Her cares now over, she stands drying her hands on a roller-towel in the kitchen, while her only daughter, the gentle Mary, stands in the doorway with the afternoon sun streaming in spots of flickering golden light on her smooth pale-brown hair,—a petite figure in a full stuff petticoat and white short gown, she stands reaching up one hand and cooing to something among the apple-blossoms, —and now a Java dove comes whirring down and settles on her finger,—and we, that have seen pictures, think, as we look on her girlish face, with its lines of statuesque beauty, on the tremulous, half-infantine expression of her lovely mouth, and the general air of simplicity and purity, of some old pictures of the girlhood of the Virgin. But Mrs. Scudder was thinking of no such Popish1 matter, I can assure you,—not she! I don’t think you could have done her a greater indignity than to mention her daughter in any such connection. She had never seen a painting in her life, and therefore was not to be reminded of them; and furthermore, the dove was evidently, for some reason, no favorite,—for she said, in a quick, imperative tone, “Come, come, child! don’t fool with that bird,—it’s high time we were dressed and ready,”—and Mary, blushing, as it would seem, even to her hair, gave a little toss, and sent the bird, like a silver fluttering cloud, up among the rosy apple-blossoms. And now she and her mother have gone to their respective little bedrooms for the adjustment of their toilettes; and while the door is shut and nobody hears us, we shall talk to you about Mary.

  Newport at the present day blooms like a flower-garden with young ladies of the best ton,2—lovely girls, hopes of their families, possessed of amiable tempers and immensely large trunks, and capable of sporting ninety changes of raiment in thirty days and otherwise rapidly emptying the purses of distressed fathers, and whom yet travellers and the world in general look upon as genuine specimens of the kind of girls formed by American institutions.

  We fancy such a one lying in a rustling silk négligée, and, amid a gentle generality of rings, ribbons, puffs, laces, beaux, and dinner-discussion, reading our humble sketch;—and what favor shall our poor heroine find in her eyes? For though her mother was a world of energy and “faculty,” in herself considered, and had bestowed on this one little lone chick all the vigor and all the care and all the training which would have sufficed for a family of sixteen, there were no results produced which could be made appreciable in the eyes of such company. She could not waltz or polk, or speak bad French, or sing Italian songs; but, nevertheless, we must proceed to say what was her education and what her accomplishments.

  Well, then, she could both read and write fluently in the mother-tongue. She could spin both on the little and the great wheel; and there were numberless towels, napkins, sheets, and pillow-cases in the household store that could attest the skill of her pretty fingers. She had worked several samplers of such rare merit, that they hung framed in different rooms of the house, exhibiting every variety and style of possible letter in the best marking-stitch. She was skilful in all sewing and embroidery, in all shaping and cutting, with a quiet and deft handiness that constantly surprised her energetic mother, who could not conceive that so much could be done with so little noise. In fact, in all household lore she was a veritable good fairy; her knowledge seemed unerring and intuitive; and whether she washed or ironed, or moulded biscuit or conserved plums, her gentle beauty seemed to turn to poetry all the prose of life.

  There was something in Mary, however, which divided her as by an appreciable line from ordinary girls of her age. From her father she had inherited a deep and thoughtful nature, predisposed to moral and religious exaltation. Had she been born in Italy, under the dissolving influences of that sunny dreamy clime, beneath the shadow of cathedrals, and where pictured saints and angels smiled in clouds of painting from every arch and altar, she might, like fair St. Catherine of Siena,3 have seen beatific visions in the sunset skies, and a silver dove descending upon her as she prayed; but, unfolding in the clear, keen, cold New England clime, and nurtured in its abstract and positive theologies, her religious faculties took other forms. Instead of lying entranced in mysterious raptures at the foot of altars, she read and pondered treatises on the Will,4 and listened in rapt attention, while her spiritual guide, the venerated Dr. Hopkins, unfolded to her the theories of the great Edwards5 on the nature of true virtue. Womanlike, she felt the subtile poetry of these sublime abstractions which dealt with such infinite and unknown quantities,—which spoke of the universe, of its great Architect, of man, of angels, as matters of intimate and daily contemplation; and her teacher, a grand-minded and simple-hearted man as ever lived, was often amazed at the tread with which this fair young child walked through these high regions of abstract thought,—often comprehending through an ethereal clearness of nature what he had laboriously and heavily reasoned out; and sometimes, when she turned her grave, childlike face upon him with some question or reply, the good man started as if an angel had looked suddenly out upon him from a cloud. Unconsciously to himself, he often seemed to follow her, as Dante followed the flight of Beatrice,6 through the ascending circles of the celestial spheres.

  When her mother questioned him, anxiously, of her daughter’s spiritual estate, he answered, that she was a child of a strange graciousness of nature, and of a singular genius; to which Katy responded with a woman’s pride, that she was all her father over again. It is only now and then that a matter-of-fact woman is sublimated by a real love; but if she is, it is affecting to see how impossible it is for death to quench it; for in the child the mother feels that she has a mysterious and undying repossession of the father.

