Alibi for groundskeeper's killing (in office, according to time sheets) Client of SSD (?)
Awaiting list from NYPD Computer Crimes Unit UNSUB recruited by Andrew Sterling (?) But was 522 one of them at all? Rhyme wondered once again. He thought of what Sachs had told him about the concept of "noise" in data mining. Were these names just noise? Distractions, keeping them from the truth?
Rhyme executed a smart turn on the TDX and again faced the whiteboards. Something nagged. What was it?
"Lincoln--"
"Shh."
Something he'd read, or heard about. No, a case--from years ago. Hovering just out of memory. Frustrating. Like trying to scratch an itch on his ear.
He was aware of Cooper looking at him. That irritated too. He closed his eyes.
Almost . . .
Yes!
"What is it?"
Apparently he'd spoken out loud.
"I think I've got it. Thom, you follow popular culture, don't you?"
"What on earth does that mean?"
"You read magazines, newspapers. Look at ads. Are Tareyton cigarettes still made?"
"I don't smoke. I've never smoked."
"I'd rather fight than switch," Lon Sellitto announced.
"What?"
"That was the ad in the sixties. People with a black eye?"
"Don't recall it."
"My dad used to smoke 'em."
"Are they still made? That's what I'm asking."
"I don't know. But you don't see 'em much."
"Exactly. And the other tobacco we found was old too. So whether or not he smokes, it's a reasonable assumption he collects cigarettes."
"Cigarettes. What kind of collector is that?"
"No, not just cigarettes. The old soda with the artificial sweetener. Maybe cans or bottles. And mothballs, matches, doll's hair. And the mold, the Stachybotrys Chartarum, the dust from the Trade Towers. I don't think it's that he's downtown. I think he just hasn't cleaned in years. . . ." A grim laugh. "And what other collection have we been dealing with lately? Data. Five Twenty-Two's obsessed with collecting. . . . I think he's a hoarder."
"A what?"
"He hoards things. He never throws anything away. That's why there's so much 'old.' "
"Yeah, I think I've heard of that," Sellitto said. "It's weird. Creepy."
Rhyme had once searched a scene where a compulsive hoarder had died, crushed to death under a pile of books--well, he was immobilized and took two days to die of internal injuries. Rhyme described the cause of death as "unpleasant." He hadn't studied the condition much but he'd learned that New York had a task force to help hoarders get therapeutic assistance and protect them and their neighbors from their compulsive behavior.
"Let's give our resident shrink a call."
"Terry Dobyns?"
"Maybe he knows somebody at the hoarding task force. Have him check. And get him over here in person."
"At this hour?" Cooper asked. "It's after ten."
Rhyme didn't even bother to offer the punch line of the day: We're not sleeping; why should anyone else? A look conveyed the message just fine.
Chapter Thirty-two Lincoln Rhyme had his second wind.
Thom had fixed food again and, although Rhyme generally took no particular pleasure in eating, he'd enjoyed the chicken club sandwiches with the aide's homemade bread. "It's James Beard's recipe," the aide announced, though the reference to the revered chef and cookbook author was utterly lost on Rhyme. Sellitto had wolfed down one sandwich and taken another with him when he left for home. ("Even better than the tuna," he judged.) Mel Cooper asked for the bread recipe for Gretta.
Sachs was on the computer sending some e-mails. Rhyme was going to ask what she was doing when the doorbell rang.
A moment later Thom ushered into the lab Terry Dobyns, the NYPD behaviorist whom Rhyme had known for years. He was a little balder, a little thicker in the belly than when they'd first met--when Dobyns had sat with Rhyme for hours at a time, during that terrible time after the accident that left him paralyzed. The doctor still had the same kind, perceptive eyes that Rhyme recalled, and a calming, nonjudgmental smile. The criminalist was skeptical of psychological profiling, preferring forensics, but he had to admit that Dobyns had from time to time offered brilliant and helpful insights into the perps Rhyme pursued.
He now said hello to everyone, took coffee from Thom and declined food. He sat on a stool next to Rhyme's wheelchair.
