The Shorter Poems

  —— Revisionary Play: Studies in the Spenserian Dynamics (Berkeley, 1988).

  Berlin, N., ‘Chaucer’s The Book of the Duchess and Spenser’s Daphnaïda: A Contrast’, Studia Neophilologica, 36 (1966), 282–9.

  Bernard, J. D., ‘Spenserian Pastoral and the Amoretti’, ELH, 47 (1980), 419–32.

  ——‘June and the Structure of Spenser’s Shepheardes Calender’, PQ, 60 (1981), 305–22.

  —— Ceremonies of Innocence: Pastoralism in the Poetry of Edmund Spenser (Cambridge, 1989).

  Berry, H. and E. K. Timings, ‘Spenser’s Pension’, RES, n.s. 11 (1960), 254–9.

  Berry, P., Of Chastity and Power: Elizabethan Literature and the Unmarried Queen (London, 1989).

  Bieman, E., ‘ “Sometimes I… mask in myrth lyke to a Comedy”: Spenser’s Amoretti’, SSt, 4 (1983), 131–42.

  —— Plato Baptized: Towards the Interpretation of Spenser’s Mimetic Fictions (Toronto, 1988).

  Bjorvand, E., ‘Spenser’s Defence of Poetry: Some Structural Aspects of the Fowre Hymnes’, in Maren-Sofie Røstvig, ed., Fair Forms: Essays in English Literature from Spenser to Jane Austen (Cambridge, 1975), 13–53.

  lank, P., ‘The Dialectic of The Shepheardes Calender’, SSt, 10 (1989), 71–94.

  occaccio, Giovanni, De Genealogia Deorum (i.e. Genealogiae Joannis Bocatii) (Venice, 1511).

  Bond, R. B., ‘Invidia and the Allegory of Spenser’s Muiopotmos’, English Studies in Canada, 2 (1976), 144–55.

  —— ‘Supplantation in the Elizabethan Court: The Theme of Spenser’s February Eclogue’, SSt, 2 (1981), 55–65.

  Bondanella, J. C., Petrarch’s Visions and their Renaissance Analogues (Madrid, 1978).

  Bondanella, P. E. and J. C. Bondanella, ‘Two Kinds of Renaissance Love: Spenser’s Astrophel and Ronsard’s Adonis’, ES, 52 (1971), 311–18.

  Botting, R. A., ‘A New Spenserian Rhyme Scheme?’, JEGP, 36 (1937), 384–6.

  Bradbrook, M., ‘No Room at the Top: Spenser’s Pursuit of Fame’, in J. R. Brown and B. Harris, eds., Elizabethan Poetry (London, 1960), 91–109.

  Bray, A., Homosexuality in Renaissance England (London, 1982).

  Brennan, M. G., ‘Foxes and Wolves in Elizabethan Episcopal Propaganda’, Cahiers Elisabéthains, 29 (1986), 83–6.

  Brink, J. R., ‘Who Fashioned Edmund Spenser?: The Textual History of Complaints’, SP, 88 (1991), 153–68.

  —— ‘ “All his minde on honour fixed”: The Preferment of Edmund Spenser’, in J. H. Anderson, D. Cheney and D. A. Richardson, eds., Spenser’s Life and the Subject of Biography (1996), 45–64.

  Brinkley, R. A., ‘Spenser’s Muiopotmos and the Politics of Metamorphosis’, ELH, 48 (1981), 668–76.

  Books-Davies, D., ‘ “Shroude” versus “shoulder” in the June Eclogue of Spenser’s Shepheardes Calender’, N&Q, n.s. 39 (1992), 292–3.

  —— ed., Edmund Spenser: Selected Shorter Poems (London, 1995).

  Byan, R. A., ‘Poets, Poetry and Mercury in Spenser’s Prosopopoia: Mother Hubberd’s Tale’, Costerus, 5 (1972), 27–33.

  Brchmore, D. W., ‘The Image of the Centre in Colin Clouts Come Home Againe’, RES, n.s. 28 (1977), 393–406.

  Brom, H. J., ‘Edmund Spenser’s First Printer, Hugh Singleton’, The Library, 4th series, 14 (1933), 121–56.

  Bin, T. H., ‘Spenser and the Renaissance Orpheus’, UTQ, 41 (1971), 24–47.

  —Praise in ‘The Faerie Queene’ (Lincoln, Nebr., 1978).

  Bmden, William, Britain, or a Chorographical Description of England, Scotland and Ireland, translated by Philemon Holland (London, 1610).

