Page 19 of Mythology


  All the stories told about him are characteristic, but the one which gives the clearest picture of him is the account of a visit he made when he was on his way to get the man-eating mares of Diomedes, one of the twelve labors. The house he had planned to spend a night in, that of his friend Admetus, a king in Thessaly, was a place of deep mourning when he came to it although he did not know. Admetus had just lost his wife in a very strange way.

  The cause of her death went back into the past, to the time when Apollo in anger at Zeus for killing his son Aesculapius killed Zeus’s workmen, the Cyclopes. He was punished by being forced to serve on earth as a slave for a year and Admetus was the master he chose or Zeus chose for him. During his servitude Apollo made friends with the household, especially with the head of it and his wife Alcestis. When he had an opportunity to prove how strong his friendship was he took it. He learned that the three Fates had spun all of Admetus’ thread of life, and were on the point of cutting it. He obtained from them a respite. If someone would die in Admetus’ stead, he could live. This news he took to Admetus, who at once set about finding a substitute for himself. He went first quite confidently to his father and mother. They were old and they were devoted to him. Certainly one or the other would consent to take his place in the world of the dead. But to his astonishment he found they would not. They told him, “God’s daylight is sweet even to the old. We do not ask you to die for us. We will not die for you.” And they were completely unmoved by his angry contempt: “You, standing palsied at the gate of death and yet afraid to die!”

  He would not give up, however. He went to his friends begging one after another of them to die and let him live. He evidently thought his life was so valuable that someone would surely save it even at the cost of the supreme sacrifice. But he met with an invariable refusal. At last in despair he went back to his house and there he found a substitute. His wife Alcestis offered to die for him. No one who has read so far will need to be told that he accepted the offer. He felt exceedingly sorry for her and still more for himself in having to lose so good a wife, and he stood weeping beside her as she died. When she was gone he was overwhelmed with grief and decreed that she should have the most magnificent of funerals.

  It was at this point that Hercules arrived, to rest and enjoy himself under a friend’s roof on his journey north to Diomedes. The way Admetus treated him shows more plainly than any other story we have how high the standards of hospitality were, how much was expected from a host to a guest.

  As soon as Admetus was told of Hercules’ arrival, he came to meet him with no appearance of mourning except in his dress. His manner was that of one gladly welcoming a friend. To Hercules’ question who was dead he answered quietly that a woman of his household, but no relative of his, was to be buried that day. Hercules instantly declared that he would not trouble him with his presence at such a time, but Admetus steadily refused to let him go elsewhere. “I will not have you sleep under another’s roof,” he told him. To his servants he said that the guest was to be taken to a distant room where he could hear no sounds of grief, and given dinner and lodging there. No one must let him know what had happened.

  Hercules dined alone, but he understood that Admetus must as a matter of form attend the funeral and the fact did not stand in the way of his enjoying himself. The servants left at home to attend to him were kept busy satisfying his enormous appetite and, still more, refilling his wine-jug. Hercules became very happy and very drunk and very noisy. He roared out songs at the top of his voice, some of them highly objectionable songs, and behaved himself in a way that was nothing less than indecent at the time of a funeral. When the servants looked their disapproval he shouted at them not to be so solemn. Couldn’t they give him a smile now and then like good fellows? Their gloomy faces took away his appetite. “Have a drink with me,” he cried, “many drinks.”

  One of them answered timidly that it was not a time for laughter and drinking.

  “Why not?” thundered Hercules. “Because a stranger woman is dead?”

  “A stranger—” faltered the servant.

  “Well, that’s what Admetus told me,” Hercules said angrily. “I suppose you won’t say he lied to me.”

  “Oh, no,” the servant answered. “Only—he’s too hospitable. But please have some more wine. Our trouble is only our own.”

  He turned to fill the winecup but Hercules seized him—and no one ever disregarded that grasp.

  “There’s something strange here,” he said to the frightened man. “What is wrong?”

  “You see for yourself we are in mourning,” the other answered.

  “But why, man, why?” Hercules cried. “Has my host made a fool of me? Who is dead?”

