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    The Newcomes

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    key of it. I think of some honest Othello pausing over this very sentence

      in a railroad carriage, and stealthily gazing at Desdemona opposite to

      him, innocently administering sandwiches to their little boy--I am trying

      to turn off the sentence with a joke, you see--I feel it is growing too

      dreadful, too serious.

      And to what, pray, do these serious, these disagreeable, these almost

      personal observations tend? To this simply, that Charles Honeyman, the

      beloved and popular preacher, the elegant divine to whom Miss Blanche

      writes sonnets, and whom Miss Beatrice invites to tea; who comes with

      smiles on his lip, gentle sympathy in his tones, innocent gaiety in his

      accent; who melts, rouses, terrifies in the pulpit; who charms over the

      tea-urn and the bland bread-and-butter: Charles Honeyman has one or two

      skeleton closets in his lodgings, Walpole Street, Mayfair; and many a

      wakeful night, whilst Mrs. Ridley, his landlady, and her tired husband,

      the nobleman's major-domo, whilst the lodger on the first floor, whilst

      the cook and housemaid and weary little bootboy are at rest (mind you,

      they have all got their closets, which they open with their

      skeleton-keys); he wakes up, and looks at the ghastly occupant of that

      receptacle. One of the Reverend Charles Honeyman's grisly night-haunters

      is--but stop; let us give a little account of the lodgings, and of some

      of the people frequenting the same.

      First floor, Mr. Bagshot, Member for a Norfolk borough. Stout jolly

      gentleman;--dines at the Carlton Club; greatly addicted to Greenwich and

      Richmond, in the season: bets in a moderate way: does not go into

      society, except now and again to the chiefs of his party, when they give

      great entertainments; and once or twice to the houses of great country

      dons who dwell near him in the country. Is not of very good family; was,

      in fact, an apothecary: married a woman with money, much older than

      himself, who does not like London, and stops at home at Hummingham, not

      much to the displeasure of Bagshot; gives every now and then nice little

      quiet dinners, which Mrs. Ridley cooks admirably, to exceedingly stupid

      jolly old Parliamentary fogies, who absorb, with much silence and

      cheerfulness, a vast quantity of wine. They have just begun to drink '24

      claret now, that of '15 being scarce, and almost drunk up. Writes daily,

      and hears every morning from Mrs. Bagshot; does not read her letters

      always: does not rise till long past eleven o'clock of a Sunday, and has

      John Bull and Bell's Life, in bed: frequents the Blue Posts sometimes;

      rides a stout cob out of his county, and pays like the Bank of England.

      The house is a Norfolk house. Mrs. Ridley was housekeeper to the great

      Squire Bayham, who had the estate before the Conqueror, and who came to

      such a dreadful crash in the year 1825, the year of the panic. Bayhams

      still belongs to the family, but in what a state, as those can say who

      recollect it in its palmy days! Fifteen hundred acres of the best

      land in England were sold off: all the timber cut down as level as a

      billiard-board. Mr. Bayham now lives up in one corner of the house, which

      used to be filled with the finest company in Europe. Law bless you! the

      Bayhams have seen almost all the nobility of England come in and go out,

      and were gentlefolks when many a fine lord's father of the present day

      was sweeping a counting-house.

