I’m about to make my way off the roof when something bright glints from a rooftop. I freeze in my tracks.
Not far from me on a higher building, Commander Jameson crouches on a roof. A chill shakes me from head to toe when I see that she has a gun in her hand. No. No.
She’s picking off Republic soldiers, one bullet at a time. Then, my heart stops as she catches sight of something that piques her interest. She takes aim at a new target on the ground. My eyes follow the line of her gun. And that’s when I see a boy with bright blond hair pushing his way against the stream of the crowd and toward the Bank Tower.
She’s aiming at Day.
TESS GETS EVACUATED FIRST—I SEE HER LIMP FORM BEING carried in the arms of a nurse as they exit the Bank Tower. I take her from the nurse’s arms as soon as they reach ground level, then carry her alongside the stream of other evacuees. She seems only half conscious, unaware of my presence, her head lolling to one side. Halfway to the shelter, I slow down. Damn, I’m so exhausted and in so much pain.
Pascao takes Tess from my arms. He hoists her up to his chest. On the roofs, sparks fly—signs of gunfire. “Get back to the Bank Tower entrance,” he yells at me before turning his back. “I’ll get her over!” And then he’s off before I can argue.
I watch them go for a while, unwilling to look away until I’m sure Tess is safely across the square. When they reach the shelter, I turn my attention back to the tower. Eden should be down by now. I crane my neck, squinting through the crowds for a head of blond curls. Has June come back downstairs yet? I don’t see her in the panicking masses either and her absence sends a jolt of worry through me.
Then, an explosion. I’m thrown to the ground.
Dust. A dust bomb, I manage to think through the pounding in my head. At first I can’t see anything through all the smoke—there’s chaos everywhere, sparks flying, and the occasional muffled sound of gunfire; through the floating white dust, I see a blur of people running toward the safety of the Republic barricades, their legs moving as if in slow motion, their mouths open in silent shouts. I shake my head wearily. My own limbs feel like they’re dragging through the mud, and the back of my head throbs, threatening to drown me in pain. I blink against it, trying to keep my senses straight. Desperately I call out again for Eden, but I can’t even hear my own voice. If I can’t hear it, how can he?
The people thin out for a moment.
And then I see him. It’s Eden. He’s unconscious in the arms of a terrified Republic nurse, one who seems to be stumbling blindly through the dust, headed in the wrong direction—straight toward the Colonies troops lining the left side of the square, opposite of where the shelter is. I don’t stop to think or shout at him, I don’t hesitate or wait for a good interval in the gunfire. I just start running toward him.
COMMANDER JAMESON’S GOING TO SHOOT HIM—THE direction she’s aiming her gun is unmistakable.
Day’s sprinting through the dust that blankets the street. Day, what are you doing? He stumbles in his dash, and even from the roofs I can tell that he’s struggling to make his body move, that every last inch of him is screaming from exhaustion. He’s going to push himself too far. I glance in the direction he’s going, searching out what has drawn his attention.
Eden. Of course. The nurse holding Eden trips and falls in the midst of all the billowing smoke, and when she gets up, fear gets the best of her because she just starts running away. Fury rises up inside me. Left behind is Eden, slowly stirring and completely vulnerable in the open street, blind, separated from the group, and coughing uncontrollably from the smoke.
I jump to my feet. With the way Day’s running opposite of everyone else, he’ll soon be in an area where he’s an open target.
My hand flies to my waist—and then I remember that my own gun is out of bullets. I sprint back across the rooftop toward my last target, where I hadn’t yet dropped his gun off the roof. When I glance toward Commander Jameson again, I see her tense and aim. No. No! She fires a shot.
The bullet misses Day by a couple of feet. He stumbles in his rush, throwing an arm briefly over his head out of instinct, but picks himself up and continues doggedly on. My heart thuds frantically against my chest. Faster. I take a flying leap from one roof to the next. Down below, I see Day nearing Eden. Then he’s there, he’s reached him, he’s skidding to a halt next to Eden and throwing his arms protectively around his little brother. The dust around them makes them hard to focus on, as if they’re both ghosts in faded colors. My breath comes in shallow gasps as I draw closer to the fallen soldiers. I hope the dust is throwing Commander Jameson’s aim off.