  But, in truth, Mary was only a recast in feminine form of her father’s nature. The elixir of the spirit that sparkled within her was of that quality of which the souls of poets and artists are made; but the keen New England air crystalizes emotions into ideas, and restricts many a poetic soul to the necessity of expressing itself only in practical living.

  The rigid theological discipline of New England is fitted to produce rather strength and purity than enjoyment. It was not fitted to make a sensitive and thoughtful nature happy, however it might en-noble and exalt.

  The system of Dr. Hopkins7 was one that could have had its origin in a soul at once reverential and logical—a soul, moreover, trained from its earliest years in the habits of thought engendered by monarchical institutions. For although he, like other ministers, took an active part as a patriot in the Revolution,8 still he was brought up under the shadow of a throne,9 and a man cannot ravel out the stitches in which early days have knit him. His theology was, in fact, the turning to an invisible Sovereign of that spirit of loyalty and unquestioning subjugation which is one of the noblest capabilities of our nature. And as a gallant soldier renounces life and personal aims in the cause of his king and country, and holds himself ready to be drafted for a forlorn hope, to be shot down, or help make a bridge of his mangled body, over which the more fortunate shall pass to victory and glory, so he regarded himself as devoted to the King Eternal, ready in His hands to be used to illustrate and build up an Eternal Commonwealth;10 either by being sacrificed as a lost spirit or glorified as a redeemed one, ready to throw not merely his mortal life, but his immortality even, into the forlorn hope, to bridge with a never-dying soul the chasm over which white-robed victors should pass to a commonwealth of glory and splendor whose vastness should dwarf the misery of all the lost to an infinitesimal.

  It is not in our line to imply the truth or the falsehood of those systems of philosophic theology which seem for many years to have been the principal outlet for the proclivities of the New England mind, but as psychological developments they have an intense interest. He who does not see a grand side to these strivings of the soul cannot understand one of the noblest capabilities of humanity.

  No real artist or philosopher ever lived who has not at some hours risen to the height of utter self-abnegation for the glory of the invisible. There have been painters who would have been crucified to demonstrate the action of a muscle,—chemists who
would gladly have melted themselves and all humanity in their crucible, if so a new discovery might arise out of its fumes. Even persons of mere artistic sensibility are at times raised by music, painting, or poetry to a momentary trance of self-oblivion, in which they would offer their whole being before the shrine of an invisible loveliness. These hard old New England divines11 were the poets of metaphysical philosophy, who built systems in an artistic fervor, and felt self exhale from beneath them as they rose into the higher regions of thought. But where theorists and philosophers tread with sublime assurance, woman often follows with bleeding footsteps;—women are always turning from the abstract to the individual, and feeling where the philosopher only thinks.

  It was easy enough for Mary to believe in self-renunciation, for she was one with a born vocation for martyrdom; and so, when the idea was put to her of suffering eternal pains for the glory of God and the good of being in general, she responded to it with a sort of sublime thrill, such as it is given to some natures to feel in view of uttermost sacrifice. But when she looked around on the warm, living faces of friends, acquaintances and neighbors, viewing them as possible candidates for dooms so fearfully different, she sometimes felt the walls of her faith closing round her as an iron shroud,—she wondered that the sun could shine so brightly, that flowers could flaunt such dazzling colors, that sweet airs could breathe, and little children play, and youth love and hope, and a thousand intoxicating influences combine to cheat the victims from the thought that their next step might be into an abyss of horrors without end. The blood of youth and hope was saddened by this great sorrow, which lay ever on her heart,—and her life, unknown to herself, was a sweet tune in the minor key; it was only in prayer, or deeds of love and charity, or in rapt contemplation of that beautiful millennial day,12 which her spiritual guide most delighted to speak of, that the tone of her feelings ever rose to the height of joy.

  Among Mary’s young associates was one who had been as a brother to her childhood. He was her mother’s cousin’s son,—and so, by a sort of family immunity, had always a free access to her mother’s house. He took to the sea, as the most bold and resolute young men will, and brought home from foreign parts those new modes of speech, those other eyes for received opinions and established things, which so often shock established prejudices,—so that he was held as little better than an infidel and a castaway by the stricter religious circles in his native place. Mary’s mother, now that Mary was grown up to woman’s estate, looked with a severe eye on her cousin. She warned her daughter against too free an association with him,—and so—We all know what comes to pass when girls are constantly warned not to think of a man. The most conscientious and obedient little person in the world, Mary resolved to be very careful. She never would think of James, except, of course, in her prayers; but as these were constant, it may easily be seen it was not easy to forget him.

  All that was so often told her of his carelessness, his trifling, his contempt of orthodox opinions, and his startling and bold expressions, only wrote his name deeper in her heart,—for was not his soul in peril? Could she look in his frank, joyous face and listen to his thoughtless laugh, and then think that a fall from mast-head, or one night’s storm, might—Ah, with what images her faith filled the blank! Could she believe all this and forget him?

  You see, instead of getting our tea ready, as we promised at the beginning of this chapter, we have filled it with descriptions and meditations,—and now we foresee that the next chapter will be equally far from the point. But have patience with us; for we can write only as we are driven, and never know exactly where we are going to land.

