Page 4 of The Reader


  “It looks? You think it looks like you upset me? You don’t have the power to upset me. And will you please go, finally? I’ve been working, I want to take a bath, and I want a little peace.” She looked at me commandingly. When I didn’t get up, she shrugged, turned around, ran water into the tub, and took off her clothes.

  Then I stood up and left. I thought I was leaving for good. But half an hour later I was back at her door. She let me in, and I said the whole thing was my fault. I had behaved thoughtlessly, inconsiderately, unlovingly. I understood that she was upset. I understood that she wasn’t upset because I couldn’t upset her. I understood that I couldn’t upset her, but that she simply couldn’t allow me to behave that way to her. In the end, I was happy that she admitted I’d hurt her.

  So she wasn’t as unmoved and uninvolved as she’d been making out, after all.

  “Do you forgive me?”

  She nodded.

  “Do you love me?”

  She nodded again. “The tub is still full. Come, I’ll bathe you.”

  Later I wondered if she had left the water in the tub because she knew I would come back. If she had taken her clothes off because she knew I wouldn’t be able to get that out of my head and that it would bring me back. If she had just wanted to win a power game.

  After we’d made love and were lying next to each other and I told her why I’d got into the second car and not the first, she teased me. “You want to do it with me in the streetcar too? Kid, kid!” It was as if the actual cause of our fight had been meaningless.

  But its results had meaning. I had not only lost this fight. I had caved in after a short struggle when she threatened to send me away and withhold herself. In the weeks that followed I didn’t fight at all. If she threatened, I instantly and unconditionally surrendered. I took all the blame. I admitted mistakes I hadn’t made, intentions I’d never had. Whenever she turned cold and hard, I begged her to be good to me again, to forgive me and love me. Sometimes I had the feeling that she hurt herself when she turned cold and rigid. As if what she was yearning for was the warmth of my apologies, protestations, and entreaties. Sometimes I thought she just bullied me. But either way, I had no choice.

  I couldn’t talk to her about it. Talking about our fights only led to more fighting. Once or twice I wrote her letters. But she didn’t react, and when I asked her about them, she said, “Are you starting that again?”

  CHAPTER ELEVEN

  NOT THAT Hanna and I weren’t happy again after the first day of Easter vacation. We were never happier than in those weeks of April. As sham as our first fight and indeed all our fights were, everything that enlarged our ritual of reading, showering, making love, and lying beside each other did us good. Besides which, she had trumped herself with her accusation that I hadn’t wanted to know her. When I wanted to be seen with her, she couldn’t raise any fundamental objections. “So it was you who didn’t want to be seen with me”—she didn’t want to have to listen to that. So the week after Easter we set off by bike on a four-day trip to Wimpfen, Amorbach, and Miltenberg.

  I don’t remember what I told my parents. That I was doing the trip with my friend Matthias? With a group? That I was going to visit a former classmate? My mother was probably worried, as usual, and my father probably found, as usual, that she should stop worrying. Hadn’t I just passed the class, when nobody thought I could do it?

  While I was sick, I hadn’t spent any of my pocket money. But that wouldn’t be enough if I wanted to pay for Hanna as well. So I offered to sell my stamp collection to the stamp dealer next to the Church of the Holy Spirit. It was the only shop that said on the door that it purchased collections. The salesman looked through my album and offered me sixty marks. I made him look at my showpiece, a straight-edged Egyptian stamp with a pyramid that was listed in the catalog for four hundred marks. He shrugged. If I cared that much about my collection, maybe I should hang on to it. Was I even allowed to be selling it? What did my parents say about it? I tried to bargain. If the stamp with the pyramid wasn’t that valuable, I would just keep it. Then he could only give me thirty marks. So the stamp with the pyramid was valuable after all? In the end I got seventy marks. I felt cheated, but I didn’t care.

