The Shorter Poems

  Janowitz, A., England’s Ruins: Poetic Purpose and the National Landscape (Oxford, 1990).

  Jayne, S., ‘Ficino and the Platonism of the English Renaissance’, CL, 4 (1952), 214–38.

  Johnson, L. S., ‘Elizabeth, Bride and Queen: A Study of Spenser’s April Eclogue and the Metaphors of English Protestantism’, SSt, 2 (1981), 75–91.

  ——‘ “And taken up his ynne in fishes haske” ’, SpN, 18, no. 1 (1987), 14–15.

  ——‘The Shepheardes Calender’: An Introduction (University Park, Pa., 1990).

  Johnson, P., Form and Transformation in Music and Poetry of the English Renaissance (New Haven, Conn., 1972).

  Johnson, W. C., ‘Spenser’s Amoretti and the Art of the Liturgy’, SEL, 14 (1974), 47–61.

  ——‘ “Sacred Rites” and Prayer-Book Echoes in Spenser’s Epithalamion’, Renaissance and Reformation, 12 (1976), 49–54.

  ——Spenser’s ‘Amoretti’: Analogies of Love (Lewisburg, Pa., 1990).

  —— ‘Spenser’s “Greener” Hymnes and Amoretti: “Retractation” and “Reform” ’, ES, 73 (1992), 431–43.

  ——‘Gender Fashioning and the Dynamics of Mutuality in Spenser’s Amoretti’, ES, 74 (1993), 503–19.

  Jones, H. S. V., A Spenser Handbook (New York, 1930).

  Jortin, John, Remarks on Spenser’s Poems (London, 1734).

  Judson, A. C., ‘Mother Hubberd’s Ape’, MLN, 63 (1948), 145–9.

  Kaske, C. V., ‘Another Liturgical Dimension of Amoretti 68’, N&Q, n.s. 24 (1977), 518–19.

  ——‘Spenser’s Amoretti and Epithalamion of 1595: Structure, Genre and Numerology’, ELR, 8 (1978), 271–95.

  ——‘Rethinking Loewenstein’s “Viper Thoughts” ’, SSt, 8 (1987), 325–9.

  Kastner, L. E., ‘Spenser’s Amoretti and Desportes’, MLR, 4 (1908–9), 65–9.

  Kay, D., Melodious Tears: The English Funeral Elegy from Spenser to Milton (Oxford, 1990).

  Kennedy, J. M., ‘The Final Emblem of The Shepheardes Calender’, SSt, 1 (1980), 95–106.

  Kennedy, J. M. and J. A. Reither, eds., A Theatre for Spenserians (Toronto, 1973).

  Kerrigan, J., ed., Motives of Woe: Shakespeare and ‘Female Complaint’ (Oxford, 1991).

  King, J. N., English Reformation Literature: The Tudor Origins of the Protestant Tradition (Princeton, 1982).

  —— ‘Was Spenser a Puritan?’, SSt, 6 (1985), 1–31.

  ——Spenser’s Poetry and the Reformation Tradition (Princeton, 1990).

  Kinsman, R. S., ‘Skelton’s Colyn Cloute: the Mask of Vox Poluli’, in Essays Critical and Historical Dedicated to Lily B. Campbell (Berkeley, 1950), 17–26.

  Klein, L. M., ‘ “Let us love, dear love, lyke as we ought”: Protestant Marriage and the Revision of Petrarchan Loving in Spenser’s Amoretti’ SSt 10 (1989) 109–38.

  Knowlton, E. C., ‘ “Oricalche” and “Phoenice” in Spenser’s Muiopotmos’, N&Q, n.s. 27 (1980), 138–9.

  Koller, K., ‘Spenser and Raleigh’, ELH, 1 (1934), 37–60.

  ——‘Identifications in Colin Clouts Come Home Againe’, MLN, 50 (1935), 155–8.

  Kostic, V., ‘Spenser’s Amoretti and Tasso’s Lyrical Poetry’, Renaissance and Modern Studies, 3 (1959), 51–77.

  Kuin, R., ‘The Gaps and the Whites: Indeterminacy and Undecidability in the Sonnet Sequences of Sidney, Spenser, and Shakespeare’, SSt, 8 (1987), 251–85.

  Lambert, E. Z., Placing Sorrow: A Study of the Pastoral Convention from Theocritus to Milton (Chapel Hill, 1976).

  Landrum, E., ‘Spenser’s Use of the Bible and his Alleged Puritanism’, PMLA, 41 (1926), 517–34.