  “Alcestis,” the servant whispered. “Our Queen.”

  There was a long silence. Then Hercules threw down his cup.

  “I might have known,” he said. “I saw he had been weeping. His eyes were red. But he swore it was a stranger. He made me come in. Oh, good friend and good host. And I—got drunk, made merry, in this house of sorrow. Oh, he should have told me.”

  Then he did as always, he heaped blame upon himself. He had been a fool, a drunken fool, when the man he cared for was crushed with grief. As always, too, his thoughts turned quickly to find some way of atoning. What could he do to make amends? There was nothing he could not do. He was perfectly sure of that, but what was there which would help his friend? Then light dawned on him. “Of course,” he said to himself. “That is the way. I must bring Alcestis back from the dead. Of course. Nothing could be clearer. I’ll find that old fellow, Death. He is sure to be near her tomb and I’ll wrestle with him. I will crack his body between my arms until he gives her to me. If he is not by the grave I will go down to Hades after him. Oh, I will return good to my friend who has been so good to me.” He hurried out exceedingly pleased with himself and enjoying the prospect of what promised to be a very good wrestling match.

  When Admetus returned to his empty and desolate house Hercules was there to greet him, and by his side was a woman. “Look at her, Admetus,” he said. “Is she like anyone you know?” And when Admetus cried out, “A ghost! Is it a trick—some mockery of the gods?” Hercules answered, “It is your wife. I fought Death for her and I made him give her back.”

  There is no other story about Hercules which shows so clearly his character as the Greeks saw it: his simplicity and blundering stupidity; his inability not to get roaring drunk in a house where someone was dead; his quick penitence and desire to make amends at no matter what cost; his perfect confidence that not even Death was his match. That is the portrait of Hercules. To be sure, it would have been still more accurate if it had shown him in a fit of rage killing one of the servants who were annoying him with their gloomy faces, but the poet Euripides from whom we get the story kept it clear of everything that did not bear directly on Alcestis’ death and return to life. Another death or two, however natural when Hercules was present, would have blurred the picture he wanted to paint.

  As Hercules had sworn to do while he was Omphale’s slave, no sooner was he free than he started to punish King Eurytus because he himself had been punished by Zeus for killing Eurytus’ son. He collected an army, captured the King’s city and put him to death. But Eurytus, too, was avenged, for indirectly this victory was the cause of Hercules’ own death.

  Before he had quite completed the destruction of the city, he sent home—where Deianira, his devoted wife, was waiting for him to come back from Omphale in Lydia—a band of captive maidens, one of them especially beautiful, Iole, the King’s daughter. The man who brought them to Deianira told her that Hercules was madly in love with this Princess. This news was not so hard for Deianira as might be expected, because she believed she had a powerful love-charm which she had kept for years against just such an evil, a woman in her own house preferred before her. Directly after her marriage, when Hercules was taking her home, they had reached a river where the Centaur Nessus acted as ferryman, carrying
travelers over the water. He took Deianira on his back and in midstream insulted her. She shrieked and Hercules shot the beast as he reached the other bank. Before he died he told Deianira to take some of his blood and use it as a charm for Hercules if ever he loved another woman more than her. When she heard about Iole, it seemed to her the time had come, and she anointed a splendid robe with the blood and sent it to Hercules by the messenger.

  As the hero put it on, the effect was the same as that of the robe Medea had sent her rival whom Jason was about to marry. A fearful pain seized him, as though he were in a burning fire. In his first agony he turned on Deianira’s messenger, who was, of course, completely innocent, seized him, and hurled him down into the sea. He could still slay others, but it seemed that he himself could not die. The anguish he felt hardly weakened him. What had instantly killed the young Princess of Corinth could not kill Hercules. He was in torture, but he lived and they brought him home. Long before, Deianira had heard what her gift had done to him and had killed herself. In the end he did the same. Since death would not come to him, he would go to death. He ordered those around him to build a great pyre on Mount Oeta and carry him to it. When at last he reached it he knew that now he could die and he was glad. “This is rest,” he said. “This is the end.” And as they lifted him to the pyre he lay down on it as one who at a banquet table lies down upon his couch.

