That first night Landsman’s father slept, with Hertz, on the floor of the Shemets apartment. The next day Freydl took him shopping for clothes, paying for them out of her own bat mitzvah nest egg. She helped him rent a room from a recent widower who lived in the building. She massaged his scalp with an onion, in the belief that this would cause his hair to renew itself. She fed him calf liver for his tired blood. For the next five years, she nudged and badgered and bullied him until he sat up straight, made eye contact when speaking, learned American, and wore dentures. She married him the day after she turned eighteen, and got a job at the Sitka Tog, working her way up through the women’s page to features editor. She worked sixty to seventy-five hours a week, five days a week, until her death from cancer, when Landsman was in college. During that time Hertz Shemets impressed the American lawyers at Foehn Harmattan so much that they took up a subscription and pulled the strings they needed to pull to send him to law school in Seattle. He later became the first Jew hired by the Sitka detail of the FBI, its first district director, and eventually, having caught Hoover’s eye, ran the Bureau’s regional counterintelligence program.
Landsman’s father played chess.
Every morning, in rain, snow, or fog, he walked two miles to the Hotel Einstein coffee shop, sat down at an aluminum-topped table in the back, facing the door, and took out a small set of maple and cherry chessmen that had been a present from his brother-in-law. Every night he sat at his bench in the back of the little house on Adler Street where Landsman grew up, in Halibut Point, looking over the eight or nine correspondence games he had going at any one time. He wrote notes for Chess Review. He revised a biography of Tartakower that he never quite finished or abandoned. He drew a pension from the German government. And, with the help of his brother-in-law, he taught his son to hate the game he himself loved.
“You don’t want to do that,” Landsman’s father would plead after Landsman released, with bloodless fingers, his knight or pawn to meet the fate that always came as a surprise to Landsman, no matter how much he studied, practiced, or played the game of chess. “Take it from me.”
“I do.”
“You don’t.”
But in the service of his own small misery, Landsman could be stubborn, too. Satisfied, burning with shame, he would watch unfold the grim destiny that he had been unable to foresee. And Landsman’s father would demolish him, flay him, vivisect him, gazing at his son all the while from behind the sagging porch of his face.
After some years of this sport, Landsman sat down at his mother’s typewriter to write his father a letter in which he confessed his loathing for the game of chess, and begged his father not to force him to play anymore. Landsman carried this letter in his satchel for a week, enduring three more bloody defeats, and then mailed it from the Untershtot post office. Two days later, Isidor Landsman killed himself, in room 21 of the Hotel Einstein, by an overdose of Nembutal.
After that Landsman started to have some problems. He wet the bed, got fat, stopped talking. His mother put him in therapy with a remarkably gentle and ineffectual doctor named Melamed. It was not until twenty-three years after his father’s death that Landsman rediscovered the fatal letter, in a box that also held a fair copy of the unfinished biography of Tartakower. It turned out that Landsman’s father had never even opened the letter from his son, let alone read it. By the time the mailman delivered it, Landsman’s father was already dead.
6
Landsman is tripping on the memory of those old chess-playing yids, hunched at the back of the Café Einstein, as he drives out to pick up Berko. It is six-fifteen in the morning, by his watch. By the sky, the empty boulevard, and the stone of dread lying in his belly, it is the dead of night. Sunrise, this close to the arctic circle and the winter solstice, is still at least two hours off.
Landsman is at the wheel of a 1971 Chevrolet Chevelle Super Sport, which he bought ten years ago in an access of nostalgic optimism and has driven until all its secret flaws seem indistinguishable from his own. In the ’71 model year, the Chevelle went from two pairs of headlight bulbs to a single pair. Right now one of these bulbs is blown. Landsman gropes his way cyclops-style along the promenade. Ahead of him rise the tower blocks of the Shvartsn-Yam, on their artificial spit of land in the middle of Sitka Sound, huddled in the darkness like prisoners rounded up with a powerful hose.
Russian shtarkers developed the Shvartser-Yam during the mid-eighties, on purest quake-bait landfill, in the first heady days of legalized casino gambling. Time-shares, vacation homes, and bachelor pads, that was the idea, with the Grand Yalta casino and its jumping tables at the center of the action. But legal gambling is out now, banned by the Traditional Values Act, and the casino building houses a KosherMart, a Walgreens, and a Big Macher outlet store. The shtarkers went back to bankrolling illegal policy rackets, betting mills, and floating craps games. The swingers and vacationers gave way to a population of upper-lowlifes, Russian immigrants, a smattering of ultra-orthodox Jews, and a bunch of bohemian semiprofessionals who like the atmosphere of ruined festivity that lingers in the neighborhood like a strand of tinsel on the branch of a bare tree.
