle

  Answer if you can,

  Was man made for the Sabbath

  Or Sabbath made for man?’

 
I do not love the Sabbath,

  The soapsuds and the starch,

  The troops of solemn people

  Who to Salvation march.

  I take my book, I take my stick

  On the Sabbath day,

  In woody nooks and valleys

  I hide myself away,

  To ponder there in quiet

  God’s Universal Plan,

  Resolved that church and Sabbath

  Were never made for man.

  AFTER THE PLAY

  Father: Have you spent the money I gave you to-day?

  John: Ay, father I have.

  A fourpence on cakes, two pennies that away

  To a beggar I gave.

  Father: The lake of yellow brimstone boil for you in Hell,

  Such lies that you spin.

  Tell the truth now, John, ere the falsehood swell,

  Say, where have you been?

  John: I’ll lie no more to you, father, what is the need?

  To the Play I went,

  With sixpence for a near seat, money’s worth indeed,

  The best ever spent.

  Grief to you, shame or grief, here is the story –

  My splendid night!

  It was colour, scents, music, a tragic glory,

  Fear with delight.

  Hamlet, Prince of Denmark, title of the tale:

  He of that name,

  A tall, glum fellow, velvet cloaked, with a shirt of mail,

  Two eyes like flame.

  All the furies of fate circled round the man,

  Maddening his heart,

  There was old murder done before play began,

  Ay, the ghost took part.

  There were grave-diggers delving, they brought up bones,

  And with rage and grief

  All the players shouted in full, kingly tones,

  Grand, passing belief.

  Oh, there were ladies there radiant like day,

  And changing scenes:

  Great sounding words were tossed about like hay

  By kings and queens.

  How the plot turned about I watched in vain,

  Though for grief I cried,

  As one and all they faded, poisoned or slain,

  In great agony died.

  Father, you’ll drive me forth never to return,

  Doubting me your son –

  Father: So I shall, John.

  John: – but that glory for which I burn

  Shall be soon begun.

  I shall wear great boots, shall strut and shout,

  Keep my locks curled.

  The fame of my name shall go ringing about

  Over half the world.

  Father: Horror that your Prince found, John, may you find,

  Ever and again

  Dying before the house in such torture of mind

  As you need not feign.

  While they clap and stamp at your nightly fate,

  They shall never know

  The curse that drags at you, until Hell’s gate.

  You have heard me. Go!

  ONE HARD LOOK

  Small gnats that fly

  In hot July

  And lodge in sleeping ears,

  Can rouse therein

  A trumpet’s din

  With Day of Judgement fears.

  Small mice at night

  Can wake more fright

  Than lions at midday;

  A straw will crack

  The camel’s back –

  There is no easier way.

  One smile relieves

  A heart that grieves

  Though deadly sad it be,

  And one hard look

  Can close the book

  That lovers love to see.

  TRUE JOHNNY

  Johnny, sweetheart, can you be true

  To all those famous vows you’ve made?

  Will you love me as I love you

  Until we both in earth are laid?

  Or shall the old wives nod and say

  ‘His love was only for a day:

  The mood goes by,

  His fancies fly,

  And Mary’s left to sigh’?

  Mary, alas, you’ve hit the truth,

  And I with grief can but admit

  Hot-blooded haste controls my youth,

  My idle fancies veer and flit

  From flower to flower, from tree to tree,

  And when the moment catches me,

  Oh, love goes by

  Away I fly

  And leave my girl to sigh.

  Could you but now foretell the day,

  Johnny, when this sad thing must be,

  When light and gay you’ll turn away

  And laugh and break the heart in me?

  For like a nut for true love’s sake

  My empty heart shall crack and break,

  When fancies fly

  And love goes by

  And Mary’s left to die.

  When the sun turns against the clock,

  When Avon waters upward flow,

  When eggs are laid by barn-door cock,

  When dusty hens do strut and crow,

  When up is down, when left is right,

  Oh, then I’ll break the troth I plight,

  With careless eye

  Away I’ll fly

  And Mary here shall die.

  THE VOICE OF BEAUTY DROWNED

  Cry from the thicket my heart’s bird!

