He is moving too fast to make much of her last sentence; though, as he will admit later, the detail will affix itself and adhere to certain sentences of his own, not yet formed. Phrases only. Elliptic. Conditional. As everything is conditional now. Anne blossoming as Katherine fails. He pictures them, their faces intent and skirts bunched, two little girls in a muddy track, playing teeter-totter with a plank balanced on a stone.
Thomas Seymour says at once, ‘This is Jane’s chance, now. He will hesitate no more, he will want a new bedfellow. He will not touch the queen till she gives birth. He cannot. There is too much to lose.’
He thinks, already perhaps the secret king of England has fingers, has a face. But I thought that before, he reminds himself. At her coronation, when Anne carried her belly so proudly; and after all, it was only a girl.
‘I still don’t see it,’ says old Sir John, the adulterer. ‘I don’t see how he’d want Jane. Now if it were my daughter Bess. The king has danced with her. He liked her very well.’
‘Bess is married,’ Edward says.
Tom Seymour laughs. ‘The more fit for his purpose.’
Edward is irate. ‘Don’t talk of Bess. Bess would not have him. Bess is not in question.’
‘It could turn to good,’ Sir John says, tentative. ‘For until now Jane’s never been any use to us.’
‘True,’ Edward says. ‘Jane is as much use as a blancmange. Now let her earn her keep. The king will need a companion. But we do not push her in his way. Let it be as Cromwell here has advised. Henry has seen her. He has formed his intent. Now she must avoid him. No, she must repel him.’
‘Oh, hoity-toity,’ old Seymour says. ‘If you can afford it.’
‘Afford what’s chaste, what’s seemly?’ Edward snaps. ‘You never could. Be quiet, you old lecher. The king pretends to forget your crimes, but no one really forgets. You are pointed at: the old goat who stole his son’s bride.’
‘Yes, hold your peace, Father,’ Tom says. ‘We’re talking to Cromwell.’
‘One thing I am afraid of,’ he says. ‘Your sister loves her old mistress, Katherine. This is well known to the present queen, who spares no opportunity for harshness. If she sees that the king is looking at Jane, I am afraid she will be further persecuted. Anne is not one to sit by while her husband makes a – a companion – of another woman. Even if she thought it a temporary arrangement.’
‘Jane will pay no heed,’ Edward says. ‘What though she gets a pinch or a slap? She will know how to bear herself patiently.’
‘She will play him for some great reward,’ says old Seymour.
Tom Seymour says, ‘He made Anne a marquise before he had her.’
Edward’s face is as grim as if he is ordering up an execution. ‘You know what he made her. Marquise first. Queen thereafter.’
Parliament is prorogued, but London lawyers, flapping their black gowns like crows, settle to their winter term. The happy news seeps and leaks through the court. Anne lets out her bodices. Bets are laid. Pens scribble. Letters are folded. Seals pressed to wax. Horses are mounted. Ships set sail. The old families of England kneel and ask God why he favours the Tudors. King Francis frowns. Emperor Charles sucks his lip. King Henry dances.
The conversation at Elvetham, that early hour’s confabulation: it is as if it had never been. The king’s doubts about his marriage, it seems, have vanished.
Though in the desolate winter gardens, he has been seen walking with Jane.
Her family surround her; they call him in. ‘What did he say, sister?’ Edward Seymour demands. ‘Tell me everything, everything he said.’
Jane says, ‘He asked me if I would be his good mistress.’
They exchange glances. There is a difference between a mistress and a good mistress: does Jane know that? The first implies concubinage. The second, something less immediate: an exchange of tokens, a chaste and languorous admiration, a prolonged courtship…though it can’t be very prolonged, of course, or Anne will have given birth and Jane will have missed her chance. The women cannot predict when the heir will see the light, and he can get no further with Anne’s doctors.
‘Look, Jane,’ Edward tells her, ‘this is no time to be shy. You must give us particulars.’
‘He asked me if I would look kindly on him.’
‘Kindly on him when?’
‘For instance, if he wrote me a poem. Praising my beauty. So I said I would. I would thank him for it. I wouldn’t laugh, even behind my hand. And I wouldn’t raise any objection to any statements he might make in verse. Even if they were exaggerated. Because in poems it is usual to exaggerate.’
