The residents of Ilium have no fear of starvation or deadly thirst. At the first alarm of the Achaeans’ approach—many weeks before the dark ships arrived more than nine years ago—hundreds of cattle and thousands of sheep were herded into the city, emptying farm fields for 400 square miles around the city. More such cattle drives happen regularly, and most of the beef gets to the city despite the Greeks’ halfhearted efforts to interdict. Vegetables and fruits flow easily into Ilium, delivered by the same shrewd farmers and traders who sell food to the Achaeans.
Troy was built where it was so many centuries ago largely because of the huge aquifer under it—the city has four giant wells that always run fresh and deep—but to be on the safe side, Priam long ago ordered a tributary of the River Simois to the north of Ilium diverted and run through easily defended canals and underground viaducts into the city proper. The Greeks have more trouble finding fresh water than do the technically besieged residents of Ilium.
The population of Ilium—easily the greatest city on Earth at this time—has more than doubled since the war began. First into the city for protection came the farmers and goatherders and fishermen and other peripatetic former denizens of the plains of Ilium. Following them came the armies of the allies of Troy—not only the fighting men, but often their wives and children and elders and dogs and cattle.
These allies include different groups: the “Trojans” not from Troy itself—the Dardanians and others from smaller cities and outlying areas far beyond Ilium, including the Trojan-loyal fighters from under Mount Ida and from as far north as Lykia. Also present now are the Adresteians and other fighters from places many leagues east of Troy, as well as the Pelasgians from Larisa in the south.
From Europe have come the Thracians, Paionians, and Kikones. From the south shores of the Black Sea have come the Halizones—dwellers near the River Halys and related to the Chalybes metalworkers of ancient legend. One can hear campfire songs and curses in the city from the Paphlagoes and Enetoi, a people from farther north along the Black Sea who may be the great-great-ancestors of the future Venetians. From north-central Asia Minor have come the shaggy Mysians—Ennomos and Nastes are two Mysian men I’ve spent time with and who will, according to Homer, be cut down by Achilles in the river battle to come—a slaughter so terrible that not only will the Scamander run red for months, but the river will be dammed up by the corpses of all the men Achilles will massacre there, including the unclaimed bodies of Nastes and Ennomos.
Also here, recognizable by their wild hair, by their oddly shaped bronze gear, and by their smell, are the Phrygians, Maionians, Karians, and Lykians.
This city is full and wonderfully alive and raucous all but two or three of its twenty-four hours each day. This is the finest and grandest and most beautiful city in the world—in this era or my era or any era in the history of all humankind.
I am thinking this as I lie naked next to Helen of Troy in her bed, the linens smelling of sex and of us, the breeze cool through billowing curtains. Somewhere thunder rumbles as a storm approaches. Helen stirs and whispers my name—“Hock-en-bear-eeee . . .”
I came into the city in late afternoon after QTing down from the hospital of the gods on Olympos, knowing that the Muse was looking for me to kill me, and that if she did not find me today, Aphrodite would when the goddess got out of her healing tank.
I had thought to blend in with the soldiers watching the last of this long day’s battles—somewhere out there in the late-afternoon sun and dust, Diomedes was still slaughtering Trojans—but when I saw Hector walking back to the city with only a few of his usual retinue, I morphed into one of the men I knew—Dolon, a spearman and trusted scout, soon to be killed by Odysseus and Diomedes—and followed Hector. The noble warrior came in through the Scaean Gates—Ilium’s main gates, made of sturdy oak planks as tall as ten men the size of Ajax—and he was immediately besieged by the wives and daughters of Troy asking about their husbands and sons and brothers and lovers.
I watched Hector’s tall red Trojan crest move through the mob of women, his head and shoulders swimming above the sea of beseeching faces, and saw him when he finally stopped to address the growing mob. “Pray to the gods, you women of Troy,” was all he said before turning on his heel and marching toward Priam’s palace. Some of his soldiers crossed tall spears and covered his retreat, holding back the wailing mass of Trojan women. I stayed with the last four of his guard and silently accompanied Hector into Priam’s magnificent palace, built wide, as Homer said, and gleaming with porches and colonnades of polished marble.
