Longer Views: Extended Essays

  Art and Death, 13

  Backgammon in the Sky [Tric Trac du ciel], 13, 25

  The Cenci, 4, 11, 14, 15

  “Centre-Mére et Patron-Minet,” 5

  Correspondence with Jacques Rivière, 14, 23, 172

  “Cri,” 26, 30, 172

  “La Culture Indiene,” 6

  Douze Chansons, 25

  Heliogabalus, or The Anarchist Crowned, 13

  Letters from Rodez, 3

  “No More Masterpieces,” 15, 30, 76

  “Le Pèse-Nerfs,” 15

  “The Return of Artaud, le Mômo,” 4, 5

  The Return of Artaud, le Mômo, 13

  The Theater and Its Double, 2, 14, 31, 76

  To Have Done with the Judgment of God, 10, 12, 31

  “Van Gogh, the Man Suicided by Society,” 7–10

  A Voyage to the Land of the Tarahumara [The Peyote Dance], 3

  Artwork of the Future, The (Wagner), 3, 16, 48

  Ashberry, John, 41, 159

  Athanasiou, Genica, 14

  Athenaeum, 3, 230

  “Atlantis” (Crane), 185, 187, 215, 216, 224, 226, 227, 231, 237, 244, 245

  Atlantis: Model 1924 (Delany), xvi, xxxv, 244, 245

  Auden, W. H., 33, 79, 80, 83, 159, 278

  “Caliban to the Audience,” 83

  The Sea and the Mirror, 83

  W. H. Auden: Collected Poems, 240

  Auerbach, Berthold, 67

  Auntie Mame (Dennis), 317

  Austen, Jane, 38, 260

  Authoress of the Odyssey, The (Butler); 164

  “Ave Maria” (Crane), 189, 215, 218, 219, 221, 222, 224

  “Baby Is Three” (Sturgeon), 257

  Bach, Johann Sebastian, 67

  Backgammon in the Sky [Tric Trac du Ciel] (Artaud), 13, 25

  Bacon, Francis, xiii, xiv

  Essays, xiv

  Baird, Peggy, 189, 243

  “The Last Days of Hart Crane,” 243

  Bakhtin, M. M., 82, 84, 107

  Bakúnin, Mikhail, 37, 46, 47, 49, 52–55, 57, 60–63, 65, 84

  Baldwin, James, 205

  Giovanni’s Room, 205

  Ballets Africains, Les, 153

  Balzac, Honoré de, 13, 37, 74

  Banquet Years, The (Shattuck), 37

  Barbarossa, Frederick, 54

  Barber, Samuel, 18

  Anthony and Cleopatra, 18–21

  Bare Hills, The (Winters), 199

  Barnes, Djuna, 139

  Barnett, Lincoln, 310

  The Universe and Dr. Einstein, 310

  Barrault, Jean-Louis, 4, 11

  Barthes, Roland, xv, xviii, xix, xxii, xxiii, xxxvi–xxxviii, 70, 252

  A Barthes Reader, xxxvi S/Z, xxii

  Barthes Reader, A (Barthes), xxxvi

  Bartram, William, 144, 145

  Travels, 144

  Baudelaire, Charles, 22, 32, 55, 72, 74, 79, 231

  Baudrillard, Jean, 91, 111

  Bayreuther Blätter, 70, 71

  Beat movement, 15

  Beatles, the, 74

  Beaumarchais, Pierre-Augustin Caron de, 75

  Becher, Carl, 56

  Beck, Julian, 17

  Beer, Thomas, 205

  Stephen Crane, 205

  Beethoven, Ludwig van, 21, 73

  Fifth Symphony, 21, 46, 50

  Ninth Symphony, 57, 61, 65

  Being and Time (Heidegger), 209

  Belgrave, Cynthia, 1

  Benét, Steven Vincent, 209, 224, John Brown’s Body, 209, 224

  Benét, William Rose, 209, 224

  Benjamin, Walter, xxviii, 33, 76, 78, 160

  “The Work of Art in the Age of Mechanical Reproduction,” 76

  Bennett, Michael, 154

  “And I Am Telling You,” 154

  Dreamgirls, 154

  Berg, Alban, 17, 80

  Bergson, Henri, 103

  Berkeley, Bishop, 283

  Berlioz, Hector, 32, 65, 73

  Bernard, Raymond, 14

  Tarakanova, 14

  Bernstein, Charles, 159

  Berrigan, Ted, 41, 261

  Bester, Alfred, 288

  The Stars My Destination, 288

  Beyond, 315

  Beyond This Horizon (Heinlein), 288

  Bible, the, 197

  Bieberstein, Marschall von, 62

  Biographia Literaria (Coleridge), 172

  “Birds and Bees (Blues Poem), The” (Jackson), 158

  Bishop, Elizabeth, 149

  Black Book, The (Mapplethorpe), 153, 154

  Black Star Passes, The (Campbell), 313

  Blackburn, Paul, 259

  Blackmur, R. P., 191–193

  Form and Value in Modern Poetry, 192

  “Notes on a Text of Hart Crane,” 191–193

  Blake, William, 191, 218, 237

  “Morning,” 218

  Blin, Roger, 4, 11, 12

  Bloch, Marc, 41

  Bloom, Harold, 196, 197, 198n

  Agon: Towards a Theory of Revisionism, 196

  The Visionary Company, 198n

  “Blue” (Silliman), 146, 169, 170, 172

  Blum, Robert, 56

  Bodenheim, 198

  Bohannan, Laura, 150

  “Shakespeare in the Bush,” 150

  Bonaparte, Napoleon, 32

  Book, The (Jabès), 157

  Book of Questions, The (Jabès), 157

  Bosanquet, Gustavus, 151

  Bowen, Elizabeth, 189, 226

  Brackhage, Stan, 280

  Bradlaugh, Charles, 231, 233

  Braque, Georges, 4, 11

  Braudel, Fernand, 41

  Brauers, Ida [“Dora”], 103

  Brecht, Bertolt, 14

  Threepenny Opera, 14

  Bresson, Robert, 280

  Breton, André, 4

  Bricuth, John, 319

  Myth, 319

  Bride of Abydos, The (Byron), 38

  Bridge, The (Crane), x, xxxiii, xxxiv, 174, 184, 187–189, 191, 192, 201, 209, 215, 216, 218, 219, 221–224, 226–228, 230, 231, 237, 238, 244

