I started to cry.
My mother bundled me back to the car for the four-hour drive home, although we had been at the zoo for only ten minutes.
"Can't we help her?" I asked.
This is how, at age nine, I became an elephant advocate. After a trip to the library, I sat down at my kitchen table, and I wrote to the mayor of Springfield, Massachusetts, asking him to give Morganetta more space, and more freedom.
He didn't just write me back. He sent his response to The Boston Globe, which published it, and then a reporter called to do a story on the nine-year-old who had convinced the mayor to move Morganetta into the much larger buffalo enclosure at the zoo. I was given a special Concerned Citizen award at my elementary school assembly. I was invited back to the zoo for the grand opening to cut the red ribbon with the mayor. Flashbulbs went off in my face, blinding me, as Morganetta roamed behind us. This time, she looked at me with her good eye. And I knew, I just knew, she was still miserable. The things that had happened to her--the chains and the shackles, the cage and the beatings, maybe even the memory of the moment she was taken out of Africa--all that was still with her in that buffalo enclosure, and it took up all the extra space.
For the record, Mayor Dimauro did continue to try to make life better for Morganetta. In 1979, after the demise of Forest Park's resident polar bear, the facility closed and Morganetta was moved to the Los Angeles Zoo. Her home there was much bigger. It had a pool, and toys, and two older elephants.
If I knew back then what I know now, I could have told the mayor that just sticking elephants in proximity with others does not mean they will form friendships. Elephants are as unique in their personalities as humans are, and just as you would not assume that two random humans would become close friends, you should not assume that two elephants will bond simply because they are both elephants. Morganetta continued to spiral deeper into depression, losing weight and deteriorating. Approximately one year after she arrived in L.A., she was found dead in the bottom of the enclosure's pool.
The moral of this story is that sometimes, you can attempt to make all the difference in the world, and it still is like trying to stem the tide with a sieve.
The moral of this story is that no matter how much we try, no matter how much we want it ... some stories just don't have a happy ending.
Jenna
When it comes to memory, I'm kind of a pro. I may be only thirteen, but I've studied it the way other kids my age devour fashion magazines. There's the kind of memory you have about the world, like knowing that stoves are hot and that if you don't wear shoes outside in the winter you'll get frostbite. There's the kind you get from your senses--that staring at the sun makes you squint and that worms aren't the best choice of meal. There are the dates you can recall from history class and spew back on your final exam, because they matter (or so I'm told) in the grand scheme of the universe. And there are personal details you remember, like the high spikes on a graph of your own life, which matter to nobody but yourself. Last year at school, my science teacher let me do a whole independent study on memory. Most of my teachers let me do independent studies, because they know I get bored in class and, frankly, I think they're a little scared that I know more than they do and they don't want to have to admit it.
My first memory is white at the edges, like a photo with too bright a flash. My mother is holding spun sugar on a cone, cotton candy. She raises her finger to her lips--This is our secret--and then tears off a tiny piece. When she touches it to my lips, the sugar dissolves. My tongue curls around her finger and sucks hard. Iswidi, she tells me. Sweet. This is not my bottle; it's not a taste I know, but it's a good one. Then she leans down and kisses my forehead. Uswidi, she says. Sweetheart.
I can't be more than nine months old.
This is pretty amazing, really, because most kids trace their first memories to somewhere between the ages of two and five. That doesn't mean that babies are little amnesiacs--they have memories long before they have language but, weirdly, can't access them once they start talking. Maybe the reason I remember the cotton candy episode is because my mother was speaking Xhosa, which isn't our language but one she picked up when she was working on her doctorate in South Africa. Or maybe the reason I have this random memory is as a trade-off my brain made--because I can't remember what I desperately wish I could: details of the night my mother disappeared.
My mother was a scientist, and for a span of time, she even studied memory. It was part of her work on post-traumatic stress and elephants. You know the old adage that elephants never forget? Well, it's fact. I could give you all my mother's data, if you want the proof. I've practically got it memorized, no pun intended. Her official published findings were that memory is linked to strong emotion, and that negative moments are like scribbling with permanent marker on the wall of the brain. But there's a fine line between a negative moment and a traumatic one. Negative moments get remembered. Traumatic ones get forgotten, or so warped that they are unrecognizable, or else they turn into the big, bleak, white nothing I get in my head when I try to focus on that night.