  CHAPTER III

  The Interview

  A QUIET, maiden-like place was Mary’s little room. The window looked out under the overarching boughs of a thick apple-orchard, now all in a blush with blossoms and pink-tipped buds, and the light came golden-green, strained through flickering leaves,—and an ever-gentle rustle and whirr of branches and blossoms, a chitter of birds, and an indefinite whispering motion, as the long heads of orchard-grass nodded and bowed to each other under the trees, seemed to give the room the quiet hush of some little side-chapel in a cathedral, where green and golden glass softens the sunlight, and only the sigh and rustle of kneeling worshippers break the stillness of the aisles. It was small enough for a nun’s apartment, and dainty in its neatness as the waxen cell of a bee. The bed and low window were draped in spotless white, with fringes of Mary’s own knotting. A small table under the looking-glass bore the library of a well-taught young woman of those times. “The Spectator,” “Paradise Lost,” Shakspeare, and “Robinson Crusoe,”1 stood for the admitted secular literature, and beside them the Bible and the works then published of Mr. Jonathan Edwards. Laid a little to one side as if of doubtful reputation, was the only novel which the stricter people in those days allowed for the reading of their daughters: that seven-volumed, trailing, tedious, delightful old bore, “Sir Charles Grandison,” 2—a book whose influence in those times was so universal, that it may be traced in the epistolary style3 even of the gravest divines. Our little heroine was mortal, with all her divinity, and had an imagination which sometimes wandered to the things of earth; and this glorious hero in lace and embroidery, who blended rank, gallantry, spirit, knowledge of the world, disinterestedness, constancy, and piety, sometimes stepped before her, while she sat spinning at her wheel, till she sighed, she hardly knew why, that no such men walked the earth now. Yet it is to be confessed, this occasional raid of the romantic into Mary’s balanced and well-ordered mind was soon energetically put to rout, and the book, as we have said, remained on her table under protest,—protected by being her father’s gift to her mother during their days of courtship. The small looking-glass was curiously wreathed with corals and foreign shells, so disposed as to indicate an artistic eye and skilful hand; and some curious Chinese paintings of birds and flowers gave rather a piquant and foreign air to the otherwise homely neatness of the apartment.

  Here in this little retreat Mary spent those few hours which her exacting conscience would allow her to spare from her busy-fingered household-life; here she read and wrote and thought and prayed;—and here she stands now, arraying herself for the tea company that afternoon. Dress, which in our day is becoming in some cases the whole of woman, was in those times a remarkably simple affair. True, every person of a certain degree of respectability had state and festival robes; and a certain camphor-wood brass-bound trunk, which was always kept solemnly locked in Mrs. Katy Scudder’s apartment, if it could have spoken, might have given off quite a catalogue of brocade satin and laces. The wedding-suit there slumbered in all the unsullied whiteness of its stiff ground broidered with heavy knots of flowers; and there were scarfs of wrought India muslin and embroidered crape, each of which had its history,—for each had been brought into the door with beating heart on some return voyage of one who, alas, should return no more! The old trunk stood with its histories, its imprisoned remembrances,—and a thousand tender thoughts seemed to be shaken out of every rustling fold of silk and embroidery, on the few yearly occasions when all were brought out to be aired, their history related and then solemnly locked up again. Nevertheless, the possession of these things gave to the women of an establishment a certain innate dignity, like a good conscience; so that in that larger portion of existence commonly denominated among them “every day,” they were content with plain stuff and homespun. Mary’s toilette, therefore, was sooner made than those of Newport belles of the present day; it simply consisted in changing her ordinary “short gown and petticoat” for another of somewhat nicer materials,—a skirt of India chintz and a striped jacconet short-gown. Her hair was of the kind which always lies like satin; but, nevertheless, girls never think their toilette complete unless the smoothest hair has been shaken down and rearranged. A few moments, however, served to braid its shining folds and dispose them in their simple knot on the back of the head; and having given a final stroke to each side with her little dimpled han
ds, she sat down a moment at the window, thoughtfully watching where the afternoon sun was creeping through the slats of the fence in long lines of gold among the tall, tremulous orchard-grass, and unconsciously she began warbling, in a low, gurgling voice, the words of a familiar hymn, whose grave earnestness accorded well with the general tone of her life and education:

  “Life is the time to serve the Lord, The time to insure the great reward.”4

  There was a swish and rustle in the orchard-grass, and a tramp of elastic steps; then the branches were brushed aside, and a young man suddenly emerged from the trees a little behind Mary. He was apparently about twenty-five, dressed in the holiday rig of a sailor on shore, which well set off his fine athletic figure, and accorded with a sort of easy, dashing, and confident air which sat not un-handsomely on him. For the rest, a high forehead shaded by rings of the blackest hair, a keen, dark eye, a firm and determined mouth, gave the impression of one who had engaged to do battle with life, not only with a will, but with shrewdness and ability.

  He introduced the colloquy by stepping deliberately behind Mary, putting his arms round her neck, and kissing her.

  “Why, James!” said Mary, starting up, and blushing. “Come, now!”