Page 5 of Brother Jacob


  Jacob supplied the answer by saying over and over again—

  “I’se Zacob, b’other Zacob. Come ’o zee Zavy”—till hunger prompted him to relax his grasp, and to seize a large raised pie, which he lifted to his mouth.

  By this time David’s power of device had begun to return, but it was a very hard task for his prudence to master his rage and hatred towards poor Jacob.

  “I don’t know who he is; he must be drunk,” he said, in a low tone to Mr. Palfrey. “But he’s dangerous with that pitchfork. He’ll never let it go.” Then checking himself on the point of betraying too great an intimacy with Jacob’s habits, he added “You watch him, while I run for the constable.” And he hurried out of the shop.

  “Why, where do you come from, my man?” said Mr. Palfrey, speaking to Jacob in a conciliatory tone. Jacob was eating his pie by large mouthfuls, and looking round at the other good things in the shop, while he embraced his pitchfork with his left arm, and laid his left hand on some Bath buns. He was in the rare position of a person who recovers a long absent friend and finds him richer than ever in the characteristics that won his heart.

  “I’s Zacob—b’other Zacob—’t home. I love Zavy—b’other Zavy,” he said, as soon as Mr. Palfrey had drawn his attention. “Zavy come back from z’ Indies—got mother’s zinnies. Where’s Zavy?” he added, looking round and then turning to the others with a questioning air, puzzled by David’s disappearance.

  “It’s very odd,” observed Mr. Palfrey to his wife and daughters. “He seems to say Freely’s his brother come back from th’ Indies.”

  “What a pleasant relation for us!” said Letitia, sarcastically. “I think he’s a good deal like Mr. Freely. He’s got just the same sort of nose, and his eyes are the same colour.”

  Poor Penny was ready to cry.

  But now Mr. Freely re-entered the shop without the constable. During his walk of a few yards he had had time and calmness enough to widen his view of consequences, and he saw that to get Jacob taken to the workhouse or to the lock-up house as an offensive stranger might have awkward effects if his family took the trouble of inquiring after him. He must resign himself to more patient measures.

  “On second thoughts,” he said, beckoning to Mr. Palfrey and whispering to him while Jacob’s back was turned, “he’s a poor half-witted fellow. Perhaps his friends will come after him. I don’t mind giving him something to eat, and letting him lie down for the night. He’s got it into his head that he knows me—they do get these fancies, idiots do. He’ll perhaps go away again in an hour or two, and make no more ado. I’m a kind-hearted man myself—I shouldn’t like to have the poor fellow ill-used.”

  “Why, he’ll eat a sovereign’s worth in no time,” said Mr. Palfrey, thinking Mr. Freely a little too magnificent in his generosity.

  “Eh, Zavy, come back?” exclaimed Jacob, giving his dear brother another hug, which crushed Mr. Freely’s features inconveniently against the stale of the pitchfork.

  “Aye, aye,” said Mr. Freely, smiling, with every capability of murder in his mind, except the courage to commit it. He wished the Bath buns might by chance have arsenic in them.

  “Mother’s zinnies?” said Jacob, pointing to a glass jar of yellow lozenges that stood in the window. “Zive ’em me.”

  David dared not do otherwise than reach down the glass jar and give Jacob a handful. He received them in his smock-frock, which he held out for more.

  “They’ll keep him quiet a bit, at any rate,” thought David, and emptied the jar. Jacob grinned and mowed with delight.

  “You’re very good to this stranger, Mr. Freely,” said Letitia; and then spitefully, as David joined the party at the parlour-door, “I think you could hardly treat him better, if he was really your brother.”

  “I’ve always thought it a duty to be good to idiots,” said Mr. Freely, striving after the most moral view of the subject. “We might have been idiots ourselves—everybody might have been born idiots, instead of having their right senses.”

  “I don’t know where there’d ha’ been victual for us all then,” observed Mrs. Palfrey, regarding the matter in a housewifely light.

