"Is that all?"
I was prepared for anything now.
"What the hell do you want?" he growled. "Ain't that enough?"
"How about fingerprints?"
"Nothing stirring! All we found belonged to the dead man."
"How about the machine he was found in?"
"A coupe belonging to a Dr. Wallace Girargo. He phoned in at six this evening that it had been stolen from near the corner of McAllister and Polk streets. We're checking up on him— but I think he's all right."
The things that Whipple and Charles Gantvoort had identified as belonging to the dead man told us nothing. We went over them carefully, but to no advantage. The memorandum book contained many entries, but they all seemed totally foreign to the murder. The letters were quite as irrelevant.
The serial number of the typewriter with which the murder had been committed had been removed, we found—apparently filed out of the frame.
"Well, what do you think?" O'Gar asked when we had given up our examination of our clews and sat back burning tobacco.
"I think we want to find Monsieur Emil Bonfils."
"It wouldn't hurt to do that," he grunted. "I guess our best bet is to get in touch with these five people on the list with Gantvoort's name. Suppose that's a murder list? That this Bonfils is out to get all of them?"
"Maybe. We'll get hold of them anyway. Maybe we'll find that some of them have already been killed. But whether they have been killed or are to be killed or not, it's a cinch they have some connection with this affair. I'll get off a batch of telegrams to the Agency's branches, having the names on the list taken care of. I'll try to have the three clippings traced, too."
O'Gar looked at his watch and yawned.
"It's after four. What say we knock off and get some sleep? I'll leave word for the department's expert to compare the typewriter with that letter signed E. B. and with that list to see if they were written on it. I guess they were, but we'll make sure. I'll have the park searched all around where we found Gantvoort as soon as it gets light enough to see, and maybe the missing shoe and the collar buttons will be found. And I'll have a couple of the boys out calling on all the typewriter shops in the city to see if they can get a line on this one."
I stopped at the nearest telegraph office and got off a wad of messages. Then I went home to dream of nothing even remotely connected with crime or the detecting business.
At eleven o'clock that same morning, when, brisk and fresh with five hours' sleep under my belt, I arrived at the police detective bureau, I found O'Gar slumped down at his desk, staring dazedly at a black shoe, half a dozen collar buttons, a rusty flat key, and a rumpled newspaper—all lined up before him.
"What's all this? Souvenir of your wedding?" "Might as well be." His voice was heavy with disgust. "Listen to this: one of the porters of the Seamen's National Bank found a package in the vestibule when he started cleaning up this morning. It was this shoe—Gantvoort's missing one—wrapped in this sheet of a five-day-old Philadelphia Record, and with these collar buttons and this old key in it. The heel of the shoe, you'll notice, has been pried off, and is still missing. Whipple identifies it all right, as well as two of the collar buttons, but he never saw the key before. These other four collar buttons are new, and common gold-rolled ones. The key don't look like it had had much use for a long time. What do you make of all that?"
I couldn't make anything out of it.
"How did the porter happen to turn the stuff in?"
"Oh, the whole story was in the morning papers—all about the missing shoe and collar buttons and all."
"What did you learn about the typewriter?" I asked.
"The letter and the list were written with it, right enough; but we haven't been able to find where it came from yet. We checked up the doc who owns the coupe, and he's in the clear. We accounted for all his time last night. Lagerquist, the grocer who found Gantvoort, seems to be all right, too. What did you do?"
"Haven't had any answers to the wires I sent last night. I dropped in at the Agency on my way down this morning, and got four operatives out covering the hotels and looking up all the people named Bonfils they can find—there are two or three families by that name listed in the directory. Also I sent our New York branch a wire to have the steamship records searched to see if an Emil Bonfils had arrived recently; and I put a cable through to our Paris correspondent to see what he could dig up over there."
"I guess we ought to see Gantvoort's lawyer—Abernathy—and that Dexter woman before we do anything else," the detective-sergeant said.
