Why, why, why? He was trying to ask this question but only wet sputtering came from his lips. Johnson stared at him in curiosity. No anger, no sadistic gleam. Just watching with mild interest.
And Arthur realized, as his body shivered and his vision went black, that this was all a setup--Johnson had saved him from the Lats for only one reason: He wanted Arthur for himself.
"Nnnnnn--"
Why?
The black man kept his hands at his sides and leaned close. He whispered, "I'm doin' you a favor, man. Fuck, you'd do yourself in a month or two anyway. You ain't made for it here. Now jus' stop fightin' it. Go easier, you jus' give it up, you know what I'm sayin'?"
*
Pulaski returned from his mission at SSD and held up the sleek gray hard drive.
"Good job, rookie," Rhyme said.
Sachs winked. "Your first secret op assignment."
He grimaced. "It didn't feel much like an assignment. It felt more like a felony."
"I'm sure we can find probable cause if we look hard enough," Sellitto reassured him.
Rhyme said to Rodney Szarnek, "Go ahead."
The computer man plugged the hard drive into the USB port on his battered laptop and typed with firm, certain strikes on the keyboard, staring at the screen.
"Good, good . . ."
"You have a name?" Rhyme snapped. "Somebody at SSD who downloaded the dossiers?"
"What?" Szarnek gave a laugh. "It doesn't work that way. It'll take a while. I have to load it on the mainframe at Computer Crimes. And then--"
"How long a while?" Rhyme grumbled.
Szarnek once again blinked, as if seeing for the first time that the criminalist was disabled. "Depends on the level of fragmentation, age of the files, allocation, partitioning, and then--"
"Fine, fine, fine. Just do the best you can."
Sellitto asked, "What else did you find?"
Pulaski explained about his interviews of the remaining technicians who had access to all of the data pens. He added that he'd talked to Andy Sterling, whose cell phone confirmed that his father had called from Long Island at the time of the killing. His alibi held up. Thom updated their suspect chart.
Andrew Sterling, President, Chief Executive Officer Alibi--on Long Island, verified. Confirmed by son Sean Cassel, Director of Sales and Marketing No alibi
Wayne Gillespie, Director of Technical Operations No alibi
Samuel Brockton, Director, Compliance Department Alibi--hotel records confirm presence in Washington Peter Arlonzo-Kemper, Director of Human Resources Alibi--with wife, verified by her (biased?) Steven Shraeder, Technical Service and Support Manager, day shift Alibi--in office, according to time sheets Faruk Mameda, Technical Service and Support Manager, night shift No alibi
Client of SSD (?)
List provided by Sterling
UNSUB recruited by Andrew Sterling (?)
So now everyone at SSD who had access to innerCircle knew of the investigation . . . and still the bot guarding the NYPD "Myra Weinburg Homicide" file had not reported a single attempted intrusion. Was 522 being cautious? Or did the concept of the trap miss the mark? Was the entire premise that the killer was connected to SSD completely wrong? It occurred to Rhyme that they'd been so awed by the power of Sterling and the company that they were neglecting other potential suspects.
Pulaski produced a CD. "Here are the clients. I looked it over fast. There're about three hundred fifty of them."
"Ouch." Rhyme grimaced.
Szarnek loaded the disk and opened it up on a spreadsheet. Rhyme looked over the data on his flat-screen monitor--nearly a thousand pages of dense text.
"Noise," Sachs said. She explained what Sterling had told her about data's being useless if it's corrupt, too sparse or too plentiful. The tech scrolled through the swamp of information--which clients had bought which lists of data-mined details. . . . Too much information. But then Rhyme had a thought. "Does it show the time and date of when the data was downloaded?"
Szarnek examined the screen. "Yes, it does."
"Let's find out who downloaded information just before the crimes."
"Good, Linc," Sellitto said. "Five Twenty-Two'd want the most up-to-date data possible."
Szarnek considered this. "I think I can hack together a bot to handle it. Might take some time but, yeah, it's doable. Just let me know exactly when the crimes occurred."
"We can get you those. Mel?"
