He was not outstanding, not at anything, but he was good enough to go to the state university, and he lettered in three sports there. He missed a year of competition with a knee injury, and managed to finagle a fifth year of college--retaining his student draft deferment for the extra year. After that, he was "draft material," but he rather desperately strove to miss the trip to Vietnam by poisoning himself for his physical. He drank a fifth of bourbon a day for two weeks; he smoked so much marijuana that his hair smelled like a cupboard crammed with oregano; he started a fire in his parents' oven, baking peyote; he was hospitalized with a colon disorder, following an LSD experience wherein he became convinced that his own Hawaiian sports shirt was edible, and he consumed some of it--including the buttons and the contents of the pocket: a book of matches, a package of cigarette papers, and a paper clip.
Given the provincialism of the Gravesend draft board, Buzzy was declared psychologically unfit to serve, which had been his crafty intention. Unfortunately, he had grown to like the bourbon, the marijuana, the peyote, and the LSD; in fact, he so worshiped their excesses that he was killed one night on the Maiden Hill Road by the steering column of his Plymouth, when he drove head-on into the abutment of the railroad bridge that was only a few hundred yards downhill from the Meany Granite Quarry. It was Mr. Meany who called the police. Owen and I knew that bridge well; it followed an especially sharp turn at the bottom of a steep downhill run--it called for caution, even on our bicycles.
It was the ill-treated Mrs. Hoyt who observed that Buzzy Thurston was simply another victim of the Vietnam War; although no one listened to her, she maintained that the war was the cause of the many abuses Buzzy had practiced upon himself--just as surely as the war had axed her Harry. To Mrs. Hoyt, these things were symptomatic of the Vietnam years: the excessive use of drugs and alcohol, the suicidally fast driving, and the whorehouses in Southeast Asia, where many American virgins were treated to their first and last sexual experiences--not to mention the Russell's vipers, waiting under the trees!
Mr. Chickering should have wept--not only for the whimsy with which he'd instructed Owen Meany to "Swing away!" Had he known everything that would follow, he would have bathed his chubby face in even more tears than he produced that day in Hurd's when he was grieving for and as a team.
Naturally, Police Chief Pike sat apart; policemen like to sit by the door. And Chief Pike wasn't weeping. To him, my mother was still a "case"; for him, the service was an opportunity to look over the suspects--because we were all suspects in Chief Pike's eyes. Among the mourners, Chief Pike suspected the ball-thief lurked.
He was always "by the door," Chief Pike. When I dated his daughter, I always thought he would be bursting through a door--or a window--at any moment. It was doubtless a result of my anxiety concerning his sudden entrance that I once tangled my lower lip in his daughter's braces, retreating too quickly from her kiss--certain I had heard the chief's boots creaking in my near vicinity.
That day at Hurd's, you could almost hear those boots creaking by the door, as if he expected the stolen baseball to loose itself from the culprit's pocket and roll across the dark crimson carpeting with incriminating authority. For Chief Pike, the theft of the ball that killed my mother was an offense of a far graver character than a mere misdemeanor; at the very least, it was the work of a felon. That my poor mother had been killed by the ball seemed not to concern Chief Pike; that poor Owen Meany had hit the ball was of slightly more interest to our chief of police--but only because it established a motive for Owen to possess the baseball in question. Therefore, it was not upon my mother's closed coffin that our chief of police fixed his stare; nor did Chief Pike pay particular attention to the formerly airborne Captain Wiggin--nor did he show much interest in the slight stutter of the shaken Pastor Merrill. Rather, the intent gaze of our chief of police bore into the back of the head of Owen Meany, who sat precariously upon six or seven copies of The Pilgrim Hymnal; Owen tottered on the stack of hymnals, as if the police chief's gaze unbalanced him. He sat as near to our family pews as possible; he sat where he'd sat for my mother's wedding--behind the Eastman family in general, and Uncle Alfred in particular. This time there would be no jokes from Simon about the inappropriateness of Owen's navy-blue Sunday school suit--such a little clone of the suit his father wore. The granitic Mr. Meany sat heavily beside Owen.
"'I am the resurrection and the life, saith the Lord,'" said the Rev. Dudley Wiggin. "'Blessed are the dead who die in the Lord.'"
