KIT’S
WILDERNESS
KIT’S
WILDERNESS
David Almond
DELACORTE PRESS
CONTENTS
Title Page
Dedication
Part One: Autumn
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Part Two: Winter
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Part Three: Spring
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Reading Group Guide
A Note from the Author
A Conversation with David Almond
Other Books by David Almond
Copyright
For Sara Jane
PART ONE
* * *
Autumn
They thought we had disappeared, and they were wrong. They thought we were dead, and they were wrong. We stumbled together out of the ancient darkness into the shining valley. The sun glared down on us. The whole world glistened with ice and snow. We held our arms against the light and stared in wonder at each other. We were scorched and blackened from the flames. There was dried blood on our lips, cuts and bruises on our skin. Our eyes began to burn with joy and we laughed, and touched each other and started to walk down together toward Stoneygate. Down there, our neighbors were digging for us in the snow. Policemen were dragging the riverbed for us. The children saw us first and started running. Their voices echoed with astonishment and joy: Here they are! Oh, here they are! They clustered around us. They watched us as we were ghosts, or creatures from some weird dream. Here they are! they whispered. Look at them. Look at the state of them!
Yes, here we were, the children who had disappeared, brought back into the world as if by magic. John Askew, the blackened boy with bone necklaces and paintings on him; Allie Keenan, the good-bad ice girl with silver skin and claws; the wild dog Jax; and me, Kit Watson, with ancient stories in my head and ancient pebbles in my palm.
We kept on walking toward our homes with the children whispering and giggling at our side. We smiled and smiled. Who could have known that we would walk together with such happiness, after all we’d been through? At times it seemed that there would be no end to it, that there would just be darkness, that there would be no light. It started with a game, a game we played in the autumn. I played it first on the day the clocks went back.
In Stoneygate there was a wilderness. It was an empty space between the houses and the river, where the ancient pit, the mine, had been. That’s where we played Askew’s game, the game called Death. We used to gather at the school’s gates after the bell had rung. We stood there whispering and giggling. After five minutes, Bobby Carr told us it was time and he led us through the wilderness to Askew’s den, a deep hole dug into the earth with old doors slung across it as an entrance and a roof. The place was hidden from the school and from the houses of Stoneygate by the slope and by the tall grasses growing around it. The wild dog Jax waited for us there. When Jax began to growl, Askew drew one of the doors aside. He looked out at us, checked the faces, called us down.
We stumbled one by one down the crumbling steps. We crouched against the walls. The floor was hard-packed clay. Candles burned in niches in the walls. There was a heap of bones in a corner. Askew told us they were human bones, discovered when he’d dug this place. There was a blackened ditch where a fire burned in winter. The den was lined with dried mud. Askew had carved pictures of us all, of animals, of the dogs and cats we owned, of the wild dog Jax, of imagined monsters and demons, of the gates of Heaven and the snapping jaws of Hell. He wrote into the walls the names of all of us who’d died in there. My friend Allie Keenan sat across the den from me. The blankness in her eyes said: You’re on your own down here.
Askew wore black jeans, black sneakers, a black T-shirt with “Megadeth” in white across it. He lit a cigarette and passed it round the ring. He passed around a jug of water that he said was special water, collected from a spring that had its source in the blocked-up tunnels of the ancient coal mine far below. He crouched at the center, sharpening his sheath knife on a stone. His dark hair tumbled across his eyes, his pale face flickered in the candlelight.
“You have come into this ancient place to play the game called Death,” he whispered.
He laid the knife at the center on a square of glass. He eyed us all. We chewed our lips, held our breath, our hearts thudded. Sometimes a squeak of fear from someone, sometimes a stifled snigger.
“Whose turn is it to die?” he whispered.
He spun the knife.
We chanted, “Death Death Death Death . . .”
And then the knife stopped, pointing at the player.
The player had to reach out, to take Askew’s hand. Askew drew him from the fringes to the center.
“There will be a death this day,” said Askew.
The player had to kneel before Askew, then crouch on all fours. He had to breathe deeply and slowly, then quickly and more quickly still. He had to lift his head and stare into Askew’s eyes. Askew held the knife before his face.
“Do you abandon life?” said Askew.
“I abandon life.”
“Do you truly wish to die?”
“I truly wish to die.”
Askew held his shoulder. He whispered gently into his ear, then with his thumb and index finger he closed the player’s eyes and said, “This is Death.”
And the player fell to the floor, dead still, while the rest of us gathered in a ring around him.
“Rest in peace,” said Askew.
“Rest in peace,” said all of us.
Then Askew slid the door aside and we climbed out into the light. Askew came out last. He slid the door back into place, leaving the dead one in the dark.