"I guess so," I agreed, "let's tackle the lawyer first. He's the most important one, the way things now stand."
Murray Abernathy, attorney-at-law, was a long, stringy, slow-spoken old gentleman who still clung to starched-bosom shirts. He was too full of what he thought were professional ethics to give us as much help as we had expected; but by letting him talk—letting him ramble along in his own way—we did get a little information from him. What we got amounted to this:
The dead man and Creda Dexter had intended being married the coming Wednesday. His son and her brother were both opposed to the marriage, it seemed, so Gantvoort and the woman had planned to be married secretly in Oakland, and catch a boat for the Orient that same afternoon; figuring that by the time their lengthy honeymoon was over they could return to a son and brother who had become resigned to the marriage.
A new will had been drawn up, leaving half of Gantvoort's estate to his new wife and half to his son and daughter-in-law. But the new will had not been signed yet, and Creda Dexter knew it had not been signed. She knew—and this was one of the few points upon which Abernathy would make a positive statement—that under the old will, still in force, everything went to Charles Gantvoort and his wife.
The Gantvoort estate, we estimated from Abernathy's roundabout statements and allusions, amounted to about a million and a half in cash value. The attorney had never heard of Emil Bonfils, he said, and had never heard of any threats or attempts at murder directed toward the dead man. He knew nothing—or would tell us nothing—that threw any light upon the nature of the thing that the threatening letter had accused the dead man of stealing.
From Abernathy's office we went to Creda Dexter's apartment, in a new and expensively elegant building only a few minutes' walk from the Gantvoort residence.
Creda Dexter was a small woman in her early twenties. The first thing you noticed about her were her eyes. They were large and deep and the color of amber, and their pupils were never at rest. Continuously they changed size, expanded and contracted—slowly at times, suddenly at others—ranging incessantly from the size of pinheads to an extent that threatened to blot out the amber irises.
With the eyes for a guide, you discovered that she was pronouncedly feline throughout. Her every movement was the slow, smooth, sure one of a cat; and the contours of her rather pretty face, the shape of her mouth, her small nose, the set of her eyes, the swelling of her brows, were all cat-like. And the effect was heightened by the way she wore her hair, which was thick and tawny.
"Mr. Gantvoort and I," she told us after the preliminary explanations had been disposed of, "were to have been married the day after tomorrow. His son and daughter-in-law were both opposed to the marriage, as was my brother Madden. They all seemed to think that the difference between our ages was too great. So to avoid any unpleasantness, we had planned to be married quietly and then go abroad for a year or more, feeling sure that they would all have forgotten their grievances by the time we returned.
"That was why Mr. Gantvoort persuaded Madden to go to New York. He had some business there —something to do with the disposal of his interest in a steel mill—so he used it as an excuse to get Madden out of the way until we were off on our wedding trip. Madden lived here with me, and it would have been nearly impossible for me to have made any preparations for the trip without him seeing them."
"Was Mr. Gantvoort here last night?" I asked her.
"No, I expected him—we were going out. He usually walked over—it's only a few blocks. When eight o'clock came and he hadn't arrived, I telephoned his house, and Whipple told me that he had left nearly an hour before. I called up again, twice, after that. Then, this morning, I called up again before I had seen the papers, and I was told that he—"
She broke off with a catch in her voice—the only sign of sorrow she displayed throughout the interview. The impression of her we had received from Charles Gantvoort and Whipple had prepared us for a more or less elaborate display of grief on her part. But she disappointed us. There was nothing crude about her work—she didn't even turn on the tears for us.
"Was Mr. Gantvoort here night before last?"
"Yes. He came over at a little after eight and stayed until nearly twelve. We didn't go out."
"Did he walk over and back?"
"Yes, so far as I know."
"Did he ever say anything to you about his life being threatened?"
"No."
She shook her head decisively.
"Do you know Emil Bonfils?"
"No."
"Ever hear Mr. Gantvoort speak of him?"
