The Sun Also Rises

  "Cafe Select," I told the driver. "Boulevard Montparnasse." We drove straight down, turning around the Lion de Belfort that guards the passing Montrouge trams. Brett looked straight ahead. On the Boulevard Raspail, with the lights of Montparnasse in sight, Brett said; "Would you mind very much if I asked you to do something?"

  "Don't be silly."

  "Kiss me just once more before we get there."

  When the taxi stopped I got out and paid. Brett came out putting on her hat. She gave me her hand as she stepped down. Her hand was shaky. "I say, do I look too much of a mess?" She pulled her man's felt hat down and started in for the bar. Inside, against the bar and at tables, were most of the crowd who had been at the dance.

  "Hello, you chaps," Brett said. "I'm going to have a drink."

  "Oh, Brett! Brett!" the little Greek portrait painter, who called himself a duke, and whom everybody called Zizi, pushed up to her. "I got something fine to tell you."

  "Hello, Zizi," Brett said.

  "I want you to meet a friend," Zizi said. A fat man came up.

  "Count Mippipopolous, meet my friend Lady Ashley."

  "How do you do?" said Brett.

  "Well, does your Ladyship have a good time here in Paris?" asked Count Mippipopolous, who wore an elk's tooth on his watch chain.

  "Rather," said Brett.

  "Paris is a fine town all right," said the count. "But I guess you have pretty big doings yourself over in London."

  "Oh, yes," said Brett. "Enormous."

  Braddocks called to me from a table. "Barnes," he said, "have a drink. That girl of yours got in a frightful row."

  "What about?"

  "Something the patronne's daughter said. A corking row. She was rather splendid, you know. Showed her yellow card and demanded the patronne's daughter's too. I say it was a row."

  "What finally happened?"

  "Oh, someone took her home. Not a bad looking girl. Wonderful command of the idiom. Do stay and have a drink."

  "No," I said. "I must shove off. Seen Cohn?"

  "He went home with Frances," Mrs. Braddock put in.

  "Poor chap, he looks awfully down," Braddocks said.

  "I dare say he is," said Mrs. Braddocks.

  "I have to shove off," I said. "Good-night."

  I said good-night to Brett at the bar. The count was buying champagne. "Will you take a glass of wine with us, sir?" he asked.

  "No. Thanks awfully. I have to go."

  "Really going?" Brett asked.

  "Yes," I said. "I've got a rotten headache."

  "I'll see you tomorrow?"

  "Come in at the office."

  "Hardly."

  "Well, where will I see you?"

  "Anywhere around five o'clock."

  "Make it the other side of town then."

  "Good. I'll be at the Crillon at five."

  "Try and be there," I said.

  "Don't worry," Brett said. "I've never let you down, have I?"

  "Heard from Mike?"

  "Letter today."

  "Good-night, sir," said the count.

  I went out onto the sidewalk and walked down toward the Boulevard St. Michel, passed the tables of the Rotonde, still crowded, looked across the street at the Dome, its tables running out to the edge of the pavement. Someone waved at me from a table, I did not see who it was and went on. I wanted to get home. The Boulevard Montparnasse was deserted. Lavigne's was closed tight, and they were stacking the tables outside the Closerie des Lilas. I passed Ney's statue standing among the new-leaved chestnut trees in the arc light. There was a faded purple wreath leaning against the base. I stopped and read the inscription; from the Bonapartist Groups, some date; I forget. He looked very fine, Marshal Ney in his top-boots, gesturing with his sword among the green new horse chestnut leaves. My flat was just across the street, a little way down the Boulevard St. Michel.

  There was a light in the concierge's room and I knocked on the door and she gave me my mail. I wished her good-night and went upstairs. There were two letters and some papers. I looked at them under the gas-light in the dining room. The letters were from the States. One was a bank statement. It showed a balance of $2432.60. I got out my checkbook and deducted four checks drawn since the first of the month, and discovered I had a balance of $1832.60. I wrote this on the back of the statement. The other letter was a wedding announcement. Mr. and Mrs. Aloysius Kirby announce the marriage of their daughter Katherine--I knew neither the girl nor the man she was marrying. They must be circularizing the town. It was a funny name. I felt sure I could remember anybody with a name like Aloysius. It was a good Catholic name. There was a crest on the announcement. Like Zizi the Greek duke. And that count. The count was funny. Brett had a title, too. Lady Ashley. To hell with Brett. To hell with you, Lady Ashley.

