Where the hell was she?
"Hold on a minute. The system's updating. . . ."
The screen flickered and changed. Whitcomb blurted, "I've got her! Some RFID hits twenty minutes ago."
"Where?" Rhyme whispered.
Whitcomb put them on the screen. They were in a quiet block on the Upper East Side. "Two hits at stores. The duration of the first RFID scan was two seconds. The next was slightly longer, eight seconds. Maybe she was pausing to check an address."
"Call Bo Haumann now!" Rhyme shouted.
Pulaski hit speed dial and a moment later the head of Emergency Service came on the phone.
"Bo, I've got a lead on Amelia. She went after Five Twenty-Two and she's disappeared. We've got a computer monitoring her whereabouts. About twenty minutes ago she was near six forty-two East Eighty-eighth."
"We can be there in ten minutes, Linc. Hostage situation?"
"That's what I'd say. Call me when you know something."
They disconnected.
Rhyme thought back to her message on voice mail. It seemed so fragile, that tiny bundle of digital data.
In his mind he could hear her voice perfectly: "I have a lead, a good one, Rhyme. Call me."
He couldn't help wondering if it would be their last communication.
*
Bo Haumann's Emergency Service Unit A Team was standing near a doorway of a large town house on the Upper East Side: four officers in full body armor, holding MP-5s, compact, black machine guns. They were carefully staying clear of the windows.
Haumann had to admit he hadn't seen anything like this in all his years in the military or the police department. Lincoln Rhyme was using some kind of computer program that had tracked Amelia Sachs to this area, only it wasn't through her phone or a wire or GPS tracker. Maybe this was the future of police work.
The device hadn't given the actual location where the teams now were--a private residence. But a witness had seen a woman pause at both shops where the computer had spotted her, then she'd headed to this town house across the street.
Where she was presumably being held by the perp they were calling 522.
Finally, the team in the back called in. "B Team to One. We're in position. Can't see anything. Which floor is she on, K?"
"No idea. We just go in and sweep. Move fast. She's been in there a while. I'll hit the bell and when he comes to the door, we move in."
"Roger, K."
"Team C. We'll be on the roof in three or four minutes."
"Move it!" Haumann grumbled.
"Yes, sir."
Haumann had worked with Amelia Sachs for years. She had more balls than most of the men who served under him. He wasn't sure he liked her--she was pigheaded and abrupt and often bluffed her way onto point when she should have held back--but he sure as hell respected her.
And he wasn't going to let her go down to a rapist like this 522. He nodded an ESU detective up to the porch--dressed in a business suit so that when he knocked on the door, a glance through the peephole wouldn't tip off the killer. Once he opened the door, officers crouching against the front of the town house would leap up and rush him. The officer buttoned his jacket and nodded.
"Goddamnit," Haumann radioed impatiently to the team in the back. "You in place yet or not?"
Chapter Forty-seven The door opened and she heard the killer's footsteps enter the stinking, claustrophobic room.
Amelia Sachs was in a crouch, her knees in agony, struggling to get to the handcuff key in her front pocket. But surrounded by the towering stacks of newspapers, she hadn't been able to turn far enough to reach into her front pocket. She'd touched it through the cloth, felt its shape, tantalizing, but couldn't slip her fingers into the slit.
She was racked with frustration.
More footsteps.
Where, where?
One more lunge for the key . . . Almost but not quite.
Then his steps moved closer. She gave up.
Okay, it was time to fight. Fine with her. She'd seen his eyes, the lust, the hunger. She knew he'd be coming for her at any moment. She didn't know how she'd hurt him, with her hands cuffed behind her and the terrible pain in her shoulder and face from the fight earlier. But the bastard'd pay for every touch.
Only, where was he?
The footsteps had stopped.
Where? Sachs had no perspective on the room. The corridor he'd have to come through to get to her was a two-foot-wide path through the towers of moldy newspapers. She could see his desk and the piles of junk, the stacks of magazines.
Come on, come for me.
