Page 15 of Mythology


  There was need for haste, but all was ready. The seasons, the gatekeepers of Olympus, stood waiting to fling the doors wide. The horses had been bridled and yoked to the car. Proudly and joyously Phaëthon mounted it and they were off. He had made his choice. Whatever came of it he could not change now. Not that he wanted to in that first exhilarating rush through the air, so swift that the East Wind was out-stripped and left far behind. The horses’ flying feet went through the low-banked clouds near the ocean as through a thin sea mist and then up and up in the clear air, climbing the height of heaven. For a few ecstatic moments Phaëthon felt himself the Lord of the Sky. But suddenly there was a change. The chariot was swinging wildly to and fro; the pace was faster; he had lost control. Not he, but the horses were directing the course. That light weight in the car, those feeble hands clutching the reins, had told them their own driver was not there. They were the masters then. No one else could command them. They left the road and rushed where they chose, up, down, to the right, to the left. They nearly wrecked the chariot against the Scorpion; they brought up short and almost ran into the Crab. By this time the poor charioteer was half fainting with terror, and he let the reins fall.

  That was the signal for still more mad and reckless running. The horses soared up to the very top of the sky and then, plunging headlong down, they set the world on fire. The highest mountains were the first to burn, Ida and Helicon, where the Muses dwell, Parnassus, and heaven-piercing Olympus. Down their slopes the flame ran to the low-lying valleys and the dark forest lands, until all things everywhere were ablaze. The springs turned into steam; the rivers shrank. It is said that it was then the Nile fled and hid his head, which still is hidden.

  In the car Phaëthon, hardly keeping his place there, was wrapped in thick smoke and heat as if from a fiery furnace. He wanted nothing except to have this torment and terror ended. He would have welcomed death. Mother Earth, too, could bear no more. She uttered a great cry which reached up to the gods. Looking down from Olympus they saw that they must act quickly if the world was to be saved. Jove seized his thunderbolt and hurled it at the rash, repentant driver. It struck him dead, shattered the chariot, and made the maddened horses rush down into the sea.

  Phaëthon all on fire fell from the car through the air to the earth. The mysterious river Eridanus, which no mortal eyes have ever seen, received him and put out the flames and cooled the body. The naiads, in pity for him, so bold and so young to die, buried him and carved upon the tomb:—

  Here Phaëthon lies who drove the Sun-god’s car.

  Greatly he failed, but he had greatly dared.

  His sisters, the Heliades, the daughters of Helios, the Sun, came to his grave to mourn for him. There they were turned into poplar trees, on the bank of the Eridanus,

  Where sorrowing they weep into the stream forever.

  And each tear as it falls shines in the water

  A glistening drop of amber.

  PEGASUS AND BELLEROPHON

  Two of the episodes in this story are taken from the earliest poets. Hesiod in the eighth or ninth century tells about the Chimaera, and Anteia’s love and the sad end of Bellerophon are in the Iliad. The rest of the story is told first and best by Pindar in the first half of the fifth century.

  In Ephyre, the city later called Corinth, Glaucus was King. He was the son of Sisyphus who in Hades must forever try to roll a stone uphill because he once betrayed a secret of Zeus. Glaucus, too, drew down on himself the displeasure of heaven. He was a great horseman and he fed his horses human flesh to make them fierce in battle. Such monstrous deeds always angered the gods and they served him as he had served others. He was thrown from his chariot and his horses tore him to pieces and devoured him.

  In the city a bold and beautiful young man named Bellerophon was generally held to be his son. It was rumored, however, that Bellerophon had a mightier father, Poseidon himself, the Ruler of the Sea, and the youth’s surpassing gifts of spirit and body made this account of his birth seem likely. Moreover his mother, Eurynome, although a mortal, had been taught by Athena until in wit and wisdom she was the peer of the gods. It was only to be expected on all scores that Bellerophon should seem less mortal than divine. Great adventures would call to such a one as he and no peril would ever hold him back. And yet the deed for which he is best known needed no courage at all, no effort, even. Indeed, it proved that

  What man would swear cannot be done,—

  Must not be hoped for,—the great Power on high

  Can give into his hand, in easy mastery.

