All our Love,
RUTH MALLORY (Miss)
So—Little Madeline, with her man at last. Poor creature, four years was a long engagement, more worrisome still when betrothed to a soldier in a tropical pest-hole like India. She had taken his ring at eighteen, and was now all of twenty-two. A long engagement was a cruel thing to ask of a young and lively girl, and Mallory had seen, in his last visit, that the ordeal had sharpened Madeline’s tongue and temper, and made her almost a trial to the household. Soon there would be no one left at home to look after the old folks but little Ruthie. And when Ruth married—well, he would consider that matter in due time. Mallory rubbed his sweating beard. Madeline had had life harder than Ernestina, or Agatha, or Dorothy. She should have something fine for herself, Mallory resolved. A wedding-gift that would prove that she had put an end to her unhappy time.
Mallory took the letter-basket to his room, piled the mail on the floor beside his overflowing bureau, and left the Palace, dropping the basket at the desk on his way out.
A group of Quakers, men and women, stood on the pavement outside the Palace. They were droning another of their intolerable sermonizing ditties, something about a “railway to Heaven,” by the sound of it. The song did not seem to have much to do with Evolution, or blasphemy, or fossils; but perhaps the sheer monotony of their bootless protests had exhausted even the Quakers. He hurried past them, ignoring their proffered pamphlets. It was hot, uncommon hot, beastly hot. There was not a ray of sun, but the air was mortally still and the high cloudy sky had a leaden, glowering look, as if it wanted to rain but had forgotten the trick of it.
Mallory walked down Gloucester Road to the corner of Cromwell. There was a fine new equestrian statue of Cromwell at the intersection; Cromwell was a great favorite of the Rads. And there were ’buses too, six an hour, but they were all crammed to the gunwales. No one wanted to walk in weather like this.
Mallory tried the Gloucester Road underground, by the corner of Ashburn Mews. As he prepared to descend the stairs a thin crowd came up at a half-run, fleeing a reek of such virulence that it stopped him in his tracks.
Londoners were used to odd smells from their undergrounds, but this stench was clearly of another order entirely. Compared to the sullen heat of the streets, the air was chill, but it had a deathly scent, like something gone rotten in a sealed glass jar. Mallory went to the ticket-office; it was closed, with a sign up saying WE APOLOGIZE FOR THE INCONVENIENCE. No mention of the actual nature of the problem.
Mallory turned. There were horse-drawn cabs at Bailey’s Hotel, across Courtfield Road. He prepared to cross the street, but then noticed a cab waiting quite near him at the curb, apparently idle. Signaling the driver, he went to the door. There was a passenger still inside the cab. Mallory waited politely for the man to debark. Instead, the stranger, seeming to resent Mallory’s gaze, pressed a kerchief to his face and half-sunk below the level of the window. He began coughing. Perhaps the man was ill, or had just come up from the underground and not yet caught his breath.
Annoyed, Mallory crossed the street and engaged a cab at Bailey’s. “Piccadilly,” he ordered. The driver clicked to his sweating nag and they rolled east up Cromwell Road. Once under-way, with a faint breeze at the window, the heat became less oppressive and Mallory’s spirits rose. Cromwell Road, Thurloe Place, Brompton Road—in their vast rebuilding schemes, the Government had reserved these sections of Kensington and Brompton to a vast concourse of Museums and Royal Society Palaces. One by one they passed his window in their sober majesty of cupolas and colonnades: Physics, Economics, Chemistry.… One might complain of some Radical innovations, Mallory mused, but there was no denying the sense and justice of fine headquarters for scholars engaged in the noblest work of mankind. Surely, in their aid to Science, the Palaces had repaid the lavish cost of their construction at least a dozen times.
Up Knightsbridge and past Hyde Park Corner to the Napoleon Arch, a gift from Louis Napoleon to commemorate the Anglo-French Entente. The great iron arch, with its lavish skeleton of struts and bolting, supported a large population of winged cupids and draperied ladies with torches. A handsome monument, Mallory thought, and in the latest taste. Its elegant solidity seemed to deny that there had ever been a trace of discord between Great Britain and her staunchest ally, Imperial France. Perhaps, thought Mallory wryly, the “misunderstandings” of the Napoleonic Wars could be blamed on the tyrant Wellington.