I'm ready. I'll act scared, shy away. Rapists are all about control. He'll be empowered--and careless--when he sees me cower. Then when he leans close, I'll go for his throat with my teeth. Hold on and don't let go, whatever happens. I'll--
It was then that the building collapsed, a bomb detonated.
A massive crushing tide tumbled over her, slamming her to the floor and pinning her immobile.
She grunted in pain.
Only after a minute did Sachs realize what he'd done--maybe anticipating that she was going to fight, he'd simply pushed over stacks of the newspapers.
Legs and hands frozen, her chest, shoulders and head exposed, she was trapped by hundreds of pounds of stinking newspaper.
The claustrophobia grabbed her, the panic indescribable, and she barked a scream with staccato breath. She struggled to control the fear.
Peter Gordon appeared at the end of the tunnel. She saw in one of his hands the steel blade of a razor. In the other was a tape recorder. He studied her closely.
"Please," she whimpered. The panic was only partly feigned.
"You're lovely," he whispered.
He began to say something else but the words were lost in the sound of a doorbell, which chimed in here as well as the main part of the town house.
Gordon paused.
Then the bell rang again.
He rose and walked to the desk, typed on the keyboard and studied the computer screen--probably a security camera showing the image of the visitor. He frowned.
The killer debated. He glanced at her and carefully folded the razor, then slipped it into his back pocket.
He walked to the closet door and stepped through it. She heard the click of the latch behind him. Once more her hand began to worm closer to her pocket and the tiny bit of metal inside.
*
"Lincoln."
Bo Haumann's voice was distant.
Rhyme whispered, "Tell me."
"It wasn't her."
"What?"
"The hits--from that computer program--they were right. But it wasn't Amelia." He explained that she gave her friend, Pam Willoughby, her credit card to buy groceries in hopes they could have dinner that night and talk about some "personal stuff." "That's what the system read, I guess. She went to a store, did some window-shopping and then she stopped here--it's a friend's house. They were doing their homework."
Rhyme's eyes closed. "Okay, thanks, Bo. You can stand down. All we can do is wait."
"I'm sorry, Lincoln," Ron Pulaski said.
A nod.
His eyes strayed to the mantel, where sat a picture of Sachs wearing a black crash helmet, in the cage of a NASCAR Ford. Beside it was a photo of them together, Rhyme in his chair, Sachs hugging him.
He couldn't look at it. His eyes strayed to the whiteboards.
* * *
UNSUB 522 PROFILE
* Male
* Probably nonsmoker
* Probably no wife/children
* Probably white or light-skinned ethnic * Medium build
* Strong--able to strangle victims
* Access to voice-disguise equipment * Computer literate; knows OurWorld. Other social-networking sites?
* Takes trophies from victims
* Eats snack food/hot sauce
* Wears size-11 Skechers work shoe
* Hoarder. Suffers from OCD
* Will have a "secret" life an
d a "facade" life * Public personality will be opposite of his real self * Residence: won't rent, will have two separate living areas, one normal and one secret * Windows will be covered or painted * Will become violent when collecting or trove are threatened
NONPLANTED EVIDENCE
* Old cardboard
* Hair from doll, BASF B35 nylon 6
* Tobacco from Tareyton cigarette
* Old tobacco, not Tareyton, but brand unknown * Evidence of Stachybotrys Chartarum mold * Snack food/cayenne pepper
* Dust, from World Trade Center attack, possibly indicating residence/job downtown Manhattan * Rope fiber containing:
* Cyclamate diet soda (old or foreign) * Naphthalene (mothballs, old or foreign) * Leopard lily plant leaves (interior plant) * Trace from two different legal pads, yellow colored * Treadmark from size-11 Skechers work shoe * Houseplant leaves: ficus and Aglaonema--Chinese evergreen * Coffee-mate
Where are you, Sachs? Where are you?
He stared at the charts, hypnotically, willing them to speak. But these scanty facts offered no more insights to Rhyme than had the innerCircle data to the SSD computer.
Sorry, no prediction can be made at this time. . . .
Chapter Forty-eight
A neighbor.
