Postern of Fate

  'Whenever they see a hole,' said Isaac. 'But there was a young gentleman once as used to leave his letters in it, so I've heard. Same as though it was a post-box.'

  'Letters? Who were they for?'

  'Some young lady, I'd think. But it was before my time,' said Isaac, as usual.

  'The things that always happened long before Isaac's time,' said Tuppence, as Isaac, having adjusted Mathilde into a good position, left them on the pretext of having to shut up the frames.

  Tommy removed his jacket.

  'It's incredible,' said Tuppence, panting a little as she removed a scratched and dirty arm from the gaping wound in Mathilde's stomach, 'that anyone could put so many things or want to put them, in this thing, and that nobody should ever have cleaned it out.'

  'Well, why should anyone clean it out? Why would anyone want to clean it out?'

  'That's true,' said Tuppence. 'We do, though, don't we?'

  'Only because we can't think of anything better to do. I don't think anything will come of it though. Ow!'

  'What's the matter?' said Tuppence.

  'Oh, I scratched myself on something.'

  He drew his arm out slightly, readjusted it, and felt inside once more. A knitted scarf rewarded him. It had clearly been the sustenance of moths at one time and possibly after that had descended to an even lower level of social life.

  'Disgusting,' said Tommy.

  Tuppence pushed him aside slightly and fished in with her own arm, leaning over Mathilde while she felt about inside.

  'Mind the nails,' said Tommy.

  'What's this?' said Tuppence.

  She brought her find out into the open air. It appeared to be the wheel off a bus or cart or some child's toy.

  'I think,' she said, 'we're wasting our time.'

  'I'm sure we are,' said Tommy.

  'All the same, we might as well do it properly,' said Tuppence. 'Oh dear, I've got three spiders walking up my arm. It'll be a worm in a minute and I hate worms.'

  'I don't think there'll be any worms inside Mathilde. I mean, worms like going underground in the earth. I don't think they'd care for Mathilde as a boarding-house, do you?'

  'Oh well, it's getting empty at any rate, I think,' said Tuppence. 'Hullo, what's this? Dear me, it seems to be a needle book. What a funny thing to find. There's still some needles in it but they're all rusted.'

  'Some child who didn't like to do her sewing, I expect,' said Tommy.

  'Yes, that's a good idea.'

  'I touched something that felt like a book just now,' said Tommy.

  'Oh. Well, that might be helpful. What part of Mathilde?'

  'I should think the appendix or the liver,' said Tommy in a professional tone. 'On her right-hand side. I'm regarding this as an operation!' he added.

  'All right, Surgeon. Better pull it out, whatever it is.'

  The so-called book, barely recognizable as such, was of ancient lineage. Its pages were loose and stained, and its binding was coming to pieces.

  'It seems to be a manual of French,' said Tommy. 'Pour les enfants. Le Petit precepteur.'

  'I see,' said Tuppence. 'I've got the same idea as you had. The child didn't want to learn her French lesson; so she came in here and deliberately lost it by putting it into Mathilde. Good old Mathilde.'

  'If Mathilde was right side up, it must have been very difficult putting things through this hole in her stomach.'

  'Not for a child,' said Tuppence. 'She'd be quite the right height and everything. I mean, she'd kneel and crawl underneath it. Hullo, here's something which feels slippery. Feels rather like an animal's skin.'

  'How very unpleasant,' said Tommy. 'Do you think it's a dead rabbit or something?'

  'Well, it's not furry or anything. I don't think it's very nice. Oh dear, there's a nail again. Well, it seems to be hung on a nail. There's a sort of bit of string or cord. Funny it hasn't rotted away, isn't it?'

  She drew out her find cautiously.

  'It's a pocket-book,' she said. 'Yes. Yes, it's been quite good leather once, I think. Quite good leather.'

  'Let's see what's inside it, if there is anything inside it,' said Tommy.

  'There's something inside it,' said Tuppence.

  'Perhaps it's a lot of five pound notes,' she added hopefully.

  'Well, I don't suppose they'd be usable still. Paper would rot, wouldn't it?'

  'I don't know,' said Tuppence. 'A lot of queer things do survive, you know. I think five pound notes used to be made of wonderfully good paper once, you know. Sort of thin but very durable.'

  'Oh well, perhaps it's a twenty pound note. It will help with the housekeeping.'

  'What? The money'll be before Isaac's time too, I expect, or else he'd have found it. Ah well. Think! It might be a hundred pound note. I wish it were golden sovereigns. Sovereigns were always in purses. My Great-Aunt Maria had a great purse full of sovereigns. She used to show it to us as children. It was her nest egg, she said, in case the French came. I think it was the French. Anyway, it was for extremities or danger. Lovely fat golden sovereigns. I used to think it was wonderful and I'd think how lovely it would be, you know, once one was grown up and you'd have a purse full of sovereigns.'

  'Who was going to give you a purse full of sovereigns?'