Though London possessed no monuments to the Duke of Wellington, it sometimes seemed to Mallory that unspoken memories of the man still haunted the city, an unlaid ghost. Once, the great victor of Waterloo had been exalted here, as the very saviour of the British nation; Wellington had been ennobled, and had held the highest office in the land. But in modern England he was vilified as a swaggering brute, a second King John, the butcher of his own restless people. The Rads had never forgotten their hatred for their early and formidable enemy. A full generation had passed since Wellington’s death, but Prime Minister Byron still often spattered the Duke’s memory with the acid of his formidable eloquence.
Mallory, though a loyal Radical Party man, was unconvinced by mere rhetorical abuse. He privately entertained his own opinion of the long-dead tyrant. On his first trip to London at the age of six, Mallory had once seen the Duke of Wellington—passing in his gilded carriage in the street, with a clopping, jingling escort of armed cavalry. And the boy Mallory had been vastly impressed—not simply by that famous hook-nosed face, high-collared and whiskered, groomed and stern and silent—but by his own father’s awestruck mix of fear and pleasure at the Duke’s passage.
Some faint tang of that childhood visit to London—in 1831, the first year of the Time of Troubles, the last of England’s old regime—still clung to Mallory whenever he saw the capital. Some few months later, in Lewes, his father had cheered wildly when news came of Wellington’s death in a bomb atrocity. But Mallory had secretly wept, stirred to bitter sorrow for a reason he could not now recall.
His seasoned judgment saw the Duke of Wellington as the outmoded, ignorant victim of an upheaval beyond his comprehension; more Charles the First than King John. Wellington had foolishly championed the interests of declining and decadent Tory blue-bloods, a class destined to be swept from power by the rising middle-class and the savant meritocrats. But Wellington himself had been no blue-blood; he had once been plain Arthur Wellesley, of rather modest Irish origin.
Further, it seemed to Mallory that as a soldier, Wellington had displayed a very praiseworthy mastery of his craft. It was only as a civil politician, and a reactionary Prime Minister, that Wellington had so thoroughly misjudged the revolutionary tenor of the coming age of industry and science. He had paid for that lack of vision with his honor, his power, and his very life.
And the England that Wellington had known and misruled, the England of Mallory’s childhood, had slid through strikes, manifestos, and demonstrations, to riots, martial law, massacres, open class-warfare, and near-total anarchy. Only the Industrial Radical Party, with their boldly rational vision of a comprehensive new order, had saved England from the abyss.
But even so, Mallory thought. Even so, there should be a monument somewhere.…
The cabriolet rolled up Piccadilly, passing Down Street, Whitehorse Street, Half-Moon Street. Mallory thumbed through his address-book, and found Laurence Oliphant’s carte-de-visite. Oliphant lived on Half-Moon Street. Mallory had half a mind to stop the cab and see if Oliphant were at home. If, unlike most posh courtiers, Oliphant perhaps rose before ten, he might have something like a bucket of ice in his household and perhaps a drop of something to open the pores. The thought of boldly interrupting Oliphant’s day, and perhaps surprising him at some covert intrigue, was a pleasant one to Mallory.
But first things first. Perhaps he would try Oliphant when his errand was done.
Mallory stopped the cab at the entrance to the Burlington Arcade. The gigantic iron-framed ziggurat of Fortnum & Mason lurked across the street,
amid an array of jewelers and exclusive shops. The cabbie severely overcharged him, but Mallory took no notice, being in an expansive mood. It seemed the cabbies were imposing on everyone. Some small distance down Piccadilly, another man had leapt from his cab and was arguing, in a vulgar fashion, with his driver.
Mallory had found nothing to equal shopping in its gratifying demonstration of the power of his new-found wealth. He had won his money through an act of half-mad bravado, but the secret of its origin was safe with him. London’s credit-machines clicked for the vaporous profits of gambling as readily as they did for the widow’s mite.