      The house will hold genteelly no more than these two inmates; but in the

      season it manages to accommodate Miss Cann, who too was from Bayhams,

      having been a governess there to the young lady who is dead, and who now

      makes such a livelihood as she can best raise, by going out as a daily

      teacher. Miss Cann dines with Mrs. Ridley in the adjoining little

      back-parlour. Ridley but seldom can be spared to partake of the family

      dinner, his duties in the house and about the person of my Lord Todmorden

      keeping him constantly near that nobleman. How little Miss Cann can go on

      and keep alive on the crumb she eats for breakfast, and the scrap she

      picks at dinner, du astonish Mrs. Ridley, that it du! She declares that

      the two canary-birds encaged in her window (whence is a cheerful prospect

      of the back of Lady Whittlesea's Chapel) eat more than Miss Cann. The two

      birds set up a tremendous singing and chorussing when Miss Cann, spying

      the occasion of the first-floor lodger's absence, begins practising her

      music-pieces. Such trills, roulades, and flourishes go on from the birds

      and the lodger! it is a wonder how any fingers can move over the jingling

      ivory so quickly as Miss Cann's. Excellent a woman as she is, admirably

      virtuous, frugal, brisk, honest, and cheerful, I would not like to live

      in lodgings where there was a lady so addicted to playing variations. No

      more does Honeyman. On a Saturday, when he is composing his valuable

      sermons (the rogue, you may be sure, leaves his work to the last day, and

      there are, I am given to understand, among the clergy many better men

      than Honeyman, who are as dilatory as he), he begs, he entreats with

      tears in his eyes, that Miss Cann's music may cease. I would back little

      Cann to write a sermon against him, for all his reputation as a popular

      preacher.

      Old and weazened as that piano is, feeble and cracked her voice, it is

      wonderful what a pleasant concert she can give in that parlour of a

      Saturday evening, to Mrs. Ridley, who generally dozes a good deal, and to

      a lad, who listens with all his soul, with tears sometimes in his great

      eyes, with crowding fancies filling his brain and throbbing at his heart,

      as the artist plies her humble instrument. She plays old music of Handel

      and Haydn, and the little chamber anon swells into a cathedral, and he

      who listens beholds altars lighted, priests ministering, fair children

      swinging censers, great oriel windows gleaming in sunset, and seen

      through arched columns and avenues of twilight marble. The young fellow

      who hears her has been often and often to the opera and the theatres. As

      she plays Don Juan, Zerlina comes tripping over the meadows, and Masetto

      after her, with a crowd of peasants and maidens: and they sing the

      sweetest of all music, and the heart beats with happiness, and kindness,

      and pleasure. Piano, pianissimo! the city is hushed. The towers of the

      great cathedral rise in the distance, its spires lighted by the broad

      moon. The statues in the moonlit place cast long shadows athwart the

      pavement: but the fountain in the midst is dressed out like Cinderella

      for the night, and sings and wears a crest of diamonds. That great sombre

      street all in shade, can it be the famous Toledo?--or is it the Corso?--

      or is it the great street in Madrid, the one which leads to the Escurial

      where the Rubens and Velasquez are? It is Fancy Street--Poetry Street--

      Imagination Street--the street where lovely ladies look from balconies,

      where cavaliers strike mandolins and draw swords and engage, where long

      processions pass, and venerable hermits, with long beards, bless the

      kneeling people: where the rude soldiery, swaggering through the place

      with flags and halberts, and fife and dance, seize the slim wai
    sts of the

      daughters of the people, and bid the pifferari play to their dancing.

      Blow, bagpipes, a storm of harmony! become trumpets, trombones,

      ophicleides, fiddles, and bassoons! Fire, guns sound, tocsins! Shout,

      people! Louder, shriller and sweeter than all, sing thou, ravishing

      heroine! And see, on his cream-coloured charger Massaniello prances in,

      and Fra Diavolo leaps down the balcony, carabine in hand; and Sir Huon of

      Bordeaux sails up to the quay with the Sultan's daughter of Babylon. All

      these delights and sights, and joys and glories, these thrills of

      sympathy, movements of unknown longing, and visions of beauty, a young

      sickly lad of eighteen enjoys in a little dark room where there is a bed

      disguised in the shape of a wardrobe, and a little old woman is playing

      under a gas-lamp on the jingling keys of an old piano.

      For a long time Mr. Samuel Ridley, butler and confidential valet to the

      Right Honourable John James Baron Todmorden, was in a state of the

      greatest despair and gloom about his only son, the little John James,--a

      sickly and almost deformed child "of whom there was no making nothink,"

      as Mr. Ridley said. His figure precluded him from following his father's

      profession, and waiting upon the British nobility, who naturally require

      large and handsome men to skip up behind their rolling carriages, and

      hand their plates at dinner. When John James was six years old his father

      remarked, with tears in his eyes, he wasn't higher than a plate-basket.

      The boys jeered at him in the streets--some whopped him, spite of his

      diminutive size. At school he made but little progress. He was always

      sickly and dirty, and timid and crying, whimpering in the kitchen away

      from his mother; who, though she loved him, took Mr. Ridley's view of his

      character, and thought him little better than an idiot until such time as

      little Miss Cann took him in hand, when at length there was some hope of

      him.

