Norman hoped she'd gone to sleep by now. Tomorrow she might forget the whole episode. That often happened. And then again, sometimes when he thought she had completely forgotten an incident, she'd bring it up out of a clear blue sky, months afterward.
Clear blue sky. He chuckled at the phrase. There weren't any clear blue skies any more. Just clouds and darkness, like tonight.
Then he heard a sound, and he shifted quickly in his chair. Was Mother coming? No, it couldn't be, he'd locked her up, remember? It must be that girl, in the next room. Yes, he could hear her now—she'd opened her suitcase, apparently, and she was taking things out, getting ready for bed.
Norman took another drink. Just to steady his nerves. And this time it worked. His hand wasn't trembling any more. He wasn't afraid. Not if he thought about the girl.
Funny, when he actually saw her, he had this terrible feeling of—what was the word? Imsomething. Importance. No, that wasn't it. He didn't feel important when he was with a woman. He felt—impossible? That wasn't right, either. He knew the word he was looking for, he'd read it a hundred times in books, the kind of books Mother didn't even know he owned.
Well, it didn't matter. When he was with the girl he felt that way, but not now. Now he could do anything.
And there were so many things he wanted to do with a girl like that. Young, pretty; intelligent, too. He'd made a fool of himself answering her back when she talked about Mother; now he admitted she had told the truth. She knew, she could understand. He wished she would have stayed and talked more.
As it was, maybe he'd never see her again. Tomorrow she'd be gone. Gone forever. Jane Wilson, of San Antonio, Texas. He wondered who she was, where she was going, what kind of a person she really was, inside. He could fall in love with a girl like that. Yes, he could, after just seeing her a single time. It was nothing to laugh at. But she'd laugh, probably. That's the way girls were—they always laughed. Because they were bitches.
Mother was right. They were bitches. But you couldn't help yourself, not when a bitch was as lovely as this one was, and you knew you would never see her again. You had to see her again. If you were any kind of a man, you'd have told her so, when you were in her room. You'd have brought in the bottle and offered her a drink, drunk with her, and then you'd carry her over to the bed and—
No, you wouldn't. Not you. Because you're impotent.
That's the word you couldn't remember, isn't it? Impotent. The word the books used, the word Mother used, the word that meant you were never going to see her again because it wouldn't do any good. The word the bitches knew; they must know it, and that's why they always laughed.
Norman took another drink, just a sip. He could feel the wetness trickle down the side of his chin. He must be drunk. All right, he was drunk, what did it matter? As long as Mother didn't know. As long as the girl didn't know. It would all be a big secret. Impotent, was he? Well, that didn't mean he couldn't see her again.
He was going to see her, right now.
Norman bent forward across the desk, his head inclined and almost touching the wall. He'd heard more sounds. And from long experience he knew how to interpret them. The girl had kicked off her shoes. Now she was coming into the bathroom.
He reached out his hand. It was trembling again, but not with fear. This was anticipation; he knew what he was going to do. He was going to tilt the framed license on the wall to one side and peek through the little hole he'd drilled so long ago. Nobody else knew about the little hole, not even Mother. Most certainly not Mother. It was his secret.
The little hole was just a crack in the plaster on the other side, but he could see through it. See through it into the lighted bathroom. Sometimes he'd catch a person standing right in front of it. Sometimes he'd catch their reflection on the door mirror beyond. But he could see. He could see plenty. Let the bitches laugh at him. He knew more about them than they ever dreamed.
It was hard for Norman to focus his eyes. He felt hot and dizzy, hot and dizzy. Part of it was due to the drinks, part to the excitement. But most of it was due to her.
She was in the bathroom now, standing there facing the wall. But she wouldn't notice the crack. They never did. She was smiling, fluffing out her hair. Now she stooped, sliding down her stockings. And as she straightened up, yes, she was going to do it, the dress was coming off over her head, he could see the bra and panties, she mustn't stop now, she mustn't turn away.