  “But let us sit down again and finish our tea,” said Mr. Freely. “Let us leave the poor creature to himself.”

  They walked into the parlour again; but Jacob, not apparently appreciating the kindness of leaving him to himself, immediately followed his brother, and seated himself, pitchfork grounded, at the table.

  “Well,” said Miss Letitia, rising, “I don’t know whether you mean to stay, mother; but I shall go home.”

  “Oh, me too,” said Penny, frightened to death at Jacob, who had begun to nod and grin at her.

  “Well, I think we had better be going, Mr. Palfrey,” said the mother, rising more slowly.

  Mr. Freely, whose complexion had become decidedly yellower during the last half-hour, did not resist this proposition. He hoped they should meet again “under happier circumstances.”

  “It’s my belief the man is his brother,” said Letitia, when they were all on their way home.

  “Nonsense!” said Mr. Palfrey. “Freely’s got no brother—he’s said so many and many a time; he’s an orphan; he’s got nothing but uncles—leastwise, one. What’s it matter what an idiot says? What call had Freely to tell lies?”

  Letitia tossed her head and was silent.

  Mr. Freely, left alone with his affectionate brother Jacob, brooded over the possibility of luring him out of the town early the next morning, and getting him conveyed to Gilsbrook without further betrayals. But the thing was difficult. He saw clearly that if he took Jacob himself, his absence, conjoined with the disappearance of the stranger, would either cause the conviction that he was really a relative, or would oblige him to the dangerous course of inventing a story to account for his disappearance, and his own absence at the same time. David groaned. There come occasions when falsehood is felt to be inconvenient. It would, perhaps, have been a longer-headed device, if he had never told any of those clever fibs about his uncles, grand and otherwise; for the Palfreys were simple people, and shared the popular prejudice against lying. Even if he could get Jacob away this time, what security was there that he would not come again, having once found the way? O guineas! O lozenges! what enviable people those were who had never robbed their mothers, and had never told fibs! David spent a sleepless night, while Jacob was snoring close by. Was this the upshot of travelling to the Indies, and acquiring experience combined with anecdote?

  He rose at break of day, as he had once before done when he was in fear of Jacob, and took all gentle means to rouse this fatal brother from his deep sleep; he dared not be loud, because his apprentice was in the house, and would report everything. But Jacob was not to be roused. He fought out with his fist at the unknown cause of disturbance, turned over, and snored again. He must be left to wake as he would. David, with a cold perspiration on his brow, confessed to himself that Jacob could not be got away that day.

  Mr. Palfrey came over to Grimworth before noon, with a natural curiosity to see how his future son-in-law got on with the stranger to whom he was so benevolently inclined. He found a crowd round the shop. All Grimworth by this time had heard how Freely had been fastened on by an idiot, who called him “Brother Zavy”; and the younger population seemed to find the singular stranger an unwearying source of fascination, while the householders dropped in one by one to inquire into the incident.

  “Why don’t you send him to the workhouse?” said Mr. Prettyman. “You’ll have a row with him and the children presently, and he’ll eat you up. The workhouse is the proper place for him; let his kin claim him, if he’s got any.”

  “Those may be your feelings, Mr. Prettyman,” said David, his mind quite enfeebled by the torture of his position.

  “What! is he your brother, then?” said Mr. Prettyman, looking at his neighbour Freely rather sharply.

  “All men are our brothers, and idiots particular so,” said Mr. Freely, who, like many
other travelled men, was not master of the English language.

  “Come, come, if he’s your brother, tell the truth, man,” said Mr. Prettyman, with growing suspicion. “Don’t be ashamed of your own flesh and blood.”

  Mr. Palfrey was present, and also had his eye on Freely. It is difficult for a man to believe in the advantage of a truth which will disclose him to have been a liar. In this critical moment, David shrank from this immediate disgrace in the eyes of his future father-in-law.