"Good call, about the hoarding. I think you're right. And first, let me tell you that I checked with the task force and they looked into the known hoarders in the city. There aren't many and the odds are that it's none of them. I eliminated the women, since you told me about the rape. Of the men, most are elderly or nonfunctioning. The only two that fit the functioning profile are in Staten Island and the Bronx and they were accounted for by social workers or family members at the time of the killing on Sunday."
Rhyme wasn't surprised--522 was too smart not to cover his tracks. But he'd hoped for a small lead, at least, and scowled at the dead end.
Dobyns couldn't help but smile. This had been an issue they'd dealt with years ago. Rhyme had never been comfortable expressing personal anger and frustration. Professionally, though, he'd always been a master at it.
"But I can give you some insights that might be helpful. Now, let me tell you about hoarders. It's a form of obsessive-compulsive disorder. That occurs when a subject is faced with conflict or tensions they can't emotionally confront. Focusing on a behavior is much easier than looking at the underlying problem. Hand washing and counting are symptoms of OCD. So is hoarding.
"Now, it's rare for somebody who hoards to be dangerous per se. There are health risks--animal and insect infestation, mold and fire hazards--but essentially hoarders just want to be left alone. They'd live surrounded by their collection if they could and never go outside.
"But your fellow, well, he's a strange breed. A combination of narcissistic, antisocial personality and hoarding OCD. If he wants something--apparently collectible coins or paintings or sexual gratification--he has to have it. Absolutely has to. Killing is nothing to him if it helps him acquire what he wants and protect his collection. In fact, I'd go so far as to suggest that killing calms him down. Living humans give him stress. They would disappoint him, they'd abandon him. But inanimate objects--newspapers, cigar boxes, candy, even bodies--you can tuck away in your lair; they never betray you. . . . I don't suppose you're interested in the childhood factors that may have made him that way?"
"Not really, Terry," Sachs said. She was smiling at Rhyme, who was shaking his head.
"First, he's going to need space. A lot of it. And with the real estate prices here he's either very resourceful or very rich. Hoarders tend to live in big, older houses or town houses. They never rent. They can't stand the thought of a landlord with rights to come into their living area. And the windows will be painted black or taped over. He has to keep the outside world away."
"How much space?" she asked.
"Rooms and rooms and rooms."
"Some of the SSD employees would have plenty of money," Rhyme speculated. "The senior people."
"Now, because your perp is so high functioning, he'll be leading two lives. We'll call them the 'secret' life and the 'facade.' He needs to exist in the real world--to add to his collection and maintain it. And so he'll keep up appearances. He'll probably have a second house or a part of a single one that'll appear normal. Oh, he'd prefer to live in his secret place. But if he did, only there, people would start to take notice. So he'll also have a living space that seems like anybody in his socioeconomic situation would have. The residences might be connected or nearby. The ground floor could be normal, the upstairs where he keeps his collection. Or the basement.
"As for his personality, he'll play a role in his facade life that's almost the opposite of who he really is. Say the real Five Twenty-Two's personality is snide and petty. The public Five Twenty-Two will be measured, calm, matu
re, polite."
"He could appear to be a businessman?"
"Oh, easily. And he'll play the part very, very well. Because he has to. It makes him angry, resentful. But he knows if he doesn't his trove could be endangered and that's simply not acceptable to him."
Dobyns looked over the charts. He nodded. "Now, I notice you're wondering about children? I really doubt he has any. He probably just collects toys. That again is something about his childhood. He'll be single too. It's rare to find a married hoarder. His obsession with collecting is too intense. He wouldn't want to share his time or space with another person--and frankly it's hard to find a partner who's so codependent she puts up with him.
"Okay, the tobacco and matches? He hoards cigarettes and matchbooks but I doubt very much he smokes. Most hoarders have huge stockpiles of papers and magazines, flammable objects. This perp isn't stupid. He'd never risk a fire because it could destroy his collection. Or at least expose him, when the fire department comes. And he probably has no particular interest in coins or art. He has an obsession with collecting for its own sake. What he collects is secondary."