I reach the downed soldier. I grab his gun. One bullet left.
Below, Day picks up Eden, puts one hand protectively against the back of his brother’s head, and then starts staggering back toward the shelter as fast as his broken body will allow him. Commander Jameson takes aim again—I scream in my head and push myself to go faster. All of my adrenaline, every fiber of my attention and concentration, is now focused like an arrow on her. She fires. This time the bullet misses the brothers, but it sparks barely a foot away from Day. He doesn’t even bother to look up. He only clutches Eden tighter, then stumbles onward.
I finally near the roof where she is. I leap onto it, landing on its flat concrete surface. From here, I can see both the roof I’m on and the street below. Three dozen yards ahead of me, partially obscured by chimneys and vents, Commander Jameson crouches with her back turned to me, her focus on the streets.
She fires again. Down below, I hear a hoarse shriek of pain from a voice I know all too well. All my breath escapes me. I glance quickly to the street to see Day fall to his knees, dropping Eden for a moment. The sounds around me dull.
He’s been shot.
He shudders, then picks himself up again. Hoists Eden into his arms again. Staggers onward. Commander Jameson fires one more time. The bullet makes impact. I hoist the gun in my hands, then point it straight at her. I’m close enough now, close enough to see the ridges of her bulletproof vest lining her back. My hands shake. I have a perfect vantage, a straight shot right at Commander Jameson’s head. She’s getting ready to fire again.
I aim.
As if the world has suddenly slowed to a million frames a second, Commander Jameson spins around. She senses my presence. Her eyes narrow—and then she swivels her gun toward me, taking her focus off Day. Thoughts flash through my mind at the speed of light. I pull my gun’s trigger, firing my last bullet straight at her head.
And I miss.
I never miss.
No time to dwell on this—Commander Jameson has her gun pointed at me, and as my bullet whizzes past her face, I see her smile and fire. I throw myself to the ground, then roll. Something sparks barely an inch from my arm. I dart behind a nearby chimney and press myself as tightly against the wall as I can. Somewhere behind me, the sound of heavy boots approaches. Breathe. Breathe. Our last confrontation flashes through my mind. Why can I face everything in the world except Commander Jameson?
“Come out and play, Little Iparis,” she calls out. When I stay silent, she laughs. “Come out, so you can see your pretty boy bleeding to death on the street.”
She knows exactly how to slice right into my heart. But I grit my teeth and force the image of a bleeding, dying Day out of my head. I don’t have time for this bullshit. What I need to do is disarm her—and at that thought, I look down at my useless gun. Time to play a game of pretend.
She’s silent now. All I can hear is the soft tap of approaching boots, the steady nearing of my brother’s killer. My hands tighten on my gun.
She’s close enough. I shut my eyes for an instant, mutter a quick whisper for good luck—and then whirl out from my hiding place. I point my gun up at Commander Jameson as if I’m about to fire. She does what I hope—she flinches to the side, but this time I’m ready, and I lunge straight for her. I jump, then kick her face as hard as I can. My boots make a satisfying sound on impact. Her head snaps backward
. Her grip on her gun loosens, and I take the opportunity to kick it right out of her hands. She collapses onto the roof with a thud—her gun flies off to one side, then falls right off the roof and to the smoke-filled streets below.
I don’t dare stop my momentum. While she’s still down, I swing my elbow at her face in an effort to knock her unconscious. My first blow hits—but my second one doesn’t. Commander Jameson grabs my elbow, snaps her other hand on my wrist like a shackle, and then twists. I flip with it. Pain shoots up my arm as it bends in her grasp. Before she can break it, I twist around and stomp on her arm with the sharp heel of my boot. She winces, but doesn’t let go. I stomp again, harder.
Her grip loosens by a hair, and I finally manage to slip out of her grasp.