Here's what I know:
1. I was three.
2. My mother was found on the sanctuary property, unconscious, about a mile south of a dead body. This was in the police reports. She was taken to the hospital.
3. I am not mentioned in the police reports. Afterward, my grandmother took me to stay at her place, because my father was frantically dealing with a dead elephant caregiver and a wife who had been knocked out cold.
4. Sometime before dawn, my mother regained consciousness and vanished from the hospital without any staff seeing her go.
5. I never saw her again.
Sometimes I think of my life as two train cars hitched together at the moment of my mom's disappearance--but when I try to see how they connect there's a jarring on the track that jerks my head back around. I know that I used to be a girl whose hair was strawberry blond, who ran around like a wild thing while my mother took endless notes about the elephants. Now I'm a kid who is too serious for her age and too smart for her own good. And yet as impressive as I am with scientific statistics, I fail miserably when it comes to real-life facts, like knowing that Wanelo is a website and not a hot new band. If eighth grade is a microcosm of the social hierarchy of the human adolescent (and to my mother, it certainly would have been), then reciting fifty named elephant herds in the Tuli Block of Botswana cannot compete with identifying all the members of One Direction.
It's not like I don't fit in at school because I'm the only kid without a mother. There are lots of kids missing parents, or kids who don't talk about their parents, or kids whose parents are now living with new spouses and new kids. Still, I don't really have friends at school. I sit at the lunch table on the far end, eating whatever my grandmother's packed me, while the cool girls--who, I swear to God, call themselves the Icicles--chatter about how they are going to grow up and work for OPI and make up nail-polish color names based on famous movies: Magent-lemen Prefer Blondes; A Fuchsia Good Men. Maybe I've tried to join the conversation once or twice, but when I do, they usually look at me as if they've smelled something bad coming from my direction, their little button noses wrinkled, and then go back to whatever they were talking about. I can't say I'm devastated by the way I'm ignored. I guess I have more important things on my mind.
The memories on the other side of my mother's disappearance are just as spotty. I can tell you about my new bedroom at my grandma's place, which had a big-girl bed--my first. There was a little woven basket on the nightstand, which was inexplicably filled with pink packets of Sweet'N Low, although there was no coffeemaker around. Every night, even before I could count, I'd peek inside to make sure they were still there. I still do.
I can tell you about visiting my father, at the beginning. The halls at Hartwick House smelled like ammonia and pee, and even when my grandma urged me to talk to him and I climbed up on the bed, shivering at the thought of being so close to someone I recogn
ized and didn't know at all, he didn't speak or move. I can describe how tears leaked out of his eyes as if it was a natural and expected phenomenon, the way a cold can of soda sweats on a summer day.
I remember the nightmares I had, which weren't really nightmares but just me being awakened from a dead sleep by Maura's loud trumpeting. Even after my grandma came running into my room and explained to me that the matriarch elephant lived hundreds of miles away now, in a new sanctuary in Tennessee, I had this nagging sense that Maura was trying to tell me something, and that if I only spoke her language as well as my mother had, I'd understand.
All I have left of my mother is her research. I pore over her journals, because I know one day the words will rearrange themselves on a page and point me toward her. She taught me, even in absentia, that all good science starts with a hypothesis, which is just a hunch dressed up in fancy vocabulary. And my hunch is this: She would never have left me behind, not willingly.
If it's the last thing I do, I'm going to prove it.
About the Author
Jodi Picoult is the author of twenty-two novels, including the #1 New York Times bestsellers Lone Wolf, Between the Lines, Sing You Home, House Rules, Handle with Care, Change of Heart, Nineteen Minutes, and My Sister's Keeper. She lives in New Hampshire with her husband and three children.
ALSO BY JODI PICOULT
The Storyteller
Lone Wolf
Sing You Home
House Rules
Change of Heart
Nineteen Minutes
The Tenth Circle
Vanishing Acts
My Sister's Keeper
Second Glance
Perfect Match
Salem Falls
Plain Truth
Keeping Faith
The Pact
Mercy
Picture Perfect
Harvesting the Heart
Songs of the Humpback Whale
For Young Adults
Between the Lines
And For the Stage
Over the Moon: An Original Musical for Teens
LEAVING TIME
Coming October 14, 2014
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Jodi Picoult, Larger Than Life
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