The Taytsh-Shemets family lives in the Dnyeper, on the twenty-fourth floor. The Dnyeper is round as a stack of pie tins. Many of its residents, spurning fine views of Mount Edgecumbe’s collapsed cone, the gleaming Safety Pin, or the lights of the Untershtot, have enclosed their curving balconies with storm windows and louvers in order to gain an extra room. The Taytsh-Shemetses did that when the baby came along: the first baby. Now both little Taytsh-Shemetses sleep out there, stashed away on the balcony like disused skis.
Landsman parks the Super Sport in the spot behind the Dumpsters that he has come to view as his own, though he supposes a man should not come to cherish tender feelings toward a parking place. Simply having a place to put his car that is twenty-four stories down from a standing invitation to breakfast should never pass, in a man’s heart, for a homecoming.
He’s a few minutes ahead of six-thirty, and though he’s pretty sure that everybody is awake in the Taytsh-Shemets household, he decides to take the stairs. The Dnyeper stairwell reeks of sea air, cabbage, cold cement. When he gets to the top, he lights a papiros to reward himself for industry and stands on the Taytsh-Shemets doormat, keeping the mezuzah company. He has one lung coughed up and the other on its way when Ester-Malke Taytsh opens the door. She holds a home pregnancy test stick with a bead, on its business end, of what must be urine. When she notices Landsman noticing it, she coolly makes it disappear into a pocket of her bathrobe.
“You know there’s a doorbell, right?” she says through a tangled curtain of hair, brick-brown and too fine for the bob she always sports. It has a way of spilling across her face, especially when she is cracking wise. “I mean, coughing works, too.”
She leaves the door open and Landsman standing there on the thick coir mat that says GET LOST. Landsman touches two fingers to the mezuzah on his way in and then gives them a perfunctory kiss. That is what you do if you are a believer, like Berko, or a mocking asshole, like Landsman. He hangs his hat and overcoat on an elk-antler rack by the front door. He follows Ester-Malke’s skinny ass, wrapped in her white cotton robe, down the hall and into the kitchen. The kitchen is narrow, laid out galley-style, the stove, sink, and refrigerator down one side, cabinets down the other. At the end a breakfast bar, with two stools, overlooks the living-dining room. Steam curls out of a waffle iron on the counter in cartoon-locomotive puffs. The drip-filter coffee maker hawks and spits like a decrepit Jewish policeman after ten flights of steps.
Landsman sidles up to the stool he favors and stands beside it. From the hip pocket of his tweed blazer he takes a pocket chess set and unwraps it. He bought it at the all-night drugstore on Korczak Platz. “Fat man still in his pajamas?” he says.
“Getting dressed.”
“Fat baby?”
“Picking the necktie.”
“And the other one, what’s his name?” In
fact, his name, thanks to a recent vogue for crafting given names from family names, is Feingold Taytsh-Shemets. They call him Goldy. Four years ago Landsman had the honor to hold down Goldy’s scrawny legs while an ancient Jew with a knife came after his foreskin. “His Majesty.”
In answer, she nods her head toward the living-dining.
“Still sick?” Landsman says.
“Better today.”
Landsman goes around the breakfast bar, past the glass-topped dining table, and over to the big white sectional sofa to get a look at what the television is doing to his godson. “Look who it is,” he says.
Goldy is wearing his polar-bear jammies, the height of retrospective chic for an Alaskan Jewish kid. Polar bears, snowflakes, igloos, the northern imagery that was so ubiquitous when Landsman was a boy, it’s all back in style again. Only this time it seems to be meant ironically. Snowflakes, yes, the Jews found them here, though, thanks to greenhouse gases, there are measurably fewer than in the old days. But no polar bears. No igloos. No reindeer. Mostly just a lot of angry Indians, fog, and rain, and half a century of a sense of mistakenness so keen, worked so deep into the systems of the Jews, that it emerges everywhere, even on their children’s pajamas.
“You ready to work today, Goldele?” Landsman says. He lays the back of his hand against the boy’s forehead. It feels nice and cool. Goldy’s Shnapish the Dog yarmulke hangs crooked, and Landsman smooths it and adjusts the bobby pin that holds it in place. “Ready to fight crime?”
“Sure thing, Uncle.”
Landsman reaches out to shake the boy’s hand, and without even looking, Goldy slides his dry paw into Landsman’s. A minute blue rectangle of light swims on the tear layer of the boy’s dark brown eyes. Landsman has watched this program with his godson before, on the educational channel. Like 90 percent of the television they watch, it comes from the south and is shown dubbed into Yiddish. It concerns the adventures of a pair of children with Jewish names who look like they might be part Indian and have no visible parents. They do have a crystalline magical dragon scale that they wish on in order to travel to a land of pastel dragons, each distinguished by its color and its particular brand of imbecility. Little by little, the children spend more and more time with their magical dragon scale until one day they travel off to the land of rainbow idiocy and never return; their bodies are found by the night manager of their cheap flop, each with a bullet in the back of the head. Maybe, Landsman thinks, something gets lost in the translation.
