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    Everybody Behaves Badly

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      R

      Rascoe, Burton, 48

      Ray, Man, 21

      Richardson, Hadley. See Hemingway, Hadley (Richardson)

      Romero, Pedro, 160

      S

      San Fermín festival, xvi, 43, 63–66, 104, 183, 305n

      souvenir postcards, 268n

      satire, expats object of, 68

      Saturday Evening Post, 6, 245n

      Saturday Review of Literature, 204

      Shakespeare & Company (bookstore), 10, 203

      short stories and vignettes. See also in our time (Three Mountains Press); Three Stories and Ten Poems

      “Big Two-Hearted River,” 67, 68–69

      “Canary for One,” 185

      early rejections, x, 6

      “iceberg theory,” 40–41

      “My Life in The Bull Ring with Donald Ogden Stewart,” 73

      “The Strange Country,” 36, 258n

      “The True Story of My Break with Gertrude Stein,” 215

      Smith, Bill, 6, 35, 82, 102, 128–29, 208

      after The Sun Also Rises, 232–33

      Smith, Y. K., 7, 8–9

      Stearns, Harold, 21

      Steffens, Lincoln, 33–34

      Stein, Gertrude, 10, 21, 137–38

      advice to Hemingway, xiv, 28, 30–31

      bullfighting interest, 38–39, 215

      burlap dress, 26, 254n

      dismay at Hemingway over The Torrents of Spring, 167–69

      enmity after The Sun Also Rises, 214–15

      experimental and self-published work, xi, 22, 28, 31, 255n, 256n

      first meetings, 23, 25–29

      and Fitzgerald, 279n

      Lost Generation anecdote, xii, xviii, 131, 192, 289n

      modern art and, 255n

      nicknames, 26, 254n

      and Pound, 254n

      Stein, Lorin, x

      Stewart, Donald Ogden, 61–63, 69, 185

      to Burguete, 102

      friendship of, 74, 271n

      Hemingway’s views of, 80

      to Hollywood, 128

      on In Our Time, 134

      opinion of The Sun Also Rises, 208

      to Pamplona, 64–66, 99, 103

      Parody Outline of History, 138

      after The Sun Also Rises, 229–31

      To a Tragic Poetess, 193–94

      Stoneback, H. R., 236, 257n

      Strater, Mike, 140

      The Sun Also Rises, characters of, 201

      Bill Smith and Donald Stewart as Bill Gorton, 122–23, 204, 208

      Cayetano Ordóñez as Pedro Romero, 160

      Fitzgerald mention, 287n

      Ford Madox Ford as Braddocks, 119, 204, 287n

      friends in and out, xvii–xix, 114–15, 119–20, 130, 181, 197, 203–4

      Harold Loeb or Robert Cohn, 116–17, 124, 204–5, 286n, 311n

      Jake Barnes and Hemingway, 114–15, 117–18, 127–28, 284n

      Jake Barnes’s war injury, 118–19, 166

      Kathleen “Kitty” Cannell or Frances Clyne, 117, 207–8

      Lady Duff Twysden character or Lady Brett Ashley, 115–16, 124–25, 127–28, 161, 204–5, 285n, 312n