      "Half-witted, you great stupid big man," says Miss Cann, who had a fine

      spirit of her own. "That boy half-witted! He has got more wit in his

      little finger than you have in all your great person! You are a very good

      man, Ridley, very good-natured I'm sure, and bear with the teasing of a

      waspish old woman: but you are not the wisest of mankind. Tut, tut, don't

      tell me. You know you spell out the words when you read the newspaper

      still, and what would your bills look like if I did not write them in my

      nice little hand? I tell you that boy is a genius. I tell you that one

      day the world will hear of him. His heart is made of pure gold. You think

      that all the wit belongs to the big people. Look at me, you great tall

      man! Am I not a hundred times cleverer than you are? Yes, and John James

      is worth a thousand such insignificant little chits as I am; and he is as

      tall as me too, sir. Do you hear that! One day I am determined he shall

      dine at Lord Todmorden's table, and he shall get the prize at the Royal

      Academy, and be famous, sir--famous!"

      "Well, Miss C., I wish he may get it; that's all I say," answers Mr.

      Ridley. "The poor fellow does no harm, that I acknowledge; but I never

      see the good he was up to yet. I wish he'd begin it; I du wish he would

      now." And the honest gentleman relapses into the study of his paper.

      All those beautiful sounds and thoughts which Miss Cann conveys to him

      out of her charmed piano, the young artist straightway translates into

      forms; and knights in armour, with plume, and shield, and battle-axe; and

      splendid young noblemen with flowing ringlets, and bounteous plumes of

      feathers, and rapiers, and russet boots; and fierce banditti with crimson

      tights, doublets profusely illustrated with large brass buttons, and the

      dumpy basket-hilted claymores known to be the favourite weapon with which

      these whiskered ruffians do battle; wasp-waisted peasant girls, and young

      countesses with oh, such large eyes and the lips!--all these splendid

      forms of war and beauty crowd to the young draughtsman's pencil, and

      cover letter-backs, copybooks, without end. If his hand strikes off some

      face peculiarly lovely, and to his taste, some fair vision that has shone

      on his imagination, some houri of a dancer, some bright young lady of

      fashion in an opera-box, whom he has seen, or fancied he has seen (for

      the youth is short-sighted, though he hardly as yet knows his

      misfortune)--if he has made some effort extraordinarily successful, our

      young Pygmalion hides away the masterpiece, and he paints the beauty with

      all his skill; the lips a bright carmine, the eyes a deep, deep cobalt,

      the cheeks a dazzling vermilion, the ringlets of a golden hue; and he

      worships this sweet creature of his in secret, fancies a history for her;

      a castle to storm, a tyrant usurper who keeps her imprisoned, and a

      prince in black ringlets and a spangled cloak, who scales the tower, who

      slays the tyrant, and then kneels gracefully at the princess's feet, and

      says, "Lady, wilt thou be mine?"

      There is a kind lady in the neighbourhood, who takes in dressmaking for

      the neighbouring maid-servants, and has a small establishment of

      lollipops, theatrical characters, and ginger-beer for the boys in Little

      Craggs Buildings, hard by the Running Footman public-house, where father

      and other gentlemen's gentlemen have their club: this good soul also

      sells Sunday newspapers to the footmen of the neighbouring gentry; and

      besides, has a stock of novels for the ladies of the upper servants'

