THE COMTE'S laboratory was a blackened shambles. Chang stood in the doorway, attempting to remember the room as it had been, the better to discern the intentions of whoever had set the fire. That it was deliberate he had no question, and from the density of the reek he knew it had occurred within the last few days. He stepped over a fallen beam and the half-charred remnants of a wooden chair. To the left had been the Comte's laboratory proper. This had been the center of the fire (not surprising, given the density of volatile chemicals), and the balcony above it was completely consumed, the stone walls behind scorched to the cracked and blackened ceiling. Books had been pulled from the walls and hurled into the flames, along with the Comte's implements, now reduced to twisted lumps of metal sticking up from the ashes. Indeed, it seemed like every sign of the Comte d'Orkancz's work had been purposefully destroyed—except…
Chang's eyes went to the walls, where the Annunciation had been hung. This was an enormous canvas cut into thirteen parts, portraying the Comte's blasphemous interpretation of Mary's visitation from the angel (whose skin was a tell-tale blue). Seen in isolated fragments, the painting's lurid sexual intent might not have been immediately apparent, but with the slightest study the nasty amusement infusing the artist's composition was both obvious and appalling. But most importantly, the rear of each canvas had been covered with alchemical formulae—explaining, if one knew how to read the Comte's symbolic codes, vital secrets about the properties of indigo clay. That these too had been destroyed…
Chang frowned, comparing the scorch marks on that part of the wall with the rest of the room—there was no difference at all. If the thirteen paintings had burned, the chemicals embedded in the paint should have marked the walls with the same livid whorls of burnt color scored across the marble worktop. He took another few steps, wondering if the paintings had simply been taken from the walls and thrown into the fire directly—it was possible, to be sure… but was it also possible they had been saved? It all depended on who had set the blaze and why. Chang took another step, and a curl of glass popped to pieces beneath his boot.
The skin at the back of his neck suddenly went cold. The floor was littered with glass—broken, blackened, but still glinting blue… Angelique.
Chang knelt despite himself, setting his stick on the floor, and reached out a gloved hand, touching the pieces—faceted pebbles, with one or two long, curving fragments—with just the tips of his fingers, gently, as if he were tracing them across her skin.
In the corridor were footsteps and he spun on his heels, one hand snapping up the stick and the other—the most natural and yet the stupidest impulse in the world—stabbing down at the floor to maintain his balance. Chang felt the sharp pain in his palm, just as the black cloak of Francis Xonck flitted past the doorway. But then Xonck was forgotten, for when the blue glass shard penetrated his flesh, Chang's mind was suddenly swallowed up… with hers.
ANGELIQUE STOOD in her small room at the Old Palace brothel, wearing a pale silk robe, her hair hanging wet and fragrant with sandal-wood—Chang knew the smell only because she herself had taken such pleasure in it, but he experienced it now, the sensation of scent, in his mind, with a deranging vividness well beyond him in life—facing an open cabinet set with five empty shelves. On a chair next to her and on the small pallet bed were piles of clothing, dresses and robes and underthings and shoes, and then a small carved wooden box, cheaply bought from the markets near St. Isobel's. From her memory he knew the box contained every bit of meager jewelry that she owned. As she looked at the empty shelves, Chang felt from Angelique such a surge of pleasure—of arrival, of security, of an answer so gratefully received to a question Chang himself had never wanted to ask—and he realized that this was her first-ever room of her own, where her things would not be stolen, where she might put a printed postcard or a picture cut from a colored newspaper on the wall without it disappearing the next day—and her happiness, to begin to place her clothing in the cabinet, rejoicing in the extent of her possessions, shifting each piece with delight from shelf to shelf just to stretch out the task, beaming with pleasure at her escape from the degradations of the brothels that had so far been her life, chuckling with anticipation at the advantages she was sure to find, at the mere prospect of—
CHANG WRENCHED the shard from his palm and threw it into the wreckage, tearing the glove from his stricken hand, his concentration desperately held in the face of the continuing—a pulsing echo even after the glass was gone—repetition of Angelique's captured happiness pressing inescapably at his brain. The glove came off at last and he saw his palm starred with blue glass—newly made from contact with his own blood, a fat, flattened, still-biting spider—his fingers clutching at its impossibly cold burn. Thankful it had gone into his left hand, Chang pulled the razor from his pocket and flicked it open. With an excruciating burst of pain he sliced under the glass and then, blood pooling brightly beneath the blade, did his best to pry it up. For a moment it would not come, pulling cruelly. Chang bit his lip, digging deeper with the razor. The spiked lozenge of glass flipped free, leaving his palm a raw, seething mess. Chang swore aloud. He wrapped a handkerchief tight around the wound, pulling the knot with his teeth. He snatched up his stick and stumbled after Xonck—how much time had he lost? Chang reeled like a drunkard but kept going, the smell of her hair in his mind like a poison.