  Bridges, Robert, 33

  Brockhaus, Hermann, 45

  “The Broken Tower” (Crane), 198n, 243

  Brontë, Charlotte, 34, 39, 260

  Brontë, Emily, 184, 260

  Brook, Peter, 17

  Brown, John, 219, 222, 224

  Brown, Rita Mae, 141

  Rubyfruit Jungle, 14

  Brown, Susan Jenkins, 243

  Brown, T. E., 151

  Brown, William Slater, 175, 176, 243

  Browne, Michael Dennis, 159, 261

  Browning, Elizabeth Barrett, 37, 184, 209, 210

  Browning, Robert, 37, 167, 168

  Dramatis Personae, 168

  The Ring and the Book, 168

  Robert Browning, The Poems, 167

  Sordello, 167, 168

  Brueghel, Pieter, 7

  Brunner, Edward, 185, 191

  Splendid Failure, 191

  Brunner, John, 257, 275

  Brunner, Marjorie, 257, 275

  Bülow, Baron Hans von, 39

  Burrell, Mrs., 59

  Burroughs, William S., 166

  Naked Lunch, 166

  Buscema, John, 278

  Butler, Octavia, 116

  Wild Seed, 116

  Butler, Samuel, 164

  The Authoress of the Odyssey, 164

  Butterfield, R. W., 185

  Byron, Lord, George Gordon, 32, 33, 36, 38, 41, 65, 231

  The Bride of Abydos, 38

  Childe Harold’s Pilgrimage, 38

  The Corsair, A Tale, 38, 39

  The Giaour, 38

  “C 33” (Crane), 215

  Caesar, Irving, 189

  “What Do You Do Sunday, Mary,” 189

  Cage, The (McIntyre), 258

  “Calgary Express, The” (Crane), 222, 223

  “Caliban to the Audience” (Auden), 83

  Calvino, Italo, 157

  If on a Winter’s Night a Traveler. . ., 157

  Campbell, Joh
n W., 313

  The Black Star Passes, 313

  Camus, Albert, 4, 149

  La Chute, 149

  Cane (Toomer), 216, 241

  Canin, Ethan, 158

  “Canons and Institutions: New Hope for the Disappeared” (Silliman), 171

  Cantos, The (Pound), 165–169, 172, 181, 185, 193, 206

  “Cape Hatteras” (Crane), 215, 218, 220–222, 224

  “Carbon” (Silliman), 163, 169, 170, 172

  Carcopino, Jerome, 140

  Carlyle, Thomas, 36, 156, 177, 229

  The French Revolution, 156

  Heroes and Hero-Worship, 177

  Carousel (Rogers and Hammerstein), 14

  Carroll, Lewis, 160, 161

  “Jabberwocky,” 160, 161

  Caruso, Enrico, 77

  Casarés, Maria, 11

  “Case Against Nietzsche, The” (Crane), 188, 237

  Case of Wagner, The [Der Fall Wagner] (Nietzsche), 68, 79

  Castle of Indolence, The (Thomson [not B.V.]), 228

  Cassier, Ernst, 80, 255

  Cather, Willa, 139, 203

  My Àntonia, 203

  Caves of Steel, The (Asimov), 315

  Cenci, The (Artaud), 4, 11, 14, 15

  “Centre-Mére et Patron-Minet” (Artaud), 5

  Ceremonies (Hemphill), 153

  Chanel, Coco, 14

  “Chaos” (Lowes), 145

  Char, René, 4

  Charbonnier, Georges, 278

  “Charming Maiden, The” (Greenberg), 175

  Chereau, Patrice, 16, 43

  Childe Harold’s Pilgrimage (Byron), 38

  Chomsky, Noam, xxv

  Chopin, Frédéric, 39, 177

  “Christobel” (Coleridge) 144

  “Church of Dream, The” (Johnson), 243n

  Chute, La (Camus), 149

  Cicero, 140

  City and the Pillar, The (Vidal), 205

  City of Dreadful Night, The (Thomson [B.V.]), 227, 228, 230, 236–238

  Civilization and its Discontents (Freud), 98

  Clarissa (Richardson), 102

  Clone, The (Wilhelm and Thomas), 258

  Cocteau, Jean, 11, 14, 24, 80

  Antigone 14

  Orphée, 11, 80

  Cogswell, Theodore, 315

  “The Wall Around the World,” 315

  “Cold Equations, The” (Godwin), 147

  Coleridge, Hartley, 144, 145

  Coleridge, Samuel Taylor, 144, 145, 157, 172, 209

  Biographia Literaria, 172

  “Christobel,” 144

  “Fears in Solitude,” 145

  “Frost at Midnight,” 145

  The Gutch Memorandum Notebook, 144–146

  “Kubla Khan,” 145

  “Lewti,” 145

  “Love,” 145

  Lyrical Ballads, 145

  “The Nightingale,” 145

  “The Rime of the Ancient Mariner” [“The Rime of the Ancyent Marinere, in Seven Parts”], 145