"No."
"At what hotel is your brother staying in New York?"
The restless black pupils spread out abruptly, as if they were about to overflow into the white areas of her eyes. That was the first clear indication of fear I had seen. But, outside of those tell-tale pupils, her composure was undisturbed.
"I don't know."
"When did he leave San Francisco?"
"Thursday—four days ago."
O'Gar and I walked six or seven blocks in thoughtful silence after we left Creda Dexter's apartment, and then he spoke.
"A sleek kitten—that dame! Rub her the right way, and she'll purr pretty. Rub her the wrong way—and look out for the claws!"
"What did that flash of her eyes when I asked about her brother tell you?" I asked.
"Something—but I don't know what! It wouldn't hurt to look him up and see if he's really in New York. If he is there today it's a cinch he wasn't here last night—even the mail planes take twenty-six or twenty-eight hours for the trip."
"We'll do that," I agreed. "It looks like this Creda Dexter wasn't any too sure that her brother wasn't La on the killing. And there's nothing to show that Bonfils didn't have help. I can't figure Creda being in on the murder, though. She knew the new will hadn't been signed. There'd be no sense in her working herself out of that three-quarters of a million berries."
We sent a lengthy telegram to the Continental's New York branch, and then dropped in at the Agency to see if any replies had come to the wires I had got off the night before.
They had.
None of the people whose names appeared on the typewritten list with Gantvoort's had been found; not the least trace had been found of any of them. Two of the addresses given were altogether wrong. There were no houses with those numbers on those streets—and there never had been.
What was left of the afternoon, O'Gar and I spent going over the street between Gantvoort's house on Russian Hill and the building in which the Dexters lived. We questioned everyone we could find—man, woman and child—who lived, worked, or played along any of the three routes the dead man could have taken.
We found nobody who had heard the shot that had been fired by Bonfils on the night before the murder. We found nobody who had seen anything suspicious on the night of the murder. Nobody who remembered having seen him picked up in a coupe.
Then we called at Gantvoort's house and questioned Charles Gantvoort again, his wife, and all the servants—and we learned nothing. So far as they knew, nothing belonging to the dead man was missing—nothing small enough to be concealed m the heel of a shoe.
The shoes he had worn the night he was killed were one of three pairs made in New York for him two months before. He could have removed the heel of the left one, hollowed it out sufficiently to hide a small object in it, and then nailed it on again; though Whipple insisted that he would have noticed the effects of any tampering with the shoe unless it had been done by an expert repairman.
This field exhausted, we returned to the Agency. A telegram had just come from the New York branch, saying that none of the steamship companies' records showed the arrival of an Emil Bonfils from either England, France, or Germany within the past six months.
The operatives who had been searching the city for Bonfils had all come in empty-handed. They had found and investigated eleven persons named Bonfils in San Francisco, Oakland, Berkeley, and Alameda. Their investigations had definitely cleared all eleven. None of these Bonfilses knew an Emil Bonfils. Combing the hotels had yielded nothing.
O'Gar and I went to dinner together—a quiet grouchy sort of meal during which we didn't speak six words apiece—and then came back to the Agency to find that another wire had come in from New York.
Madden Dexter arrived McAlpin Hotel this morning with Power of Attorney to sell Gantvoort interest in B. F. and F. Iron Corporation. Denies knowledge of Emil Bonfils or of murder. Expects to finish business and leave for San Francisco tomorrow.
I let the sheet of paper upon which I had decoded the telegram slide out of my fingers, and we sat listlessly facing each other across my desk looking vacantly each at the other, listening to the clatter of charwomen's buckets in the corridor.
"It's a funny one," O'Gar said softly to himself at last.
I nodded. It was.
"We got nine clews," he spoke again presently, "and none of them have got us a damned thing.
"Number one: the dead man called up you people and told you that he had been threatened and shot at by an Emil Bonfils that he'd had a run-in with in Paris a long time ago.
