But first, they had to account for everyone here at Steepfall, in order to delay pursuit. And it was proving absurdly difficult.
Elton made Ned lie on the floor, then tied him up. Ned was quiet but watchful. Nigel tied Tom, who was still sniveling. When Elton opened the pantry door to put them inside, Kit saw to his surprise that the prisoners had managed to remove their gags.
Olga spoke first. "Please, let Hugo out of here," she said. "He's badly injured and he's so cold. I'm afraid he'll die. Just let him lie on the floor in the kitchen, where it's warm."
Kit shook his head in amazement. Olga's loyalty to her unfaithful husband was incomprehensible.
Nigel said, "He shouldn't have punched me in the face."
Elton pushed Ned and Tom into the pantry with the others.
Olga said, "Please, I'm begging you!"
Elton closed the door.
Kit put Hugo out of his mind. "We've got to find Toni Gallo, she's the dangerous one."
Nigel said, "Where do you think she is?"
"Well, she's not in the house, not in the cottage because Elton's just searched it, and not in the garage because Daisy's just been there. So either she's out of doors, where she won't last long without a coat, or she's in the barn."
"All right," Elton said. "I'll go to the barn."
***
TONI was looking out of the barn window.
She had now identified three of the four people who had raided the Kremlin. One was Kit, of course. He would have been the planner, the one who told them how to defeat the security system. There was the woman whom Kit had called Daisy--an ironic nickname, presumably, for someone whose appearance would give a vampire a fright. A few minutes ago, in the prelude to the fracas in the courtyard, Daisy had addressed the young black man as Elton, which might be a first name or a surname. Toni had not yet seen the fourth, but she knew that his name was Nigel, for Kit had shouted to him in the hall.
She was half-scared and half-thrilled. Scared, because they were clearly tough professional criminals who would kill her if necessary, and because they had the virus. Thrilled, because she was tough, too, and she had a chance to redeem herself by catching them.
But how? The best plan would be to get help, but she had no phone and no car. The house phones had been cut off, presumably by the gang. No doubt they had also grabbed any mobile phones lying around. What about cars? Toni had seen two parked in front of the house, and there must be at least one more in the garage, but she had no idea where the keys were.
That meant she had to capture the thieves on her own.
She thought about the scene she had witnessed in the courtyard. Daisy and Elton were rounding up the family. But Sophie, the tarty kid, had escaped, and Daisy had gone after her. Toni had heard distant noises from beyond the garage--a car engine, breaking glass, and gunfire--but she could not see what was going on, and she hesitated to expose herself by going to investigate. If she let herself get captured, all hope was lost.
She wondered if anyone else was at liberty. The gang must be in a hurry to get going, for their rendezvous was at ten o'clock, but they would want to account for everyone before leaving, so that no one could call the police. Perhaps they would begin to panic and make mistakes.
Toni fervently hoped so. The odds against her were fearsome. She could not cope with all four villains at once. Three of them were armed--with thirteen-shot Browning automatic pistols, according to Steve. Her only chance would be to pick them off one by one.
Where should she start? At some point she had to enter the main house. At least she knew the layout--fortuitously, she had been shown around yesterday. But she did not know where in the house everyone was, and she was reluctant to jump into the dark. She was desperate for more information.
As she was racking her brains, she lost the initiative. Elton emerged from the house and came across the courtyard toward the barn.
He was younger than Toni, probably twenty-five. He was tall and looked fit. In his right hand he carried a pistol, pointed down at the ground. Although Toni was trained in combat, she knew he would be a formidable adversary even without the gun. If possible, she had to avoid getting into a hand-to-hand fight with him.
She wondered fearfully if she could hide. She looked around the barn. No hiding place suggested itself. Besides, there was no point. She had to confront the gang, she thought grimly, and the sooner the better. This one was coming for her on his own, apparently confident he would not need help dealing with a mere woman. Perhaps that would turn out to be his crucial mistake.
Unfortunately, Toni had no weapons.