  I lit the lamp beside the bed, turned off the gas, and opened the wide windows. The bed was far back from the windows, and I sat with the windows open and undressed by the bed. Outside a night train, running on the streetcar tracks, went by carrying vegetables to the markets. They were noisy at night when you could not sleep. Undressing, I looked at myself in the mirror of the big armoire beside the bed. That was a typically French way to furnish a room. Practical, too, I suppose. Of all the ways to be wounded. I suppose it was funny. I put on my pajamas and got into bed. I had the two bullfight papers, and I took their wrappers off. One was orange. The other yellow. They would both have the same news, so whichever I read first would spoil the other. Le Toril was the better paper, so I started to read it. I read it all the way through, including the Petite Correspondance and the Cornigrams. I blew out the lamp. Perhaps I would be able to sleep.

  My head started to work. The old grievance. Well, it was a rotten way to be wounded and flying on a joke front like the Italian. In the Italian hospital we were going to form a society. It had a funny name in Italian. I wonder what became of the others, the Italians. That was in the Ospedale Maggiore in Milano, Padiglione Ponte. The next building was the Padiglione Zonda. There was a statue of Ponte, or maybe it was Zonda. That was where the liaison colonel came to visit me. That was funny. That was about the first funny thing. I was all bandaged up. But they had told him about it. Then he made that wonderful speech: "You, a foreigner, an Englishman" (any foreigner was an Englishman) "have given more than your life." What a speech! I would like to have it illuminated to hang in the office. He never laughed. He was putting himself in my place, I guess. "Che mala fortuna! Che mala fortuna!"

  I never used to realize it, I guess. I try and play it along and just not make trouble for people. Probably I never would have had any trouble if I hadn't run into Brett when they shipped me to England. I suppose she only wanted what she couldn't have. Well, people were that way. To hell with people. The Catholic Church had an awfully good way of handling all that. Good advice, anyway. Not to think about it. Oh, it was swell advice. Try and take it sometime. Try and take it.

  I lay awake thinking and my mind jumping around. Then I couldn't keep away from it, and I started to think about Brett and all the rest of it went away. I was thinking about Brett and my mind stopped jumping around and started to go in sort of smooth waves. Then all of a sudden I started to cry. Then after a while it was better and I lay in bed and listened to the heavy trams go by and way down the street, and then I went to sleep.

  I woke up. There was a row going on outside. I listened and I thought I recognized a voice. I put on a dressing gown and went to the door. The concierge was talking downstairs. She was very angry. I heard my name and called down the stairs.

  "Is that you, Monsieur Barnes?" the concierge called.

  "Yes. It's me."

  "There's a species of woman here who's waked the whole street up. What kind of a dirty business at this time of night! She says she must see you. I've told her you're asleep."

  Then I heard Brett's voice. Half asleep I had been sure it was Georgette. I don't know why. She could not have known my address.

  "Will you send her up, please?
"

  Brett came up the stairs. I saw she was quite drunk. "Silly thing to do," she said. "Make an awful row. I say, you weren't asleep, were you?"

  "What did you think I was doing?"

  "Don't know. What time is it?"

  I looked at the clock. It was half-past four. "Had no idea what hour it was," Brett said. "I say, can a chap sit down? Don't be cross, darling. Just left the count. He brought me here."

  "What's he like?" I was getting brandy and soda and glasses.

  "Just a little," said Brett. "Don't try and make me drunk. The count? Oh, rather. He's quite one of us."

  "Is he a count?"

  "Here's how. I rather think so, you know. Deserves to be, anyhow. Knows hell's own amount about people. Don't know where he got it all. Owns a chain of sweetshops in the States."

  She sipped at her glass.

  "Think he called it a chain. Something like that. Linked them all up. Told me a little about it. Damned interesting. He's one of us, though. Oh, quite. No doubt. One can always tell."

  She took another drink.

  "How do I buck on about all this? You don't mind, do you? He's putting up for Zizi, you know."