We stepped back against the wall—evening shadows already creeping into the courtyards and sleeping chambers here—and stood guard as Hector met briefly with his mother.
“No wine, Mother,” he said, waving away the cup she had ordered a servant to bring. “Not now. I’m too tired. The wine would sap what little strength and nerve I have left for the killing to come this evening. Also, I’m covered with blood and dirt and all the filth of battle—I’d be ashamed to lift a cup to Zeus with such dirty hands.”
“My son,” said Hector’s mother, a woman I had seen act with warmth and a good heart over the years, “why have you left the fighting if not to pray to the gods?”
“It’s you who have to pray,” said Hector, his helmet next to him on the couch. The warrior was indeed filthy—face grimed with layers of dirt and blood turned to a reddish mud by his sweat—and he sat as only the deeply exhausted can sit, forearms on his knees, head bent, voice dulled. “Go to Athena’s shrine, gather the most noble of Ilium’s noblest women, and take the largest, most beautiful robe you can find in Priam’s palace. Spread it across the knees of Athena’s gold statue and promise to sacrifice twelve yearling heifers in her temple if only she will pity Troy. Ask the grim goddess to spare our city and our Trojan wives and helpless children from the terror of Diomedes.”
“Has it come to that?” whispered Hector’s mother, leaning closer and taking one of her son’s bloody hands in hers. “Has it finally come to that?”
“Yes,” said Hector and struggled to his feet and lifted his helmet and left the hall.
With the three other spearmen, I followed the exhausted hero as he walked six city blocks to the residence of Paris and Helen, a large compound with its cluster of regal terraces and residential towers and private courtyards.
Hector brushed past guards and servants, pounded up steps, and flung open the door to Paris and Helen’s private quarters. I half expected to see Paris in bed with his stolen consort—Homer had sung that the horny couple had gone straight to bed hours earlier when Paris had been whisked from his showdown with Menelaus—but instead, Paris looked up from fondling his armor and battle gear as Helen sat nearby, directing female servants in their embroidery.
“What the fuck are you doing?” Hector snarled at the smaller man. “Sitting here like a woman, like a mewling infant, playing with your armor while the real men of Ilium die by the hundred, while the enemy surges around the citadel and fills our ears with his foreign battle cries? Get up, you goddamn deserter. Get up before Troy is burned to cinders around your cowardly ass!”
Instead of leaping to his feet in indignation, the royal Paris just smiled. “Ah, Hector, I deserve your curses. Nothing you say is unjust.”
“Then get off your butt and into that armor,” Hector said brusquely, but the fury in his tone had suddenly died away, either robbed of force by fatigue or by Paris’s calm refusal to defend himself.
“I will,” said Paris, “but first hear me out. Let me tell you something.”
Hector remained silent, swaying slightly on his sandaled feet. He was carrying his crested helmet under his left arm and had an extra-long throwing spear, borrowed from the sergeant of our small guard, gripped in his right hand. Now Hector used the butt of that spear to steady himself.
“I’m not keeping to my chambers for so long just out of anger or outrage,” said Paris, gesturing toward Helen and her servants as if they were part of th
e furniture. “But out of grief.”
“Grief?” repeated Hector. He sounded contemptuous.
“Grief,” Paris said again. “Grief at my own cowardice today—although it was the gods who carried me away from battle with Menelaus, not my own will—and grief at the fate of our city.”
“That fate isn’t written in stone,” snapped Hector. “We can stop Diomedes and his battle-maddened minions. Put on your armor. Come back to the battle with me. There’s another hour of daylight left. We can kill many Greeks in the bloody light of the setting sun and more in the cool twilight.”
Paris smiled at this and stood. “You’re right. Battle now strikes even me—the world’s greatest lover, not its greatest fighter—as the better way. Fate and victory shift, you know, Hector—now this way, now that way—like a line of unarmored men under a hail of enemy arrows.”
Hector put on his helmet and waited, silent, obviously not trusting Paris’s promise to join the fighting.