"'O God, whose mercies cannot be numbered,'" said the Rev. Lewis Merrill. "'Accept our prayers on behalf of thy servant Tabby, and grant her an entrance into the land of light and joy, in the fellowship of thy saints.'"
In the dull light of Hurd's Church, only Lydia's wheelchair gleamed--in the aisle beside my grandmother's pew, where Harriet Wheelwright sat alone. Dan and I sat in the pew behind her. The Eastmans sat behind us.
The Rev. Captain Wiggin called upon Corinthians--"God shall wipe away all tears"--whereupon, Dan began to cry.
The rector, eager as ever to represent belief as a battle, brought up Isaiah--"He will swallow up death in victory." Now I heard my Aunt Martha join Dan; but the two of them were no match for Mr. Chickering, who had started weeping even before the ministers began their readings of the Old and the New Testament.
Pastor Merrill stuttered his way into Lamentations--"The Lord is good unto them that wait for him."
Then we were led through the Twenty-third Psalm, as if there were a soul in Gravesend who didn't know it by heart: "The Lord is my shepherd; I shall not want"--and so forth. When we got to the part that goes, "Yea, though I walk through the valley of the shadow of death, I will fear no evil," that was when I began to hear Owen's voice above all the others.
When the rector said, "'Give courage to those who are bereaved,'" I was already dreading how loud Owen's voice would be during the final hymn; I knew it was one he liked.
When the pastor said, "'Help us, we pray, in the midst of things we cannot understand,'" I was already humming the hymn, trying to drown out Owen's voice--in advance.
And when Mr. Wiggin and Mr. Merrill struggled to say, in unison, "'Grant us to entrust Tabitha to thy never-failing love,'" I knew it was time; I almost covered my ears.
What else do we sing at an untimely death, what else but that catchy number that is categorized in The Pilgrim Hymnal as a favorite hymn of "ascension and reign"--the popular "Crown Him with Many Crowns," a real organ-breaker?
For when else, if not at the death of a loved one, do we most need to hear about the resurrection, about eternal life--about him who has risen?
Crown him with man-y crowns, The Lamb up-on his throne;
Hark! how the heaven-ly an-them drowns All mu-sic but its own;
A-wake, my soul, and sing Of him who died for thee,
And hail him as thy match-less king Through all e-ter-ni-ty.
Crown him the Lord of love; Be-hold his hands and side,
Rich wounds, yet vis-i-ble above, In beau-ty glo-ri-fied;
No an-gel in the sky Can ful-ly bear that sight,
But down-ward bends his burning eye At mys-ter-ies so bright.
But it was the third verse that especially inspired Owen.
CROWN HIM THE LORD OF LIFE, WHO TRI-UMPHED O'ER THE GRAVE,
AND ROSE VIC-TO-RIOUS IN THE STRIFE FOR THOSE HE CAME TO SAVE;
HIS GLO-RIES NOW WE SING WHO DIED AND ROSE ON HIGH,
WHO DIED, E-TER-NAL LIFE TO BRING, AND LIVES THAT DEATH MAY DIE.
Even later, at the committal, I could hear Owen's awful voice ringing, when Mr. Wiggin said, "'In the midst of life we are in death.'" But it was as if Owen were still humming the tune to "Crown Him with Many Crowns," because I seemed to hear nothing else; I think now that is the nature of hymns--they make us want to repeat them, and repeat them; they are a part of any service, and often the only part of a funeral service, that makes us feel everything is acceptable. Certainly, the burial is unacceptable; doubly so, in my
mother's case, because--after the reassuring numbness of Hurd's Church--we were standing exposed, outside, on a typical Gravesend summer day, muggy and hot, with the inappropriate sounds of children's voices coming from the nearby high-school athletic fields.
The cemetery, at the end of Linden Street, was within sight of the high school and the junior high school. I would attend the latter for only two years, but that was long enough to hear--many times--the remarks most frequently made by those students who were trapped in the study hall and seated nearest the windows that faced the cemetery: something to the effect that they would be less bored out there, in the graveyard.