  He asked his youthful follower, Philoctetes, to hold the torch to set the wood on fire; and he gave him his bow and arrows, which were to be far-famed in the young man’s hands, too, at Troy. Then the flames rushed up and Hercules was seen no more on earth. He was taken to heaven, where he was reconciled to Hera and married her daughter Hebe, and where

  After his mighty labors he has rest.

  His choicest prize eternal peace.

  Within the homes of blessedness.

  But it is not easy to imagine him contentedly enjoying rest and peace, or allowing the blessed gods to do so, either.

  CHAPTER IV

  Atalanta

  Her story is told in full only by the late writers Ovid and Apollodorus, but it is an old tale. One of the poems ascribed to Hesiod, but probably of a somewhat later date, say, the early seventh century, describes the race and the golden apples, and the Iliad gives an account of the Calydonian boar hunt. I have followed in my account Apollodorus, who probably wrote in the first or second century A.D. Ovid’s tale is good only occasionally. He gives a charming picture of Atalanta among the hunters which I have put into my account, but often, as in the description of the boar, he is so exaggerated, he verges on the ridiculous. Apollodorus is not picturesque, but he is never absurd.

  SOMETIMES there are said to have been two heroines of that name. Certainly two men, Iasus and Schoenius, are each called the father of Atalanta, but then it often happens in old stories that different names are given to unimportant persons. If there were two Atalantas it is certainly remarkable that both wanted to sail on the Argo, both took part in the Calydonian boar hunt, both married a man who beat them in a foot race, and both were ultimately changed into lionesses. Since the story of each is practically the same as that of the other it is simpler to take it for granted that there was only one. Indeed it would seem passing the bounds of the probable even in mythological stories to suppose that there were two maidens living at the same time who loved adventure as much as the most dauntless hero, and who could outshoot and outrun and outwrestle, too, the men of one of the two great ages of heroism.

  Atalanta’s father, whatever his name was, when a daughter and not a son was born to him, was, of course, bitterly disappointed. He decided that she was not worthy bringing up and had the tiny creature left on a wild mountainside to die of cold and hunger. But, as so often happens in stories, animals proved kinder than humans. A she-bear took charge of her, nursed her and kept her warm, and the baby grew up thus into an active, daring little girl. Kind hunters then found her and took her to live with them. She became in the end more than their equal in all the arduous feats of a hunter’s life. Once two Centaurs, swifter and stronger by far than any mortal, caught sight of her when she was alone and pursued her. She did not run from them; that would have been folly. She stood still and fitted an arrow to her bow and shot. A second arrow followed. Both Centaurs fell, mortally wounded.

  Then came the famous hunt of the Calydonian boar. This was a terrible creature sent to ravage the country of Calydon by Artemis in order to punish the King, Oeneus, because he forgot her when he was sacrificing the first fruits to the gods at the harvest-time. The brute devastated the land, destroyed the cattle, killed the men who tried to kill it. Finally Oeneus called for help upon the bravest men of Greece, and a splendid band of young heroes assembled, many of whom sailed later on the Argo. With them came as a matter of course Atalanta, “The pride of the woods of Arcady.” We have a description of how she looked when she walked in on that masculine gathering: “A shining buckle clasped her robe at the neck; her hair was simply dressed, caught up in a knot behind. An ivory quiver hung upon her left shoulder and in her hand was a bow. Thus was she attired. As for her face, it seemed too maidenly to be that of a boy, and too boyish to be that of a maiden.” To one man there, however, she looked lovelier and more desirable than any maiden he had ever seen. Oeneus’ son, Meleager, fell in love with her at first sight. But, we may be sure, Atalanta treated him as a good comrade, not as a possible lover. She had no liking for men except as companions in the hunt and she was determined never to marry.