  “Mr. Prettyman,” he said, “I take your observations as an insult. I’ve no reason to be otherwise than proud of my own flesh and blood. If this poor man was my brother more than all men are, I should say so.”

  A tall figure darkened the door, and David, lifting his eyes in that direction, saw his eldest brother, Jonathan, on the door-sill.

  “I’ll stay wi’ Zavy,” shouted Jacob, as he, too, caught sight of his eldest brother; and, running behind the counter, he clutched David hard.

  “What, he is here?” said Jonathan Faux, coming forward. “My mother would have no nay, as he’d been away so long, but I must see after him. And it struck me he was very like come after you, because we’d been talking of you o’ late, and where you lived.”

  David saw there was no escape; he smiled a ghastly smile.

  “What! is this a relation of yours, sir?” said Mr. Palfrey to Jonathan.

  “Aye, it’s my innicent of a brother, sure enough,” said honest Jonathan. “A fine trouble and cost he is to us, in th’ eating and other things, but we must bear what’s laid on us.”

  “And your name’s Freely, is it?” said Mr. Prettyman.

  “Nay, nay, my name’s Faux, I know nothing o’ Freelys,” said Jonathan, curtly. “Come,” he added, turning to David, “I must take some news to mother about Jacob. Shall I take him with me, or will you undertake to send him back?”

  “Take him, if you can make him loose his hold of me,” said David, feebly.

  “Is this gentleman here in the confectionery line your brother, then, sir?” said Mr. Prettyman, feeling that it was an occasion on which format language must be used.

  “I don’t want to own him,” said Jonathan, unable to resist a movement of indignation that had never been allowed to satisfy itself. “He ran away from home with good reasons in his pocket years ago: he didn’t want to be owned again, I reckon.”

  Mr. Palfrey left the shop; he felt his own pride too severely wounded by the sense that he had let himself be fooled, to feel curiosity for further details. The most pressing business was to go home and tell his daughter that Freely was a poor sneak, probably a rascal, and that her engagement was broken off.

  Mr. Prettyman stayed, with some internal self-gratulation that he had never given in to Freely, and that Mr. Chaloner would see now what sort of fellow it was that he had put over the heads of older parishioners. He considered it due from him (Mr. Prettyman) that, for the interests of the parish, he should know all that was to be known about this “interloper.” Grimworth would have people coming from Botany Bay to settle in it, if things went on in this way.

  It soon appeared that Jacob could not be made to quit his dear brother David except by force. He understood, with a clearness equal to that of the most intelligent mind, that Jonathan would take him back to skimmed milk, apple-dumpling, broad beans, and pork. And he had found a paradise in his brother’s shop. It was a difficult matter to use force with Jacob, for he wore heavy nailed boots; and if his pitchfork had been mastered, he would have resorted without hesitation to kicks. Nothing short of using guile to bind him hand and foot would have made all parties safe.

  “Let him stay,” said David, with desperate resignation, frightened above all things at the idea of further disturbances in his shop, which would make his exposure all the more conspicuous. “You go away again, and to-morrow I can, perhaps, get him to go to Gilsbrook with me. He’ll follow me fast enough, I daresay,” he added, with a half-groan.

  “Very well,” said Jonathan, gruffly. “I don’t see why you shouldn’t have some trouble and expense with him as well as the rest of us. But mind you bring him back safe and soon, else mother’ll never rest.”

  On this arrangement being concluded, Mr. Prettyman begged Mr. Jonathan Faux to go and take a snack with him, an invitation which was quite acceptable; and as honest Jonathan had nothing to be ashamed of, it is probable that he was very frank in his communications to the civil draper, who, pursuing the benefit of the parish, hastened to make all the information he could gather about Freely common parochial property. You may imagine that the meeting of the Club at the Woolpack that evening was unusually lively. Every member was anxious to prove that he had never liked Freely, as he called himself. Faux was his name, was it? Fox would have been more suitable. The majority expressed a desire to see him hooted out of the town.