So what was it to be? This giant iron vase, with octagonal base, with eight open-work screens hanging before its fluted pedestal, giving a singular lightness and elegance to the entire object? This carved box-wood bracket with sculpted canopy, the intended mounting of a Venetian-glass thermometer? This ebony salt-cellar enriched with columns and elaborate sunken panels, accompanied by a silver salt-spoon rich with trefoils, oak-leaves, a spiral-girded stem, and the monogram of one’s choice?
Within J. Walker & Co., a small but marvelously tasteful establishment amid the bay-windowed shops of the famed Arcade, Mallory discovered a gift that seemed to him perfectly apt. It was an eight-day clock which struck the quarters and hours on fine cathedral-tone bells. The timepiece, which also displayed the date, the day of the week, and the phases of the moon, was an outstanding piece of British precision craftsmanship, though naturally the elegant clock-stand would claim more admiration from the mechanically undiscerning. The stand, of the finest lacquered papier-mâché inlaid with turquoise-blue glass, was surmounted by a group of large gilt figures. These represented a young and decidedly attractive Britannia, very lightly robed, admiring the progress made by Time and Science in the civilization and happiness of the people of Britain. This laudable theme was additionally illustrated by a series of seven graven scenes, revolving weekly on hidden gear-work within the clock’s base.
The price was nothing less than fourteen guineas. It seemed that an item of this artistic rarity could not be denominated in simple pounds-shillings-and-pence. The crass pragmatic thought struck Mallory that the happy couple might be better served with a jingling handful of fourteen guineas. But the money would soon go, as money always did when one was young. A fine clock like this one might adorn one’s home for generations.
Mallory bought the clock with cash, refusing the offer of credit, with a year to pay. The clerk, a supercilious elderly man, sweating into a starched Regency collar, demonstrated the system of cork chocks that secured the gear-work from the exigencies of travel. The clock was provided with a latched and handled case, lined with form-fitting cork under burgundy velvet.
Mallory knew he could never wedge his prize into a crowded steam-bus. He would have to hire another cabriolet, and lash the clock-case to its roof. A bothersome proposition, London being haunted by the young thieves known as “dragsmen,” monkey-like rascals who leapt with saw-tooth dirks onto the roofs of passing carriages, to cut the leather straps securing luggage. By the time the cab pulled to a stop, the thieves would have scampered scot-free into the depths of some evil rookery, passing their swag from hand to hand until the private contents of the victim’s valise ended up in a dozen rag-and-bone shops.
Mallory lugged his purchase through the far gate of the Burlington Arcade, where the constable on guard gave him a cheery salute. Outside, in Burlington Gardens, a young man in a dented hat and shabby, greasy coat, who had been sitting apparently much at his ease on the rim of a cement planter, rose suddenly to his feet.
The shabby young man limped toward Mallory, his shoulders slumped in theatrical despair. He touched the brim of his hat, essayed a pathetic smile, and began to speak to Mallory, all in one breath. “I ask your pardon sir but if you would excuse the liberty of being so addressed in the public street by one who is almost reduced to rags though it has not always been so and by no fault of my own but through ill health in my family and many unmerited sufferings it would be a great obligation sir to know the time.”
The time? Could this man somehow know that Mallory had just purchased a large clock? But the shabby man paid no attention to Mallory’s sudden confusion, for he continued on eagerly, in the same insinuating monotone.
“Sir it is not begging that is my intention for I was brought up by the best of mothers and begging is not my trade I should not know how to follow such a trade if such were my shameful wish for I would sooner die of deprivation but sir I implore you in the name of charity to allow me the honor of acting as your porter to carry that case that burdens you for whatever price that your humanity may put upon my services—”
The shabby man broke off short. He looked, wide-eyed, over Mallory’s shoulder, his mouth assuming a sudden tight-clamped, pinchy look, like a seamstress biting off a thread. The shabby man took three careful steps backward, slowly, keeping Mallory between himself and whatever it was that he saw. And then he turned directly on his flapping, newspaper-stuffed heels and walked swiftly away, without any limp, into the crowded sidewalks of Cork Street.