  "Is Zizi really a duke, too?"

  "I shouldn't wonder. Greek, you know. Rotten painter. I rather liked the count."

  "Where did you go with him?"

  "Oh, everywhere. He just brought me here now. Offered me ten thousand dollars to go to Biarritz with him. How much is that in pounds?"

  "Around two thousand."

  "Lot of money. I told him I couldn't do it. He was awfully nice about it. Told him I knew too many people in Biarritz."

  Brett laughed.

  "I say, you are slow on the uptake," she said. I had only sipped my brandy and soda. I took a long drink.

  "That's better. Very funny," Brett said. 'Then he wanted me to go to Cannes with him. Told him I knew too many people in Cannes. Monte Carlo. Told him I knew too many people in Monte Carlo. Told him I knew too many people everywhere. Quite true, too. So I asked him to bring me here."

  She looked at me, her hand on the table, her glass raised. "Don't look like that," she said. "Told him I was in love with you. True, too. Don't look like that. He was damn nice about it. Wants to drive us out to dinner tomorrow night. Like to go?"

  "Why not?"

  "I'd better go now."

  "Why?"

  "Just wanted to see you. Damned silly idea. Want to get dressed and come down? He's got the car just up the street."

  "The count?"

  "Himself. And a chauffeur in livery. Going to drive me around and have breakfast in the Bois. Hampers. Got it all at Zelli's. Dozen bottles of Mumms. Tempt you?"

  "I have to work in the morning," I said. "I'm too far behind you now to catch up and be any fun."

  "Don't be an ass."

  "Can't do it."

  "Right. Send him a tender message?"

  "Anything. Absolutely."

  "Good-night, darling."

  "Don't be sentimental."

  "You make me ill."

  We kissed good-night and Brett shivered. "I'd better go," she said. "Good-night, darling."

  "You don't have to go."

  "Yes."

  We kissed again on the stairs and as I called for the cordon the concierge muttered something behind her door. I went back upstairs and from the open window watched Brett walking up the street to the big limousine drawn up to the curb under the arc light. She got in and it started off. I turned around. On the table was an empty glass and a glass half-full of brandy and soda. I took them both out to the kitchen and poured the half-full glass down the sink. I turned off the gas in the dining room, kicked off my slippers sitting on the bed, and got into bed. This was Brett, that I had felt like crying about. Then I thought of her walking up the street and stepping into the car, as I had last seen her, and of course in a little while I felt like hell again. It is awfully easy to be hard-boiled about everything in the daytime, but at night it is another thing.

  Chapter V

  In the morning I walked down the Boulevard to the rue Souffiot for coffee and brioche. It was a fine morning. The horse chestnut trees in the Luxembourg gardens were in bloom. There was the pleasant early morning feeling of a hot day. I read the papers with the coffee and then smoked a cigarette. The Bower-women were coming up from the market and arranging their daily stock. Students went by going up to the law school, or down to the Sorbonne. The Boulevard was busy with trams and people going to work. I got on an S bus and rode down to the Madeleine, standing on the back platform. From the Madeleine I walked along the Boulevard des Capucines to the Opera, and up to my office. I passed the man with the jumping frogs and the man with the boxer toys. I stepped aside to avoid walking into the thread with which his girl assistant manipulated the boxers. She was standing looking away, the thread in her folded hands. The man was urging two tourists to buy. Three more tourists had stopped and were watching. I walked on behind a man who was pushing a roller that printed the name CINZANO on the sidewalk in damp letters. All along people were going to work. It felt pleasant to be going to work. I walked across the avenue and turned in to my office.

  Upstairs in the office I read the French morning papers, smoked, and then sat at the typewriter and got off a good morning's work. At eleven o'clock I went over to the Quai d'Orsay in a taxi and went in and sat with about a dozen correspondents, while the foreign office mouthpiece, a young Nouvelle Revue Francaise diplomat in horn-rimmed spectacles, talked and answered questions for half an hour. The President of the Council was in Lyons making a speech, or, rather he was on his way back. Several people asked questions to hear themselves talk and there were a couple of questions asked by news service men who wanted to know the answers. There was no news. I shared a taxi back from the Quai d'Orsay with Woolsey and Krum.