We lay together in the long grass, in the sunlight, by the shining river.
Askew crouched apart from us, smoking a cigarette, hunched over, sunk in his gloom.
We waited for the dead one to come back.
Sometimes the dead came quickly back to us. Sometimes it took an age, and on those days our whispering and sniggering came to an end. We glanced nervously at each other, chewed our nails. As time went on, the more nervous ones lifted their schoolbags, glanced fearfully at Askew, set off singly or in pairs toward home. Sometimes we whispered of sliding the door back in order to check on our friend down there, but Askew, without turning to us, would snap,
“No.
Death has its own time. Wake him now and all he’ll know forever after is a waking death.”
So we waited, in silence and dread. In the end, everyone came back. We saw at last the white fingers gripping the door from below. The door slid back. The player scrambled out. He blinked in the light, stared at us. He grinned sheepishly, or stared in amazement, as if emerged from an astounding dream.
Askew didn’t move.
“Resurrection, eh?” he murmured. He laughed dryly to himself.
We gathered around the dead one.
“What was it like?” we whispered. “What was it like?”
We left Askew hunched there by the river, strolled back together through the wilderness with the dead one in our midst.
I’d only been in Stoneygate a week when Askew found me. I was alone at the edge of the wilderness, standing against the broken fence. I stared out across this new place, the wide space of beaten grass where dozens of children played.
“Kit Watson?”
I turned and found him there. He climbed over and stood beside me. He was broad-faced, broad-shouldered. His hair hung heavy on his brow. A thin mustache was visible on his lip. He held a sketch pad under his arm, had a pencil behind his ear. I’d already seen him in school, lounging bitterly outside a closed classroom door.
“Kit Watson?” he repeated.
I nodded. I caught the scent of dog on him. I shifted away from him. I felt the skin crawling on my neck.
“What is it?” I said. My throat felt dry, my tongue felt too big for my mouth.
He smiled, and pointed to our house, across the potholed lane behind us, behind its own fence and its narrow garden.
“Just moved in, eh?”
“My dad came from here. And my grandfather.”
I tried to say it proudly, to let him know I had the right to be here in Stoneygate.
“I know that, Kit.” He held out a packet of sweets. “Go on. Take one.”
I chewed the sweet.
“You’re from the old families. That’s good, Kit. You’re one of us.” He contemplated me. “Been watching you, Kit, ever since you come.”
He waved his arm, indicating the kids at their games: football, fighting, little kids skipping or playing shops and houses. “There’s something to you,” he said. “Something different to this rabble.” He stared, like he was waiting for me to reply.
“What d’you mean?”
“What do I mean? That you’re like me, Kit.”
I looked at him, the thick body, the darkness in his eyes. No, I thought. No. I’m not like you.
He pointed out again. “What do you see out there?”
“Eh?”
“Eh? Eh? Out there. What d’you see?”
I looked across the wilderness. “Kids. Grass. River. Same as you see.”
He grinned. “Aye. That’s right. That’s all, eh?”
I looked again. “Yes.”
He laughed and shook his head. He slid a sheet of paper from his sketch pad. “Made this for you,” he said. “Go on.”
It was me, a charcoal drawing. Me sitting against the chain-link fence at school, as I had two days ago, staring down into the grass.
“Good, eh?” he said. “Just like you, eh?”
I nodded.
“Best artist in the school. Not that it counts for nothing in that blasted place.”
I held it toward him. He laughed. “Go on,” he said. “It’s yours. Take it home and pin it on your wall. An Askew original. Collector’s item.”
I rolled it carefully, held it in my fist.
“Not very happy that day, were you?”
I shrugged
“No mates yet, eh?” he said.
I blinked, shrugged again. “Yeah.”
“Not proper, though, eh? Not yet, eh?” He kept casting his eyes across me, staring at me, assessing me. “You’ll come to see more.”
“What d’you mean?”
“You’ll come to see there’s more,” he said. “You’ll come to see the others that walk beside us in the world.”
“What others?”
He shook his head. “Nowt. Don’t let it bother you for now. But we’ll get closer, Kit. Me and you. We’ll get so close it’ll be like we’re joined in blood.”
I looked away from the darkness in his eyes. I shifted backward from the scent of him. I wanted him gone, wanted to be left alone again.
He nodded, started to move away. “There’s a bunch of us,” he said. He looked into the wilderness. “Him,” he said.
I followed his eyes.
“And her, and him, and him and her. Others. Good mates. Special. Kids that’s different to the rabble.”
I followed with my eyes, saw the children he pointed to, those I would come to know, those who would step down with me into Askew’s den. There was Daniel Sharkey, Louise McCall, Wilfie Cook, Dot Gullane. Ordinary children, nothing to mark them out except the fact that they came from the old families of Stoneygate, and that they were the ones to play the game called Death.