  I was not the only one with itchy feet. To my amazement, Hanna started getting restless days before we left. She went this way and that over what to take, and packed and repacked the saddlebag and rucksack I had got hold of for her. When I wanted to show her the route I had worked out on the map, she didn’t want to look, or even hear about it. “I’m too excited already. You’ll have worked it out right anyway, kid.”

  We set off on Easter Monday. The sun was shining and went on shining for four days. The mornings were cool and then the days warmed up, not too warm for cycling, but warm enough to have picnics. The woods were carpets of green, with yellow green, bright green, bottle green, blue green, and black green daubs, flecks, and patches. In the flatlands along the Rhine, the first fruit trees were already in bloom. In Odenwald the first forsythias were out.

  Often we could ride side by side. Then we pointed out to each other the things we saw: the castle, the fisherman, the boat on the river, the tent, the family walking single file along the bank, the enormous American convertible with the top down. When we changed directions or roads, I had to ride ahead; she didn’t want to have to bother with such things. Otherwise, when the traffic was too heavy, she sometimes rode behind me and sometimes vice versa. Her bike had covered spokes, pedals, and gears, and she wore a blue dress with a big skirt that fluttered in her wake. It took me some time to stop worrying that the skirt would get caught in the spokes or the gears and she would fall off. After that, I liked watching her ride ahead of me.

  How I had looked forward to the nights. I had imagined that we would make love, go to sleep, wake up, make love again, go to sleep again, wake up again and so on, night after night. But the only time I woke up again was the first night. She lay with her back to me, I leaned over her and kissed her, and she turned on her back, took me into her and held me in her arms. “Kid, kid.” Then I fell asleep on top of her. The other nights we slept right through, worn out by the cycling, the sun, and the wind. We made love in the mornings.

  Hanna didn’t just let me be in charge of choosing our direction and the roads to take. I was the one who picked out the inns where we spent the nights, registered us as mother and son while she just signed her name, and selected our food from the menu for both of us. “I like not having to worry about a thing for a change.”

  The only fight we had took place in Amorbach. I had woken up early, dressed quietly, and crept out of the room. I wanted to bring up breakfast and also see if I could find a flower shop open where I could get a rose for Hanna. I had left a note on the night table. “Good morning! Bringing breakfast, be right back,” or words to that effect. When I returned, she was standing in the room, trembling with rage and white-faced.

  “How could you go just like that?”

  I put down the breakfast tray with the rose on it and wanted to take her in my arms. “Hanna.”

  “Don’t touch me.” She was holding the narrow leather belt that she wore around her dress; she took a step backwards and hit me across the face with it. My lip split and I tasted blood. It didn’t hurt. I was horrorstruck. She swung again.

  But she didn’t hit me. She let her arm fall, dropped the belt, and burst into tears. I had never seen her cry. Her face lost all its shape. Wide-open eyes, wide-open mouth, eyelids swollen after the first tears, red blotches on her cheeks and neck. Her mouth was making croaking, throaty sounds like the toneless cry when we made love. She stood there looking at me through her tears.

  I should have taken her in my arms. But I couldn’t. I didn’t know what to do. At home none of us cried like that. We didn’t hit, not even with our hands, let alone a leather belt. We talked. But what was I supposed to say now?

  She took two steps towards me, beat her fists against me, then clung to me. Now I could hold he
r. Her shoulders trembled, she knocked her forehead against my chest. Then she gave a deep sigh and snuggled into my arms.

  “Shall we have breakfast?” She let go of me. “My God, kid, look at you.” She fetched a wet towel and cleaned my mouth and chin. “And your shirt is covered with blood.” She took off the shirt and my pants, and we made love.

  “What was the matter? Why did you get so angry?” We were lying side by side, so satiated and content that I thought everything would be cleared up now.

  “What was the matter, what was the matter—you always ask such silly questions. You can’t just leave like that.”

  “But I left you a note . . .”

  “Note?”