Mallory turned at once and looked behind him. There was a tall, long-shanked, slender man behind him, with a button-nose and long side-whiskers, in a short Albert coat and plain trousers. Even as Mallory’s gaze caught him, the man raised a handkerchief to his face. He coughed, in a gentlemanly way, then he dabbed at his eyes a bit. Then he seemed, with a sudden theatrical start, to have recalled something he had forgotten. He turned away, and began to wander back toward the Burlington Arcade. He had not once looked straight at Mallory.
Mallory himself took a sudden pretended interest in the clasps of his clock-case. He set his case down, bent, and looked at the bits of shiny brass with his mind racing and a chill in his spine. The rascal’s handkerchief trick had given him away. Mallory recognized him now as the man he had seen by the underground station in Kensington; the coughing gent, who would not give up his cab. What’s more, thought Mallory, his mind hot with insight, the coughing gent was also the rude man who’d argued with the cabbie about his fare, in Piccadilly. He had followed Mallory the whole distance from Kensington. He was trailing him.
Mallory seized his clock-case in a fierce grip and began to walk quietly down Burlington Gardens. He turned right on Old Bond Street. His nerves were tingling now, with a stalker’s instinct. He had been a fool to turn and stare at first. Perhaps he had given himself away to his pursuer. Mallory did not turn and look again, but ambled along with his best pretense at leisure. He paused before a jeweler’s velvet racks of cameos and bracelets and evening tiaras for Her Ladyship, and watched the street behind him, in the iron-barred shining glass.
He saw the Coughing Gent reappear almost at once. The man hung well back for the moment, careful to keep groups of London shoppers between himself and Mallory. The Coughing Gent was perhaps thirty-five, with a bit of grey in his side-whiskers, and a dark machine-stitched Albert coat that did not look like anything remarkable. His face was that of anyone in London, perhaps a little heavier, a little colder in the eyes, with a grimmer mouth beneath the button-nose.
Mallory took another turn, left up Bruton Street, his clock-case growing more awkward by the step. The shops here lacked conveniently angled glass. He doffed his hat to a pretty woman, and pretended to glance back at her ankles. The Coughing Gent was still with him.
Perhaps the Coughing Gent was a confederate of the tout and his woman. A hired ruffian; a murderer, with a derringer in the pocket of that Albert coat. Or a vial of vitriol. The hair rose at the base of Mallory’s skull, anticipating the sudden impact of the assassin’s bullet, the wet burning splash of corrosion.
Mallory began to walk more quickly, the case banging painfully against his leg. Into Berkeley Square, where a small steam-crane, chugging gamely between a pair of splintered plane-trees, swung a great cast-iron ball into a crumbling Georgian facade. A crowd of spectators was enjoying the sight. He joined them behind the saw-horse barricade, amid the a
crid smell of ancient plaster, and sensed a moment’s safety. He spied out the Coughing Gent with a sidelong glance. The fellow looked sinister enough, and anxious, having lost Mallory in the crowd for the time being. But he did not seem mad with hatred, or nerved to kill; he was glancing about among the legs of the spectators, hunting for Mallory’s clock-case.
Here was a chance to lose the rascal. Mallory made a swift break down the length of the Square, taking advantage of the cover of the trees. At the Square’s far end he turned down Charles Street, lined right and left with enormous eighteenth-century houses. Lordly homes, their ornate iron-work hung with modern coats-of-arms. Behind him a sumptuous gurney emerged from its carriage-house, giving Mallory the chance to stop, and turn, and study the street.
His gambit had failed. The Coughing Gent was mere yards behind, a bit winded perhaps and red-faced in the sullen heat, but not deceived. He was waiting for Mallory to move again, careful not to look at him. Instead, he gazed with apparent longing at the entrance of a public-house named I Am the Only Running Footman. It occurred to Mallory to double back and enter the Running Footman, where he might lose the Coughing Gent in the crowd. Or perhaps he could leap, at the last moment, onto a departing omnibus—if he could cram his precious case aboard.