  Lane, R., Shepheards Devises: Edmund Spenser’s ‘Shepheardes Calender’ and the Institutions of Elizabethan Society (London, 1993).

  Lerner, L., The Uses of Nostalgia: Studies in Pastoral Poetry (London, 1972).

  Lewis, C. S., English Literature in the Sixteenth Century excluding Drama (Oxford, 1954).

  —— The Discarded Image: An Introduction to Medieval and Renaissance Literature (Cambridge, 1964).

  Lindheim, N., ‘Spenser’s Virgilian Pastoral: The Case for September’, SSt, 11 (1990), 1–16.

  Loewenstein, J. F., ‘Echo’s Ring: Orpheus and Spenser’s Career’, ELR, 16 (1986), 287–302.

  —— ‘A Note on the Structure of Spenser’s Amoretti: Viper Thoughts’, SSt, 8 (1987), 311–23.

  Lotspeich, H. G., ‘Spenser’s Virgil’s Gnat and its Latin Original’, ELH, 2 (1935), 235–41.

  —— Classical Mythology in the Poetry of Edmund Spenser (Princeton, 1942).

  Low, A., The Georgic Revolution (Princeton, 1985).

  Luborsky, R. S., ‘The Allusive Presentation of The Shepheardes Calender’, SSt, 1 (1980), 29–67.

  —— ‘The Illustrations to The Shepheardes Calender’, SSt, 2 (1981), 3–53.

  MacArthur, J. H., Critical Contexts of Sidney’s ‘Astrophil and Stella’ and Spenser’s ‘Amoretti’ (Victoria, BC, 1989).

  McCabe, R. A., The Pillars of Eternity: Time and Providence in ‘The Faerie Queene’ (Dublin, 1989).

  —— ‘Edmund Spenser: Poet of Exile’, 1991 Lectures and Memoirs, Proceedings of the British Academy, 80 (1993), 73–103.

  ——‘ “Little booke: thy selfe present”: the Politics of Presentation in The Shepheardes Calender’, in H. Erskine-Hill and R. A. McCabe, eds., Presenting Poetry: Composition, Publication, Reception (Cambridge, 1995), 15–40.

  MacCaffrey, I. G., ‘Allegory and Pastoral in The Shepheardes Calender’, ELH, 36 (1969), 88–109.

  McCanles, M., ‘The Shepheardes Calender as Document and Monument’, SEL, 22 (1982), 5–19.

  McCoy, R. C., ‘Eulogies to Elegies: Poetic Distance in the April Eclogue’, in P. E. Medine and J. Wittreich, eds., Soundings of Things Done: Essays in Early Modern Literature in Honour of S. K. Heninger (Newark, Del., 1997), 52–69.

  McElderry, B. R., Jr, ‘Archaism and Innovation in Spenser’s Poetic Diction’, PMLA, 47 (1932), 144–70.

  Macfie, P. R., ‘Text and Textura: Spenser’s Arachnean Art’, in D. G. Allen and R. A. White, eds., Traditions and Innovations: Essays on British Literature of the Middle Ages and the Renaissance (Newark, Del., 1990), 88–96.

  McLane, P. E., Spenser’s ‘Shepheardes Calender’: A Study in Elizabethan Allegory (Notre Dame, Ind., 1961).

  Maclean, H., ‘ “Restlesse anguish and unquiet paine”: Spenser and the Complaint, 1579–1590’, in J. Campbell and J. Doyle, eds., The Practical Vision: Essays in English Literature in Honour of Flora Roy (Waterloo, Ont., 1978), 29–47.

  MacLure, M., ‘Spenser and the ruins of time’, in J. M. Kennedy and J. A. Reither, eds., A Theatre for Spenserians (Toronto, 1973), 3–18.

  Mallette, R., ‘Spenser’s Portrait of the Artist in The Shepheardes Calender and Colin Clouts Come Home Again’, SEL, 19 (1979), 19–41.

  —— Spenser, Milton and Renaissance Pastoral (London, 1981).

  Manley, L., ‘Spenser and the City: the Minor Poems’, MLQ, 43 (1982), 203–27.

  Mantuan, Baptista Spagnuoli, The Eclogues of Baptista Mantuanus, edited b W. P. Mustard (Baltimore, 1911).

  Marot, Clément, Œuvres, edited by G. Guiffrey and J. Plattard (5 vols.; Geneva, 1969; first published 1911).

  Marotti, A. F., ‘ “Love is Not Love”: Elizabethan Sonnet Sequences and the Social Order’, ELH, 49 (1982), 396–428.