  More than anything on earth Bellerophon wanted Pegasus, a marvelous horse which had sprung from the Gorgon’s blood when Perseus killed her.* He was

  A winged steed, unwearying of flight,

  Sweeping through air swift as a gale of wind.

  Wonders attended him. The spring beloved of poets, Hippocrene, on Helicon, the Muses’ mountain, had sprung up where his hoof had struck the earth. Who could catch and tame such a creature? Bellerophon suffered from hopeless longing.

  The wise seer of Ephyre (Corinth), Polyidus, to whom he told his desperate desire, advised him to go to Athena’s temple and sleep there. The gods often spoke to men in their dreams. So Bellerophon went to the holy place and when he was lying deep in slumber beside the altar he seemed to see the goddess standing before him with some golden thing in her hand. She said to him, “Asleep? Nay, wake. Here is what will charm the steed you covet.” He sprang to his feet. No goddess was there, but a marvelous object lay in front of him, a bridle all of gold, such as never had been seen before. Hopeful at last with it in his hand, he hurried out to the fields to find Pegasus. He caught sight of him, drinking from the far-famed spring of Corinth, Pirene; and he drew gently near. The horse looked at him tranquilly, neither startled nor afraid, and suffered himself to be bridled without the least trouble. Athena’s charm had worked. Bellerophon was master of the glorious creature.

  In his full suit of bronze armor he leaped upon his back and put him through his paces, the horse seeming to delight in the sport as much as he himself. Now he was lord of the air, flying wherever he would, envied of all. As matters turned out, Pegasus was not only a joy, but a help in time of need as well, for hard trials lay before Bellerophon.

  In some way, we are not told how except that it was purely through accident, he killed his brother; and he went to Argos where the King, Proteus, purified him. There his trials began and his great deeds as well. Anteia, the wife of Proteus, fell in love with him, and when he turned from her and would have nothing to do with her, in her bitter anger she told her husband that his guest had wronged her and must die. Enraged though he was, Proteus would not kill him. Bellerophon had eaten at his table; he could not bring himself to use violence against him. However, he made a plan which seemed certain to have the same result. He asked the youth to take a letter to the King of Lycia in Asia and Bellerophon easily agreed. Long journeys meant nothing to him on Pegasus’ back. The Lycian king received him with antique hospitality and entertained him splendidly for nine days before he asked to see the letter. Then he read that Proteus wanted the young man killed.

  Bellerophon on Pegasus killing the Chimaera

  He did not care to do so, for the same reason that had made Proteus unwilling: Zeus’s well-known hostility to those who broke the bond between host and guest. There could be no objection, however, to sending the stranger on an adventure, him and his winged horse. So he asked him to go and slay the Chimaera, feeling quite assured that he would never come back. The Chimaera was held to be unconquerable. She was a most singular portent, a lion in front, a serpent behind, a goat in between—

  A fearful creature, great and swift of foot and strong,

  Whose breath was flame unquenchable.

  But for Bellerophon riding Pegasus there was no need to come anywhere near the flaming monster. He soared up over her and shot her with his arrows at no risk to himself.

  When he went back to Proteus, the latter had to think out
other ways of disposing of him. He got him to go on an expedition, against the Solymi, mighty warriors; and then when Bellerophon had succeeded in conquering these, on another against the Amazons, where he did equally well. Finally Proteus was won over by his courage and his good fortune, too; he became friends with him and gave him his daughter to marry.

  He lived happily thus for a long time; then he made the gods angry. His eager ambition along with his great success led him to think “thoughts too great for man,” the thing of all others the gods objected to. He tried to ride Pegasus up to Olympus. He believed he could take his place there with the immortals. The horse was wiser. He would not try the flight, and he threw his rider. Thereafter Bellerophon, hated of the gods, wandered alone, devouring his own soul and avoiding the paths of men until he died.