My visitor is a neighbor who lives up the block at number 697 West Ninety-first Street. He'd just gotten home from work. A package was supposedly dropped off but it wasn't there. The store thinks it might have been delivered to 679, my address. A misread of the numbers.
I frown and explain that nothing's been delivered. He should check with the store again. I want to cut his throat for interrupting my tryst with Amelia 7303 but, of course, I smile sympathetically.
He's sorry he's bothered me. Have a good day you too glad they've finished that street work aren't you. . . .
And now I'm back to thinking about my Amelia 7303. But, closing the front door, I feel the jolt of panic. I've suddenly realized that I took everything from her--phone and weapons and MACE and knife--except the handcuff key. It must be in her pocket.
This neighbor has distracted me. I know where he lives and he'll pay for it. But now I hurry back toward my Closet, pulling the razor from my pocket. Hurry! What's she doing inside? Is she making a call to tell Them where to find her?
She's trying to take it all away from me! I hate her. I hate her so much. . . .
*
The only progress Amelia Sachs had made in Gordon's absence was to control the panic.
She'd tried desperately to reach the key but her legs and arms remained frozen in the vise of newspaper and she couldn't get her hips in position to slip her hand inside her pocket.
Yes, the claustrophobia was at bay, but pain was rapidly replacing it. Cramps in her bent legs, a sharp corner of paper digging into her back.
Her hopes that the visitor was a source of salvation died. The door to the killer's hideaway opened once more. And she heard Gordon's footsteps. A moment later she looked up from her spot on the floor and saw him gazing at her. He walked around the mountain of paper, to the side, and squinted, noting that the cuffs were still intact.
He smiled in relief. "So I'm Number Five Twenty-Two."
She nodded, wondering how he'd found out their designation for him. Probably from torturing Captain Malloy, which made her all the angrier.
"I prefer a number that has a connection to something. Most digits are just random. There's too much randomness in life. That's the date you caught on to me, isn't it? Five Twenty-Two. That has significance. I like it."
"If you come in we'll cut a deal."
" 'Cut a deal'?" He gave an eerie, knowing laugh. "What kind of deal could anyone 'cut' me? The murders were premeditated. I'd never get out of jail. Come on." Gordon disappeared momentarily and returned with a plastic tarp, which he spread out on the floor in front of her.
Sachs stared at the brown-bloody sheet, heart thudding. Thinking of what Terry Dobyns had explained about hoarders, she realized he was worried about getting his collection stained with her blood.
Gordon got his tape recorder and set it on a nearby stack of papers, a short one, only three feet high. The top one was yesterday's New York Times. A number had been written precisely in the upper left-hand corner, 3,529.
Whatever he tried, he was going to hurt. She'd use her teeth or knees or feet. He was going to hurt bad. Get him close. Look vulnerable, look helpless.
Get him in close.
"Please! It hurts. . . . I can't move my legs. Help me straighten them out."
"No, you say you can't move your legs so I get close and you try to rip my throat out."
Exactly right.
"No . . . Please!"
"Amelia Seven Three Oh Three . . . Do you think I didn't look you up? The day you and Ron Forty-Two Eighty-Five came to SSD I went into the pens and checked you out. Your record's pretty revealing. They like you, by the way, in the department. I think you also scare them. You're independent, a loose cannon. You drive fast, you shoot well, you're a crime-scene specialist and yet somehow you've made it onto five tactical teams in the past two years. . . . So it wouldn't make much sense for me to get close without taking precautions, would it?"
She hardly heard his rambling. Come on, she thought. Get close. Come on!
He stepped aside and returned with a Taser stun gun.
Oh, no . . . no.
Of course. Being a security guard, he had a full arsenal of weapons. And he couldn't miss from this distance. He clicked the safety off the weapon and was stepping forward . . . when he paused, cocking his head.
Sachs too had heard some noise. A trickle of water?
No. Breaking glass, like a window shattering somewhere in the distance.
Gordon frowned. He took a step toward the door that led to the entryway closet--and suddenly flew backward as it crashed open.
A figure, holding a short metal crowbar, charged into the room, blinking to orient himself to the darkness.