  Martin, E. E., ‘Spenser, Chaucer, and the Rhetoric of Elegy’, JMRS, 17 (1987), 83–109.

  Martz, L. L., ‘The Amoretti: “Most Goodly Temperature” ’, in W. Nelson, ed., Form and Convention in the Poetry of Edmund Spenser (1961), 146–68.

  Marx, S., ‘ “Fortunate Senex”: The Pastoral of Old Age’, SEL, 25 (1985), 21–44.

  Mazzola, E., ‘Marrying Medusa: Spenser’s Epithalamion and Renaissance Reconstructions of Female Privacy’, Genre, 25 (1992), 193–210.

  Meyer, S., An Interpretation of Edmund Spenser’s ‘Colin Clout’ (Notre Dame, Ind., 1969).

  Micros, M., ‘ “Ryse up Elisa?
?? – Woman Trapped in a Lay: Spenser’s Aprill’, Renaissance and Reformation, 17 (1993), 63–73.

  Miller, D. L., ‘Authorship, Authority and The Shepheardes Calender’, MLQ, 40 (1979), 219–36.

  ——‘Spenser’s Vocation, Spenser’s Career’, ELH, 50 (1983), 197–231.

  ——‘The Earl of Cork’s Lute’, in J. H. Anderson, ed., Spenser’s Life and the Subject of Biography (1996), 146–71.

  Miller, J. T., ‘ “Love Doth Hold My Hand”: Writing and Wooing in the Sonnets of Sidney and Spenser’, ELH, 46 (1979), 541–58.

  Miller, P. W., ‘The Decline of the English Epithalamion’, TSLL, 12 (1970), 405–16.

  Millican, C. B., ‘The Northern Dialect of The Shepheardes Calender’, ELH, 6 (1939), 211–13.

  Miola, R. S., ‘Spenser’s “Anacreontics”: A Mythological Metaphor’, SP, 77 (1980), 50–66.

  Montrose, L. A., ‘ “The perfect Paterne of a Poete”: The Poetics of Courtship in The Shepheardes Calender’, TSLL, 21 (1979), 34–67.

  ——‘ “Eliza, Queene of Shepheardes”, and the Pastoral of Power’, ELR, 10 (1980), 153–82.

  ——‘Interpreting Spenser’s February Eclogue: Some Contexts and Implications’, SSt, 2 (1981), 67–74.

  ——‘Of Gentlemen and Shepherds: The Politics of Elizabethan Pastoral Form’, ELH, 50 (1983), 415–59.

  Moore, J. W., ‘Colin Breaks his Pipe: A Reading of the January Eclogue’, ELR, 5 (1975), 3–24.

  Morey, J. H., ‘Spenser’s Mythic Adaptations in Muiopotmos’, SSt, 9 (1988), 49–59.

  —— ‘Latimer’s Sermon on the Plough and Spenser’s Muiopotmos’, N&Q, n.s. 42 (1995), 286–8.

  Mounts, C. E., ‘The Ralegh–Essex Rivalry and Mother Hubberd’s Tale’, MLN, 65 (1950), 509–13.

  ——‘Spenser and the Countess of Leicester’, ELH, 19 (1952), 191–202.

  Mulryan, J., ‘Spenser as Mythologist: A Study of the Nativities of Cupid and Christ in the Fowre Hymnes’, Modern Language Studies, 1 (1971), 13–16.

  ——‘Literary and Philosophical Interpretations of the Myth ofPan from the Classical Period through the Seventeenth Century’, in Jean-Claude Margolin, ed., Acta Conventus Neo-Latini Turonensis (Paris, 1980), 209–18.

  Nashe, Thomas, Works, edited by R. B. McKerrow (5 vols.; revd edn, Oxford, 1958).

  Neely, C. T., ‘The Structure of English Renaissance Sonnet Sequences’, ELH, 45 (1978), 359–89.

  Nelson, W., ed., Form and Convention in the Poetry of Edmund Spenser (New York, 1961).

  —— The Poetry of Edmund Spenser: A Study (New York, 1963).

  , Neuse, R., ‘The Triumph over Hasty Accidents: A Note on the Symbolic Mode of the Epithalamion’, MLR, 61 (1966), 163–74.

  Norbrook, D., Poetry and Politics in the English Renaissance (London, 1984).

  Norton, D. S., ‘Queen Elizabeth’s “Brydale Day” ’, MLQ, 5 (1944), 149–54.

  ——‘The Tradition of Prothalamia’, in English Studies in Honour of James Southall Wilson (Charlottesville, Va., 1951), 223–41.