She had a few seconds to find some. She looked hurriedly at the things around her. She considered a billiard cue, but it was too light. A blow from one would hurt like hell, but would not render a man unconscious, or even knock him down.
Billiard balls were much more dangerous: heavy, solid, and hard. She stuffed two into her jeans pockets.
She wished she had a gun.
She glanced up at the hayloft. Height was always an advantage. She scrambled up the ladder. Caroline was fast asleep. On the floor between the two beds was an open suitcase. On top of the clothes was a plastic shopping bag. Next to the case was a cage of white rats.
The barn door opened, and Toni dropped to the floor and lay flat. There was a fumbling sound, then the main lights came on. Toni could not see the ground floor from her prone position, so she did not know exactly where Elton was; but he could not see her, either, and she had the advantage of knowing he was there.
She listened hard, trying to hear his footsteps over the thunder of her heart. There was an odd noise that she interpreted, after a few moments' puzzlement, as Elton overturning the camp beds in case a child was hiding underneath. Then he opened the bathroom door. There was no one inside--Toni had already checked.
There was nowhere left to look but the hayloft. He would be coming up the ladder any second now. What could she do?
Toni heard the unpleasant squeak of rats, and was struck by inspiration. Still lying flat, she took the shopping bag from the open suitcase and removed its contents, a gift-wrapped package labeled "To Daddy, Happy Xmas from Sophie with love." She dropped the package back in the suitcase. Then she opened the rats' cage.
Gently, she picked the rats up one by one and put them in the plastic bag. There were five.
She felt an ominous vibration in the floor that told her Elton had started to climb the ladder.
It was now or never. She reached forward with both arms and emptied the bag of rats over the top of the ladder.
She heard Elton give a roar of shock and disgust as five live rats dropped on his head.
His shout woke Caroline, who let out a squeal and sat upright.
There was a crash as Elton lost his footing on the ladder and fell to the floor.
Toni sprang to her feet and looked down. Elton had fallen on his back. He did not seem seriously hurt, but he was yelling in panic and frantically trying to brush rats off his clothing. They were as frightened as he, and trying desperately to cling to something.
Toni could not see his gun.
She hesitated only a fraction of a second, then jumped off the loft.
She came down with both feet on Elton's chest. He gave an agonized grunt as the air was knocked out of him. Toni landed like a gymnast, rolling forward, but still the impact hurt her legs.
From above, she heard a scream: "My babies!" Looking up, she saw Caroline at the top of the ladder, wearing lavender pajamas with a pattern of yellow teddy bears. Toni felt sure she must have squashed one or two of Caroline's pets as she landed, but the rats scattered, apparently unhurt.
Desperate to keep the upper hand, Toni struggled to her feet. One ankle gave her a stab of pain, but she ignored it.
Where was the gun? He must have dropped it.
Elton was hurt, but perhaps not immobilized. She fumbled in her jeans for a billiard ball, but it slipped through her fingers as she tried to pull it out of her pocket.
She suffered a moment of pure terror, a feeling that her body would not obey her brain and she was completely helpless. Then she used both hands, one to push from outside her pocket and the other to grasp the ball as it emerged.
But the momentary delay had allowed Elton to recover from the shock of the rats. As Toni raised her right hand above her head, he rolled away from her. Instead of bringing the heavy ball down on his head in the hope of knocking him senseless, she was forced to change her mind at the last instant and throw it at him.
It was not a forceful throw, and in some part of her brain she heard her ex, Frank, say scornfully, You couldn't throw a ball if your life depended on it. Now her life did depend on it, and Frank was right--the throw was too weak. She hit the target, and there was an audible thud as the billiard ball connected with Elton's skull, causing him to roar in pain; but he did not slump unconscious. Instead he got to his knees, holding his bruised head with one hand, then struggled to his feet.
Toni took out the second ball.
Elton looked at the floor all around him, searching in a dazed way for his gun.