  I sat up. The note was no longer on the night table where I had left it. I got to my feet, and searched next to the night table, and underneath, and under the bed and in it. I couldn’t find it. “I don’t understand. I wrote you a note saying I was going to get breakfast and I’d be right back.”

  “You did? I don’t see any note.”

  “You don’t believe me?”

  “I’d love to believe you. But I don’t see any note.”

  We didn’t go on fighting. Had a gust of wind come and taken the note and carried it away to God knows where? Had it all been a misunderstanding, her fury, my split lip, her wounded face, my helplessness?

  Should I have gone on searching, for the note, for the cause of Hanna’s fury, for the source of my helplessness? “Read me something, kid!” She cuddled up to me and I picked up Eichendorff’s Memoirs of a Good-for-Nothing and continued from where I had left off. Memoirs of a Good-for-Nothing was easy to read aloud, easier than Emilia Galotti and Intrigues and Love. Again, Hanna followed everything eagerly. She liked the scattering of poems. She liked the disguises, the mix-ups, the complications and pursuits which the hero gets tangled up in in Italy. At the same time, she held it against him that he’s a good-for-nothing who doesn’t achieve anything, can’t do anything, and doesn’t want to besides. She was torn in all directions; hours after I stopped reading, she was still coming up with questions. “Customs collector—wasn’t much of a job?”

  Once again the report on our fight has become so detailed that I would like to report on our happiness. The fight made our relationship more intimate. I had seen her crying. The Hanna who could cry was closer to me than the Hanna who was only strong. She began to show a soft side that I had never seen before. She kept looking at my split lip, until it healed, and stroking it gently.

  We made love a different way. For a long time I had abandoned myself to her and her power of possession. Then I had also learned to take possession of her. On this trip and afterwards, we no longer merely took possession of each other.

  I have a poem that I wrote back them. As poetry, it’s worthless. At the time I was in love with Rilke and Benn, and I can see that I wanted to imitate them both. But I can also see how close we were at the time. Here is the poem:

  When we open ourselves

  you yourself to me and I myself to you,

  when we submerge

  you into me and I into you

  when we vanish

  into me you and into you I

  Then

  am I me

  and you are you

  CHAPTER TWELVE

  WHILE I have no memory of the lies I told my parents about the trip with Hanna, I do remember the price I had to pay to stay alone at home the last week of vacation. I can’t recall where my parents and my older brother and sister were going. The problem was my little sister. She was supposed to go and stay with a friend’s family. But if I was going to be at home, she wanted to be at home as well. My parents didn’t want that. So I was supposed to go and stay with a friend too.

  As I look back, I find it remarkable that my parents were willing to leave me, a fifteen-year-old, at home alone for a week. Had they noticed the independence that had been growing in me since I met Hanna? Or had they simply registered the fact that I had passed the class despite the months of illness and decided that I was more responsible and trustworthy than I had shown myself to be until then? Nor do I remember being called on to explain the many hours I spent at Hanna’s. My parents apparently believed that, now that I was healthy again, I wanted to be with my friends as much as possible, whether studying or just enjoying our free time. Besides, when parents have a pack of four children, their attention cannot cover everything, and tends to focus on whichever one is causing the most problems at the moment. I had caused problems for long enough; my parents were relieved that I was healthy and would be moving up into the next class.

  When I asked my little sister what her price was for going to stay with her friend while I stayed home, she demanded jeans—we called them blue jeans back then, or studded pants—and a Nicki, which was a velour sweater. That made sense. Jeans were still something special at that time, they were chic, and they promised liberation from herringbone suits and big-flowered dresses. Just as I had to wear my uncle’s things, my little sister had to wear her big sister’s. But I had no money.

  “Then steal them!” said my little sister with perfect equanimity.