  —— Remains Concerning Britain (1674).

  Campbell, G., ‘ “The Crab Behind his Back”: Astrology in Spenser’s Epithalamion’, N&Q, n.s. 34 (1987), 200–201.

  Carpenter, F. I., A Reference Guide to Edmund Spenser (Chicago, 1923).

  Cartmell, D., ‘Beside the Shore of silver streaming Thamesis: Spenser’s Ruines of Time’, SSt, 6 (1985), 77–82.

  Casady, E., ‘The Neo-Platonic Ladder in Spenser’s Amoretti’, in PQ, 20 (1941), 284–95.

  Castiglione, Baldesar, The Book of the Courtier, translated by George Bull (2nd edn; Harmondsworth, 1976).

  Chaucer, Geoffrey, The Riverside Chaucer, edited by L. D. Benson et al. (Boston, 1987).

  Cheney, D., ‘Spenser’s Fortieth Birthday and Related Fictions’, SSt, 4 (1983), 3–31.

  ——‘The Circular Argument of The Shepheardes Calender’, in G. M. Logan and G. Teskey, eds., Unfolded Tales: Essays on Renaissance Romance (Ithaca, NY, 1989), 137–61.

  Cheney, P., ‘The Old Poet Presents Himself: Prothalamion as a Defence of Spenser’s Career’, SSt, 8 (1987), 211–38.

  ——‘ “The Nightingale is Sovereigne of Song”: The Bird as a Sign of the Virgilian Orphic Poet in The Shepheardes Calender’, JMRS, 21 (1991), 29–57.

  ——Spenser’s Famous Flight: A Renaissance Idea of a Literary Career (Toronto, 1993).

  Chinitz, D., ‘The Poem as Sacrament: Spenser’s Epithalamion and the Golden Mean’, JMRS, 21 (1991), 251–68.

  Cirillo, A. R., ‘Spenser’s Epithalamion: The Harmonious Universe of Love’, SEL, 8 (1968), 19–34.

  Clements, R. J., ‘Iconography on the Nature and Inspiration of Poetry in Renaissance Emblem Literature’, PMLA, 70 (1955), 781–804.

  Collinson, P., The Elizabethan Puritan Movement (London, 1967).

  ——Archbishop Grindal 1519–1583: The Struggle for a Reformed Church (London, 1979).

  Comes, Natalis, Mythologiae (Venice, 1567; first published 1551).

  Comito, T., ‘The Lady in a Landscape and the Poetics of Elizabethan Pastoral’, UTQ, 41 (1972), 200–218.

  ——‘A Dialectic of Images in Spenser’s Fowre Hymnes’, SP, 74 (1977), 301–21.

  Cooper, H., Pastoral: Mediaeval into Renaissance (Ipswich, 1977).

  Copeland, T. A., ‘Surrender of Power in Epithalamion’, in Selected Papers from the West Virginia Shakespeare and Renaissance Association, 13 (1988), 58–65.

  Court, F. E., ‘The Theme and Structure of Spenser’s Muiopotmos’, SEL, 10 (1970), 1–15.

  Cullen, P., Spenser, Marvell and Renaissance Pastoral (Cambridge, Mass., 1970).

  Culpeper, Nicholas, The Complete Herbal (London, 1653).

  Cummings, L., ‘Spenser’s Amoretti VIII: New Manuscript Versions’, SEL, 4 (1964), 125–35.

  Cummings, P. M., ‘Spenser’s Amoretti as an Allegory of Love’, TSLL, 12 (1970), 163–79.

  Cummings, R. M., Spenser: the Critical Heritage (London, 1971).

  Dasenbrock, R. W., ‘The Petrarchan Context of Spenser’s Amoretti’, PMLA, 100 (1985), 38–50.

  Davies, H. N., ‘Spenser’s Shepheardes Calender: The Importance of November’, Cahiers Elisabéthains, 20 (1981), 35–48.

  DeNeef, L., ‘The Ruins of Time: Spenser’s Apology for Poetry’, SP, 76 (1979), 262–71.

  ——Spenser and the Motives of Metaphor (Durham, NC, 1982).

  Di Matteo, A., ‘Spenser’s Venus-Virgo: The Poetics and Interpretative History of a Dissembling Figure’, SSt, 10 (1989), 37–70.

  Du Bellay, Joachim, Les Regrets et Autres Oeuvres Poëtiques suivis des Antiquitez de Rome. Plus un Songe au Vision sur le mesme subject, edited by J. Jolliffe, introduced and annotated by M. A. Screech (Geneva, 1966).

