I paused to listen at the bend in the staircase that led down into the hall, and stood so still that even the candle flames stood upright, like a little grove of orange cypress trees. I could hear nothing. I let my breath out slowly in a sigh of relief, rounded the corner and saw the one thing I had forgotten, the tall pier-glass that hung at the foot of the stairs.

  In my horror I nearly dropped the candelabra. I gripped it more firmly in my sweating hands. The mirror hung there, innocently on the wall, reflecting nothing more alarming than the flight of steps I was about to descend. All was quiet. I prayed that the thing was still upstairs snuffling around in the wreckage of a dozen broken mirrors. Slowly I started to descend the stairs. Half-way down, I stopped suddenly paralysed with fear, for reflected in the top of the minor, descending as I was towards the hall, appeared the bare, misshapen feet of the creature.

  I felt panic-stricken and did not know what to do. I knew that I should break the minor before the creature had descended to the level where it could see me, but to do this I would have to throw the candelabra at the mirror to shatter it and this would leave me in the dark. And supposing I missed? To be trapped on the stairs, in the dark, by that monstrous thing was more than I could stand. I hesitated, and hesitated too long, for with surprising speed, the limping creature descended the stairs, using the stick in one hand to support it while the other ghastly hand clasped the banister rail, the opal ring glinting as it moved. Its head and decaying face came into view and it glared through the mirror at me and snarled. Still I could do nothing. I stood rooted to the spot, holding the candles high, unable to move.

  It seemed to me more important that I should have light so that I could see what the thing was doing, than that I should use the candelabra to break the minor. The creature drew back its emaciated arm, lifted the stick high and brought it down. There was a splintering crash, the minor splinters became opaque, and through the falling glass the creature’s arm appeared. More glass fell, until it was all on the floor and the frame was clear. The creature, snuffling and whining eagerly, like a dog that had been shown a plate of food, stepped through the mirror and, its feet scrunching and squeaking, trod on the broken glass. Its blazing eyes fixed upon me, it opened its mouth and uttered a shrill, gargling cry of triumph, the saliva flowed out of the decomposing ruins of its cheeks. I could hear its teeth squeak together as it ground them.

  It was such a fearful sight that I was panicked into making a move. Praying that my aim would be sure I raised the heavy candelabra and hurled it down at the creature. For a moment it seemed as though the candelabra hung in mid-air, the flames still on the candles, the creature standing in the wreckage of the mirror, glaring up at me; then the heavy ornate weapon struck it. As the candles went out I heard the soggy thud and the grunt that the creature gave, followed by the sound of the candelabra hitting the marble floor and of a body falling. Then there was darkness and complete silence.

  I could not move. I was shaking with fear and at any minute expected to feel those hideous white hands fasten around my throat or round my ankles. Nothing happened. How many minutes I stood there I do not know. At length I heard a faint, gurgling sigh and then there was silence again. I waited, immobile in the darkness, and still nothing happened. Taking courage I felt in my pocket for the matches. My hands were shaking so much that I could hardly strike one, but at length I succeeded. The feeble light it threw was not enough for me to discern anything except that the creature lay huddled below the mirror, a hunched heap that looked very dark in the flickering light. It was either unconscious or dead, I thought, and then cursed as the match burnt my hand and I dropped it. I lit another and made my way cautiously down the stairs. Again the match went out before I reached the bottom and I was forced to pause and light another one. I bent over the thing, holding out the match and then recoiled with sudden horror at what I saw.

  Lying with his head in a pool of blood was Gideon.

  I stared down at his face in the flickering light of the match, my senses reeling. He was dressed as I had last seen him. His astrakhan hat had fallen from his head, and the blood had gushed from his temple where the candelabra had hit him. I felt for his heart-beat and his pulse, but he was dead. His eyes, now lacking the fire of his personality, gazed blankly up at me. I re-lit the candles and then sat on the stairs and tried to work it out. I am still trying to work it out today.

  I will spare my readers the details of my subsequent arrest and my trial. All those who read newspapers will remember my humiliation; how they would not believe (particularly as they found the strangled-and half-eaten corpses of the dog, the cat and the birds) that after the creature had appeared we had merely become the reflections in its mirror. If I was baffled to find an explanation you may imagine how the police treated the whole affair. The newspapers called me the ‘Monster of the Gorge’, and were shrill in calling for my blood. The police, dismissing my story of the creature, felt they had enough evidence in the fact that Gideon had left me a large sum of money in his will.