      Patrick Guthrie character or Mike Campbell, 116, 125

      Tom Buchanan in first draft, 119–20

      The Sun Also Rises, Hemingway after, 235–37

      The Sun Also Rises, publicity

      cover, 198, 308n

      errors or misstatements about Hemingway, 195–96

      photos, 162, 195, 198–99

      scandal in Paris, 203–4

      Scribner’s team, 195–98

      The Torrents of Spring used to market, 166–67

      The Sun Also Rises, reviews, 309n

      Boston Evening Transcript, 199–200

      New York Herald Tribune, 199

      New York Times, 199

      New York World, 200

      The New Yorker, 200

      Paris Tribune, 200

      Saturday Review of Literature, 199

      suggested reviewers, the Crowd and Algonquins, 162, 200, 298n

      The Sun Also Rises, reviews, negative

      Dos Passos, 201

      The Nation, 200

      The New Masses, 201

      Springfield Republican, 200

      The Sun Also Rises, settings of

      Burguete (Basque village), 122, 288n

      Hotel Quintana as Hotel Montoya, 123

      Pamplona, expat crowd in, 123–24

      Paris and expats in, 114

      The Sun Also Rises, writing of

      backbone in place, 120–21

      Bible quote and name change, 133, 192

      editing and revision in Schruns, 141, 160–62

      finished manuscript and dedication, 160–63, 186–87

      Fitzgerald editorial suggestions, 179

      Fitzgerald title joke, 179

      French school notebooks and early drafts, 113–14, 283n, 284n

      Hemingway talking up his first novel, 120–21

      Lost Generation, 131–32, 192, 202, 209–10, 289n

      Perkins’s edit of The Sun Also Rises, 179–82

      profanity, 181–82

      publisher negotiations, 144–45

      seminal Pamplona events, xvi, 111–13

      title change from Fiesta, 121, 130–31

      T

      The Tabula, 5

      Thayer, Scofield, 23, 30

      This Side of Paradise

      first novel, 6

      publication by Scribner’s, 149, 197, 209

      Three Mountain Press, 261n. See also in our time (Three Mountains Press)

      Three Stories and Ten Poems, 40–41, 43

      Toklas, Alice B., 26, 27, 255n

      Toronto Star, 5

      assignments in Toronto, 44

      bullfighting account corrections, 66, 268n

      freelance reporting by Hemingway, 13–14, 16–17, 114

      Hemingway the story, 19–20

      return to Toronto as a reporter, 37, 44

      The Torrents of Spring

      “cold-blooded contract-breaker,” 140–41

      friends’ reaction to, 138–39

      Hemingway’s treatment of Fitzgerald, 137

      Hemingway’s treatment of Stein, 137–38

      Hemingway’s treatment of Willa Cather, 137

      letters to and from Anderson, 168–69

      and Liveright, 139–40, 143–44

      parody of Anderson’s Dark Laughter, 136–37, 139, 167

      reviews of, 167

      at Scribner’s, 165–67, 300n

      Stewart’s reaction to, 138

      writing of, 291n

      transatlantic review (magazine), 49, 51–52, 61, 67–68, 264n

      The Trapeze (high school newspaper), 5

      travel, work and play

      Burguete (Basque village), 66–67, 102

      Greece and Lausanne, foreign correspondence, 33

      Gstaad, 214

      Hendaye (Basque village), 120, 121

      Italy, 4, 6, 7

      Juan-les-Pins, Riviera, 173–74

      Lyon, 95–96

      Madrid, 171

      New York, 145–46, 150, 154, 158

      Pamplona, 39–40, 43, 63, 99, 182–84

      Paris after successes, 220–21

      to Pyrenees and Pamplona, 61, 62

      Rapello, 36

      Schruns, Austria, 73, 140–41, 159–60

      Twysden, Duff, xv–xvi, 94–95, 100–110, 111, 206–7, 316n

      background, 276n

      description of, 85–89, 274n, 274n

      and Hemingway, 280n

      and Patrick Guthrie, 275n

      after The Sun Also Rises, 223–26, 317n

      U

      Ulysses, xi, 10, 22–24, 180

      V

      Vanity Fair, satirical editorial, ix, 220

      Verlaine, Paul, 23, 29

      Vitrac, Roger, 228

      Vogue, 13, 83

      von Kurowsky, Agnes, 4, 219

      W

      Walsh, Ernest, 127

      Wharton, Edith, The Greater Inclination, 147–48

      Wheelock, John Hall, 164

     
    Wilkins, Cleonike Damianakes (“Cleon”), 198, 308n

      Wilson, Edmund, 94, 157, 225, 255n

      Winesburg, Ohio, 8, 10

      Winner Take Nothing, 220

      Wolf, Robert, 134, 145

      women, relations with. See Pfeiffer, Pauline; Pfeiffer, Pauline and Virginia (Jinny); Twysden, Duff; Wylie, Elinor

      Woolf, Virginia

      review of Men Without Women, 217

      review of The Sun Also Rises, 309n

      World War I

      Red Cross Ambulance Corps, 6

      shrapnel injury in Italy, 4, 6, 118

      writing style, 30, 92–93

      influence of Cézanne, 28

      Wylie, Elinor, 157

      About the Author

      LESLEY M. M. BLUME is an award-winning journalist, reporter, and cultural historian. She contributes regularly to Vanity Fair and the Wall Street Journal, and her work has appeared in many other publications, including the New York Times, Vogue, Town & Country, and Departures. She is a New Yorker currently based in Los Angeles.

     


     

      Lesley M. M. Blume, Everybody Behaves Badly

     


     

     
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