But she did turn away, and Norman almost called out to her, "Come back here, you bitch!" but he remembered just in time, and then he saw that she was unhooking her bra in front of the door mirror and he could see. Except that the mirror was all wavy lines and lights that made him dizzy, and it was hard to make out anything until she stepped a little to one side. Then he could see her...
Now she was going to take them off, she was taking them off, and he could see, she was standing before the mirror and actually gesturing!
Did she know? Had she known all along, known about the hole in the wall, known that he was watching? Did she want him to watch, was she doing this to him on purpose, the bitch? She was swaying back and forth, back and forth, and now the mirror was wavy again and she was wavy, and he couldn't stand it, he wanted to pound on the wall, he wanted to scream at her to stop because this was an evil, perverted thing she was doing and she must stop before he became evil and perverted too. That's what the bitches did to you, they perverted you, and she was a bitch, they were all bitches, Mother was a—
Suddenly she was gone, and there was only the roaring. It welled up, shaking the wall, drowning out the words and the thoughts. It was coming from inside his head, and he fell back in the chair. I'm drunk, he told himself. I'm passing out.
But that was not entirely so. The roaring continued, and somewhere inside it he heard another sound. The office door was opening. How could that be? He'd locked it, hadn't he? And he still had the key. If only he'd open his eyes, he could find it. But he couldn't open his eyes. He didn't dare. Because now he knew.
Mother had a key too.
She had a key to her room. She had a key to the house. She had a key to the office.
And she was standing there now, looking down at him. He hoped she would think he had just fallen asleep. What was she doing here, anyway? Had she heard him leave with the girl, come down to spy on him?
Norman slumped back, not daring to move, not wanting to move. Every instant it was getting harder and harder to move even if he had wanted to. The roaring was steady now, and the vibration was rocking him to sleep. That was nice. To be rocked to sleep, with mother standing over you—
Then she was gone. She'd turned around without saying anything and gone out. There was nothing to be afraid of. She'd come to protect him from the bitches. Yes, that was it. She'd come to protect him. Whenever he needed her, Mother was there. And now he could sleep. There was no trick to it at all. You merely went into the roaring, and then past the roaring. Then everything was silent. Sleep, silent sleep.
Norman came to with a start, jerking his head back. God, it ached! He'd passed out there in the chair, actually passed out. No wonder everything was pounding, roaring. Roaring. He'd heard the same sound before. How long ago—an hour, two hours?
Now he recognized it. The shower was going next door. That was it. The girl had gone into the shower. But that had been so long ago. She couldn't still be in there, could she?
He reached forward, tilting the framed license on the wall. His eyes squinted and then focused on the brightly lit bathroom beyond. It was empty. He couldn't see into the shower stall on the side. The curtains were closed and he couldn't see.
Maybe she'd forgotten about the shower and gone to bed leaving it turned on. It seemed odd that she'd be able to sleep with the water running full force that way, but then he'd done it himself just now. Maybe fatigue was as intoxicating as alcohol.
Anyway, there didn't seem to be anything wrong. The bathroom was in order. Norman scanned it once again, then noticed the floor.
Water from the shower was trickling across the tiles. Not much, just a little, just enough for him to see it. A tiny rivulet of water, trailing across the white tiled floor.
Or was it water? Water isn't pink. Water doesn't have tiny threads of red in it, tiny threads of red like veins.
She must have slipped, she must have fallen and hurt herself, Norman decided. The panic was rising in him, but he knew what he must do. He grabbed up his keys from the desk and hurried out of the office. Quickly he found the right one for the adjoining unit and opened the door. The bedroom was empty, but the open suitcase still rested on the bed itself. She hadn't gone away. So he'd guessed correctly; there'd been an accident in the shower. He'd have to go in there.
It wasn't until he actually entered the bathroom that he remembered something else, and then it was too late. The panic burst loose, but that didn't help him now. He still remembered.