  Pegasus found shelter in the heavenly stalls of Olympus where the steeds of Zeus were cared for. Of them all he was foremost, as was proved by the extraordinary fact that poets report, that when Zeus wished to use his thunderbolt, it was Pegasus who brought the thunder and lightning to him.

  OTUS AND EPHIALTES

  This story is alluded to in the Odyssey and the Aeneid, but only Apollodorus tells it in full. He wrote, probably, in the first or second century A.D. A dull writer, but less dull than usual in this tale.

  These twin brothers were Giants, but they did not look like the monsters of old. They were straight of form and noble of face. Homer says they were

  Tallest of all that the life-giving earth with her bread ever nourished,

  Handsomest too, after peerless Orion alone.

  Virgil speaks chiefly of their mad ambition. He says they were

  Twins, huge-bodied, who strove with their hands to destroy the high heavens,

  Strove to push Jupiter down from his kingdom supernal.

  They were the sons of Iphimedia, some say, others, of Canace. At all events, whoever their mother was, their father was certainly Poseidon, although they went generally by the name of the Aloadae, the sons of Aloeus, their mother’s husband.

  They were still very young when they set about proving that they were the gods’ superiors. They imprisoned Ares, bound him with chains of brass, and shut him up. The Olympians were reluctant to try to free him by force. They sent the cunning Hermes to his assistance, who contrived stealthily by night to get him out of his prison. Then the two arrogant youths dared still more. They threatened that they would pile Mount Pelion on Mount Ossa and scale the heights of heaven, as the Giants of old had piled Ossa on Pelion. This passed the endurance of the immortals, and Zeus got ready his thunderbolt to strike them. But before he hurled it Poseidon came begging him to spare them and promising to keep them in order. Zeus agreed and Poseidon was as good as his word. The twins stopped warring against heaven and Poseidon felt pleased with himself, but the fact was that the two had turned to other plans which interested them more.

  Otus thought it would be an excellent adventure to carry Hera off, and Ephialtes was in love with Artemis, or thought he was. In truth the two brothers cared only for each other. Theirs was a great devotion. They drew lots to decide which should first seize his lady, and fortune favored Ephialtes. They sought Artemis everywhere over the hills and in the woods, but when at last they caught sight of her she was on the seashore, making directly for the sea. She knew their evil purpose and she knew too how she would punish them. They sprang after her, but she kept straight on over the sea. All of Poseidon’s sons had the same power: they could run dry-shod on the sea as on the land, so the two followed her with no trouble. She led them to the wooded island of Naxos, and there, when they had all but caught up with her, she disappeared. They saw instead a most lovely milk-white hind springing into the forest. At the sight they forgot the goddess and turned in pursuit of the beautiful creature. They lost her in the thick woods and they separated in order to double the chance of finding her. At the same moment each suddenly saw her standing with ears pricked in an open glade, but neither saw that back in the trees just beyond her was his brother. They threw their javelins and the hind vanished. The weapons sped on across the empty glade into the wood and there found their mark. The towering forms of the young hunters crashed to the ground, each pierced by the spear of the other, each slaying and being slain by the only creature he loved.

  Such was the vengeance of Artemis.

  DAEDALUS

  Both Ovid and Apollodorus tell this story. Apollodorus lived probably more than a hundred years after Ovid. He is a very pedestrian writer and Ovid is far from that. But in this case I have followed Apollodorus. Ovid’s account shows him at his worst, sentimental and exclamatory.