  Some of the heroes resented her presence and felt it beneath them to go hunting with a woman, but Meleager insisted and they finally gave in to him. It proved well for them that they did, because when they surrounded the boar, the brute rushed upon them so swiftly that it killed two men before the others could come to their help, and, what was equally ominous, a third man fell pierced by a misdirected javelin. In this confusion of dying men and wildly flying weapons Atalanta kept her head and wounded the boar. Her arrow was the first to strike it. Meleager then rushed on the wounded creature and stabbed it to the heart. Technically speaking it was he who killed it, but the honors of the hunt went to Atalanta and Meleager insisted that they should give her the skin.

  Strangely enough this was the cause of his own death. When he was just a week old the Fates had appeared to his mother, Althea, and thrown a log of wood into the fire burning in her chamber. Then spinning as they ever did, twirling the distaff and twisting the thread of destiny, they sang,

  To you, O new-born child, we grant a gift,

  To live until this wood turns into ash.

  Althea snatched the brand from the fire, quenched the flame, and hid it in a chest. Her brothers were among those who went to hunt the boar. They felt themselves insulted and were furiously angry at having the prize go to a girl—as, no doubt, was the case with others, but they were Meleager’s uncles and did not need to stand on any ceremony with him. They declared that Atalanta should not have the skin and told Meleager he had no more right to give it away than anyone else had. Whereupon Meleager killed them both, taking them completely off their guard.

  This news was brought to Althea. Her beloved brothers had been slain by her son because he had made a fool of himself over a shameless hussy who went hunting with men. A passion of rage took possession of her. She rushed to the chest for the brand and threw it into the fire. As it blazed up, Meleager fell to the ground dying, and by the time it was consumed his spirit had slipped away from his body. It is said that Althea, horror-stricken at what she had done, hanged herself. So the Calydonian boar hunt ended in tragedy.

  To Atalanta, however, it was only the beginning of her adventures. Some say that she sailed with the Argonauts; others that Jason persuaded her not to do so. She is never mentioned in the story of their exploits and she was certainly not one to hold back when deeds of daring were to be done, so that it seems probable that she did not go. The next time we hear of her is after the Argonauts returned, when Medea had killed Jason’s uncle Pelias
under the pretext of restoring him to youth. At the funeral games held in his honor Atalanta appeared among the contestants, and in the wrestling match conquered the young man who was to be the father of Achilles, the great hero Peleus.

  It was after this achievement that she discovered who her parents were and went to live with them, her father apparently being reconciled to having a daughter who really seemed almost if not quite as good as a son. It seems odd that a number of men wanted to marry her because she could hunt and shoot and wrestle, but it was so; she had a great many suitors. As a way of disposing of them easily and agreeably she declared that she would marry whoever could beat her in a foot race, knowing well that there was no such man alive. She had a delightful time. Fleet-footed young men were always arriving to race with her and she always outran them.

  But at last one came who used his head as well as his heels. He knew he was not as good as runner as she, but he had a plan. By the favor of Aphrodite, always on the lookout to subdue wild young maidens who despised love, this ingenious young man, whose name was either Melanion (Milanion) or Hippomenes, got possession of three wondrous apples, all of pure gold, beautiful as those that grew in the garden of the Hesperides. No one alive could see them and not want them.

  On the race course as Atalanta—poised for the starting signal, and a hundredfold more lovely disrobed than with her garments on—looked fiercely around her, wonder at her beauty took hold of all who saw her, but most of all the man who was waiting to run against her. He kept his head, however, and held fast to his golden apples. They started, she flying swift as an arrow, her hair tossed back over her white shoulders, a rosy flush tinging her fair body. She was out-stripping him when he rolled one of the apples directly in front of her. It needed but a moment for her to stoop and pick the lovely thing up, but that brief pause brought him abreast of her. A moment more and he threw the second, this time a little to the side. She had to swerve to reach it and he got ahead of her. Almost at once, however, she had caught up with him and the goal was now very near. But then the third golden sphere flashed across her path and rolled far into the grass beside the course. She saw the gleam through the green, she could not resist it. As she picked the apple up, her lover panting and almost winded touched the goal. She was his. Her free days alone in the forest and her athletic victories were over.

 
Edith Hamilton's Novels