Mother had keys to the motel too.
And then, as he ripped back the shower curtains and stared down at the hacked and twisted thing sprawled on the floor of the stall, he realized that Mother had used her keys.
FIVE
Norman locked the door behind him and went up to the house. His clothes were a mess. Blood on them, of course, and water, and then he'd been sick all over the bathroom floor.
But that wasn't important now. There were other things which must be cleaned up first.
This time be was going to do something about it, once and for all. He was going to put Mother where she belonged. He had to.
All the panic, all the fear, all the horror and nausea and revulsion, gave way to this overriding resolve. What had happened was tragic, dreadful beyond words, but it would never happen again. He felt like a new man—his own man.
Norman hurried up the steps and tried the front door. It was unlocked. The light in the parlor was still burning, but it was empty. He gave a quick glance around, then mounted the stairs.
The door to Mother's room stood open, and lamplight fanned forth into the hall. He stepped in, not bothering to knock. No need to pretend any more. She couldn't get away with this.
She couldn't get away—
But she had.
The bedroom was empty.
He could see the rumpled indentation where she had lain, see the covers flung back on the big four-poster; smell the faint, musty scent still in the room. The rocker rested in the corner, the ornaments stood on the dresser just as they were always arranged. Nothing had changed in Mother's room; nothing ever changed. But Mother was gone.
He stepped over to the closet, ruffling the clothing on the hangers lining the long center pole. Here the acrid scent was very strong, so strong he almost choked, but there was another odor, too. It wasn't until his foot slipped that he looked down and realized where it was coming from. One of her dresses and a head-scarf were balled up on the floor, He stooped to retrieve them, then shivered in revulsion as he noted the dark, reddish stains of clotted blood.
She'd come back here, then; come back, changed her clothes, and gone off once more.
He couldn't call the police.
That was the thing he had to remember. He mustn't call the police. Not even now, knowing what she had done. Because she wasn't really responsible. She was sick.
Cold-blooded murder is one thing, but sickness is another. You aren't really a murderer when you're sick in the head. Anybody knows that. Only sometimes the courts didn't agree. He'd read of cases. Even if they did recognize what was wrong with her, they'd still put her away. Not in a rest home, but in one of those awful holes. A state hospital.
Norman stared at the neat, old-fashioned room with its wallpaper pattern of rambler roses. He couldn't take Mother away from this and see her locked up in a bare cell. Right now he was safe—the police didn't even know about Mother. She stayed here, in the house, and nobody knew. It had been all right to tell the girl, because she'd never see him again. But the police couldn't find out about Mother and what she was like. They'd put her away to rot. No matter what she'd done, she didn't deserve that.
And she wouldn't have to get it, because nobody knew what she'd done.
He was pretty certain, now, that he could keep anyone from knowing. All he had to do was think it over, think back to the events of the evening, think carefully.
The girl had driven in alone, said she'd been on the road all day. That meant she wasn't visiting en route. And she didn't seem to know where Fairvale was, didn't mention any other towns nearby, so the chances were she had no intention of seeing anyone around here. Whoever expected her—if anyone was expecting her—must live some distance further north.
Of course this was all supposition, but it seemed logical enough. And he'd have to take a chance on being right.
She had signed the register, of course, but that meant nothing. If anybody ever asked, he'd say that she had spent the night and driven on.
All he had to do was get rid of the body and the car and make sure that everything was cleaned up afterward.
That part would be easy. He knew just how to do it. It wouldn't be pleasant, but it wouldn't be difficult, either.
And it would save him from going to the police. It would save Mother.
Oh, he still intended to have things out with her—he wasn't backing down on that part of it, not this time—but this could wait until afterward.
The big thing now was to dispose of the evidence. The corpus delicti.
Mother's dress and scarf would have to be burned, and so would the clothing he was wearing. No, on second thought, he might as well get rid of it all when he got rid of the body.