He burst back onto the main floor, past the unmoving elderly servant, striding too recklessly toward the center of the house. Ahead of him were jostling footsteps, voices, a crowd of people—Aspiche and his Dragoons? No, it was a gang of servants from Harschmort, all in Vandaariff's black livery, rushing ahead of him into the ballroom. Chang felt a spur of curiosity—it was easier than thinking—and followed. Someone shouted over the tumble of voices—a man just come in from the French doors. Chang could not see him, but his voice was loud and very angry.
“Let me have it!” the man cried. “There is no time!”
“But it is mine!” protested the servant.
“There is no time!” the man cried again, and lunged—Chang could tell from the sudden swirl of bodies—wrestling desperately for whatever it was he sought.
Without warning, the memory of Angelique in her room rose to swallow him once more. Again he was in her body, but this time more deeply, feeling so intimately the strength of her limbs, the weight of them, the particular distribution of female flesh, the pins in her hair, and all of it infused with her happiness.
He shook his head like a dog, keeping his glasses in place with his bandaged hand, wondering what had set off the spell—a perfume, the sight of an open cabinet? He had pried the glass out of his hand—the memory ought to be gone! And yet he could sense it still, gliding beneath the surface of his thoughts like a pike-fish in a pond, waiting to sink its sweet teeth into his scarcely coherent will. He snapped his eyes to the open French door and the suddenly motionless crowd of servants.
From the garden came a pistol shot, and then a hideous scream.
HE SHOULDERED his way into the garden. A second, more terrible fire had caused the ornamental garden to collapse in on the cathedral chamber below, leaving a massive ruined pit from which fumes and foul vapors continued to rise. Near to the edge, grappling like unnatural statues amidst the scorched greenery, were Francis Xonck and Mrs. Marchmoor. Xonck writhed against the glass woman's hand, two fingers of which were buried in his chest like a dagger. On the grass lay two men: one by his iron-grey hair and blue sash Chang knew as the Duke of Stäelmaere; the other, his head bloodied, looked like a Ministry peon. Directly in front of Chang but facing the garden stood a second Ministry official, a smoking pistol extended in his hand. But the man hesitated to shoot again, for Mrs. Marchmoor and Francis Xonck were still entwined.
Chang had no such scruples. He stabbed the tip of his stick hard into the Ministry man's right kidney, deftly snatched the pistol as the man arched his back in pain, and then kicked the back of the fellow's knee, dropping him to the grass. Chang strode toward the
conjoined pair of his enemies and fired, the pistol kicking at his grip. The bullet flew between them—it was not his weapon, or perhaps he could not choose which of the two he more wanted to kill—and cut across Margaret Hooke's wrist, chipping the glass and sending a single pale fissure forward into her hand. Xonck grunted with pain and twisted, exerting pressure on the damaged hand. As Chang aimed again, her wrist began to give, puffs of blue smoke rising out from the cracks. Xonck hurled himself away, screaming with agony, and the hand sheared off, its jagged stump sparking glass chips like the spout of a spitting kettle.