  “The Wanderings of Cain,” 145

  Collected Poems (Lawrence), 259

  Collected Poems (Robinson), 208

  Collected Poems of Frank O’Hara, The (O’Hara), 240

  Collins, Thomas J., 167

  Collins, Wilkie, 34

  Color Purple, The (Spielberg), 154

  Communist Manifesto, The (Marx and Engels), 52

  Concept of Mind, The (Ryle), 252

  “Conduct” (Greenberg), 187

  Conkling, Hilda, 209

  Contexts of The Bridge (Giles), 192

  Coppola, Francis Ford, 38, 81

  Corke, Helen, 73

  Correspondence with Jacques Rivière (Artaud), 14, 23, 172

  Corsair, A Tale, The (Byron), 38, 39

  Counter/Measures (Kennedy), 321

  Cowley, Malcolm, 182, 189, 190, 241

  Cramer, Kathryn, 147n

  Crane, Clarence Arthur, 244

  Crane, Donald P., 308

  Crane, Hart, x, xi, xvi, xxxiii–xxxv, 163, 174–176, 182–202, 205–246

  “Atlantis,” 185, 187, 215, 216, 224, 226, 227, 231, 237, 244, 245

  “Ave Maria,” 189, 215, 218, 219, 221, 222, 224

  The Bridge, x, xi, xxxiii, xxxiv, 174, 184, 187–189, 191, 192, 201, 209, 215, 216, 218, 219, 221–224, 226–228, 230, 231, 237, 238, 244