  'I didn't think of anyone giving it to me,' said Tuppence. 'I thought of it as the sort of thing that belonged to you as a right once you were a grown up person. You know, a real grown up wearing a mantle - that's what they called the things. A mantle with a sort of fur boa round it and a bonnet. You had this great fat purse jammed full of sovereigns, and if you had a favourite grandson who was going back to school, you always gave him a sovereign as a tip.'

  'What about the girls, the grand-daughters?'

  'I don't think they got any sovereigns,' said Tuppence. 'But sometimes she used to send me half a five pound note.'

  'Half a five pound note? That wouldn't be much good.'

  'Oh yes, it was. She used to tear the five pound note in half, send me one half first and then the other half in another letter later. You see, it was supposed in that way that nobody'd want to steal it.'

  'Oh dear what a lot of precautions everyone did take.'

  'They did rather,' said Tuppence. 'Hullo, what's this?'

  She was fumbling now in the leather case.

  'Let's get out of KK for a minute,' said Tommy, 'and get some air.'

  They got outside KK. In the air they saw better what their trophy was like. It was a thick leather wallet of good quality. It was stiff with age but not in any way destroyed.

  'I expect it was kept from damp inside Mathilde,' said Tuppence. 'Oh, Tommy, do you know what I think this is?'

  'No. What? It isn't money anyway. And certainly not sovereigns. '

  'Oh no, it isn't money,' said Tuppence, 'but I think it's letters. I don't know whether we'll be able to read them now. They're very old and faded.'

  Very carefully Tommy arranged the crinkled yellow paper of the letters, pushing them apart when he could. The writing was quite large and had once been written in a very deep blue-black ink.

  'Meeting place changed,' said Tommy. 'Ken Gardens near Peter Pan. Wednesday 25th, 3.30 p.m. Joanna.'

  'I really believe,' said Tuppence, 'we might have something at last.'

  'You mean that someone who'd be going to London was told to go on a certain day and meet someone in Kensington Gardens bringing perhaps the papers or the plans or whatever it was. Who do you think got these things out of Mathilde or put them into Mathilde?'

  'It couldn't have been a child,' said Tuppence. 'It must have been someone who lived in the house and so could move about without being noticed. Got things from the naval spy, I suppose, and took them to London.'

  Tuppence wrapped up the old leather wallet in the scarf she'd been wearing round her neck and she and Tommy returned to the house.

  'There may be other papers in there,' said Tuppence, 'but most of them I think are perished and will more or less fall to p
ieces if you touch them. Hullo, what's this?'

  On the hall table a rather bulky package was lying. Albert came out from the dining-room.

  'It was left by hand, madam,' he said. 'Left by hand this morning for you.'

  'Ah, I wonder what it is,' said Tuppence. She took it.

  Tommy and she went into the sitting-room together. Tuppence undid the knot of the string and took off the brown paper wrapping.

  'It's a kind of album,' she said, 'I think. Oh, there's a note with it. Ah, it's from Mrs Griffin.

  "Dear Mrs Beresford, It was so kind of you to bring me the birthday book the other day. I have had great pleasure looking over it and remembering various people from past days. One does forget so soon. Very often one only remembers somebody's Christian name and not their surname, sometimes it's the other way about. I came across, a little time ago, this old album. It doesn't really belong to me. I think it belonged to my grandmother, but it has a good many pictures in it and among them, I think, there are one or two of the Parkinsons, because my grandmother knew the Parkinsons. I thought perhaps you would like to see it as you seemed to be so interested in the history of your house and who has lived in it in the past. Please don't bother to send it back to me because it means nothing to me personally really, I can assure you. One has so many things in the house always belonging to aunts and grandmothers and the other day when I was looking in an old chest of drawers in the attic I came across six needle-books. Years and years old. I should think almost possibly a hundred years old. And I believe that was not my grandmother but her grandmother again who used at one time always to give a needle-book each to the maids for Christmas and I think these were some she had bought at a sale and would do for another year. Of course quite useless now. Sometimes it seems sad to think of how much waste there has always been."

  'A photo album,' said Tuppence. 'Well, that might be fun. Come along, let's have a look.'

  They sat down on the sofa. The album was very typical of bygone days. Most of the prints were faded by now but every now and then Tuppence managed to recognize surroundings that fitted the gardens of their own house.

  'Look, there's the monkey puzzle. Yes - and look, there's Truelove behind it. That must be a very old photograph, and a funny little boy hanging on to Truelove. Yes, and there's the wistaria and there's the pampas grass. I suppose it must have been a tea-party or something. Yes, there are a lot of people sitting round a table in the garden. They've got names underneath them too. Mabel. Mabel's no beauty. And who's that?'

  'Charles,' said Tommy. 'Charles and Edmund. Charles and Edmund seem to have been playing tennis. They've got rather queer tennis racquets. And there's William, whoever he was, and Major Coates.'

  'And there's - oh Tommy, there's Mary.'

  'Yes. Mary Jordan. Both names there, written under the photograph.'

  'She was pretty. Very pretty, I think. It is very faded and old, but - oh Tommy, it really seems wonderful to see Mary Jordan.'

  'I wonder who took the photograph?'