Chang staggered, as if he had borne the great blast of a silent explosion. He looked behind him. The servants of Harschmort had as one collapsed to their hands and knees, holding their heads in pain. He could not hear. He looked back to Mrs. Marchmoor, waving her broken limb like a smoking branch, staggering. Xonck was on his back, pulling at the shattered fingers still penetrating his chest. How had the silent explosion of Margaret Hooke's anguish left him standing while flattening everyone else?
Chang raised the pistol for another shot. Angelique… He felt the rising sensation of her flesh once more, in every limb—he shook his head, it was no time—it was never time, was not right, could not be borne, how could she be in him when he knew she had not cared? He blinked his eyes—he could not free his mind—he could not see—he fired blindly at the woman, then just as recklessly at Xonck. Angelique would not leave him. Chang thrashed like a bull beset with stinging bees, except the bees were all beneath his skin. He moaned at the complete idiocy of his predicament, even as he sank helpless to his knees, and his mind surrendered to the feel of silk pyjamas.
Six
Canal
DOCTOR SVENSON stared at the purple stone in the trainsman's open palm for three seconds, just long enough for the men encircling him to take in his silence and the stricken pallor of his face, before reaching to take it with his left hand, his right occupied with Mr. Potts' revolver. The man who had spoken still indicated with an extended arm the first compartment car of the train. Without a word Svenson walked toward it, his pace quickening. He was up the five iron stairs in two steps, and then, far too soon it seemed, standing at the compartment's open door.
Elöise lay in her black dress, with one arm pinned beneath her and the other awkwardly splayed above her head. Svenson set the revolver on the nearest seat and sank to his knees, whispering her name. Be hind in the corridor came shuffling bootsteps. Svenson turned, aware that his face was flushed and that his voice held firm by the scarcest margin.
“Send men to search! The killers! They could still be anywhere!” Svenson shifted forward, stuffing the purple stone into the pocket of his trousers, again whispering her name as if it were a spell. He placed two fingers against the pulse in her throat. Her flesh was still warm… but cooling… he felt nothing… but then—some birdlike tremor, was it possible? No, his own hands were shaking—he was unable to perform a simple examination, nerves of an untempered student. If he had only been here sooner, even a few minutes! His boots ground unpleasantly against the floor. He looked down and saw glittering dust—a scattering of shattered blue glass across the polished wood.
Francis Xonck. If Svenson had not been such a helpless wretch at the mining camp—if it had been Chang instead of him—Elöise might still be living.
He delicately rolled her onto her back, wincing at the lifeless loll of her head—at the base of her sternum, a dark circle, smaller than his monocle, soaking the black fabric and catching the lantern light… blood. The relatively small amount spoke to a deep, suddenly mortal wound. He touched the stain with a finger to judge how long ago it had occurred.
The stain was solid and clicked against his nail, like a shining black coin set into the cloth. It was glass.
“A knife—sharp as you have—at once!”
He snapped his fingers as the men hurriedly patted their pockets, aware he was again burying heartbreak under a shovelful of useless effort. He looked down at Elöise's impossibly pale face…
Doctor Svenson's breath stopped. Was it only the light? At once he feverishly dug into his coat. A man stepped forward with a knife.
“Not now—not now!” he cried, and pulled free his silver cigarette case.
He rubbed the shining surface violently across his trouser-leg and leaned forward, cradling her head and holding the polished metal directly before her parted lips. He waited… waited… bit his lip hard enough to draw blood… and then felt a surge of desperate joy as the surface fogged ever so delicately, an infinitesimal pearling.
“This woman is alive!” he cried. “Hot water! Clean linen—whatever you have! At once!”
Svenson thrashed out of the horrible stiff coat. He snapped his fingers again at the man with the knife, and snatched it away—an old penknife, its thin blade nothing near sharp enough. He put a hand again to Elöise's throat and then her forehead, which was cold and moist, and unbuttoned the black dress to either side of the tight glass disk, which seemed fixed through to her skin. Svenson carefully plucked up the dress and sawed a quick circle around the glass. The wound was just at the lowest joint of her rib cage. Had the cartilage shattered Xonck's glass stiletto, or had the blade thrust past, penetrating her vital organs? That would be an injury he could scarcely address with a fully equipped surgical theatre.