  “The Broken Tower,” 198n, 243

  “C 33,” 215

  “The Calgary Express,” 222, 223

  “Cape Hatteras,” 215, 218, 220–222, 224

  “The Case Against Nietzsche,” 188, 237

  “Cutty Sark,” 202, 205, 215, 216, 218, 219, 221, 224, 226, 231, 245

  “The Dance,” 197n, 224

  “Emblems of Conduct,” 187, 197n

  “For the Marriage of Faustus and Helen,” 207, 220, 239

  “General Aims and Theories,” 185, 194

  “The Harbor Dawn,” 197, 201, 205, 224, 231

  “Heaven and Hell” letter, 241

  Key West: An Island Sheaf, 238

  “The Mango Tree,” 223

  “National Winter Garden,” 224

  “1920 Whistles,” 223

  “O Caribe Isle!” 239

  “Possessions,” 239

  “Powhatan’s Daughter,” 218, 219, 226

  “Praise for an Urn,” 193, 198n

  “Proem” [“To Brooklyn Bridge”], 215, 216, 218, 224, 227, 231, 237, 245

  “Quaker Hill,” 218, 224

  “Recitative,” 239

  “The River,” 223

  “Royal Palm,” 240

  “Southern Cross,” 224

  “This Way Where November . . .,” 205, 239

  “Thou Canst Read Nothing . . .,” 205, 239

  “Three Songs,” 189, 218

  “The Tunnel,” 218, 224

  “Van Winkle,” 219, 224

  “Virginia,” 189, 224

  Voyages, 184, 186, 187, 200, 205, 214, 239

  “Voyages I,” 239, 246

  “Voyages II,” 184, 185

  White Buildings, 194, 224, 238

  “White Buildings” letter, 239, 241

  Crane, Nathalia, 209

  The Janitor’s Boy, 209

  “Cri” (Artaud), 26, 30

  Critical Fable, A (Lowell), 20

  Cronenberg, David, 149

  Videodrome, 149

  Cullen, Countee, 320

  Culture and Anarchy (Arnold), 35

  “Culture and Its Enemies” (Arnold), 40, 78

  “Culture Indiene, La” (Artaud), 6

  Cummins, David, 159

  Cunningham, George, 119

  “Cutty Sark” (Crane), 202, 205, 215, 216, 218, 219, 221, 224, 226, 231, 245

  Daguerre, Louis, 155

  Dakyns, H. G., 151

  “Dance, The” (Crane), 197n, 224

  Dante Alighieri, 27, 54, 157, 167, 191, 233

  Darker Side of Genius, The (Katz), 66

  Daughter’s Seduction, The (Gallup), 143

  Davenport, Guy, 149, 158

  Dawn in Erewhon, The, 149

  Dawn in Erewhon, The (Davenport), 149

  Day, Douglas, 189

  Debussy, Claude, 68

  Debord, Guy, 229

  Society of the Spectacle, The, 229

  Delacroix, Eugène, 7

  Delmas, Dr., 3

  Dembo, L. S., 221

  “Demo” (Silliman), 170

  Demo to Ink (Silliman), 170, 172

  Dennis, Patrick, 319

  Auntie Mame, 319

  Derrida, Jacques, xi, xiii, xxxiii, 27, 31, 70, 254

  Descartes, René, 191

  Desjardin, Edouard, 71

  Les Lauriers sont coupés, 71

  Deutch, Dr., 104

  Dhalgren (Delany), xvi, xvii, xxviii, xxxiii, 257

  Dial, 174

  Diaz, Justino, 19, 20