Caroline had climbed halfway down the ladder, and now she leaped to the floor. She stooped and grabbed one of the rats that was hiding behind a leg of the billiard table. Turning to pick up another, she collided with Elton. He mistook her for his adversary, and punched her. It was a powerful blow that connected with the side of her head, and she fell to the floor. But it hurt him, too, for Toni saw him grimace in agony and wrap his arms around his chest, and she guessed she had broken some ribs when she jumped on him.
Something had caught Toni's eye as Caroline had reached under the billiard table for a rat. Toni looked again and saw the gun, dull gray against the dark wood of the floor.
Elton saw it at the same time. He dropped to his knees.
As Elton reached under the table, she raised her arm high above her head and brought the ball down with all her might, squarely on the back of his head. He slumped unconscious.
Toni fell to her knees, physically exhausted and emotionally drained. She closed her eyes for a moment, but there was too much to do for her to rest long. She picked up the gun. Steve had been right, it was a Browning automatic pistol of the kind issued by the British army to special forces for clandestine work. The safety catch was on the left side, behind the grip. She turned it to the locked position, then stuffed the gun in the waist of her jeans.
She unplugged the television and ripped the cable out of the back of the set, then used it to tie Elton's hands behind his back.
Then she searched him, looking for a phone; but, to her intense disappointment, he did not have one.
8:30 A.M.
IT took Craig a long time to work up the courage to look again at the motionless form of Daisy.
The sight of her mangled body, even viewed from a distance, had made him throw up. When there was nothing left in him to come out, he had tried to clean his mouth with handfuls of fresh snow. Then Sophie came to him and put her arms around his waist, and he hugged her, keeping his back to Daisy. They had stood like that until at last the nausea passed and he felt able to turn and see what he had done.
Sophie said, "What are we going to do now?"
Craig swallowed. It was not over yet. Daisy was only one of three thugs--and then there was Uncle Kit. "We'd better take her gun," he said.
Her expression told him she hated that idea. She said, "Do you know how to use it?"
"How hard can it be?"
She looked unhappy, but just said, "Whatever."
Craig hesitated a moment longer; then he took her hand and they walked toward the body.
Daisy was lying face down, her arms beneath her. Although she had tried to kill Craig, he still found it horrible to look at a human being so mangled. The legs were the worst. Her leather trousers had been ripped to shreds. One leg was twisted unnaturally and the other was gashed and bloody. The leather jacket seemed to have protected her arms and body, but her shaved head was covered with blood. Her face was hidden, buried in the snow.
They stopped six feet away. "I can't see the gun," Craig said. "It must be underneath her."
They stepped closer. Sophie said, "I've never seen a dead person."
"I saw Mamma Marta in the funeral parlor."
"I want to see her face." Letting go of Craig's hand, Sophie went down on one knee and reached out to the bloodstained body.
Quick as a snake, Daisy lifted her head, grabbed Sophie's wrist, and brought her right hand out from under her with the gun in it.
Sophie screamed in terror.
Craig felt as if he had been struck by lightning. He shouted: "Christ!" and jumped back.
Daisy jammed the snout of the little gray pistol into the soft skin of Sophie's throat. "Stand still, laddie!" she yelled.
Craig froze.
Daisy wore a cap of blood. One ear was almost completely ripped from her head and hung grotesquely by a narrow strip of skin. But her face was unmarked, and now showed an expression of pure hatred. "For what you've done to me, I should shoot her in the belly and let you watch her bleed to death, screaming in agony."
Craig shook with horror.
"But I need your help," Daisy went on. "If you want to save your little girlfriend's life, just do everything I tell you, instantly. Hesitate, and she dies."
Craig felt she really meant it.
"Get over here," she said.
He had no choice. He stepped closer.
"Kneel down."
Craig knelt beside her.
She turned her hateful eyes on Sophie. "Now, you little whore, I'm going to let go of your arm, but don't you try to move away, or I'll shoot you, and enjoy it." She took her left hand off Sophie's arm, but kept the gun pushed into the flesh of Sophie's neck. Then she put her left arm around Craig's shoulders. "Hold my wrist, lad," she said.
Craig grasped Daisy's wrist as it dangled over his shoulder.