"Number two: the typewriter he was killed with and that the letter and list were written on. We're still trying to trace it, but with no breaks so far. What the hell kind of a weapon was that, anyway? It looks like this fellow Bonfils got hot and hit Gantvoort with the first thing he put his hand on. But what was the typewriter doing in a stolen car? And why were the numbers filed off it?"
I shook my head to signify that I couldn't guess the answer, and O'Gar went on enumerating our clews.
"Number three: the threatening letter, fitting in with what Gantvoort had said over the phone that afternoon.
"Number four: those two bullets with the crosses in their snoots.
"Number five: the jewel case.
"Number six: that bunch of yellow hair.
"Number seven: the fact that the dead man's shoe and collar buttons were carried away.
"Number eight: the wallet, with two ten-dollars bills, three clippings, and the list in it, found in the road.
"Number nine: finding the shoe next day, wrapped up in a five-day-old Philadelphia paper, and with the missing collar buttons, four more, and a rusty key in it.
"That's the list. If they mean anything at all, they mean that Emil Bonfils whoever he is —was flimflammed out of something by Gantvoort in Paris in 1902, and that Bonfils came to get it back. He picked Gantvoort up last night in a stolen car, bringing his typewriter with him—for God knows what reason! Gantvoort put up an argument, so Bonfils bashed in his noodle with the typewriter, and then went through his pockets, apparently not taking anything. He decided that what he was looking for was in Gantvoort's left shoe, so he took the shoe away with him. And then—but there's no sense to the collar button trick, or the phony list, or—"
"Yes there is!" I cut in, sitting up, wide awake now. "That's our tenth clew—the one we're going to follow from now on. That list was, except for Gantvoort's name and address, a fake. Our people would have found at least one of the five people whose names were on it if it had been on the level. But they didn't find the least trace of any of them. And two of the addresses were of street numbers that didn't exist!
"That list was faked up, put in the wallet with the clippings and twenty dollars—to make the play stronger—and planted in the road near the car to throw us of
f-track. And if that's so, then it's a hundred to one that the rest of the things were cooked up too.
"From now on I'm considering all those nine lovely clews as nine bum steers. And I'm going just exactly contrary to them. I'm looking for a man whose name isn't Emil Bonfils, and whose initials aren't either E or B; who isn't French, and who wasn't in Paris in 1902. A man who hasn't light hair, doesn't carry a .45-caliber pistol, and has no interest in Personal advertisements in newspapers. A man who didn't kill Gantvoort to recover anything that could have been hidden in a shoe or on a collar button. That's the sort of a guy I'm hunting for now!"
The detective-sergeant screwed up his little green eyes reflectively and scratched his head.
"Maybe that ain't so foolish!" he said. "You might be right at that. Suppose you are— what then? That Dexter kitten didn't do it—it cost her three-quarters of a million. Her brother didn't do it—he's in New York. And, besides, you don't croak a guy just because you think he's too old to marry your sister. Charles Gantvoort? He and his wife are the only ones who make any money out of the old man dying before the new will was signed. We have only their word for it that Charles was home that night. The servants didn't see him between eight and eleven. You were there, and you didn't see him until eleven. But me and you both believe him when he says he was home all that evening. And neither of us think he bumped the old man off—though of course he might. Who then?"
"This Creda Dexter," I suggested, "was marrying Gantvoort for his money, wasn't she? You don't think she was in love with him, do you?"
"No. I figure, from what I saw of her, that she was in love with the million and a half."
"All right," I went on. "Now she isn't exactly homely—not by a long shot. Do you reckon Gantvoort was the only man who ever fell for her?"
"I got you! I got you!" O'Gar exclaimed. "You mean there might have been some young fellow in the running who didn't have any million and a half behind him, and who didn't take kindly to being nosed out by a man who did. Maybe—maybe."
"Well, suppose we bury all this stuff we've been working on and try out that angle."