  Dubrow, H., A Happier Eden: The Politics of Marriage in the Stuart Epithalamium (Ithaca, NY, 1990).

  —— Echoes of Desire: English Petrarchism and Its Counterdiscourses (Ithaca, NY 1995).

  Dundas, J., ‘Muiopotmos: A World of Art’, YES, 5 (1975), 30–38.

  ——‘ “The Heavens Ornament”: Spenser’s Tribute to Sidney’, EA, 42 (1989), 129–39.

  Dunlop, A., ‘Calendar Symbolism in the Amoretti’, N&Q, n.s. 16 (1969), 24–6.

  ——‘The Unity of Spenser’s Amoretti’, in A. Fowler, ed., Silent Poetry: Essays in Numerological Analysis (London, 1970), 153–69.

  —— ‘The Drama of Amoretti’, SSt, 1 (1980), 107–20.

  Durr,
R., ‘Spenser’s Calendar of Christian Time’, ELH, 24 (1957), 269–95.

  Eade, J. C., ‘The Pattern in the Astronomy in Spenser’s Epithalamion’, RES, 23 (1972), 173–8.

  Edwards, T. R., Imagination and Power: A Study of Poetry on Public Themes (New York, 1971).

  Elcock, W. D., ‘English Indifference to Du Bellay’s Regrets’, MLR, 46 (1951), 175–84.

  Ellrodt, R., Neoplatonism in the Poetry of Spenser (Geneva, 1960).

  Emerson, O. F., ‘Spenser’s Virgil’s Gnat’, JEGP, 17 (1918), 94–118.

  Ericksen, R., ‘Spenser’s Mannerist Manoeuvres: Prothalamion (1596)’, SP, 90 (1993), 143–75.

  Ettin, A. V., Literature and the Pastoral (New Haven, Conn., 1984).

  Falco, R., ‘Instant Artifacts: Vernacular Elegies for Philip Sidney’, SP, 89 (1992), 1–19.

  ——‘Spenser’s Astrophel and the Formation of Elizabethan Literary Genealogy’, MP, 91 (1993), 1–25.

  ——Conceived Presences: Literary Genealogy in Renaissance England (Amherst, Mass., 1994).

  Ferguson, M. W., ‘ “The Afflatus of Ruin”: Meditations on Rome by Du Bellay, Spenser, and Stevens’, in A. Patterson, ed., Roman Images, Selected Papers from the English Institute, 8 (Baltimore, 1982), 23–50.

  Fichter, A., ‘ “And nought of Rome in Rome perceiu’st at all”: Spenser’s Ruines of Rome’, SSt, 2 (1981), 183–92.

  Ficino, Marsilio, Opera (2 vols.; Basle, 1576).

  —— Marsilio Ficino’s Commentary on Plato’s Symposium, edited and translated by S. R. Jayne, University of Missouri Studies, 19 (Columbia, 1944).

  Fletcher, J. B., ‘Benivieni’s Ode of Love and Spenser’s Fowre Hymnes’, MP, 8 (1911), 545–60.

  Forster L., (a) Janus Gruter’s English Years: Studies in the Continuity of Dutch Literature in Exile in Elizabethan England (Leiden, 1967).

  —— (b) ‘The Translator of the Theatre for Worldlings’, ES, 48 (1967), 27–34.

  ——The Icy Fire: Five Studies in European Petrarchanism (Cambridge, 1969).

  Fowler, A., Spenser and the Numbers of Time (London, 1964).

  —— (a) Triumphal Forms: Structural Patterns in Elizabethan Poetry (Cambridge, 1970).

  —— (b) ed., Silent Poetry: Essays in Numerological Analysis (London, 1970).

  ——Conceitful Thought: The Interpretation of English Renaissance Poems (Edinburgh, 1975).

  ——‘The Beginnings of English Georgic’, in Renaissance Genres: Essays on Theory, History and Interpretation, ed. B. K. Lewalski (Cambridge, Mass., 1986), 105–25.

  Fox, A., ‘The Complaint of Poetry for the Death of Liberality: the Decline of Literary Patronage in the 1590s’, in J. A. Guy, ed., The Reign of Elizabeth I: Court and Culture in the Last Decade (Cambridge, 1995), 229–57.

  Friedland, L. S., ‘A Source of Spenser’s “The Oake and the Briar” ’, PQ, 33 (1954), 222–4.