He, Cromwell, congratulates her. ‘You have it covered from every angle, Mistress Seymour. You would have made a sharp lawyer.’
‘You mean, if I had been born a man?’ She frowns. ‘But still, it is not likely, Master Secretary. The Seymours are not tradesmen.’
Edward Seymour says, ‘Good mistress. Write you verse. Very well. Good so far. But if he attempts anything on your person, you must scream.’
Jane says, ‘What if nobody came?’
He puts his hand on Edward’s arm. He wants to stop this scene developing any further. ‘Listen, Jane. Don’t scream. Pray. Pray aloud, I mean. Mental prayer will not do it. Say a prayer with the Holy Virgin in it. Something that will appeal to His Majesty’s piety and sense of honour.’
‘I understand,’ Jane says. ‘Do you have a prayer book on your person, Master Secretary? Brothers? No matter. I will go and look for mine. I am sure I can find something that will fit the bill.’
In early December, he receives word from Katherine’s doctors that she is eating better, though praying no less. Death has moved, perhaps, from the head of the bed to its foot. Her recent pains have eased and she is lucid; she uses the time to make her bequests. She leaves her daughter Mary a gold collar she brought from Spain, and her furs. She asks for five hundred masses to be said for her soul, and for a pilgrimage to be made to Walsingham.
Details of the dispositions make their way back to Whitehall. ‘These furs,’ Henry says, ‘have you seen them, Cromwell? Are they any good? If they are, I want them sent down to me.’
Teeter-totter.
The women around Anne say, you would not think she was enceinte. In October she looked well enough, but now she seems to be losing flesh, rather than gaining. Jane Rochford tells him, ‘You would almost think she is ashamed of her condition. And His Majesty is not attentive to her, as formerly he was attentive when her belly was big. Then, he could not do enough for her. He would cater to her whims and wait on her like a maid. I once came in to find her feet in his lap, and he rubbing them like an ostler nursing some splay-hooved mare.’
‘Rubbing doesn’t help a splayed hoof,’ he says, earnest. ‘You have to trim it and fit a special shoe.’
Rochford stares at him. ‘Have you been talking to Jane Seymour?’
‘Why?’
‘Never mind,’ she says.
He has seen Anne’s face as she watches the king, as she watches the king watching Jane. You expect black anger, and the enactment of it: scissored-up sewing, broken glass. Instead, her face is narrow; she holds her jewelled sleeve across her body, where the child is growing. ‘I must not disturb myself,’ she says. ‘It could injure the prince.’ She pulls her skirts aside when Jane passes. She huddles into herself, narrow shoulders shrinking; she looks cold as a doorstep orphan.
Teeter-totter.
The rumour in the country is that Master Secretary has brought a woman back from his recent trip to Hertfordshire, or Bedfordshire, and set her up in his house at Stepney, or at Austin Friars, or at King’s Place in Hackney, which he is rebuilding for her in lavish style. She is the keeper of an inn, and her husband has been seized and locked up, for a new crime invented by Thomas Cromwell. The poor cuckold is to be charged and hanged at the next assize; though, by some reports, he has already been found dead in his prison, bludgeoned, poisoned, and with his throat cut.
III
Angels
STEPNEY AND GREENWICH,
CHRISTMAS 1535–NEW YEAR 1536
Christmas morning: he comes hurtling out in pursuit of whatever trouble is next. A huge toad blocks his path. ‘Is that Matthew?’
From the amphibian mouth, a juvenile chortle. ‘Simon. Merry Christmas, sir, how do you?’
He sighs. ‘Overworked. Did you send your duties to your mother and father?’
The singing children go home in the summer. At Christmas, they are busy singing. ‘Will you be going to see the king, sir?’ Simon croaks. ‘I bet their plays at court are not so good as ours. We are playing Robin Hood, and King Arthur is in it. I play Merlin’s toad. Master Richard Cromwell plays the Pope and has a begging bowl. He cries “Mumpsimus sumpsimus, hocus pocus.” We give him stones for alms. He threatens us with Hell.’