  Oakeshott, W., ‘Carew Ralegh’s Copy of Spenser’, The Library, 5th series, 26 (1971), 1–21.

  Oates, M. I., ‘Fowre Hymnes: Spenser’s Retractations of Paradise’, SSt, 4 (1983), 143–69.

  O’Connell, M., ‘Astrophel: Spenser’s Double Elegy’, SEL, 11 (1971), 27–35.

  Oram, W. A., ‘Daphnaïda and Spenser’s Later Poetry’, SSt, 2 (1981), 141–58.

  ——‘Elizabethan Fact and Spenserian Fiction’, SSt, 4 (1983), 33–47.

  ——‘Spenser’s Raleghs’, SP, 87 (1990), 341–62.

  Oram, W. A., et al., eds., The Yale Edition of the Shorter Poems of Edmund Spenser (New Haven, Conn., 1989).

  Orwen, W. R., ‘Spenser and the Serpent of Division’, SP, 38 (1941), 198–210.

  ——‘Spenser’s “Stemmata Dudleiana” ’, N&Q, 190 (1946), 9–11.

  Osgood, C. G., A Concordance to Spenser (Philadelphia, 1915).

  Panofsky, D. and E. Panofsky, Pandora’s Box: The Changing Aspects of a Mythical Symbol (Princeton, 1962).

  Parmenter, M., ‘Spenser’s “Twelve Aeglogves Proportionable to the Twelve Monethes” ’, ELH, 3 (1936), 190–217.

  Patterson, A., ‘Re-opening the Green Cabinet: Clément Marot and Edmund Spenser’, ELR, 16 (1986), 44–70.

  ——‘Still Reading Spenser After All These Years?’, ELR, 25 (1995), 432–44.

  Patterson, S. R., ‘Spenser’s Prothalamion and the Catullan Epithalamic Tradition’, Comitatus, 10 (1979–80), 97–106.

  Pearcy, L. T., ‘A Case of Allusion: Stanza 18 of Spenser’s Epithalamion and Catullus 5’, Classical and Modern Literature, 1 (1981), 243–54.

  Peter, J., Complaint and Satire in Early English Literature (Oxford, 1956).

  Peterson, R. S., ‘Spurting Forth upon Courtiers: New Light on the Risks Spenser Took in Publishing Mother Hubberds Tale’, TLS, May 16 (1997), 14–15.

  Petrarch, Francesco, Petrarch’s Lyric Poems: The ‘Rime Sparse’ and Other Lyrics, translated and edited by R. M. Durling (Cambridge, Mass., 1976).

  Pigman, G. W., Grief and English Renaissance Elegy (Cambridge, 1985).

  Prager, C., ‘Emblem and Motion in Spenser’s Prothalamion’, Studies in Iconology, 2 (1976), 114–20.

  Prescott, A. L., French Poets and the English Renaissance: Studies in Fame and Transformation (New Haven, Conn., 1978).

  ——‘ “The Thirsty Deer and the Lord of Life”: Some Contexts for Amoretti 67–70’, SSt, 6 (1985), 33–76.

  ——‘Triumphing over Death and Sin’, SSt, 11 (1990), 231–2.

  Quint, D., Origin and Originality in Renaissance Literature: Versions of the Source (New Haven, Conn., 1983).

  Quitslund, J. A., ‘Spenser’s Image of Sapience’, SR, 16 (1969), 182–213.

  ——‘Spenser and the Patronesses of the Fowre Hymnes: “Ornaments of all True Love and Beautie” ’, in M. P. Hannay, ed., Silent But for the Word: Tudor Women as Patrons, Translators, and Writers of Religious Works (Kent, Ohio, 1985), 184–202.

  ——‘Questionable Evidence in the Letters of 1580 between Gabriel Harvey and Edmund Spenser’, in J. H. Anderson et al., eds., Spenser’s Life and the Subject of Biography (1996), 81–98.

  Rambuss, R., Spenser’s Secret Career (Cambridge, 1993).

  Rasmussen, C. J., ‘ “Quietnesse of Minde”: A Theatre for Worldlings as a Protestant Poetics’, SSt, 1 (1980), 3–27.

  ——‘ “How Weak Be the Passions of Woefulness”: Spenser’s Ruines of Time’, SSt, 2 (1981), 159–81.

  Reamer, O. J., ‘Spenser’s Debt to Marot – Re-examined’, TSLL, 10 (1969), 504–27.