  ——‘The Illustrations in The Theatre for Worldlings’, HLQ, 19 (1956), 107–20.

  Friedrich, W. G., ‘The Stella of Astrophel’, ELH, 3 (1936), 114–39.

  Fukuda, S., ‘A Numerological Reading of Spenser’s Daphnaïda’, Kumamoto Studies in Language and Literature, 29–30 (1987), 1–9.

  ——‘The Numerological Patterning of Amoretti and Epithalamion’, SSt, 9 (1988), 33–48.

  Gerard, John, The Herbal or General Historie of Plantes (London, 1597).

  Gibbs, D., Spenser’s ‘Amoretti’: A Critical Study (Brookfield, 1990).

  Gilman, E. B., ‘A Theatre for Voluptuous Worldlings (1569) and the Origins of Spenser’s Iconoclastic Imagination’, in J. Moller, ed., Imagination on a Long Rein: English Literature Illustrated (Marburg, 1988), 45–55.

  Gleason, J. B., ‘Opening Spenser’s Wedding Present: the “Marriage Number” of Plato in the Epithalamion’, ELR, 24 (1994), 620–37.

  Gless, D., Interpretation and Theology in Spenser (Cambridge, 1994).

  Goldberg, J., Voice Terminal Echo: Postmodernism and English Renaissance Texts (New York, 1986).

  ——Sodometries: Renaissance Texts, Modern Sexualities (Stanford, 1992).

  Gorges, Arthur, The Poems of Sir Arthur Gorges, edited by H. E. Sandison (Oxford, 1953).

  Gottfried, R., ‘Spenser and the Italian Myth of Locality’, SP, 34 (1937), 107–265.

  Grant, P., Images and Ideas in Literature of the English Renaissance (Amherst, Mass., 1979).

  Graves, R. N., ‘Two Newfound Poems by Edmund Spenser: The Buried Short-Line Runes in Epithalamion and Prothalamion’, SSt, 7 (1986), 199–238.

  Greco, N., ‘Spenser’s Shepheardes Calender, February Eclogue’, Explicator, 41 (1982), 5–6.

  Greene, R., ‘The Shepheardes Calender: Lyric, Dialogue, Periphrasis’, SSt, 8 (1987), 1–33.

  Greene, T. M., ‘Spenser and the Epithalamic Tradition’, CL, 9 (1957), 215–28.

  —— The Descent from Heaven: A Study in Epic Continuity (New Haven, Conn., 1963).

  —— The Light in Troy: Imitation and Discovery in Renaissance Poetry (New Haven, Conn., 1982).

  Greenlaw, E., ‘Spenser and the Earl of Leicester’, PMLA, 25 (1910), 535–61.

  —— Studies in Spenser’s Historical Allegory (Baltimore, 1932).

  Greville, Fulke, The Prose Works of Fulke Greville, edited by J. Gouws (Oxford, 1986).

  Grimal, Pierre, The Dictionary of Classical Mythology (Oxford, 1986).

  Grindal, Edmund, The Remains of Archbishop Grindal, edited by W. Nicholson (Cambridge, 1843).

  Hamilton, A. C., ‘The Argument of Spenser’s Shepheardes Calender’, ELH, 23 (1956), 171–82.

  ——ed., Essential Articles for the Study of Edmund Spenser (Hamden, Conn., 1972).

  ——ed., The Faerie Queene (London, 1977).

  —— et al., eds., The Spenser Encyclopedia (Toronto, 1990).

  Hammond, N. G. L. and H. H. Scullard, eds., The Oxford Classical Dictionary (Oxford, 1970).

  Hannay, M. P., ‘ “My Sheep are Thoughts”: Self-Reflexive Pastoral in The Faerie Queene, Book VI and the New Arcadia’, SSt, 9 (1988), 137–59.

  Hardin, R. F., ‘The Resolved Debate of Spenser’s October’, MP, 73 (1976), 257–63.

  Hardison, O. B., ‘Amoretti and the Dolce Stil Novo’, ELR, 2 (1972), 208–16.

  Harris, B., ‘The Ape in Mother Hubberd’s Tale’, HLQ, 4 (1941), 191–203.

  ——‘The Butterfly in Spenser’s Muiopotmos’, JEGP, 43 (1944), 302–16.

  Harris, D. and N. L. Steffen, ‘The Other Side of the Garden: An Interpretative Comparison of Chaucer’s Book of the Duchess and Spenser’s Daphnaïda’, JMRS, 8 (1978), 17–36.