"In sure and certain hope of the resurrection to eternal life through our Lord Jesus Christ, we commend to Almighty God our sister Tabitha, and we commit her body to the ground," Pastor Merrill said. That was when I noticed that Mr. Merrill's wife was holding her ears. She was terribly pale, except for the plump backs of her upper arms, which were painful to look at because her sunburn there was so intense; she wore a loose, sleeveless dress, more gray than black--but maybe she didn't have a proper black dress that was sleeveless, and she could not have been expected to force such a sunburn into sleeves. She swayed slightly, squinting her eyes. At first I thought that she held her ears due to some near-blinding pain inside her head; her dry blond hair looked ready to burst into flames, and one of her feet had strayed out of the straps of her sandals. One of her sickly children leaned against her hip. "'Earth to earth, ashes to ashes, dust to dust,'" said her husband, but Mrs. Merrill couldn't have heard him; she not only held her ears, she appeared to be pressing them into her skull.
Hester had noticed. She stared at Mrs. Merrill as intently as I stared at her; all at once Hester's tough face was constricted by pain--or by some sudden, painful memory--and she, too, covered her ears. But the tune to "Crown Him with Many Crowns" was still in my head; I didn't hear what Mrs. Merrill and Hester heard. I thought they were both guilty of extraordinary rudeness toward Pastor Merrill, who was doing his best with the benediction--although he was rushing now, and even the usually unflappable Captain Wiggin was shaking his head, as if to rid his ears of water or an unpleasant sound.
"'The Lord bless her and keep her,'" Lewis Merrill said. That was when I looked at Owen. His eyes were shut, his lips were moving; he appeared to be growling, but it was the best he could do at humming--it was "Crown Him with Many Crowns" that I heard; it was not my imagination. But Owen held his hands over his ears, too.
Then I saw Simon raise his hands; Noah's hands were already in place--and my Uncle Alfred and my Aunt Martha: they held their ears, too. Even Lydia held her ears in her hands. My grandmother glowered, but she would not raise her hands; she made herself listen, although I could tell it was painful for her to hear it--and that was when I heard it: the children on the high-school athletic fields. They were playing baseball. There were the usual shouts, the occasional arguments, the voices coming all at once; and then the quiet, or almost quiet, was punctuated--as baseball games always are--by the crack of the bat. There it went, a pretty solid-sounding hit, and I watched even the rocklike face of Mr. Meany wince, his fingers close on Owen's shoulders. And Mr. Merrill, stuttering worse than usual, said, "'The Lord make his face to shine upon her and be gracious unto her, the Lord lift up his countenance upon her and give her peace. Amen.'"
He immediately bent down and took some loose dirt in his hand; he was the first to cast earth upon my mother's coffin, where I knew she wore a black dress--the one she'd copied from the red dress, which she'd hated. The white copy, Dan had said, did not look so good on her; I guessed that her death had ill-affected her tan. I'd already been told that the swelling at her temple, and the surrounding discoloration, had made an open coffin inadvisable--not that we Wheelwrights were much for open coffins, under any circumstances; Yankees believe in closed doors.
One by one, the mourners threw dirt on the coffin; then it was awkward to return their hands to their ears--although Hester did, before she thought better of it. The heel of her dirty hand put a smudge on her ear and on the side of her face. Owen would not throw a handful of dirt; I also saw that he would not take his hands from his ears. He would not open his eyes, either, and his father had to walk him out of the cemetery. Twice, I heard him say, "I'M SORRY!"
I heard a few more cracks of the bat before Dan Needham took me to 80 Front Street. At Grandmother's, there was just "family." My Aunt Martha led me up to my old room and we sat on my old bed together. She told me that I could come live with her and Uncle Alfred and Noah and Simon and Hester, "up north," where I would always be welcome; she hugged me and kissed me and told me to never forget that there was always that option.
Then my grandmother came to my room: she shooed Aunt Martha away and she sat beside me. She told me that if I didn't mind living with an old woman, I was certainly welcome to have my room back--that it would always be my room, that no one else would ever have any claim to it. She hugged me and kissed me, too; she said that we both had to be sure that we gave a lot of love and attention to Dan.