"Sure." The tech began to compile the details of the coin theft, the painting theft and two rapes.
"Hey, you're using that program Excel?" Pulaski asked Szarnek.
"That's right."
"What is it, exactly?"
"Your basic spreadsheet. Mostly used for sales figures and financial statements. But now people use it for a lot of things."
"Could I learn it?"
"Sure. You can take a course. Say, the New School or Learning Annex."
"Should have boned up on it before now. I'll check them out, those schools."
Rhyme believed he now understood Pulaski's reticence to go back to SSD. He said, "Put that low on your list, rookie."
"What's that, sir?"
"Remember, people hassle you in all sorts of different ways. Don't assume they're right and you're wrong just because they know something you don't. The question is: Do you need to know it to do a better job? Then learn it. If not, it's a distraction and to hell with it."
The young officer laughed. "Okay. Thanks."
Rodney Szarnek took the CD and the portable hard drive and bundled up his computer to head down to the Computer Crimes Unit and its mainframe.
After he left, Rhyme glanced at Sachs, who was on the phone, tracking down information on the data scrounger killed in Colorado several years ago. He couldn't hear the words but she was clearly getting relevant information. Her head was forward, lips moist, and she tugged at a strand of hair. Her eyes were sleek and focused. The pose was extremely erotic.
Ridiculous, he thought. Concentrate on the goddamn case. He tried to push the sensation away.
He was only somewhat successful.
Sachs hung up the phone. "Got something from the Colorado State Police. That data scrounger's name was P. J. Gordon. Peter James. Goes mountain biking one day and never comes home. They found his bike at the bottom of a cliff, battered up. It was beside a deep river. The body shows up twenty miles downstream a month or so later. Positive DNA match."
"Investigation?"
"Not much of one. Kids're always killing themselves with bikes and skis and snowmobiles in that area. It was ruled accidental. But a few open questions remained. For one thing, it seemed that Gordon had tried to break into the SSD servers in California--not the database but the company's own files and some employees' personal ones. Nobody knows if he got inside or not. I tried to track down other people from the company, Rocky Mountain Data, to find out more. But nobody's around anymore. Looks like Sterling bought the company, took its database and let everybody go."
"Anybody we can call about him?"
"No family that the state police could find."
Rhyme was nodding slowly. "Okay, this is an interesting premise, if I can use your flavor-of-the-week participle, Mel. This Gordon's doing his own data mining in SSD's files and finds something about Five Twenty-Two, who realizes he's in trouble, about to be found out. Then he kills Gordon and makes it look like an accident. Sachs, the police in Colorado have any case files?"
She sighed. "Archived. They'll look for them."
"Well, I want to find out who at SSD was with the company back then, when Gordon died."
Pulaski called Mark Whitcomb at SSD. After a half hour he called back. A conversation with Human Resources revealed that dozens of employees were with the company at that time, including Sean Cassel, Wayne Gillespie, Mameda and Shraeder, as well as Martin, one of Sterling's personal assistants.
The large number meant that the Peter Gordon matter wasn't much of a lead. Rhyme hoped, though, that if they got the
full Colorado State Police report, maybe he could find some evidence that pointed them toward one of the suspects.
He was staring at the list when Sellitto's phone rang. He took the call. The criminalist saw the detective stiffen. "What?" he snapped, glancing at Rhyme. "No shit. What's the story? . . . Call me as soon as you know."
He hung up. His lips were pressed together and a frown crossed his face. "Linc, I'm sorry. Your cousin. Somebody moved on him in detention. Tried to kill him."
Sachs walked over to Rhyme, rested her hand on his shoulder. He could feel alarm in the gesture.
"How is he?"
"The director'll call me back, Linc. He's in the emergency clinic there. They don't know anything yet."
Chapter Twenty-eight "Hey there."
Pam Willoughby, ushered into the town house foyer by Thom, was smiling. The girl said hello to the crew there, who greeted her with smiles, despite the terrible news about Arthur Rhyme. Thom asked her how school had gone today.