"So he probably doesn't live near an antiques store?"
Dobyns gave a laugh. "That's exactly what his place'll look like. But, of course, without customers . . . Well, I can't think of much else. Except to tell you how dangerous he is. From what you've told me you've already stopped him several times. That makes him furious. He'll kill anybody who interferes with his trove, kill them without a second thought. I can't impress that on you enough."
They thanked Dobyns. He wished them luck and the psychologist left. Sachs updated the UNSUB list, based on what he'd told them.
* * *
UNSUB 522 PROFILE
* Male
* Probably nonsmoker
* Probably no wife/children
* Probably white or light-skinned ethnic
* Medium build
* Strong--able to strangle victims
* Access to voice-disguise equipment
* Possibly computer literate; knows OurWorld. Other social-networking sites?
* Takes trophies from victims. Sadist?
* Portion of residence/workplace dark and moist
* Eats snack food/hot sauce
* Wears size-11 Skechers work shoe
* Hoarder. Suffers from OCD
* Will have a "secret" life and a "facade" life
* Public personality will be opposite of his real self
* Residence: Won't rent, will have two separate living areas, one normal and one secret * Windows will be covered or painted
* Will become violent when collecting or trove are threatened
"Helpful?" Cooper asked.
Rhyme could only shrug.
"What do you think, Sachs? Could it be anybody you talked to at SSD?"
She shrugged. "I'd say Gillespie came the closest. He seemed just plain odd. But Cassel seemed the slickest--in terms of putting on a good facade. Arlonzo-Kemper's married, which takes him out of the running, according to Terry. I didn't see the technicians. Ron did."
With an electronic trill, a caller ID box popped up on the screen. It was Lon Sellitto, back home but apparently still at work on the Expert Plan that Rhyme and the detective had put together earlier.
"Command, answer phone . . . Lon, how are we doing?"
"It's all set, Linc."
"Where are we?"
"Watch the eleven o'clock news. You'll find out. I'm going to bed."
Rhyme disconnected and turned on the TV in the corner of the lab.
Mel Cooper said good night. He was packing up his briefcase when his computer dinged. He looked over the screen. "Amelia, you've got an e-mail here."
She wandered over, sat down.
"Is it the Colorado State Police, about Gordon?" Rhyme asked.
Sachs said nothing but he noticed an eyebrow rise as she read through the lengthy document. Her finger disappeared into her long red hair, tied back in a ponytail, and worried her scalp.
"What?"
"I've got to go," she said. She rose quickly.
"Sachs? What is it?"
"It's not about the case. Call me if you need me."
And with that she was out the door, leaving behind a cloud of mystery as subtle as the aroma of the lavender soap she'd been favoring recently.
*
The 522 case was moving fast.
And yet cops always have to juggle other aspects of their lives.
Which was why she was now standing uneasily in front of a tidy detached house in Brooklyn, not far from her own home. The night was pleasant. A delicate breeze, fragrant with lilac and mulch, waltzed around her. It would be good to sit on the curb or a door stoop here and not do what she was about to.
What she had to do.
God, I hate this.
Pam Willoughby appeared in the doorway. She was wearing sweats and had her hair pulled back in a ponytail. She was talking to one of the other foster children, another teenager. Their faces had that conspiratorial yet innocent expression teenage girls wear like makeup. Two dogs played at their feet: Jackson, the tiny Havanese, and a much larger but equally exuberant Briard, Cosmic Cowboy, who lived with Pam's foster family.
The policewoman would meet the girl here occasionally, then they'd head off for a movie or Starbucks or ice cream. Pam's face usually brightened when she saw Sachs.
Not tonight.
Sachs got out of the car and leaned against the hot hood. Pam picked up Jackson and joined her as the other girl waved to Sachs and disappeared into the house with Cosmic Cowboy.
"Sorry to come by so late."
"It's okay." The girl was cautious.
"How's homework?"
"Homework's homework. Some's good, some sucks."
True now, true in Sachs's day.