  The other birds woke all around,

  Rising with toot and howl they stirred

  Their plumage, broke the trembling sound,

  They craned their necks, they fluttered wings,

  ‘While we are silent no one sings,

  And while we sing you hush your throat,

  Or tune your melody to our note.’

  Cry from the thicket my heart’s bird!

  The screams and hootings rose again:

  They gaped with raucous beaks, they whirred

  Their noisy plumage; small but plain

  The lonely hidden singer made

  A well of grief within the glade.

  ‘Whist, silly fool, be off,’ they shout,

  ‘Or we’ll come pluck your feathers out.’

  Cry from the thicket my heart’s bird!

  Slight and small the lovely cry

  Came trickling down, but no one heard.

  Parrot and cuckoo, crow, magpie

  Jarred horrid notes, the jangling jay

  Ripped the fine threads of song away,

  For why should peeping chick aspire

  To challenge their loud woodland choir?

  Cried it so sweet that unseen bird?

  Lovelier could no music be,

  Clearer than water, soft as curd,

  Fresh as the blossomed cherry tree.

  How sang the others all around?

  Piercing and harsh, a maddening sound,

  With Pretty Poll, tuwit-tu-woo,

  Peewit, caw caw, cuckoo-cuckoo.

  THE GOD CALLED POETRY

  Now I begin to know at last,

  These nights when I sit down to rhyme,

  The form and measure of that vast

  God we call Poetry, he who stoops

  And leaps me through his paper hoops

  A little higher every time.

  Tempts me to think I’ll grow a proper

  Singing cricket or grass-hopper

  Making prodigious jumps in air

  While shaken crowds about me stare

  Aghast, and I sing, growing bolder

  To fly up on my master’s shoulder

  Rustling the thick strands of his hair.

  He is older than the seas,

  Older than the plains and hills,

  And older than the light that spills

  From the sun’s hot wheel on these.

  He wakes the gale that tears your trees,

  He sings to you from window sills.

  At you he roars, or he will coo,

  He
shouts and screams when hell is hot,

  Riding on the shell and shot.

  He smites you down, he succours you,

  And where you seek him, he is not.

  To-day I see he has two heads

  Like Janus – calm, benignant, this;

  That, grim and scowling: his beard spreads

  From chin to chin: this god has power

  Immeasurable at every hour:

  He first taught lovers how to kiss,

  He brings down sunshine after shower,

  Thunder and hate are his also,

  He is YES and he is NO.

  The black beard spoke and said to me,

  ‘Human frailty though you be,

  Yet shout and crack your whip, be harsh!

  They’ll obey you in the end:

  Hill and field, river and marsh

  Shall obey you, hop and skip

  At the terrour of your whip,

  To your gales of anger bend.’

  The pale beard spoke and said in turn

  ‘True: a prize goes to the stern,

  But sing and laugh and easily run

  Through the wide airs of my plain,

  Bathe in my waters, drink my sun,

  And draw my creatures with soft song;

  They shall follow you along

  Graciously with no doubt or pain.’

  Then speaking from his double head

  The glorious fearful monster said

  ‘I am YES and I am NO,

  Black as pitch and white as snow,

  Love me, hate me, reconcile

  Hate with love, perfect with vile,

  So equal justice shall be done

  And life shared between moon and sun.

  Nature for you shall curse or smile:

  A poet you shall be, my son.’

  ROCKY ACRES

  This is a wild land, country of my choice,

  With harsh craggy mountain, moor ample and bare.

  Seldom in these acres is heard any voice

  But voice of cold water that runs here and there

  Through rocks and lank heather growing without care.

  No mice in the heath run, no song-birds fly

  For fear of the buzzard that floats in the sky.

  He soars and he hovers, rocking on his wings,

  He scans his wide parish with a sharp eye,

  He catches the trembling of small hidden things,

  He tears them in pieces, dropping them from the sky;

  Tenderness and pity the heart will deny,

  Where life is but nourished by water and rock –

  A hardy adventure, full of fear and shock.

  Time has never journeyed to this lost land,

  Crakeberry and heather bloom out of date,

  The rocks jut, the streams flow singing on either hand,

  Careless if the season be early or late,