She hops to her feet right as I put some distance between us and turn again to face her. We start to circle each other, both of us breathing heavily, my arm still screaming in pain and her face marred by a trickle of blood coming from her temple. I already know I can’t win against her in an all-out brawl. She’s taller and stronger, equipped with years of training that my talents can’t match. My only hope is to catch her by surprise again, to find a way to turn her own force against her. As I continue to circle, waiting and watching for an opening, the world around us fades away. I draw on all my anger, letting it replace my fear and give me strength.
It’s just you and me now. This is the way it was always meant to be, this is the moment I’ve been waiting for since it all began. We’ll face each other at the very end with our bare hands.
Commander Jameson strikes first. Her speed terrifies me. One second she’s before me, and the next she’s at my side, her fist flying toward my face. I don’t have time to dodge. All I manage to do is jerk my shoulder up at the last second, and her fist hits me instead as a glancing blow. Stars explode across my eyes. I stumble backward. I manage to dodge her next blow—barely. I roll away from her, fighting to clear my vision, and pop back onto my feet. When she lunges again, I jump up and kick at her head. It catches her, but she’s too fast for it to be head-on. I dart away again. This time I back up slowly toward the edge of the roof, my eyes terrified to leave her. Good, I remind myself. Look as frightened as you can. Finally, the back of my boot hits the roof’s ledge. I glance down, then back up at Commander Jameson. Despite a slight unsteadiness, she looks undaunted. It isn’t hard for me to fake the fear in my wide eyes.
She stalks toward me like a predator. She doesn’t say a word, but she doesn’t need to—everything she’s ever wanted to tell me has already been said before. It runs through my head like a poison. Little Iparis, how much you remind me of myself at your age. Adorable. Someday, you’ll learn that life isn’t always what you want it to be. That you won’t always get what you want. And that there are forces out of your control that will shape you into who you are. Too bad your time ends here. It would’ve been fun to see what you grow up to become.
Her eyes hypnotize me. In this moment, I can imagine no worse sight.
She lunges forward.
I have only one chance. I duck, grab her arm, and flip her right over my head. Her momentum sends her sailing over the edge of the roof.
But her hand clamps down on my arm. I’m yanked halfway over the ledge—my left shoulder pops out of its socket. I scream. My heels dig in against the ledge, fighting to keep me from falling over. Commander Jameson flattens herself against the side of the building, grappling for footholds. Her nails dig so deep into my flesh that I can feel my skin ripping. Tears spring to my eyes. Down below, Republic soldiers are still herding evacuees, firing on enemy soldiers on other roofs, shouting orders into their mikes.
I scream at them with everything I have left. “Shoot her!” I shout. “Shoot her! ”
Two Republic soldiers snap their heads in my direction. They recognize me. As they lift their guns in my direction, Commander Jameson looks up into my eyes and grins. “I knew you couldn’t do it yourself.”
Then the soldiers open fire, Commander Jameson’s body convulses, her grip suddenly loosens, and she plummets like a wounded bird to the street. I turn away so I don’t have to look, but I still hear the sickening sound of her body against pavement. She’s gone. Just like that. I’m left with her words and my own ringing through my ears.
Shoot her. Shoot her.
Metias’s words flash through my mind. Few people ever kill for the right reasons.
I hurriedly wipe the tears from my face. What did I just do? Her blood stains my hands—I rub my good hand against my clothes, but I can’t get it off. I don’t know if I’ll ever be able to. “This is the right reason,” I whisper repeatedly.
Perhaps she destroyed herself, and I only helped. But even this thought seems hollow.
The agony of my dislocated shoulder makes me light-headed. I lift my right arm, grip my wounded left arm, grit my teeth, and push hard. I scream again. The bone resists for an instant—and then I feel my shoulder pop back into place. Fresh tears course down my face. My hands tremble uncontrollably, and my ears ring, blocking out any sound around me except the beating of my heart.
How long has it been? Hours? A few seconds?
The pulsing light of logic seeps into my mind, cutting through the pain. As always, it saves me. Day needs your help, it whispers. Go to him.