Sachs petted the dog, which Pam clutched possessively. She did this often with her things. The girl always refused offers to let someone else carry her book bag or groceries. Sachs guessed that so much had been taken away from her, she held tight to whatever she could.
"So. What's up?"
She could think of no way to ease gently into the subject. "I talked to your friend."
"Friend?" Pam asked.
"Stuart."
"You what?" Light fragmented by leaves of a ginkgo tree fell on her troubled face.
"I had to."
"No, you didn't."
"Pam . . . I was worried about you. I had a friend in the department--somebody who does security checks--look him up."
"No!"
"I wanted to see if there were any skeletons in his closet."
"You didn't have any right to do that!"
"True. But I did anyway. And I just got an e-mail back." Sachs felt her stomach muscles clench. Facing killers, driving 170 mph . . . those were nothing. She was shaken badly now.
"So is he a fucking murderer?" Pam snapped. "A serial killer? A terrorist?"
Sachs hesitated. She wanted to touch the girl's arm. But didn't. "No, honey. But . . . he's married."
In the dappled light Sachs saw Pam blink.
"He's . . . married?"
"I'm sorry. His wife's a teacher too. A private school on Long Island. And he has two children."
"No! You're wrong." Sachs saw Pam's free hand was clenched so tightly the muscles had to be cramping. Anger filled her eyes, but there wasn't much surprise. Sachs wondered if Pam would be running through certain memories. Maybe Stuart had said he didn't have a home phone, only a mobile. Or maybe he'd asked her to use a particular e-mail account, not his general one.
And my house is such a mess. I'd be embarrassed for you to see it. I'm a teacher, you know. We're absentminded. . . . I need to get a housekeeper. . . .
Pam blurted, "It's a mistake. You've got him mixed up with somebody else."
"I went to see him just now. I asked him and he told me."
"No, you didn't! You're making it up!" The girl's eyes flared and a cold smile crossed her face, cutting deep
into Sachs's heart. "You're doing just what my mother did! When she didn't want me to do something, she lied to me! Just like you're doing."
"Pam, I'd never--"
"Everybody takes things away from me! You're not going to! I love him and he loves me, and you're not taking him away!" She wheeled and made for the house, the dog firmly under her arm.
"Pam!" Sachs's voice choked. "No, honey . . ."
As the girl stepped inside she looked back once fast, hair swirling, posture stiff as iron, leaving Amelia Sachs grateful that the backlight prevented her from seeing Pam's face; she couldn't have stomached witnessing the hatred she knew was there.
*
The travesty at the cemetery still burns like fire.
Miguel 5465 should have died. Should be pinned to a velvet board for the police to examine. They'd say case closed and all would be well.
But he didn't. That butterfly got away. I can't try to fake a suicide again. They've learned something about me. They've collected some knowledge. . . .
Hate Them hate Them hate Them hate Them . . .
I'm so close to taking my razor and storming out and . . .
Calm. Down. But it's becoming harder and harder to do that, as the years go by.
I've canceled certain transactions for this evening--I was going to celebrate the suicide--and now I head into my Closet. Being surrounded by my treasures helps. I wander through the fragrant rooms and hold several items close to me. Trophies from various transactions over the past year. Feeling the dried flesh and fingernails and hair against my cheek is such a comfort.
But I'm exhausted. I sit down in front of the Harvey Prescott painting, gaze up at it. The family looking back. As with most portraits their eyes follow you wherever you are.
Comforting. Eerie too.
Maybe one of the reasons I love his work so much is that these people were created fresh. They have no memories to plague them, to make them edgy, to keep them up all night and to drive them out into the streets, collecting treasures, and trophies.
Ah, memories:
June, five years old. Father sits me down, tucks his unlit cigarette away and explains to me I'm not theirs. "We brought you into the family because we wanted you wanted you badly and we love you even if you aren't our natural son you understand don't you . . ." Not exactly, I don't. I stare at him blankly. Kleenex twisting in Mother's damp hands. She blurts that she loves me like a natural-born son. No, loves me more, though I don't understand why she would. It sounds like a lie.