"You, lassie, get under my right arm."
Sophie changed her position slowly, and Daisy put her right arm over Sophie's shoulders, managing all the time to keep the gun pointed at Sophie's head.
"Now, you're going to lift me up and carry me to the house. But do it gently. I think I've got a broken leg. If you jog me it might hurt, and if I flinch I might accidentally pull the trigger. So, easy does it . . . and lift."
Craig tightened his grip on Daisy's wrist and raised himself from the kneeling position. To ease the burden on Sophie, he put his right arm around Daisy's waist and took some of her weight. The three of them slowly stood upright.
Daisy was gasping with pain, and as pale as the snow on the ground all around them; but, when Craig looked sideways and caught her eye, he saw that she was watching him intently.
When they were upright, Daisy said, "Forward, slowly."
They walked forward, Daisy dragging her legs.
"I bet you two were hidden away somewhere all night," she said. "What were you up to, eh?"
Craig said nothing. He could hardly believe that she had enough breath and malice left to rail at them.
"Tell me, laddie," she jeered. "Did you put your finger in her little pussy, eh? You dirty little bastard, I bet you did."
Craig felt dirty when she talked like that. She was able to sully an experience that had been carefree. He hated her for spoiling his memory. He longed to drop her on the ground, but he felt sure she would pull the trigger.
"Wait," she said. "Stop." They halted, and she put some of her weight on her left leg, the one that was not twisted.
Craig looked at her terrible face. Her black-lined eyes were closed in pain. She said, "We'll just rest here for a minute, then we'll go on."
***
TONI stepped out of the barn. Now she could be seen. By her calculations, there were two of the gang in the house--Nigel and Kit--and either of them might look out of a window at any moment. But she had to take the risk. Listening for the shot that would kill her, she walked as fast as she could, pushing through the snow, to t
he guest cottage. She reached it without incident and dodged around the corner of the building, out of sight.
She had left Caroline searching tearfully for her pet rats. Elton was trussed up under the billiard table, blindfolded and gagged to make sure that when he came round he could not talk dopey Caroline into untying him.
Toni circled the cottage and approached the main house from the side. The back door stood open, but she did not go in. She needed to reconnoiter. She crept along the back of the building and peeped in at the first window.
She was looking into the pantry. Six people were crammed in there, bound hand and foot but standing: Olga; Hugo, who seemed to be naked; Miranda; her son Tom; Ned; and Stanley. A wave of happiness washed over Toni when she saw Stanley. She realized she had feared, in the back of her mind, that he might be dead. She caught her breath when she saw his bruised and bloody face. Then he spotted her, and his eyes widened with surprise and pleasure. He did not appear to be seriously wounded, she saw with relief. He opened his mouth to speak. Quickly, Toni raised a finger to her lips for silence. Stanley closed his mouth and nodded understanding.
Toni moved to the next window and looked into the kitchen. Two men sat with their backs to the window. One was Kit. Toni felt a surge of pity for Stanley, having a son who would do something like this to his family. The other man wore a pink sweater. He must be the one Kit had called Nigel. They were looking at a small television set, watching the news. The screen showed a snowplow clearing a motorway in the light of early morning.
Toni chewed her lip, thinking. She had a gun now but, even so, it could be difficult to control the two of them. But she had no choice.
As she hesitated, Kit stood up, and she quickly ducked back out of sight.
8:45 A.M.
NIGEL said, "That's it. They're clearing the roads. We have to go now."
"I'm worried about Toni Gallo," Kit said.
"Too bad. If we wait any longer, we'll miss the rendezvous."
Kit looked at his watch. Nigel was right. "Shit," he said.
"We'll take that Mercedes outside. Go and find the keys."
Kit left the kitchen and ran upstairs. In Olga's bedroom, he pulled out the drawers of both bedside tables without finding any keys. He picked up Hugo's suitcase and emptied the contents onto the floor, but nothing jingled. Breathing hard, he did the same with Olga's case. Then he spotted Hugo's blazer draped over the back of a chair. He found the Mercedes keys in the pocket.