"Great. Really good." Then she lowered her voice and asked, "Amelia, you have a minute?"
Sachs glanced at Rhyme, who nodded her toward the girl, meaning: There's nothing we can do about Art until we know more; go ahead.
She stepped into the hallway with the girl. Funny about young people, Sachs was thinking, you can read everything in their faces. The moods, at least, if not always the reasons behind them. When it came to Pam, Sachs sometimes wished she had more of Kathryn Dance's skill in reading how the girl felt and what she was thinking. This afternoon, though, she seemed transparently happy.
"I know you're busy," Pam said.
"No problem."
They walked into the parlor across the front foyer of the town house.
"So?" Sachs smiled conspiratorially.
"Okay. I did what you said, you know. I just asked Stuart about that other girl."
"And?"
"It's just they used to go out--before I met him. He even told me about her a while ago. He ran into her on the street. They were just talking is all. She was kind of a clinger, you know. She was that way when they were going out and it's one of the reasons he didn't want to see her anymore. And she was holding on to him when Emily saw them--and he was trying to get away. That's all. Everything's, like, cool."
"Hey, congrats. So the enemy is definitely out of the picture?"
"Oh, yeah. It has to be true--I mean, he couldn't date her, because he could lose his job--" Pam's voice came to an abrupt halt.
Sachs didn't need to be an interrogator to realize that the girl had stumbled. "Lose his job? What job?"
"Well, you know."
"Not exactly, Pam. Why would he lose his job?"
Blushing, she stared at the Oriental rug at their feet. "Like, she's sort of in his class this year."
"He's a teacher?"
"Kind of."
"At your high school?"
"Not this year. He's at Jefferson. I had him last year. So it's okay if we--"
"Wait, Pam. . . ." Sachs was thinking back. "You told me he was in school."
"I said I met him at school."
"And Poetry Club?"
"Well--"
"He was the adviser," Sachs said, grimacing. "And he coaches soccer. He doesn't play it."
"I didn't exactly lie."
First, Sachs told herself, don't panic. That's not going to help anything. "Well, Pam, this is . . ." And what the hell is it? She had so many questions. She asked the first one in her thoughts: "How old is he?"
"I don't know. Not that old." The girl looked up. Her eyes were hard. Sachs had seen her defiant and moody and determined. She'd never seen the girl this way--trapped and defensive, almost feral.
"Pam?"
"I guess, maybe, like forty-one or something."
The no-panic rule was starting to crumble.
What the hell should she do? Yes, Amelia Sachs had always wanted children in her life--spurred by memories of the wonderful times she'd spent with her father--but she hadn't thought much about the tougher job of parenting.
"Be reasonable" was the guideline here, Sachs told herself. But it was about as effective as "Don't panic" at the moment. "Well, Pam--"
"I know what you're going to say. But it's not about that."
Sachs wasn't so sure. Men and women together . . . To some extent it's always about that. But she couldn't consider the sexual aspect of the problem. It would only fuel the panic and destroy the reasonable.
"He's different. We have this connection. . . . I mean, the guys in school, it's sports or video games. So boring."
"Pam, there are plenty of boys who read poetry and go to plays. Weren't there any boys in Poetry Club?"
"It's not the same. . . . I don't tell anybody what I went through, you know, with my mother and everything. But I told Stuart and he understood. He's had a tough time too. His father was killed when he was my age. He had to put himself through school, working two jobs or three."
"It's just not a good idea, honey. There're problems you can't even imagine now."
"He's nice to me. I love being with him. Isn't that the most important thing?"
"That's part of it but it's not everything."
Pam's arms folded defiantly.
"And even if he's not your teacher now he could get into really bad trouble too." Somehow, saying this made Sachs feel that she'd already lost the argument.
"He said I'm worth the risk."
You didn't need to be Freud to figure it out: A girl whose father had been killed when she was young and whose mother and stepfather were domestic terrorists . . . she was primed to fall for an attentive, older man.
"Come on, Amelia, I'm not getting married. We're just dating."