  Daedalus was the architect who had contrived the Labyrinth for the Minotaur in Crete, and who showed Ariadne how Theseus could escape from it.* When King Minos learned that the Athenians had found their way out, he was convinced that they could have done so only if Daedalus had helped them. Accordingly he imprisoned him and his son Icarus in the Labyrinth, certainly a proof that it was excellently devised since not even the maker of it could discover the exit without a clue. But the great inventor was not at a loss. He told his son,

  Escape may be checked by water and land, but the air and the sky are free,

  and he made two pairs of wings for them. They put them on and just before they took flight Daedalus warned Icarus to keep a middle course over the sea. If he flew too high the sun might melt the glue and the wings drop off. However, as stories so often show, what elders say youth disregards. As the two flew lightly and without effort away from Crete the delight of this new and wonderful power went to the boy’s head. He soared exultingly up and up, paying no heed to his father’s anguished commands. Then he fell. The wings had come off. He dropped into the sea and the waters closed over him. The afflicted father flew safely to Sicily, where he was received kindly by the King.

  Minos was enraged at his escape and determined to find him. He made a cunning plan. He had it proclaimed everywhere that a great reward would be given to whoever could pass a thread through an intricately spiraled shell. Daedalus told the Sicilian king that he could do it. He bored a small hole in the closed end of the shell, fastened a thread to an ant, introduced the ant into the hole, and then closed it. When the ant finally came out at the other end, the thread, of course, was running clear through all the twists and turns. “Only Daedalus would think of that,” Minos said, and he came to Sicily to seize him. But the King refused to surrender him, and in the contest Minos was slain.

  PART THREE

  The Great Heroes before the Trojan War

  CHAPTER I

  Perseus

  This is a story on the level of the fairy story. Hermes and Athena act like the fairy godmother in Cinderella. The magical wallet and cap belong to the properties fairy tales abound in everywhere. It is the only myth in which magic plays a decisive part, and it seems to have been a great favorite in Greece. Many poets allude to it. The description of Danaë in the wooden chest was the most famous passage of a famous poem by Simonides of Ceos, a great lyric poet who lived in the sixth century. The entire story is told by both Ovid and Apollodorus. The latter, probably a hundred years later than Ovid, is here the superior of the two. His account is simple and straightforward; Ovid’s extremely verbose—for instance, he takes a hundred lines to kill the sea serpent. I have followed Apollodorus, but I have added the fragment from Simonides, and short quotations from other poets, notably Hesiod and Pindar.

  KING Acrisius of Argos had only one child, a daughter, Danaë. She was beautiful above all the other women of the land, but this was small comfort to the King for not having a son. He journeyed to Delphi to ask the god if there was any hope that some day he would be the father of a boy. The priestess told him no, and added what was far worse: that his daughter would have a son who would kill him.

  The only sure way to escape that fate was for the King to have Danaë instantly put to death—taking no chances, but seeing to it himself. This Acrisius would not do. His fatherly affection
was not strong, as events proved, but his fear of the gods was. They visited with terrible punishment those who shed the blood of kindred. Acrisius did not dare slay his daughter. Instead, he had a house built all of bronze and sunk underground, but with part of the roof open to the sky so that light and air could come through. Here he shut her up and guarded her.

  So Danaë endured, the beautiful,

  To change the glad daylight for brass-bound walls,

  And in that chamber secret as the grave

  She lived a prisoner. Yet to her came

  Zeus in the golden rain.

  As she sat there through the long days and hours with nothing to do, nothing to see except the clouds moving by overhead, a mysterious thing happened, a shower of gold fell from the sky and filled her chamber. How it was revealed to her that it was Zeus who had visited her in this shape we are not told, but she knew that the child she bore was his son.

  For a time she kept his birth secret from her father, but it became increasingly difficult to do so in the narrow limits of that bronze house and finally one day the little boy—his name was Perseus—was discovered by his grandfather. “Your child!” Acrisius cried in great anger. “Who is his father?” But when Danaë answered proudly, “Zeus,” he would not believe her. One thing only he was sure of, that the boy’s life was a terrible danger to his own. He was afraid to kill him for the same reason that had kept him from killing her, fear of Zeus and the Furies who pursue such murderers. But if he could not kill them outright, he could put them in the way of tolerably certain death. He had a great chest made, and the two placed in it. Then it was taken out to sea and cast into the water.

 
Edith Hamilton's Novels