Falling hard, the wind knocked from his lungs, Gordon dropped the Taser. Wincing, he climbed to his knees and reached for the weapon but the intruder swung the metal bar hard and caught him on the forearm. The killer screamed as bone cracked.
"No, no!" Then Gordon's eyes, tearing in pain, narrowed as he gazed at his attacker.
The man cried, "You're not so godlike now, are you? You motherfucker!" It was Robert Jorgensen, the doctor, the identity theft victim from the transient hotel. He brought the crowbar down hard on the killer's neck and shoulder, two-handed. Gordon's head slammed into the floor. His eyes rolled back and he collapsed, lying completely still.
Sachs blinked in astonishment at the doctor.
Who is he? He's God, and I'm Job. . . .
"Are you all right?" he asked, starting forward.
"Get these papers off me. Then take the cuffs off and put them on him. Hurry! The key's in my pocket."
Jorgensen dropped to his knees and began pulling the papers off.
"How did you get here?" she asked.
Jorgensen's eyes were wide, just like she remembered from the cheap hotel on the Upper East Side. "I've been following you ever since you came to see me. I've been living on the street. I knew you'd lead me to him." A nod back at Gordon, still immobile, breathing shallowly.
Jorgensen was gasping as he grabbed huge handfuls of paper and flung them away.
Sachs said, "You were the one following me. At the cemetery and the loading dock on the West Side."
"That was me, yes. Today I followed you from the warehouse to your apartment and the police station and then to that office building in Midtown, the gray one. Then here. I saw you go into the alley and then when you didn't come out, I wondered what had happened. I knocked on the door and he answered. I told him I was a neighbor looking for a delivery. I looked inside. I didn't see you. I pretended to leave but then I saw him go through the door in the living room with a razor."
"He didn't recognize you?"
A sour laugh as Jorgensen tugge
d his beard. "He probably only knew me from my driver's license photo. And that was taken when I bothered to shave--and could afford haircuts. . . . God, these are heavy."
"Hurry."
Jorgensen continued, "You were my best hope of finding him. I know you have to arrest him but I want some time with him first. You have to let me! I'm going to make him undo every bit of agony he's put me through."
The sensation began to return to her legs. She glanced toward where Gordon lay. "My front pocket . . . can you reach the key?"
"Not quite. Let me get some more off you."
More papers flew to the floor. One headline: DAMAGE FROM BLACKOUT RIOTS IN MILLIONS. Another: NO PROGRESS IN HOSTAGE CRISIS. TEHRAN: NO DEALS.
Finally she squirmed out from underneath the papers. She clumsily rose, on aching legs, as far as the cuffs would allow. She leaned unsteadily against another tower of paper and turned toward him. "The cuff key. Fast."
Reaching into her pocket, Jorgensen found the key and reached behind her. With a faint click one of the cuffs unlatched and she was able to stand. She turned to take the key from him. "Fast," she said. "Let's--"
A stunning gunshot sounded and she felt simultaneous taps on her hands and face as the bullet--fired by Peter Gordon from her own gun--struck Jorgensen in the back, spattering her with blood and tissue.
He cried out and slumped into her, knocking her backward and saving her from the second slug, which zipped past and cracked into the wall inches from her shoulder.
Chapter Forty-nine
Amelia Sachs had no choice. She had to attack. Immediately. Using Jorgensen's body as a shield, she lunged toward hunched-over, bleeding Gordon, grabbed the Taser from the floor and fired it in his direction.
The probes don't have the velocity of bullets and he fell backward just in time; the barbs missed. She snatched Jorgensen's metal bar and charged toward him. Gordon rose to one knee. But when she was just ten feet away he managed to bring the gun up and fire a round directly at her, just as she flung the bar at him. The bullet slammed into the American Body Armor vest. The pain was stunning but the round had struck her well below the solar plexus, where a hit would have knocked the breath from her lungs and paralyzed her.
The crowbar spun into his face, colliding with a nearly silent thonk, and he cried out in pain. He didn't go down, though, and still held the gun firmly. Sachs turned in the only direction she could flee--to her left--and sprinted through a canyon of artifacts filling the creepy place.