"It is not true, is it?"

  Nor did it occur to Andor to lie to her about it all; the thought of denial never for one moment entered his head. The fatalism peculiar to this Oriental race made the man scorn to shield himself behind a lie. Béla was now for ever silent; the young Count would scorn to speak! His own protestations in the ear of this loving, simple-minded girl, against the accusations of a woman of the despised race—jealous, bitter, avowedly half-crazy—needed only to be uttered in order to be whole-heartedly believed. But even the temptation to pursue such a course never assailed his soul. With the limitless sky above him, the vast immensity of the plains stretching out unbroken far away, with the land under his feet and the scent of the maize-stubble in his nostrils, he was too proud of himself as a man to stoop to such a lie.

  So when Elsa spoke to him and asked him that one straight and firm question, he raised his head and looked straight into her tear-dimmed eyes.

  "What, Elsa?" he asked quietly.

  "That you let Béla go to his death—just like that—as Klara said . . . that is not all true, is it?"

  [Pg 306]And as she returned his look—fearlessly and trustfully—she knew that the question which she had thus put to him was really an affirmation of what she felt must be the truth. But already Andor had raised his voice in hot and passionate protest.

  "He was a brute to you, Elsa," he affirmed with all the strength of his manhood, the power of his love, which, in spite of all, would not believe in its own misery; "he would have made you wretchedly unhappy . . . he . . ."

  "You did do it, then?" she broke in quietly.

  "I did it because of you, Elsa," he cried, and his own firm voice was now half-choked with sobs. "He made you unhappy even though you were not yet bound to him by marriage. Once you were his wife he would have made you miserable . . . he would have bullied you . . . beaten you, perhaps. I heard him out under the verandah speaking to you like the sneering brute that he was. . . . And then he kissed you . . . and I . . . But even then I didn't give him the key. . . . Klara lied when she said that. I didn't urge him to take it, even—I did not speak about the key. It was lying on the table where I had put it—he took it up—I did not give it him."

  "But you let him take it. You knew that he meant to visit Klara, and that Leopold was on the watch outside. Yet you let him go. . . ."

  "I let him go. . . . I was nearly mad then with rage at the way he had treated you all day. . . . His taking that key was a last insult put upon you on the eve of your wedding day. . . . The thought of it got into my blood like fire, when I saw his cruel leer and heard his sneers. . . . Later on, I thought better of it . . . calmer thoughts had got into my brain . . . reason, sober sense. . . . I had gone back to the presbytery, and meant to go to bed—I[Pg 307] went out, I swear it by God that I went out prepared to warn him, to help him if I could. The whole village was deserted, it was the hour of supper at the barn. I heard the church clock strike the half-hour after ten. I worked my way round to the back of Goldstein's house and in the yard I saw Béla lying—dead."

  "And you might have raised a finger to save him at first . . . and you didn't do it."

  "Not at first . . . and after that it was too late. . . ."

  "You have done a big, big wrong, Andor," she said slowly.

  "Wrong?" he cried, whilst once more the old spirit of defiance fired him—the burning love in him, the wrath at seeing her unhappy. "Wrong? Because I did not prevent one miserable brute being put out of the way of doing further harm? By the living God, Elsa, I do not believe that it was wrong. I didn't send him to his death, I did not see or speak to Leopold Hirsch, I merely let Fate or God Himself work His way with him. I did not say a word to him that might have induced him to take that key. He picked it up from the table, and every evil thought came into his head then and there. He didn't even care about Klara and a silly, swaggering flirtation with her, he only wanted to insult you, to shame you, to show you that he was the master—and meant to have his way in all things. . . . And this he did because—bar his pride in your beauty—he really hated you and meant to treat you ill. He meant to harm you, Elsa—my own dear dove . . . my angel from heaven . . . for whom I would have died, and would die to-day, if my death could bring you happiness. . . . I let him go and Leopold Hirsch killed him . . . if he had lived, he would have made your life one long misery. . . . Was it my fault that Leopold[Pg 308] Hirsch killed him?—killed him at the moment when he was trying to do you as great harm as he could? By God, Elsa, I swear that I don't believe it was my fault . . . it was the will of God—God would not punish me for not interfering with His will. . . . Why, it wouldn't be justice, Elsa . . . it wouldn't be justice."

  His voice broke in one agonized sob. He had put all his heart, all his feelings into that passionate appeal. He did not believe that he had done wrong, he had not on his soul the sense of the brand of Cain. Rough, untutored, a son of the soil, he saw no harm in sweeping out of the way a noisome creature who spreads evil and misery. And Elsa's was also a simple and untutored soul, even though in her calmer temperament the wilder passions of men had found no echo. True and steadfast in love, her mind was too simple to grasp at sophistry, to argue about right or wrong; her feelings were her guide, and even while Andor—burning with love and impatience—argued and clung desperately to his own point of view, she felt only the desire to comfort and to succour—above all, to love—she was just a girl—Andor's sweetheart and not his judge. God alone was that! God would punish if He so desired—indeed, He had punished already, for never had such sorrow descended in Andor's heart before, of that she felt quite sure.

  He became quite calm after awhile. Even his passion seemed to have died down under the weight of this immense sorrow.

  And the peace which comes from the plains when they are wrapped in the darkness of the night descended on the humble peasant-girl's soul; she saw things as they really were, not as men's turbulent desires would have them[Pg 309] be—above all, not as a woman's idealism would picture them.