“You go on,” said Paris. “I have to don all this war gear. You go on, I’ll catch you up.”
Hector remained silent at this, still not willing to leave without Paris, but beautiful Helen—and she was beautiful—rose from her chair and crossed the marble floor to touch Hector’s blood-streaked forearm. Her sandals made soft sounds on the cool marble.
“My dear friend,” she said, her voice quavering with emotion, “my dear brother, dear to me—bitch that I am, vicious, scheming cunt that I am, a female horror to freeze the blood—oh, how I wish my mother had drowned me in the dark Ionian Sea the day I was born rather than be the cause of all this.” She broke down, removed her hand from Hector, and began weeping.
The noble Hector blinked at this, raised his free hand as if to touch her hair, quickly drew back his hand, and cleared his throat in embarrassment. Like so many heroes, the great Hector was awkward with women other than his wife. Before he could speak, Helen went on—still weeping, hiccuping words between racking sobs.
“Or, Noble Hector, if the gods have truly ordained all these terrible years of bloodshed for me, I wish I had been the wife of a better man—a fighter rather than a lover, a man with a will to do more for his city than take his wife to bed in the long afternoon of his city’s doom.”
Paris took a half step toward Helen then, as if to slap her, but her proximity to the tall Hector held him back. We foot soldiers near the wall stared at nothing and pretended we had no ears.
Helen looked at Paris. Her eyes were red and brimming. She still spoke to Hector as if Paris—her kidnapper and putative second husband—was not in the room. “This . . . one . . . has earned the scalding scorn of real men. He has no steadiness of spirit, no grit. Not now, not . . . ever.”
Paris blinked and a flush rose into his cheeks as if he had been slapped.
“But he’ll reap the fruits of his cowardice, Hector,” continued Helen, literally spitting out the words now, her saliva striking the marble floor. “I swear to you that he will reap the fruits of his weakness. By the gods, I swear this.”
Paris stalked out of the room.
Helen turned to the standing, grime-streaked warrior. “But come to the couch and rest next to me, dear brother. You are the one hit hardest by all this fighting—and all for me, Hector, whore that I am.” She sat on the cushioned couch and patted a place next to her. “The two of us are bound together in this fate, Hector. Zeus planted the seed of a million deaths, of the doom of our age, in each of our breasts. My dear Hector. We are mortals. We will both die. But you and I will live for a thousand generations in song . . .”
As if unwilling to hear more, Hector turned on his heel and left the room, donning his tall helmet so that it flashed in the low-slanting rays of the evening sun.
Looking one last time at Helen as she sat, head bowed, on the cushioned bench, noting her perfect pale arms and the softness of her breasts visible in her thin gown, I lifted my spear—the scout Dolon’s spear—and followed Hector and his other three loyal spearmen.
This is important that I tell it like this. Helen stirs, whispers my name, but goes back to sleep. My name. She whispers, “Hock-en-bear-eeee,” and it as if I have been speared through the heart.
And now, lying next to the most beautiful woman in the ancient world, perhaps the most beautiful woman in history—or at least the one woman who has caused the greatest number of men to die in her name—I remember more about my life. About my former life. About my real life.
I was married. My wife’s name was Susan. We met as undergraduates at Boston College, married shortly after graduation. Susan was a high school counselor but rarely worked after we moved to Indiana where I began teaching classics at Indiana University in 1972. We had no children, but not for want of trying. Susan was alive when I grew ill from liver cancer and went into the hospital.
Why in God’s name am I remembering this now? After nine years of almost no personal memories, why remember Susan now? Why be slashed and cursed by the jagged shards of my former life now?
I don’t believe in God with a capital G and, despite their obvious solidity, I don’t believe in the gods with their small g’s. Not as real forces in the universe. But I believe in the bitch-goddess Irony. She crosses all time. She rules men and gods and God alike.
And She has a wicked sense of humor.
Like Romeo lying next to Juliet, I hear the thunder move toward us from the southwest, the sound echoing in the courtyard, the leading wind stirring the curtains on the terraces on both sides of the large bedroom. Helen stirs but does not wake. Not yet.