  Harrison, T. P., Jr, ‘Turner and Spenser’s Mother Hubberd s Tale’, JEGP, 49 (1950), 464–9.

  Harvey, E. R., The Inward Wits: Psychological Theory in the Middle Ages and the Renaissance (London, 1975).

  Harvey, Gabriel, Works, edited by A. B. Grosart (3 vols.; London, 1884–5).

  —— Marginalia, edited by G. C. Moore Smith (Stratford-upon-Avon, 1913).

  Helgerson, R., ‘The New Poet Presents Himself: Spenser and the Idea of a Literary Career’, PMLA, 93 (1978), 893–911.

  ——Self-Crowned Laureates: Spenser, Jonson, Milton, and the Literary System (Berkeley, 1983).

  —— Forms of Nationhood: The Elizabethan Writing of England (Chicago, 1992).

  Heninger, S. K., Jr, ‘The Renaissance Perversion of Pastoral’, JHI, 22 (1961), 254–61.

  ——‘The Implications of Form for The Shepheardes Calender’, SR, 9 (1962), 309–21.

  —— Touches of Sweet Harmony: Pythagorean Cosmology and Renaissance Poetics (San Marino, 1974).

  ——The Cosmographical Glass: Renaissance Diagrams of the Universe (San Marino, 1977).

  —— ‘Spenser and Sidney at Leicester House’, SSt, 8 (1987), 239–49.

  ——‘The Typographical Layout of Spenser’s Shepheardes Calender’, in K. J. Höltgen et al., eds., Word and Visual Imagination: Studies in the Interaction of English Literature and the Visual Arts (Erlangen, 1988), 33–71.

&nbs
p; ——Sidney and Spenser: The Poet as Maker (University Park, Pa., 1989).

  Henley, P., Spenser in Ireland (Cork, 1928).

  ——‘Galathea and Neaera’, TLS, 32 (1933), 464.

  Herendeen, W. H., ‘Spenserian Specifics: Spenser’s Appropriation of a Renaissance Topos’, Medievalia et Humanistica, 10 (1981), 159–88.

  Herman, P. C., ‘The Shepheardes Calender and Renaissance Antipoetic Sentiment’, SEL, 32 (1992), 15–33.

  Hester, M. T., ‘ “If thou regard the same”: Spenser’s Emblematic Centerfold’, American Notes and Queries, n.s. 6 (1993), 183–9.

  Hieatt, A. K., Short Time’s Endless Monument (New York, 1960).

  —— ‘The Daughters of Horus: Order in the Stanzas of Epithalamion’, in W. Nelson, ed., Form and Convention in the Poetry of Edmund Spenser (1961), 103–21.

  —— ‘The Genesis of Shakespeare’s Sonnets: Spenser’s Ruines of Rome: by Bellay’, PMLA, 98 (1983), 800–814.

  ——‘Cymbeline and the Intrusion of Lyric into Romance Narrative: Sonnets, A Lover’s Complaint, Spenser’s Ruins of Rome’, in G. M. Logan and G. Teskey, eds., Unfolded Tales: Essays on Renaissance Romance (Ithaca, 1989), 98–118.

  Hill, W. S., ‘Order and Joy in Spenser’s Epithalamion’, Southern Humanities Review, 6 (1972), 81–90.

  Hoffman, N. J., Spenser’s Pastorals: ‘The Shepheardes Calender’ and ‘Colin Clout’ (Baltimore, 1977).

  Holinshed, R., Chronicles of England, Scotland and Ireland (6 vols.; London, 1807–8).

  Hollander, J., ‘Spenser’s Undersong’, in M. Garber, ed., Cannibals, Witches and Divorce: Estranging the Renaissance (Baltimore, 1987), 1–20.

  Hulse, C., Metaphoric Verse: The Elizabethan Minor Epic (Princeton, 1981).

  Hume, A., ‘Spenser, Puritanism, and the “Maye” Eclogue’, RES, n.s. 20 (1969), 155–67.

  —— Edmund Spenser: Protestant Poet (Cambridge, 1984).

  Hutton, J., ‘Cupid and the Bee’, PMLA, 56 (1941), 1036–57.

  Hyde, T., ‘Vision, Poetry, and Authority in Spenser’, ELR, 13 (1983), 127–45.

  —— The Poetic Theology of Love: Cupid in Renaissance Literature (Newark, Del., 1986).

  Hyman, L. W., ‘Structure and Meaning in Spenser’s Epithalamion’, Tennessee Studies in Literature, 3 (1958), 37–41.