  She no longer had the desire to run away—and if the distant, unknown land was to wrap and enfold her out of the ken of this real, cruel world, then it should enfold her and Andor together, and her love would wrap him and comfort him too.

  So now—when he had finished speaking, when his fervent appeal to God and to her had died down on his quivering lips—she came close up to him and placed her small, cool hand upon his arm.

  "Andor," she said gently; and her voice shook and was almost undistinguishable from the sweet, soft sounds that filled the limitless plain. "I am only an ignorant peasant-girl—you and I are only like children, of course, beside the clever people who can argue about such things. But this I do know, that there is no sin in the world so great but it can be blotted out and forgiven. You may have done a big, big, wrong, Andor—or perhaps you are not much to blame . . . I don't know how that is . . . Pater Bonifácius will tell you, no doubt, when next you make your confession to him. . . . But I am too ignorant to understand . . . the plains have taught me all I know . . . and . . . and . . . I shall always love you, Andor . . . and not judge what you have done. . . . God will do that. . . . I can only love you. . . . That is all!"

  Her voice died away in the soughing of the wind. For a moment or two he stood beside her—not daring to speak—or to move—or to take that cool, little white hand in his and kiss it—for now she seemed to him more pure than she had ever been—almost holy—like a saint—hallowed by the perfect selflessness of her love.

  [Pg 310]And as he stood beside her—with head bent and throat choked with sobs of infinite happiness—the darkness of the night fell wholly upon the plain. Nothing around but just this darkness, filled with all the sounds of hidden, pulsating life; overhead the clouds chased one another ceaselessly and restlessly, and from far away the dull murmur of the water came as a faint and rumbling echo.

  Andor could no longer see Elsa now, not even her silhouette; but her hand was still on his arm, and he felt the nearnes
s of her presence, and knew that henceforth, throughout the years that were to come, a happiness such as he had never even dared to dream of would be his and hers too, until the day when they would leave the beautiful, mysterious plains for that hidden land beyond the glowing horizon, beyond the rosy dawn and the crimson sunset.

  Andor slowly fell on his knees and pressed his burning lips on the small, white hand. Just then in the east there was a rent in the clouds, a lining of silver appeared behind the darkness; the rent became wider and ever wider; the silver turned to lemon-gold, and slowly, majestically, the waning moon—honey-coloured and brilliant—emerged triumphantly, queening it over the plain.

  The silvery radiance lit up the vast, silent expanse of nothingness, the huge dome of the sky, the limitless area of stubble and stumps of hemp and dead sunflowers, and where the mysteries of the earth merged in those of the sky—it touched with its subtle radiance that unknown land on the horizon, far away, which no child of the plain has ever reached as yet.

  And from the distant village came softly sounding the tinkle of the church bell, tolling for evening prayer.

  [Pg 311]Hand in hand, Andor and Elsa wandered back to the village—together—hand in hand with memory—hand in hand in never-fading love and understanding and simple trust—hand in hand upon the bosom of the illimitable plain.

  * * *

  Transcriber's note:

  Some names were spelled inconsistently in the original text. All occurrences of "Benko" have been corrected to "Benkó", "Bonifacius" has been corrected to "Bonifácius", and "Hohér" has been corrected to "Hóhér".

  In addition, the following typographical errors have been corrected.

  In Chapter XX, "violent and suddent" was changed to "violent and sudden".

  In Chapter XXI, "wont . . . won't you sit down?" was changed to "won't . . . won't you sit down?"

  In Chapter XXV, "make Andor giddy" was changed to "made Andor giddy".

  In Chapter XXVIII, a missing period was added after "quietly laid to rest".

  * * *

  ***END OF THE PROJECT GUTENBERG EBOOK A BRIDE OF THE PLAINS***

  ******* This file should be named 29106-h.txt or 29106-h.zip *******

  This and all associated files of various formats will be found in:

  http://www.gutenberg.org/2/9/1/0/29106

  Updated editions will replace the previous one--the old editions will be renamed.

  Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution.

  *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://www.gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or d
etach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email [email protected] Email contact links and up to date contact information can be found at the Foundation's web site and official page at
http://www.gutenberg.org/about/contact For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected] Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit http://www.gutenberg.org/fundraising/pglaf While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: http://www.gutenberg.org/fundraising/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart is the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Each eBook is in a subdirectory of the same number as the eBook's eBook number, often in several formats including plain vanilla ASCII, compressed (zipped), HTML and others. Corrected EDITIONS of our eBooks replace the old file and take over the old filename and etext number. The replaced older file is renamed. VERSIONS based on separate sources are treated as new eBooks receiving new filenames and etext numbers. Most people start at our Web site which has the main PG search facility: http://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks. EBooks posted prior to November 2003, with eBook numbers BELOW #10000, are filed in directories based on their release date. If you want to download any of these eBooks directly, rather than using the regular search system you may utilize the following addresses and just download by the etext year. http://www.gutenberg.org/dirs/etext06/ (Or /etext 05, 04, 03, 02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90) EBooks posted since November 2003, with etext numbers OVER #10000, are filed in a different way. The year of a release date is no longer part of the directory path. The path is based on the etext number (which is identical to the filename). The path to the file is made up of single digits corresponding to all but the last digit in the filename. For example an eBook of filename 10234 would be found at: http://www.gutenberg.org/dirs/1/0/2/3/10234 or filename 24689 would be found at: http://www.gutenberg.org/dirs/2/4/6/8/24689 An alternative method of locating eBooks: http://www.gutenberg.org/dirs/GUTINDEX.ALL *** END: FULL LICENSE ***