  Rebhorn, W. A., ‘Du Bellay’s Imperial Mistress: Les Antiquitez de Rome as Petrarchist Sonnet Sequence’, Renaissance Quarterly, 33 (1980), 609–22.

  Rees, C., ‘The Metamorphosis of Daphne in Sixteenth-and Seventeenth-Century English Poetry’, MLR, 66 (1971), 251–63.

  Renwick, W. R., ed., Complaints (London, 1928).

  —— ed., Daphnaïda and Other Poems (London, 1929).

  —— ed., The Shepheardes Calender (London, 1930).

  Rice, E. F., The Renaissance Idea of Wisdom (Cambridge, Mass., 1958).

  Richardson, J. M., Astrological Symbolism in Spenser’s ‘The Shepheardes Calender’ (Lewiston, NY, 1989).

  Ringler, W., ‘Spenser and Thomas Watson’, MLN, 69 (1954), 484–87.

  Rix, H. D., Rhetoric in Spenser’s Poetry (University Park, Pa., 1940).

  Roche, T. P., Jr, ed., The Faerie Queene (Harmondsworth, 1978).

  —— (a) Petrarch and the English Sonnet Sequences (New York, 1989).

  —— (b) ‘Spenser’s Muse’, in G. M. Logan and G. Teskey, eds., Unfolded Tales: Essays on Renaissance Romance (Ithaca, NY, 1989), 162–88.

  Rogers, W. E., ‘The Carmina of Horace in Prothalamion’, American Notes and Queries, 15 (1977), 148–53.

  —— ‘ “Perfect Speculation” in Spenser’s Fowre Hymnes’, in The Three Genres and the Interpretation of Lyric (Princeton, 1983), 184–202.


  Rollinson, P., ‘The Renaissance of the Literary Hymn’, Renaissance Papers (1968), 11–20.

  —— ‘A Generic View of Spenser’s Four Hymns’, SP, 68 (1971), 292–304.

  Ronsard, Pierre, Œuvres Complètes, edited by H. Vaganay (7 vols.; Paris, 1923–4).

  Rosenberg, D. M., Oaten Reeds and Trumpets: Pastoral and Epic in Virgil, Spenser, and Milton (Lewisburg, Pa., 1981).

  Rosenberg, E., Leicester: Patron of Letters (New York, 1955).

  Rosenmeyer, T. G., The Green Cabinet: Theocritus and the European Pastoral Lyric (Berkeley, 1969).

  Røstvig, Maren-Sofie, The Hidden Sense and Other Essays (Oslo, 1963).

  ——‘Images of Perfection’, in E. Miner, ed., Seventeenth-Century Imagery: Essays on the Use of Figurative Language from Donne to Farquhar (Berkeley, 1971).

  Russell, D., ‘Du Bellay’s Emblematic Vision of Rome’, Yale French Studies, 47 (1972), 98–109.

  Sacks, P. M., The English Elegy: Studies in the Genre from Spenser to Yeats (Baltimore, 1985).

  Sagaser, E. H., ‘Gathered in Time: Form, Meter (and Parenthesis) in The Shepheardes Calender’, SSt, 10 (1989), 95–108.

  Sandison, H. E., ‘Spenser’s “Lost” Works and their Probable Relation to The Faerie Queene’, PMLA, 25 (1910), 134–51.

  ——‘Arthur Gorges, Spenser’s Alcyon and Ralegh’s Friend’, PMLA, 43 (1928), 645–74.

  ——‘Spenser and Ralegh’, ELH, 1 (1934), 37–60.

  Satterthwaite, A. W., ‘Moral Vision in Spenser, Du Bellay, and Ronsard’, CL, 9 (1957), 136–49.

  ——Spenser, Ronsard and Du Bellay: a Renaissance Comparison (Princeton, 1960).

  Schleiner, L., ‘Spenser and Sidney on the Vaticinium’, SSt, 6 (1985), 129–45.

  ——‘Spenser’s “E. K.” as Edmund Kent (Kenned / of Kent): Kyth (Couth), Kissed, and Kunning-Conning’, ELR, 20 (1990), 374–407.

  Servius Grammaticus, Servii Grammatici qui feruntur in Vergilii Carmina Commentarii, edited by G. Thilo and H. Hagen (3 vols.; Leipzig, 1878–87).

  Shawcross, J. T., ‘Probability as Requisite to Poetic Delight: A Re-view of the Intentionality of The Shepheardes Calender’, SP, 87 (1990), 120–27.

  Shepherd, S., Spenser (Atlantic Highlands, NJ, 1989).

  Shire, H., A Preface to Spenser (London, 1978).