[25] Spivak admits that this is “an old-fashioned binary opposition” (112).
[26] See Bowles, “Fez,” “Sad for U.S., Sad for Algeria,” and “No More Djinns.”
[27] See Emily Apter, “‘Untranslatable’ Algeria.”
[28] Criticism on the collaboration includes Mary Martin Rountree, “Paul Bowles: Translations from the Moghrebi”; Ibrahim Dawood, “Mohammed Mrabet’s Fiction of Alienation” and “Mohammed Mrabet and the Significance of His Work”; Richard F. Patteson, “Paul Bowles/Mohammed Mrabet: Translation, Transformation, and Transcultural Discourse”; John Maier, Desert Songs: Western Images of Morocco and Moroccan Images of the West; and Greg Mullins, Colonial Affairs: Bowles, Burroughs, and Chester Write Tangier. See also chapter five of my Morocco Bound.
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Table of Contents
Foreword: Africa Minor [1959]
1
2
3
4
5
6
7
8
9
10
11
Appendices
Paul Bowles, Points in Time
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