• “Toy-eat-toy world.” (Price, 131)

  • “You want to be Mr. Mashed Potato Head?” (Price, 131)

  • “This guy’s a real jerk.” (Isaacson, 287)

  • “Adults are only kids grown up.” Disney Book Group, The Quotable Walt Disney, Disney Editions, 2001, 136.

  • “Create a believable world of dreams that appeals to all age groups.” (Disney, 139)

  • “To find a movie worthy of comparison you have to.” (Price, 152)

  • “A very human wit.” (Price, 152)

  • “I can hardly imagine having more fun at the movies.” (Price, 152)

  • “I would like to establish Pixar as the third.” (Price, 164)

  Some scenes in this chapter were imagined or expanded beyond the basic historical record, including:

  • Many of the exact dates of the scenes are imagined, although we tried to make educated guesses based on the record.

  • Some details in the scene that takes place on April 1, 1976, are imagined.

  • The scene on July 1, 1976, is imagined. Lasseter did work as a guide on the Jungle Cruise, and his jokes in this scene are taken from an interview with him, as well as from jokes traditionally told by Jungle Cruise guides.

  • In the scene that takes place on December 12, 1980, in San Francisco, the dialogue and some of the details are imagined.

  • In the scene on December 12, 1980, in Anaheim, some of the dialogue is imagined, as are some of the details. Richard Coyle is an imagined name and is based on a person—whose name is unknown—that Lasseter said told him, “Just do what you’re told. If you don’t want to do it, there’s a line of people out the door who will take your place.”

  • Ed Boone is imagined.

  • In the scene that takes place on September 16, 1983, many of the details are imagined, as is most of the dialogue, including all of Ron Miller’s dialogue. There are many different perspectives about the pros and cons of Disney’s strategy during the 1980s. We have told the story from the perspective of John Lasseter. Others involved might believe that Lasseter oversimplified what he saw as problems at Disney.

  • In the scene that takes place on May 28, 1985, the dialogue is imagined and the characterization of the differences between Jobs and Sculley has been greatly simplified. Sculley was undoubtedly right about some things, and Jobs was undoubtedly wrong about some things—but this scene is meant to portray their differences from Jobs’s perspective.

  • The scene that takes place on January 30, 1986, is imagined, including the dialogue and some details.

  • In the scene on April 5, 1988, some details and most of the dialogue are imagined, although the final quote (“Make it great, John”) is from the historical record.

  • The scene on May 31, 1990, is imagined, including the dialogue. Unless otherwise noted in the sourcing above, Katzenberg’s dialogue in this chapter is imagined.

  • In the scene that takes place on January 16, 1991, some details are imagined.

  • In the scene that occurs on September 10, 1993, some details and some dialogue are imagined.

  • The scene that takes place on December 1, 1994, is imagined, including the dialogue.

  • Details included in the scene that occurs on July 20, 1995, are imagined. Some dialogue is imagined, while some is based on a statement Sonsini made in a meeting with Pixar executives, as reported in David Price’s The Pixar Touch. Sonsini said, “Look, Steve is not going to take this company public. . . . He cannot take this company public. This company is fifty million dollars in deficit and has no revenue” (Price, 148). Some dialogue by Sonsini in this scene is imagined.

  • In the scene that takes place on November 29, 1995, the dialogue is imagined, though some of it is based on statements Jobs made on other occasions. Some details are also imagined, including the initial skepticism of these particular underwriters about going public. The characterization of their skepticism is based on Price’s statement: “One financial adviser after another told him to forget about it. At the time, the notion of a public stock offering for a company that had never even turned a profit was alien to the thinking of serious investors” (Price, 143).

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  First Threshold Editions/Mercury Radio Arts hardcover edition October 2014

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  Interior design by Robert Ettlin

  Jacket illustration by Joel West

  Author photograph by George Lange

  Library of Congress Cataloging-in-Publication Data

  Beck, Glenn.

   Dreamers and deceivers : true stories of the heroes and villains who made America / Glenn Beck.

    pages  cm

   Summary: “Glenn Beck provides stories of the people who built America and the people who sought to destroy it”—Provided by publisher.

   1. Heroes—United States. 2. Villains in popular culture—United States.  3. United States—Biography. I. Title.

   E176.B384 2014

   305.9'06920973—dc23

  2014032810

  ISBN 978-1-4767-8389-5

  ISBN 978-1-4767-8715-2 (ebook)

 


 

  Glenn Beck, Dreamers and Deceivers

 


 

 
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