He pats Simon’s warty skin. The toad clears his path with a ponderous hop.
Since his return from Kimbolton, London has closed around him: late autumn, her fading and melancholy evenings, her early dark. The sedate and ponderous arrangements of the court have enfolded him, entrapped him into desk-bound days prolonged by candlelight into desk-bound nights; sometimes he would give a king’s ransom to see the sun. He is buying land in the lusher parts of England, but he has no leisure to visit it; so these farms, these ancient manors in their walled gardens, these watercourses with their little quays, these ponds with their gilded fish rising to the hook; these vineyards, flower gardens, arbours and walks, remain to him flat, each one a paper construct, a set of figures on a page of accounts: not sheep-nibbled margins, nor meadows where kine stand knee-deep in grass, not coppices nor groves where a white doe shivers, a hoof poised; but parchment domains, leases and freeholds delimited by inky clauses, not by ancient hedges or boundary stones. His acres are notional acres, sources of income, sources of dissatisfaction in the small hours, when he wakes up and his mind explores their geography: in these waking nights before sullen or frozen dawns, he thinks not of the freedom his holdings allow, but of the trampling intrusion of others, their easements and rights of way, their fences and vantage points, that allow them to impinge on his boundaries and interfere with his quiet possession of his future. Christ knows, he is no country boy: though where he grew up, in the streets near the quays, Putney Heath was at his back, a place to go missing. He spent long days there, running with his brethren, boys as rough as himself: all of them in flight from their fathers, from their belts and fists, and from the education they were threatened with if they ever stood still. But London pulled him to her urban gut; long before he sailed the Thames in Master Secretary’s barge, he knew the currents and the tide, and he knew how much could be picked up, casually, at watermen’s trades, by unloading boats and running crates in barrows uphill to the fine houses that lined the Strand, the houses of lords and bishops: the houses of men with whom, daily, he now sits down at the council board.
The winter court perambulates, its accustomed circuit: Greenwich and Eltham, the houses of Henry’s childhood: Whitehall and Hampton Court, once the cardinal’s houses. It is usual these days for the king, wherever the court resides, to dine alone in his private rooms. Outside the royal apartments, in the outer Watching Chamber or the Guard Chamber – in whatever that outer hall is named, in the palaces in which we find ourselves – there is a top table, where the Lord Chamberlain, head of the king’s private household, holds court for the nobility. Uncle Norfolk sits at this table, when he is with us at court; so does Charles Brandon, Duke of Suffolk, and the queen’s father, the Earl of Wiltshire. There is a table, somewhat lower in status, but served with due honour, for functionaries like himself, and for the old friends of the king who happen not to be peers. Nicholas Carew sits there, Master of the Horse; and William Fitzwilliam, Master Treasurer, who of course has known Henry since he was a boy. William Paulet, Master Comptroller, presides at the head of this board: and he wonders, until it is explained to him, at their habit of lifting their goblets (and their eyebrows) in a toast to someone not there. Till Paulet explains, half-embarrassed, ‘We toast the man who sat here before me. Master Comptroller who was. Sir Henry Guildford, his blessed memory. You knew him, Cromwell, of course.’
Indeed: who did not know Guildford, that practised diplomat, that most studied of courtiers? A man of the king’s own age, he had been Henry’s right arm since he came to the throne, he an unpractised, well-meaning, optimistic prince of nineteen. Two glowing spirits, earnest in pursuit of glory and a good time, the master and servant had aged together. You would have backed Guildford to survive an earthquake; but he did not survive Anne Boleyn. His partisanship was clear: he loved Queen Katherine and said so. (And if I did not love her, he said, then propriety alone, and my Christian conscience, would compel me to back her case.) The king had excused him out of long friendship; only let us, he had pleaded, leave the matter unmentioned, the disagreement unstated. Do not mention Anne Boleyn. Make it possible for us to stay friends.
But silence had not been enough for Anne. The day I am queen, she had told Guildford, is the day you lose your job.
Madam, said Sir Henry Guildford: the day you become queen, is the day I resign.
And so he did. Henry said: Come on, man! Don’t let a woman nag you out of your post! It’s just women’s jealousy and spite, ignore it.