"Then why not take a break? A month. Go out with a couple other guys. See what happens." Pathetic, Sachs told herself. Her arguments smacked of a losing rear-guard action.
An exaggerated frown. "Like, why would I want to do that? I'm not out there trying to hook a boy, just to have somebody, like every other girl in my class."
"Honey, I know you feel something for him. But just give it some time. I don't want you hurt. There are a lot of wonderful guys out there. They'll be better for you and you'll be happier in the long run."
"I'm not breaking up with him. I love him. And he loves me." She gathered up her books and said coolly, "I better go. I have homework." The girl started toward the door but then stopped and turned back. She whispered, "When you started going out with Mr. Rhyme, didn't somebody say it was a stupid idea? That you could find somebody who wasn't in a wheelchair? That there were lots of 'wonderful guys' out there? I bet they did."
Pam held her eye briefly, then turned and left, closing the door behind her.
Sachs reflected that, yes, indeed, somebody had said just that to her, practically those very words.
And who else but Amelia Sachs's own mother?
*
Miguel Abrera 5465-9842-4591-0243, the "maintenance specialist," as the corporately correct say, left work at his usual time, around 5:00 P.M. He now gets out of the subway car near his home in Queens and I'm right behind him as he strolls home.
I'm trying to stay calm. But it's not easy.
They--the police--are close, close to me! Which has never happened before. In years and years of collecting, many dead sixteens, many ruined lives, many people in jail on my account, nobody has ever come close like this. Since I learned about the police suspicions, I've kept up a good facade, I'm sure. Still, I've been analyzing the situation frantically, picking through the data, looking for the lump of gold that tells me what They know and what They don't. How much at risk I really am. But I can't find the answer.
There's too much noise in the data!
Contamination . . .
I'm running through how I've behaved lately. I've been careful. Data certainly can work against you; they can pin you to the grid like a blue Morpho menelaus butterfly, smelling of cyanide's almond perfume, on a velvet board. But those of us in the know, we can us
e data for protection too. Data can be erased, can be massaged, can be skewed. We can add noise on purpose. We can place Data Set A right next to Data Set X to make A and X seem much more similar than they are. Or more different.
We can cheat in the simplest of ways. RFIDs, for instance. Slip a smart pass transponder into someone's suitcase and it will show your car's been in a dozen places over the weekend, while in fact it's actually been sitting in your garage the whole time. Or think about how easy it is to put your employee ID into an envelope and have it delivered to the office, where it sits for four hours until you ask somebody to collect the package and bring it to you in a restaurant downtown. Sorry, forgot to pick it up. Thanks. Lunch is on me. . . . And what do the data show? Why, that you were slaving away at work, while in reality you were wiping your razor clean as you stood over someone's cooling body during those hours in question. That nobody actually saw you at your desk is irrelevant. Here are my time sheets, Officer. . . . We trust data, we don't trust the human eye. There are a dozen more tricks I've perfected.
And now I have to rely on one of the more extreme measures.
Ahead of me now Miguel 5465 pauses and glances into a bar. I know for a fact that he drinks rarely and if he goes in for a cerveza it will throw off the timing a bit but that won't ruin my plans for this evening. He forgoes the drink, though, and continues along the street, head cocked to the side. I actually feel sorry that he didn't give in and indulge, considering he has less than an hour to live.
Chapter Twenty-nine Finally somebody from the detention center called Lon Sellitto.
He nodded as he listened. "Thanks." He disconnected. "Arthur's going to be okay. He's hurt but not bad."
"Thank God," Sachs whispered.
"What happened?" Rhyme asked.
"Nobody can figure it out. The perp's Antwon Johnson, doing fed time for kidnapping and state lines. They moved him to the Tombs for trial on related state charges. He just kind of snapped, looks like, tried to make it look like Arthur hanged himself. Johnson denied it at first, then claimed Arthur wanted to die, asked him to help."
"The guards found him in time?"
"No. Weird. Another prisoner went after Johnson. Mick Gallenta, two-timer in for meth and smack. He was half Johnson's size, took him on, knocked him out and got Arthur down from the wall. Nearly started a riot."