Norman wadded the garments into a ball and carried them downstairs. He grabbed an old shirt and pair of coveralls from the hook in the back hallway, then shed his clothing in the kitchen and donned the others. No sense stopping to wash up now—that could wait until the rest of the messy business was completed.
But Mother had remembered to wash when she came back. He could see more of the pink stains here at the kitchen sink; a few telltale traces of rouge and powder, too.
He made a mental note to clean everything thoroughly when he got back, then sat down and transferred everything from the pockets of his discarded clothing to those in his coveralls. It was a pity to throw away good clothes like this, but that couldn't be helped. Not if Mother was to be helped.
Norman went down into the basement and opened the door of the old fruit cellar. He found what he was looking for—a discarded clothes hamper with a sprung cover. It was large enough and it would do nicely.
Nicely—God, how can you think like that about what you're proposing to do?
He winced at the realization, then took a deep breath. This was no time to be self-conscious or self-critical. One had to be practical. Very practical, very careful, very calm.
Calmly, he tossed his clothes into the hamper. Calmly, he took an old oilcloth from the table near the cellar stairs. Calmly, he went back upstairs, snapped off the kitchen light, snapped off the hall light, and let himself out of the house in darkness, carrying the hamper with the oilcloth on top.
It was harder to be calm here in the dark. Harder not to think about a hundred and one things that might go wrong.
Mother had wandered off—where? Was she out on the highway, ready to be picked up by anyone who might come driving by? Was she still suffering a hysterical reaction, would the shock of what she had done cause her to blurt out the truth to whoever came along and found her? Had she actually run away, or was she merely in a daze? Maybe she'd gone down past the woods back of the house, along the narrow ten-acre strip of their land which stretched off into the swamp. Wouldn't it be better to search for her first?
Norman sighed and shook his head. He couldn't afford the risk. Not while that thing still sprawled in the shower stall back at the motel. Leaving it there was even more risky.
He'd had the presence of mind to turn off all the lights, both in the office and in her room, before leaving. But even so, one never knew whe
n some night owl might show up and nose around looking for accommodations. It didn't happen very often, but every once in a while the signal would buzz; sometimes at one or two o'clock in the morning. And at least once in the course of a night the State Highway Patrol car cruised past her. It almost never stopped, but there was the chance.
He stumbled along in the pitch blackness of moonless midnight. The path was graveled and not muddy, but the rain would have softened the ground behind the house. There'd be tracks. That was something else to think about. He'd leave tracks he couldn't even see. If only it wasn't so dark! All at once that was the most important thing—to get out of the dark.
Norman was very grateful when he finally opened the door of the girl's room and eased the hamper inside, then set it down and switched on the light. The soft glow reassured him for a moment, until he remembered what the light would reveal when he went into the bathroom.
He stood in the center of the bedroom now, and he began to tremble.
No, I can't do it. I can't look at her. I won't go in there. I won't!
But you have to. There's no other way. And stop talking to yourself!
That was the most important thing. He had to stop talking to himself. He had to get back that calm feeling again. He had to face reality.
And what was reality?
A dead girl. The girl his mother had killed. Not a pretty sight nor a pretty notion, but there it was.
Walking away wouldn't bring the girl back to life again. Turning Mother in to the police wouldn't help alter the situation either. The best thing to do under the circumstances, the only thing to do, was to get rid of her. He needn't feel guilty about it.
But he couldn't hold back his nausea, his dizziness, and his dry, convulsive retching when it came to actually going into the shower stall and doing what must be done there. He found the butcher knife almost at once; it was under the torso. He dropped that into the hamper immediately. There was an old pair of gloves in his coverall pockets; he had to put them on before he could bring himself to touch the rest. The head was the worst. Nothing else was severed, only slashed, and he had to fold the limbs before he could wrap the body in the oilcloth and crowd it down into the hamper on top of the clothing. Then it was done, and he slammed the lid shut.