  In vain I protested that it was I, at God knows what cost to myself, who had fought my way through the snow to summon help. For the police, disbelievers in witchcraft (as indeed I had been before this), the answer was simple: I had killed my friend for money and then made up this tarradiddle about the creature in the mirror.

  The evidence was too strongly against me and the uproar of the Press, fanning the flames of public opinion, seaIed my fate. I was a monster and must be punished. So I was sentenced to death, to die beneath the blade of the guillotine. Dawn is not far away, and it is then that I am to die. I have whiled away the time writing down this story in the hope that anyone who reads it might believe me. I have never fancied death by the guillotine: it has always seemed to me to be a most barbarous means of putting a man to death. I am watched, of course, so I cannot cheat what the French, with macabre sense of humour, call ‘the widow’. But I have been asked if I have a last request, and they have agreed to let me have a full-length mirror to dress myself for the occasion. I shall be interested to see what will happen.

  Here the manuscript ended. Written underneath, in a different hand, was the simple statement: The prisoner was found dead in front of the mirror. Death was due to heart failure. Dr Lepitre.

  The thunder outside was still tumultuous and the lightning lit up the room at intervals. I am not ashamed to say I went and hung a towel over the mirror on the dressing table. Then, picking up the bulldog, I got back into bed and snuggled down with him.

  A MESSAGE FROM

  THE DURRELL WILDLIFE CONSERVATION TRUST

  The end of this book isn’t the end of Gerald Durrell’s story. The various experiences you have just read about gave impetus and inspiration to his lifetime crusade to preserve the rich diversity of animal life on this planet.

  Although he died in 1995, the words of Gerald Durrell in this and his other books will continue to inspire people everywhere with love and respect for what he called ‘this magical world’. His work goes on through the untiring efforts of the Durrell Wildlife Conservation Trust.

  Over the years many readers of Gerald Durrell’s books have been so motivated by his experiences and vision that they have wanted to continue the story for themselves by supporting the work of his Trust. We hope that you will feel the same way today because through his books and life, Gerald Durrell set us all a challenge. ‘Animals are the great voteless and voiceless majority,’ he wrote, ‘who can only survive with our help.’

  Please don’t let your interest in conservation end when you turn this page. Write to us now and we’ll tell you how you can be part of our crusade to save animals from extinction. For further information, or to send a donation, write to:

  Durrell Wildlife Conservation Trust

  Les Augrès Manor

  La Profonde Rue

  Trinity

  Jersey, Channel Islands

  JE3 5
BP

  Or visit the website:

  www.durrell.org

  First published in 1979 by Collins

  This edition published 2011 by Bello

  an imprint of Pan Macmillan, a division of Macmillan Publishers Limited

  Pan Macmillan, 20 New Wharf Road, London N1 9RR

  Basingstoke and Oxford

  Associated companies throughout the world

  www.panmacmillan.com/imprints/bello

  www.curtisbrown.co.uk

  ISBN 978-1-4472-1418-2 EPUB

  ISBN 978-1-4472-1417-5 POD

  Copyright © Gerald Durrell, 1979

  The right of Gerald Durrell to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988.

  Every effort has been made to contact the copyright holders of the material reproduced in this book. If any have been inadvertently overlooked, the publisher will be pleased to make restitution at the earliest opportunity.

  You may not copy, store, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or by any means (electronic, digital, optical, mechanical, photocopying, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages.

  The Macmillan Group has no responsibility for the information provided by any author websites whose address you obtain from this book (‘author websites’). The inclusion of author website addresses in this book does not constitute an endorsement by or association with us of such sites or the content, products, advertising or other materials presented on such sites.

  A CIP catalogue record for this book is available from the British Library.

  This book remains true to the original in every way. Some aspects may appear out-of-date to modern-day readers. Bello makes no apology for this, as to retrospectively change any content would be anachronistic and undermine the authenticity of the original. Bello has no responsibility for the content of the material in this book. The opinions expressed are those of the author and do not constitute an endorsement by, or association with, us of the characterisation and content.

  Visit www.panmacmillan.com to read more about all our books and to buy them. You will also find features, author interviews and news of any author events, and you can sign up for e-newsletters so that you’re always first to hear about our new releases.

 


 

  Gerald Durrell, The Picnic and Suchlike Pandemonium

 


 

 
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