      table. Next to Miss Cann, Miss Flinders is John James's greatest friend

      and benefactor. She has remarked him when he was quite a little man, and

      used to bring his father's beer of a Sunday. Out of her novels he has

      taught himself to read, dull boy at the day-school though he was, and

      always the last in his class, there. Hours, happy hours, has he spent

      cowering behind her counter, or hugging her books under his pinafore when

      he had leave to carry them home. The whole library has passed through his

      hands, his long, lean, tremulous hands, and under his eager eyes. He has

      made illustrations to every one of those books, and been frightened at

      his own pictures of Manfroni or the One-handed Monk, Abellino the

      Terrific Bravo of Venice, and Rinaldo Rinaldini Captain of Robbers. How

      he has blistered Thaddeus of Warsaw with his tears, and drawn him in his

      Polish cap, and tights, and Hessians! William Wallace, the Hero of

      Scotland, how nobly he has depicted him! With what whiskers and bushy

      ostrich plumes!--in a tight kilt, and with what magnificent calves to his

      legs, laying about him with his battle-axe, and bestriding the bodies of

      King Edward's prostrate cavaliers! At this time Mr. Honeyman comes to

      lodge in Walpole Street, and brings a set of Scott's novels, for which he

      subscribed when at Oxford; and young John James, who at first waits upon

      him and does little odd jobs for the reverend gentleman, lights upon the

      volumes, and reads them with such a delight and passion of pleasure as

      all the delights of future days will scarce equal. A fool, is he?--an

      idle feller, out of whom no good will ever come, as his father says.

    &nb
    sp; There was a time when, in despair of any better chance for him, his

      parents thought of apprenticing him to a tailor, and John James was waked

      up from a dream of Rebecca and informed of the cruelty meditated against

      him. I forbear to describe the tears and terror, and frantic desperation

      in which the poor boy was plunged. Little Miss Cann rescued him from that

      awful board, and Honeyman likewise interceded for him, and Mr. Bagshot

      promised that, as soon as his party came in, he would ask the Minister

      for a tide-waitership for him; for everybody liked the solemn,

      soft-hearted, willing little lad, and no one knew him less than his

      pompous and stupid and respectable father.

      Miss Cann painted flowers and card-screens elegantly, and "finished"

      pencil-drawings most elaborately for her pupils. She could copy prints,

      so that at a little distance you would scarcely know that the copy in

      stumped chalk was not a bad mezzotinto engraving. She even had a little

      old paint-box, and showed you one or two ivory miniatures out of the

      drawer. She gave John James what little knowledge of drawing she had, and

      handed him over her invaluable recipes for mixing water-colours--"for

      trees in foregrounds, burnt sienna and indigo"--"for very dark foliage,

      ivory black and gamboge"--"for flesh-colour," etc. etc. John James went

      through her poor little course, but not so brilliantly as she expected.

      She was forced to own that several of her pupils' "pieces" were executed

      much more dexterously than Johnny Ridley's. Honeyman looked at the boy's

      drawings from time to time, and said, "Hm, ha!--very clever--a great deal

      of fancy, really." But Honeyman knew no more of the subject than a deaf

      and dumb man knows of music. He could talk the art cant very glibly, and

      had a set of Morghens and Madonnas as became a clergyman and a man of

      taste; but he saw not with eyes such as those wherewith Heaven had

      endowed the humble little butler's boy, to whom splendours of Nature were

      revealed to vulgar sights invisible, and beauties manifest in forms,

      colours, shadows of common objects, where most of the world saw only what

      was dull, and gross, and familiar. One reads in the magic story-books of

      a charm or a flower which the wizard gives, and which enables the bearer

      to see the fairies. O enchanting boon of Nature, which reveals to the

      possessor the hidden spirits of beauty round about him! spirits which the

      strongest and most gifted masters compel into painting or song. To others

      it is granted but to have fleeting glimpses of that fair Art-world; and

      tempted by ambition, or barred by faint-heartedness, or driven by

      necessity, to turn away thence to the vulgar life-track, and the light of

      common day.

      The reader who has passed through Walpole Street scores of times, knows

      the discomfortable architecture of all, save the great houses built in

      Queen Anne's and George the First's time; and while some of the

      neighbouring streets, to wit, Great Craggs Street, Bolingbroke Street,

      and others, contain mansions fairly coped with stone, with little

      obelisks before the doors, and great extinguishers wherein the torches of

      the nobility's running footmen were put out a hundred and thirty or forty

      years ago:--houses which still remain abodes of the quality, and where

      you shall see a hundred carriages gather of a public night; Walpole

      Street has quite faded away into lodgings, private hotels, doctors'

      houses, and the like; nor is No. 23 (Ridley's) by any means the best

      house in the street. The parlour, furnished and tenanted by Miss Cann as

      has been described; the first floor, Bagshot, Esq., M.P.; the second

      floor, Honeyman; what remains but the garrets, and the ample staircase

      and the kitchens? and the family being all put to bed, how can you

      imagine there is room for any more inhabitants?

      And yet there is one lodger more, and one who, like almost all the other

      personages mentioned up to the present time (and some of whom you have no

     
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