He gently palpated the paper-white skin around the dark lozenge, seeking the submerged hardness of a deeper plume of glass. The skin was colder around the wound. Her lips had darkened in the seconds she'd been on her back. Svenson turned savagely to the men clustered at the door.
“Where is the water? She will die without it!”
A man in a blue uniform edged toward Svenson and cleared his throat. “The train, sir… the schedule—”
“I do not give a damn for your schedule!” cried Svenson.
A ring of blued flesh was spreading before his eyes across Elöise's abdomen. He could not wait for the water. He pulled the skin taut with the fingers of his left hand and edged the knife beneath the disk of glass. A sharp chop and the glass came free, leaving only a few splintered chips. Elöise gasped, but when he glanced to her face she was no closer to her senses. What was more, part of the wound had coagulated at once back into glass. The remaining hole was small, perhaps a half inch wide—but how deep did it go? How could he dig without any way to control the bleeding? Would more bleeding simply transform into more blue glass and make things worse? Svenson was sure it was the toxic quality of the glass itself, more than the puncture, that was killing her. He thought back to Chang's damaged lungs. The orange liquid—if only he had some now!—had dissolved the glass Chang had inhaled, allowing him to spit it up like the gelatinous detritus of any chest cold, removing it in a way surgery never could have. And once it was done the man had regained his strength with striking rapidity.
But Svenson had no orange liquid. There was nothing else for it. He inserted the knife blade into the wound—and then cursed out loud in German as the entire compartment lurched around him. The train was moving.
“God damn!” he cried to the men in the doorway. “What is this idiocy?”
“It is the schedule,” protested the uniformed conductor. “I have tried to explain—”
“She will die!” barked Svenson.
None of the clustered men spoke, stepping away as the conductor appeared in the doorway.
“I hope the lady will not. And I am happy to postpone any questions of payment… of your fares … until… ah… we know if there will be—that is—one or two of you.”
Svenson glared at the man, thought better of anything he could possibly say, and spun back to Elöise, painfully aware of the tiny shakes now wracking her body. He parted the wound again, his own fingers unsteady, the edge of the glass flecking new chips into the shimmering tight cavity, as it nicked her flesh. The knife would not work. He set it down and dug in his pocket for a handkerchief, and then wrapped it around his fingers. With a sharp push that sparked another gasp from El
öise, Svenson took hold of the spike and wrenched it out. He folded the handkerchief and held it over the wound—clean flowing blood staining the cloth—and eased it away. The wound was not deep. The glass was gone.
WHEN THE hot water and linen finally arrived, Svenson cleaned and dressed the wound and settled Elöise onto a row of seats. He brooded with a cigarette, watching her face for some sign he could not quite name. Perhaps he simply wanted to know she would survive, so he could leave with a clear conscience, as he had left Miss Temple…
Svenson sat bolt-upright in his seat. What had he been thinking? He was an idiot, a negligent fool—they were miles beyond Karthe with no way to return. Miss Temple must have traveled to Karthe with Elöise… was she marooned at the inn awaiting Elöise's return? Was she dead in the shadows of the train yard, another glass spike in her heart? Was Xonck even then stalking her through the streets, as he had hunted the men of the village?
Svenson stuffed the pistol into his belt, pulling his uniform tunic down to cover the butt. He strode to the front of the train and found the conductor chatting with two men of business, perhaps from the mines. Svenson cleared his throat. The conductor did not respond, but when Svenson cleared his throat more pointedly, the man looked up, wary at what the troubling foreigner might want now, as if delay, disruption, and women mysteriously reclaimed from death were not enough for an evening. With a nod to the two businessmen, he joined Svenson in the corridor.
“Something else?” he asked crisply.
“Is there is another woman on the train?”
“Who requires a rescue?”