He held out the sweets to me again. “You as well,” he said. “You most of all. You’re like me, Kit. You think you’re different, but you’ll come to see that me and you is just the same.” He winked, patted my shoulder. “Askew,” he said. “John Askew.” He watched me for a while. “It’s like I’ve been waiting for you,” he said. “Expecting you.”
Then he grinned, turned, strolled away. Two girls stood up as he approached, walked away from him. The little blond boy I already knew as Bobby Carr ran toward him. The wild dog Jax was running at Bobby’s heels.
“Askew!” Bobby yelled. “John Askew!”
Askew waited till Bobby and Jax were at his side, then they wandered on.
My mother came out from the house to my side. “Made a friend?” she said.
I shrugged.
“Looks kind of rough,” she said.
“Dunno,” I said. “John Askew, he’s called.”
“Oh,” she said. “One of that lot . . . But we mustn’t be guided only by appearances, or by the family that produced him.”
I showed her the drawing. She whistled.
“Now there’s a talent,” she said. “Must be something to him, eh?”
We looked again. Askew, Bobby and the dog went over the edge toward the river. I watched, saw nothing else. Just the kids, the wilderness, the river. I felt my hands trembling, felt the sweat on my palms. That night I dreamed I followed him through the night across the wilderness. I woke up dreaming that his hands were at my throat.
Soon afterward he came to me again. It was in school this time. I was in the corridor below the art room. Some of his drawings were displayed there. They were dark things, black things: silhouettes of children on a gray field; black slow river; black tilting houses; black scratches of birds in a sullen sky. He imagined the old life in the pit below, and he drew the hunched bodies of boys and men in the tunnels, the squat pit ponies, all black on black except for tiny chinks of white given by candles or hooded lamps.
“Good, eh?” he said.
I nodded. “Brilliant.”
He showed me how the children in his pictures stooped and grimaced, how their bodies were twisted and stunted by the demands of the pit.
“Poor sods,” he said. “Our ancestors was like that, Kit. Stunted life, pain, then death. You ever think that?”
“Yeah.”
“Ha. I’ll bet. Don’t know we’re born these days, Kit. A hundred years ago that’d’ve been us down there, John Askew and Kit Watson, crawling on their bellies in the darkness down below. Where the walls collapse and the gas explodes and there’s bodies lying in the blocked-off shafts.”
A teacher walked by, Miss Bush. “Good morning, Christopher,” she said.
“Good morning, Miss.”
She stared at me. “Hurry to your lesson now.”
“Yes, Miss.”
“You as well, John Askew.”
Askew glowered. His face flushed. “Burning Bush,” he muttered as sh
e walked away. “Don’t take no notice of that old cow.”
I moved away from him.
“Seen your story,” he said.
“Eh?”
“Your story. The one they put up on the wall.”
“Oh.”
It was an old tale, one my grandfather had told me.
“Good one,” he said. “Brilliant.”
“Thanks.”
He held my arm as I tried to move away.
“Your stories is like my drawings, Kit. They take you back deep into the dark and show it lives within us still.” He lifted my face, made me stare into his eyes. “You understand?” he said.
I tried to look away. My hands trembled and my flesh crawled, but I felt myself being drawn to him.
“You do,” he said. “You see it, don’t you? You’re starting to see that you and me is just the same. It’s like we’ve been together for a long long time.” He smiled as I pulled away. “You seen the monument?” he said.
“Eh?”
“Eh? Eh? The monument, Kit. Get your grandpa to take you. Then you’ll start to see more.
“We’re getting together after school,” he said as I turned away. “Bobby Carr, a few more. You’ll see them outside the gates. If you’re interested.”
I shrugged.
“It’s just a game,” he said. “A bit of fun. Outside the gates, if you’re interested.” He pressed a finger to his lips. “Keep it quiet, though. Tell none of them in here.”
I didn’t go that time, but in the end it was as if I couldn’t help myself.
We came to Stoneygate because Grandma died and Grandpa was left alone. We bought the house at Stoneygate’s edge, one of a long line that faced the wilderness and the river. Grandpa moved into the room next to mine. He had a single trunk of clothes and souvenirs. He put his old pit helmet and his polished pitman’s lamp on the shelf above his bed. He hung a photograph of himself and Grandma on the wall. The photograph was fading and there were hundreds of tiny cracks on its surface. It showed them on their wedding day at St. Thomas’ church. He wore a smart black suit and a white flower in his buttonhole. Grandma held a massive white bouquet before her long white dress. They smiled and smiled. Just beyond them you could see the graves, then Stoneygate, then the hills and the distant misty moors.