  'Perhaps the photographer that Isaac mentioned. The one in the village here. Perhaps he'd have old photographs too. I think perhaps one day we'll go and ask.'

  Tommy had pushed aside the album by now and was opening a letter which had come in the midday post.

  'Anything interesting?' asked Tuppence. 'There are three letters here. Two are bills, I can see. This one - yes, this one is rather different. I asked you if it was interesting,' said Tuppence.

  'It may be,' said Tommy. 'I'll have to go to London tomorrow again.'

  'To deal with your usual committees?'

  'Not exactly,' said Tommy. 'I'm going to call on someone. Actually it isn't London, it's out of London. Somewhere Harrow way, I gather.'

  'What is?' said Tuppence. 'You haven't told me yet.'

  'I'm going to call on someone called Colonel Pikeaway.'

  'What a name,' said Tuppence.

  'Yes, it is rather, isn't it?'

  'Have I heard it before?' said Tuppence.

  'I may have mentioned it to you once. He lives in a kind of permanent atmosphere of smoke. Have you got any cough lozenges, Tuppence?'

  'Cough lozenges! Well, I don't know. Yes, I think I have. I've got an old box of them from last winter. But you haven't got a cough - not that I've noticed, at any rate.'

  'No, but I shall have if I'm going to see Pikeaway. As far as I can remember, you take two choking breaths and then you go on choking. You look hopefully at all the windows which are tightly shut, but Pikeaway would never take a hint of that kind.'

  'Why do you think he wants to see you?'

  'Can't imagine,' said Tommy. 'He mentions Robinson.'

  'What - the yellow one? The one who's got a fat yellow face and is something very hush-hush?'

  'That's the one,' said Tommy.

  'Oh well,' said Tuppence, 'perhaps what we're mixed up in here is hush-hush.'

  'Hardly could be considering it all took place - whatever it was, if there is anything - years and years ago, before even Isaac can remember.'

  'New sins have old shadows,' said Tuppence, 'if that's the saying I mean. I haven't got it quite right. New sins have old shadows. Or is it Old sins make long shadows?'

  'I should forget it,' said Tommy. 'None of them sounds right.'

  'I shall go and see that photographer man this afternoon, I think. Want to come?'

  'No,' said Tommy. 'I think I shall go down and bathe.'

  'Bathe? It'll be awfully cold.'

  'Never mind. I feel I need something cold, bracing and refreshing to remove all the taste of cobwebs, the various remains of which seem to be clinging round my ears and round my neck and some even seem to have got between my toes.'

  'This does seem a very dirty job,' said Tuppence. 'Well. I'll go and see Mr Durrell or Durrance, if that's his name. There was another letter, Tommy, which you haven't opened.'

  'Oh, I didn't see it. Ah well, that might be something.'

  'Who is it from?'

  'My researcher,' said Tommy, in a rather grand voice. 'The one who has been running about England, in and out of Somerset House looking up deaths, marriages and births, consulting newspaper files and census returns. She's very good.'

  'Good and beautiful?'

  'Not beautiful so that you'd notice it,' said Tommy.

  'I'm glad of that,' said Tuppence. 'You know, Tommy, now that you're getting on in years you might - you might get some rather dangerous ideas about a beautiful helper.'

  'You don't appreciate a faithful husband when you've got one,' said Tommy.

  'All my friends tell me you never know with husbands,' said Tuppence.

  'You have the wrong kind of friends,' said Tommy.

  Chapter 5

  INTERVIEW WITH COLONEL PIKEAWAY

  Tommy drove through Regent's Park, then he passed through various roads he'd not been through for years. Once when he and Tuppence had had a flat near Belsize Park, he remembered walks on Hampstead Heath and a dog they had had who'd enjoyed the walks. A dog with a particularly self-willed nature. When coming out of the flat he had always wished to turn to the left on the road that would lead to Hampstead Heath. The efforts of Tuppence or Tommy to make him turn to the right and go into shopping quarters were usually defeated. James, a Sealyham of obstinate nature, had allowed his heavy sausage-like body to rest flat on the pavement, he would produce a tongue from his mouth and give every semblance of being a dog tired out by being given the wrong kind of exercise by those who owned him. People passing by usually could not refrain from comment.

  'Oh, look at that dear little dog there. You know, the one with the white hair - looks rather like a sausage, doesn't he? And panting, poor fellow. Those people of his, they won't let him go the way he wants to, he looks tired out, just tired out,'

  Tommy had taken the lead from Tuppence and had pulled James firmly in the opposite direction from the one he wanted to go.

  'Oh dear,' said Tuppence, 'can't you pick him up, Tommy?'

  '
What, pick up James? He's too much of a weight.'

  James, with a clever manoeuvre, turned his sausage body so that he was facing once more in the direction of his expectation.

  'Look, poor little doggie, I expect he wants to go home, don't you?'

  James tugged firmly on his lead.

  'Oh all right,' said Tuppence, 'we'll shop later. Come on, we'll have to let James go where he wants to go. He's such a heavy dog, you can't make him do anything else.'