  "What do you do nights, Jake?" asked Krum. "I never see you around."

  "Oh, I'm over in the Quarter."

  "I'm coming over some night. The Dingo. That's the great place, isn't it?"

  "Yes. That, or this new dive, The Select."

  "I've meant to get over," said Krum. "You know how it is, though, with a wife and kids."

  "Playing any tennis?" Woolsey asked.

  "Well, no," said Krum. "I can't say I've played any this year. I've tried to get away, but Sundays it's always rained, and the courts are so damned crowded."

  "The Englishmen all have Saturday off," Woolsey said.

  "Lucky beggars," said Krum. "Well, I'll tell you. Someday I'm not going to be working for an agency. Then I'll have plenty of time to get out in the country."

  "That's the thing to do. Live out in the country and have a little car."

  "I've been thinking some about getting a car next year."

  I banged on the glass. The chauffeur stopped. "Here's my street," I said. "Come in and have a drink."

  "Thanks, old man," Krum said. Woolsey shook his head. "I've got to file that line he got off this morning."

  I put a two-franc piece in Krum's hand.

  "You're crazy, Jake," he said. "This is on me."

  "It's all on the office, anyway."

  "Nope. I want to get it."

  I waved good-bye. Krum put his head out. "See you at the lunch on Wednesday."

  "You bet."

  I went to the office in the elevator. Robert Cohn was waiting for me. "Hello, Jake," he said. "Going out to lunch?"

  "Yes. Let me see if there is anything new."

  "Where will we eat?"

  "Anywhere."

  I was looking over my desk. "Where do you want to eat?" "How about Wetzel's? They've got good hors d'oeuvres."

  In the restaurant we ordered hors d'oeuvres and beer. The sommelier brought the beer, tall, beaded on the outside of the steins, and cold. There were a dozen different dishes of hors d'oeuvres.

  "Have any fun last night?" I asked.

  "No. I don't think so."

  "How's the writing going?"

  "Rotten, I can't get
this second book going."

  "That happens to everybody."

  "Oh, I'm sure of that. It gets me worried, though."

  "Thought anymore about going to South America?"

  "I mean that."

  "Well, why don't you start off?"

  "Frances."

  "Well," I said, "take her with you."

  "She wouldn't like it. That isn't the sort of thing she likes. She likes a lot of people around."

  "Tell her to go to hell."

  "I can't. I've got certain obligations to her."

  He shoved the sliced cucumbers away and took a pickled herring.

  "What do you know about Lady Brett Ashley, Jake?"

  "Her name's Lady Ashley. Brett's her own name. She's a nice girl," I said. "She's getting a divorce and she's going to marry Mike Campbell. He's over in Scotland now. Why?"

  "She's a remarkably attractive woman."

  "Isn't she?"

  "There's a certain quality about her, a certain fineness. She seems to be absolutely fine and straight."

  "She's very nice."

  "I don't know how to describe the quality," Cohn said. "I suppose it's breeding."

  "You sound as though you liked her pretty well."

  "I do. I shouldn't wonder if I were in love with her."

  "She's a drunk," I said. "She's in love with Mike Campbell, and she's going to marry him. He's going to be rich as hell someday."

  "I don't believe she'll ever marry him."

  "Why not?"

  "I don't know. I just don't believe it. Have you known her a long time?"

  "Yes," I said. "She was a V. A. D. in a hospital I was in during the war."

  "She must have been just a kid then."

  "She's thirty-four now."

  "When did she marry Ashley?"

  "During the war. Her own true love had just kicked off with the dysentery."

  "You talk sort of bitter."

  "Sorry. I didn't mean to. I was just trying to give you the facts."

  "I don't believe she would marry anybody she didn't love."

  "Well," I said. "She's done it twice."

  "I don't believe it."

  "Well," I said, "don't ask me a lot of fool questions if you don't like the answers."

  "I didn't ask you that."

  "You asked me what I knew about Brett Ashley."

  "I didn't ask you to insult her."

  "Oh, go to hell."

  He stood up from the table his face white, and stood there white and angry behind the little plates of hors d'oeuvres.

  "Sit down," I said. "Don't be a fool."