Dan was next. He sat on my bed, too. He reminded me that he had legally adopted me; that although I was Johnny Wheelwright to everyone in Gravesend, I was as good as a Johnny Needham, to the school, and that meant that I could go to Gravesend Academy--when the time came, and just as my mother had wanted me to--as a legitimate faculty child, just as if I were Dan's actual son. Dan said he thought of me as his son, anyway, and he would never take a job that took him away from Gravesend Academy until I'd had the chance to graduate. He said he'd understand if I found 80 Front Street more comfortable than his dormitory apartment, but that he liked having me live in his apartment, with him, if I wasn't too bored with the confinement of the place. Maybe I'd prefer to spend some nights every week with him, and some nights at 80 Front Street--any nights I wished, in either place.
I said I thought that would be fine, and I asked him to tell Aunt Martha--in a way that wouldn't hurt her feelings--that I really was a Gravesend boy and I didn't want to move "up north." Actually, the very thought of living with my cousins exhausted and terrified me, and I was convinced I should be consumed by sinful longing for unnatural acts with Hester if I permitted myself to move in with the Eastmans. (I did not tell Dan that he should tell Aunt Martha that.)
When someone you love dies, and you're not expecting it, you don't lose her all at once; you lose her in pieces over a long time--the way the mail stops coming, and her scent fades from the pillows and even from the clothes in her closet and drawers. Gradually, you accumulate the parts of her that are gone. Just when the day comes--when there's a particular missing part that overwhelms you with the feeling that she's gone, forever--there comes another day, and another specifically missing part.
The evening after her funeral, I felt she was gone when it was time for Dan to go home to the dorm. I realized that Dan had choices--he could return to his dormitory apartment, alone, or I could offer to go back with him; or he could stay at 80 Front Street, he could even stay in the other twin bed in my room because I'd already told my grandmother that I didn't want Noah or Simon sleeping there that night. But as soon as I realized what Dan's choices were, I also knew they were--each of them--imperfect in their own way. I realized that the choices available to Dan, regarding where he would sleep, would be imperfect, forever; and that, forever, there would be something unsatisfying about thinking of him alone--and something also incomplete about him being with me.
"Do you want me to come back to the dorm with you?" I asked him.
"Would you like me to stay with you?" he asked me.
But what did it matter?
I watched him walk down Front Street toward the lights of the academy buildings. It was a warm night, with the frequent banging of screen doors and the sounds of rocking chairs on the screened-in porches. The neighborhood kids were playing some game with a flashlight; fortunately, it was too dark for even the most American of kids to be hitting a baseball.
My cousins we
re uncharacteristically subdued by the tragedy. Noah kept saying "I can't believe it!" Then he'd put his hand on my shoulder. And Simon rather tactlessly, but innocently, added: "Who would have thought he could hit a ball hard enough?"
My Aunt Martha curled up on the living-room couch with her head in Uncle Alfred's lap; she lay there not moving, like a little girl with an earache. My grandmother sat in her usual thronelike chair in the same room; she and Alfred would occasionally exchange glances and shake their heads. Once Aunt Martha sat up with her hair a mess and pounded her fist on the coffee table. "It doesn't make any sense!" she shouted; then she put her head back down in Uncle Alfred's lap, and cried for a while. To this outburst, my grandmother neither shook nor nodded her head; she looked at the ceiling, ambiguously--either seeking restraint or patience there, or seeking some possible sense, which Martha had found to be lacking.
Hester had not changed out of her funeral dress; it was black linen, of a simplicity and good fit that my mother might have favored, and Hester looked especially grown-up in it, although it was badly wrinkled. She kept pinning her hair up on top of her head, because of the heat, but wild strands of it would fall down on her face and neck until, exasperated, she would let it all down again. The fine beads of sweat on her upper lip gave her skin the smoothness and the shine of glass.
"Want to take a walk?" she asked me.
"Sure," I said.
"Want Noah and me to go with you?" Simon asked.
"No," Hester said.
Most of the houses on Front Street still had their downstairs lights on; dogs were still outside, and barking; but the kids who'd been playing the flashlight game had been called inside. The heat off the sidewalk still radiated up at you; on hot summer nights, in Gravesend, the heat hit your crotch first. Hester took my hand as we walked.