  It was astonishingly easy. I tried on various jeans, took a pair her size with me into the fitting room, and carried them out of the store against my stomach under my wide suit pants. The sweater I stole from the big main department store. My little sister and I went in one day and strolled from stand to stand in the fashion department until we found the right stand and the right sweater. Next day I marched quickly through the department, seized the sweater, hid it under my suit jacket, and was outside again. The day after that I stole a silk nightgown for Hanna, was spotted by the store detective, ran for my life, and escaped by a hair. I didn’t go back to the department store for years after that.

  Since our nights together on the trip, I had longed every night to feel her next to me, to curl up against her, my stomach against her behind and my chest against her back, to rest my hand on her breasts, to reach out for her when I woke up in the night, find her, push my leg over her legs, and press my face against her shoulder. A week alone at home meant seven nights with Hanna.

  One evening I invited her to the house and cooked for her. She stood in the kitchen as I put the finishing touches on the food. She stood in the open double doors between the dining room and living room as I served. She sat at the round dining table where my father usually sat. She looked around.

  Her eyes explored everything—the Biedermeier furniture, the piano, the old grandfather clock, the pictures, the bookcases, the plates and cutlery on the table. When I left her alone to prepare dessert, she was not at the table when I came back. She had gone from room to room and was standing in my father’s study. I leaned quietly against the doorpost and watched her. She let her eyes drift over the bookshelves that filled the walls, as if she were reading a text. Then she went to a shelf, raised her right index finger chest high and ran it slowly along the backs of the books, moved to the next shelf, ran her finger further along, from one spine to the next, pacing off the whole room. She stopped at the window, looked out into the darkness, at the reflection of the bookshelves, and at her own.

  It is one of the pictures of Hanna that has stayed with me. I have them stored away, I can project them on a mental screen and watch them, unchanged, unconsumed. There are long periods when I don’t think about them at all. But they always come back into my head, and then I sometimes have to run them repeatedly through my mental projector and watch them. One is Hanna putting on her stockings in the kitchen. Another is Hanna standing in front of the tub holding the towel in her outstretched arms. Another is Hanna riding her bike with her skirt blowing in her slipstream. Then there is the picture of Hanna in my father’s study. She’s wearing a blue-and-white striped dress, what they called a shirtwaist back then. She looks young in it. She has run her finger along the backs of the books and looked into the darkness of the window. She turns to me, quickly enough that the skirt swings out around her legs for a momen
t before it hangs smooth again. Her eyes are tired.

  “Are these books your father has just read, or did he write them too?”

  I knew there was a book on Kant and another on Hegel that my father had written, and I searched for them and showed them to her.

  “Read me something from them. Please, kid?”

  “I . . .” I didn’t want to, but didn’t like to refuse her either. I took my father’s Kant book and read her a passage on analysis and dialectics that neither of us understood. “Is that enough?”

  She looked at me as though she had understood it all, or as if it didn’t matter whether anything was understandable or not. “Will you write books like that some day?”

  I shook my head.

  “Will you write other books?”

  “I don’t know.”

  “Will you write plays?”

  “I don’t know, Hanna.”

  She nodded. Then we ate dessert and went to her apartment. I would have liked to sleep with her in my bed, but she didn’t want to. She felt like an intruder in our house. She didn’t say it in so many words, but in the way she stood in the kitchen or in the open double doors, or walked from room to room, inspected my father’s books and sat with me at dinner.

  I gave her the silk nightgown. It was aubergine-colored with narrow straps that left her shoulders and arms bare, and came down to her ankles. It shone and shimmered. Hanna was delighted; she laughed and beamed. She looked down at herself, turned around, danced a few steps, looked at herself in the mirror, checked her reflection, and danced some more. That too is a picture of Hanna that has stayed with me.

  CHAPTER THIRTEEN

  I ALWAYS EXPERIENCED the beginning of a new school year as a watershed. Moving up from tenth to eleventh grade was a major one. My class was disbanded among the three other parallel classes. Quite a few students had failed to make the grade, so four small classes were combined into three larger ones.