I close my eyes and pretend to sleep a few more minutes. My eyes feel gritty, as if I have sand under my eyelids. I’m getting too old to stay awake so long, especially after making love three times to the most beautiful and sensual woman in the world.
After leaving Helen and Paris, we followed Hector to his home. The hero who had almost never run from a fight in his life was running from the temptation Helen had offered—running home to his wife Andromache and their one-year-old son.
In all my nine years of observing and hanging around Ilium, I had never spoken to Hector’s wife, but I knew her story. Everyone in Ilium knew her story.
Andromache was beautiful in her own right—no comparison to Helen or the goddesses, it was true, but beautiful in her own more human way—and she was royalty as well. She came from the Trojan area known as Cilicia in Thebes, and her father was the local king, Eetion, admired by most, respected by all. Their small palace was on the lower slopes of Mount Placos in a forest famous for its timber; the great Scaean Gates of Ilium were built from Cilician timber, as were the siege-engine towers sitting on their wheels behind Greek lines less than two miles away.
Achilles had killed her father, cutting Eetion down in combat when the swift-footed Achaean man-killer had led his men against the outlying Trojan cities shortly after the Greeks had landed. Andromache had seven brothers—none of them fighters, but sheepherders and tenders of oxen—and Achilles had killed them on that same day, finding them in the fields and chasing them down to their death in the rocky hills below the forest. Achilles’ plan was obviously to leave no male vestige of the Cilician royal family alive. That night, Achilles had his men dress Eetion’s body in war-bronze and he burned the corpse with respect, heaping a grave-mound above the old king’s ashes. But Andromache’s brothers’ bodies lay untended in the fields and woods, food for wolves.
Rich with the plunder of a dozen cities, Achilles still demanded a literal king’s ransom for Eetion’s queen—Andromache’s mother—and he had received it. Ilium was still rich then, and free to bargain with its invaders.
Andromache’s mother had returned home to the halls of their empty palace in Cilicia and there—according to Andromache’s frequent telling of her woeful tale—“Artemis, in a shower of arrows, shot her down.”
Well, in a way.
Artemis, daughter of Zeus and Leto and sister of Apollo, is the goddess of the hunt—I saw her on Olympos only yesterday—but she
is also the goddess presiding over childbirth. At one point in the Iliad, an infuriated Apollo flung shouts at his sister, in front of their father Zeus—“He lets you kill off mothers in their labor”—meaning that Artemis is responsible for dispensing death in childbirth as well as for serving as the divine midwife to mortal women.
Andromache’s mother died nine months after being taken hostage by Achilles on the day Eetion, Andromache’s father, was killed. Andromache’s mother died in childbirth, attempting to bring her husband’s killer’s child into the world.
Tell me that the bitch-goddess Irony doesn’t rule the world.
Andromache and their baby were not at home. Hector rushed from room to room in the house, the four of us spearmen holding back, watching the entrance but not interfering. The hero was obviously worried and showed more visible anxiety that I had ever seen him show on the battlefield. Back at the doorway, he stopped two servant women coming in.
“Where’s Andromache? Has she gone to the Temple of Athena with the other noble wives? To my sister’s house? To see my brother’s wives?”
“Our mistress has gone to the wall, master,” said the oldest of the servants. “All of the Trojan women have heard of the day’s terrible fighting, of Diomedes’ wrath and the turn of fortune against the sons of Ilium. You wife has gone to the huge gate-tower of Troy to see what she can see, to learn if her master and husband still lives. She ran like a madwoman, Master, with the nurse running along behind, carrying your child.”
We could hardly keep up with Hector as he ran to the Scaean Gates, and I realized a block from the wall that I shouldn’t stay with him. This event—the meeting of Hector and Andromache on the ramparts—was too important. Too many gods would be viewing it. The Muse might well be there, hunting for me.
Several hundred yards from the Gates, I dropped away from the loping spearmen and fell into a crowd on a side street. The shadows were deep now, the air cooling, but the topless towers of Ilium were still lighted by the red sun setting in the west.