  Dick, Philip K., 280

  Dickens, Charles, 34, 36, 64, 260

  Dickinson, Emily, 139, 180, 181

  differences, 130

  Digges, Did
ley, 211

  Dillard, Annie, xiv, xv

  Writing Life, The, xiv

  Disch, Thomas M., xvii, 155, 169, 261

  “Angouleme,” xvii

  Neighboring Lives, 155

  Dobell, Bertram, 233, 237

  Doll’s House, The (Gaiman), 157

  Donne, John, 184, 191

  Doom of the City, The (Thomson [B. V.]), 233–237

  Doors, the, 198n

  “Dora” [Ida Brauers], 103

  Dos Passos, John, 213

  Dostoyevsky, Fyodor, 37

  Doughty, Charles M., 191

  Douze Chansons (Artaud), 25

  “Dover Beach” (Arnold), 35

  Dowson, Ernest, 33, 195–198

  “Non Sum Qualis Eram Bonae Sub Regno Cynarae,” 197–198

  Drake, Joseph Rodman, 196

  “Niagara,” 196

  Dramatis Personae (Browning), 168

  Dream Master, The (Zelazny), 257

  Dreamgirls (Bennett), 154

  Dresden uprising, 43, 49–63

  Dresdner Anzeiger, 48, 52

  Dressed to Kill (DePalma), 102

  Drew, Elizabeth, 193, 196

  Poetry, 196

  Dreyer, Carl, 14

  The Passion of Joan of Arc, 14

  Dreyfus Affair, the, 40, 68

  Duchamp, Marcel, 4

  Dumas, Alexandre, 13

  Dunbar, Paul Lawrence, 195

  Duncan, Robert, 166, 172

  Passages, 166, 172

  The Structure of Rime, 166

  Eagleton, Terry, 36, 93

  Literary Theory: An Introduction, 36, 93

  Edelman, Lee, 191–193

  Transmemberment of Song, 192

  L’Education Sentimentale (Flaubert), 150

  Edward VII, 32

  Eichelberger, Ethyl, 1, 17

  Eisenhower, Dwight D., 150

  Elements (Euclid), 264

  Eliot, George, 34, 36, 37, 127, 260

  Adam Bede, 260

  Eliot, T. S., 15, 32, 72, 76, 82, 166, 168, 174, 189, 191–195, 199, 200, 202, 206, 207–209, 211, 239, 240

  “The Love Song of J. Alfred Prufrock,” 193, 206–208

  “Tradition and the Individual Talent,” 194

  The Waste Land, 72, 82, 166, 174, 193, 201, 206, 208, 228, 230, 239

  Ellingham, Lewis, 189

  Eluard, Paul, 11

  Embedding, The (Watson), 257

  “Emblems of Conduct” (Crane), 187, 197n

  Emerson, Ralph Waldo, 174, 177, 187, 191, 192, 200, 237

  Essays, 177

  “Plato,” 174, 187

  Empire Strikes Back, The (Kershner), 100

  Empson, William, 181

  Seven Types of Ambiguity, 181

  Emsh [Ed Emshwiller], 315

  Endymion (Keats), 167

  Engels, Friedrich, 52, The Communist Manifesto, 52

  “Engines” (Silliman and Armantraut), 170

  “Envoi” (Pound), 193

  Equinox (Delany), xvi

  Essais (Montaigne), xiv, xxxvi

  Essays (Bacon), xiv

  Essays (Emerson), 177

  Euclid, 262

  Elements, 264

  Eugene Onegin (Pushkin), 164

  Evans, Walker, 153