  Mr. Freely did not venture over his door-sill that day, for he knew Jacob would keep at his side, and there was every probability that they would have a train of juvenile followers. He sent to engage the Woolpack gig for an early hour the next morning; but this order was not kept religiously a secret by the landlord. Mr. Freely was informed that he could not have the gig till seven; and the Grimworth people were early risers. Perhaps they were more alert than usual on this particular morning; for when Jacob, with a bag of sweets in his hand, was induced to mount the gig with his brother David, the inhabitants of the market-place were looking out of their doors and windows, and at the turning of the street there was even a muster of apprentices and schoolboys, who shouted as they passed in what Jacob took to be a very merry and friendly way, nodding and grinning in return. “Huzzay, David Faux! how’s your uncle?” was their morning’s greeting. Like other pointed things, it was not altogether impromptu.

  Even this public derision was not so crushing to David as the horrible thought that though he might succeed now in getting Jacob home again there would never be any security against his coming back, like a wasp to the honey-pot. As long as David lived at Grimworth, Jacob’s return would be hanging over him. But could he go on living at Grimworth—an object of ridicule, discarded by the Palfreys, after having revelled in the consciousness that he was an envied and prosperous confectioner? David liked to be envied; he minded less about being loved.

  His doubts on this point were soon settled. The mind of Grimworth became obstinately set against him and his viands, and the new school being finished, the eating-room was closed. If there had been no other reason, sympathy with the Palfreys, that respectable family who had lived in the parish time out of mind, would have determined all well-to-do people to decline Freely’s goods. Besides, he had absconded with his mother’s guineas: who knew what else he had done, in Jamaica or elsewhere, before he came to Grimworth, worming himself into families under false pretences? Females shuddered. Dreadful suspicions gathered round him: his green eyes, his bow-legs had a criminal aspect. The rector disliked the sight of a man who had imposed upon him; and all boys who could not afford to purchase, hooted “David Faux” as they passed his shop. Certainly no man now would pay anything for the “goodwill” of Mr. Freely’s business, and he would be obliged to quit it without a peculium so desirable towards defraying the expense of moving.

  In a few months the shop in the market-place was again to let, and Mr. David Faux, alias Mr. Edward Freely, had gone—nobody at Grimworth knew whither. In this way the demoralization of Grimworth women was checked. Young Mrs. Steene renewed her efforts to make light mince-pies, and having at last made a batch so excellent that Mr. Steene looked at her with complacency as he ate them, and said they were the best he had ever eaten in his life, she thought less of bulbuls and renegades ever after. The secrets of the finer cookery were revived in the breasts of matronly house-wives, and daughters were again anxious to be initiated in them.

  You will further, I hope, be glad to bear, that some purchases of drapery made by pretty Penny, in preparation for her marriage with Mr. Freely, came in quite as well for her wedding with young
Towers as if they had been made expressly for the latter occasion. For Penny’s complexion had not altered, and blue always became it best.

  Here ends the story of Mr. David Faux, confectioner, and his brother Jacob. And we see in it, I think, an admirable instance of the unexpected forms in which the great Nemesis hides herself.

  (1860)

  ***END OF THE PROJECT GUTENBERG EBOOK BROTHER JACOB***

  ***** This file should be named 2171-h.htm or 2171-h.zip****** This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/2/1/7/2171 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.net/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.net), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodi
c tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, is critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.gutenberg.net/fundraising/pglaf. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email [email protected] Email contact links and up to date contact information can be found at the Foundation's web site and official page at http://www.gutenberg.net/about/contact For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected] Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit http://www.gutenberg.net/fundraising/donate While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including including checks, online payments and credit card donations. To donate, please visit: http://www.gutenberg.net/fundraising/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart is the originator of
the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: http://www.gutenberg.net This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.