But I fear for myself, Guildford said. For my family and my name.
Do not abandon me, said the king.
Blame your new wife, Henry Guildford said.
And so he quit the court. And went home to the country. ‘And died,’ says William Fitzwilliam, ‘within a few short months. They say, of a broken heart.’
A sigh runs around the table. That’s the way it takes men; life’s work over, rural ennui stretching ahead: a procession of days, Sunday to Sunday, all without shape. What is there, without Henry? Without the radiance of his smile? It’s like perpetual November, a life in the dark.
‘Wherefore we remember him,’ Sir Nicholas Carew says. ‘Our old friend. And we drink a toast – Paulet here does not mind – to the man who would still be Master Comptroller, if the times were not out of joint.’
He has a gloomy way of making a toast, Sir Nicholas Carew. Levity is unknown to one so dignified. He, Cromwell, had been sitting at table for a week before Sir Nicholas deigned to turn a cold eye upon him, and nudge the mutton his way. But their relations have eased since then; after all, he, Cromwell, is an easy man to get along with. He sees that there is a camaraderie among men such as these, men who have lost out to the Boleyns: a defiant camaraderie, such as exists among those sectaries in Europe who are always expecting the end of the world, but who hope that, after the earth has been consumed by fire, they will be seated in glory: grilled a little, crisp at the edges and blackened in parts, but still, thanks be to God, alive for eternity, and seated at his right hand.
He knew Henry Guildford himself, as Paulet reminds him. It must be five years ago now that he had been entertained by him handsomely, at Leeds Castle down in Kent. It was only because Guildford wanted something, of course: a favour, from my lord cardinal. But still, he had learned from Guildford’s table talk, from the way he ordered his household, from his prudence and discreet wit. More lately, he had learned from Guildford’s example how Anne Boleyn could break a career; and how far they were from forgiving her, his companions at table. Men like Carew, he knows, tend to blame him, Cromwell, for Anne’s rise in the world; he facilitated it, he broke the old marriage and let in the new. He does not expect them to soften to him, to include him in their companionship; he only wants them not to spit in his dinner. But Carew’s stiffness bends a little, as he joins them in talk; sometimes the Master of the Horse swivels towards him his long, indeed somewhat equine head; sometimes he gives him a slow courser’s blink and says, ‘Well, Master Secretary, and how are you today?’
And as he searches for a reply that Nicholas will understand, William Fitzwilliam will catch his eye, and grin.
During Decemb
er a landslide, an avalanche of papers has crossed his desk. Often he ends the day smarting and thwarted, because he has sent Henry vital and urgent messages and the gentlemen of the privy chamber have decided it’s easier for them if they keep the business back till Henry’s in the mood. Despite the good news he has had from the queen, Henry is testy, capricious. At any moment he may demand the oddest item of information, or pose questions with no answer. What’s the market price of Berkshire wool? Do you speak Turkish? Why not? Who does speak Turkish? Who was the founder of the monastery at Hexham?
Seven shilling the sack, and rising, Majesty. No. Because I was never in those parts. I will find a man if one can be got. St Wilfred, sir. He closes his eyes. ‘I believe the Scots razed it, and it was built up again in the time of the first Henry.’
‘Why does Luther think,’ the king demands, ‘that I should come into conformity with his church? Should he not think of coming into conformity with me?’
About St Lucy’s Day, Anne calls him in, taking him from the affairs of Cambridge University. But Lady Rochford is there to check him before he reaches her, put a hand on his arm. ‘She is a sorry sight. She cannot stop blubbing. Have you not heard? Her little dog is dead. We could not face telling her. We had to ask the king himself to do it.’
Purkoy? Her favourite? Jane Rochford conducts him in, glances at Anne. Poor lady: her eyes are cried to slits. ‘Do you know,’ Lady Rochford murmurs, ‘when she miscarried her last child, she did not shed a tear?’
The women skirt around Anne, keeping their distance as if she were barbed. He remembers what Gregory said: Anne is all elbows and points. You could not comfort her; even a hand extended, she would regard as a presumption, or a threat. Katherine is right. A queen is alone, whether in the loss of her husband, her spaniel or her child.