I search for Day. He has reached the other side of the street and the safer areas around the shelter, where Republic soldiers have set up their barricades . . . but even as I start rushing to the edge of the roof, I notice that others have pulled Eden’s unconscious form away from Day and are taking him to safety. A few hover over Day as he lies on the ground, momentarily obscuring him from my view. I scramble down the building as fast as I can, until I reach a fire escape and rush down the metal steps. Fear and adrenaline numb my injuries.
Please, I beg silently. Please let him be okay.
By the time I reach him, a crowd has formed. I can hear one of them shouting, “Move it! Get back, give us some room! Tell them to hurry up!” A lump in my throat chokes me, leaving me short of breath. My boots pound against the ground, keeping rhythm with my heart. I shove people aside and drop to my knees at Day’s side. The person shouting was Pascao. He gives me a frantic look.
“Stay with him,” he tells me. “I’m going for the medics.” I nod once, and he dashes off.
I barely notice all the people crowded around us in a ring. All I can do is look down at Day. He’s trembling from head to toe, his eyes wide open in shock, his hair clinging to his face. When I look closer at his body, I notice two wounds spilling dark blood across his shirt, one wound in his chest and the other near his hip. A strangled cry comes from someone. Maybe it’s from me. As if in a dream, I bend over him and touch his face.
“Day, it’s me. It’s June. I’m right here.”
He looks at me. “June?” he manages to gasp out. He tries to lift a hand to my face, but he’s shaking so hard that he can’t. I reach out and cradle his face with both of my hands. His eyes are full of tears. “I—I think—I’ve been shot—” Two people from the crowd place their hands over his wounds, pressing down hard enough to force a painful sob from his mouth. He tries to look down at them, but has no strength to lift his head.
“Medics are on their way,” I tell him firmly, leaning close enough to press my lips against his cheek. “Hang on. Okay? Stay with me. Keep looking at me. You’ll be okay.”
“I don’t—think so,” Day stammers. He blinks rapidly, spilling tears down the sides of his face. They wet the tips of my fingers. “Eden—is he safe—?”
“He’s safe,” I whisper. “Your brother is safe and sound and you’ll get to see him very soon.”
Day starts to reply, but can’t. His skin looks so ashen. Please, no. I refuse to let myself think the worst, but it hangs over us like a black shadow. I feel the heaviness of death looming over my shoulder, his sightless eyes staring down into Day’s soul, waiting patiently to overwhelm his light.
“I don’t want—to go—” Day
finally manages to say. “I don’t want—to leave you—Eden—”
I shush him by touching my lips to his trembling ones. “Nothing bad will ever happen to Eden,” I reply gently, desperate to keep him with me. “Stay focused, Day. You’re going to the hospital. They’re coming back for you; it won’t be long now.”
It won’t be long now.
Day just smiles at me, an expression so sad that it breaks through my numbness, and I begin to cry. Those bright blue eyes. Before me is the boy who has bandaged my wounds on the streets of Lake, who has guarded his family with every bone in his body, who has stayed by my side in spite of everything, the boy of light and laughter and life, of grief and fury and passion, the boy whose fate is intertwined with mine, forever and always.
“I love you,” he whispers. “Can you stay awhile?” He says something else, but his voice trails off so quietly that I can’t make out what it is. No. No. You can’t. His breathing grows shallower. I can tell that he is fighting to stay conscious, that with every passing second, his eyes have more and more trouble focusing on me. For a moment, Day tries to look at something behind me, but when I glance over my shoulder, there’s nothing there but open sky. I kiss him again and then lean my head against his.
“I love you,” I whisper over and over again. “Don’t go.” I close my eyes. My tears fall on his cheeks.
As I crouch there against him, feeling his life slowly ebb away, I’m consumed with grief and rage. I have never been a religious person. But right now, as I see medics in the distance hurrying toward us, I send a desperate prayer to some higher power. To what, I don’t know. But I hope that Someone, Anyone, hears me. That It’ll lift us both into Its arms and take pity on us. I throw this prayer into the sky with every shred of strength I have left.