“Still want to be a noz when you grow up?” Landsman says. “Like your dad and your uncle Meyer?”
“Yes,” Goldy says without enthusiasm. “You bet I do.”
“That’s the boy.”
They shake hands again. This conversation is the equivalent of Landsman’s kissing the mezuzah, the kind of thing that starts out as a joke and ends up as a strap to hang on to.
“You taking up chess?” Ester-Malke says when he walks back into the kitchen.
“God forbid,” says Landsman. He climbs up onto his stool and struggles with the tiny pawns and knights and kings of the travel set, setting them up to reflect the board left behind by the so-called Emanuel Lasker. He has a hard time telling the pieces apart, but every time he holds one up to his face to get a good look at it, he drops it.
“Stop looking at me that way,” he says to Ester-Malke, just guessing. “I don’t like it.”
“Damn it, Meyer,” she says, watching his hands. “You have the shakes.”
“I didn’t sleep all night.”
“Uh-huh.”
The thing about Ester-Malke Taytsh is that before she went back to school, became a social worker, and married Berko, she enjoyed a brief but distinguished career as a South Sitka fuckup. She has a couple of small-bore criminals in her past, a regretted tattoo on her belly, and a bridge in her jaw, a souvenir of the last man to mistreat her. Landsman has known her longer than Berko has, having busted her on a vandalism charge when she was still in high school. Ester-Malke understands how to handle a loser, by intuition and habit, and without any of the reproach she brings to bear on her own wasted youth. She goes to the refrigerator and takes out a bottle of Bruner Adler, pops the top, and hands it to Landsman. He rolls it against his sleepless temples, then takes a long swallow.
“So,” he says, feeling better in an instant. “You’re late?”
She puts on a half-theatrical expression of guilt, goes for the pregnancy-test stick, then leaves her hand in the pocket, clutching the stick without taking it out. Landsman knows, because she has broached the subject once or twice, that Ester-Malke worries he might envy her and Berko their successful program of breeding and their two fine sons. Landsman does, at times, with bitterness. But when she brings it up, he generally bothers to deny it.
“Shit,” he says as a bishop goes skittering across the floor and disappears under the bar counter.
“Was it a black one or a white?”
“Black. A bishop. Shit. It’s gone.”
Ester-Malke goes to the spice rack, tightens the waistband of her robe, studies her options. “Here,” she says. She takes out a jar of chocolate sprinkles, unscrews it, tips one into her palm, and hands it to Landsman. “Use that.”
Landsman is kneeling on the ground under the counter. He finds the missing bishop and manages to poke it into its hole at h6. Ester-Malke puts the jar back in the cabinet and returns her right hand to the mystery of her bathrobe pocket.
Landsman eats the chocolate sprinkle. “Berko knows?” he says.
Ester-Malke shakes her head, hiding behind her hair. “It’s nothing,” she says.
“Officially nothing?”
She shrugs.
“Didn’t you look at the test?”
“I’m afraid to.”
“You’re afraid to what?” says Berko, appearing at the door to the kitchen with young Pinchas Taytsh-Shemets—inevitably, Pinky—tucked into the crook of his right arm. A month ago they made a party for the kid, with a cake and a candle. So, Landsman reckons, that will bring in the third Taytsh-Shemets, if any, at around twenty-one, twenty-two months after the second. And seven months after Reversion. Seven months into the unknown world to come. Another diminutive prisoner of history and fate, another potential Messiah—for Messiah, say the experts, is born into every generation—to fill the sails of Elijah the Prophet’s demented caravel of dreams. Ester-Malke’s hand emerges from her pocket without the pregnancy test, and she gives Landsman a South Sitka high sign with one arched eyebrow.
“Afraid to hear what I had to eat yesterday,” Landsman says. By way of creating a diversion, he takes Lasker’s copy of Three Hundred Chess Games out of the other hip pocket of his jacket and lays it on the bar beside the chessboard.
“This is about your dead junkie?” Berko says, eyeing the board.
“Emanuel Lasker,” Landsman says. “But that was just a name in the registration. We found no kind of ID on him at all. We don’t know who he was yet.”
“Emanuel Lasker. I feel I know the name.” Berko squeezes sideways into the kitchen in his suit pants and shirtsleeves. The pants are heather-gray merino with double pleats, the shirt white on white. At his throat, tied with a handsome knot, hangs a navy necktie patterned with orange blobs. The tie is extra long, the trousers capacious and held up by navy suspenders taxed by the span and the arc of his belly. Under the shirt he wears the fringed four-corner, and a trim blue yarmulke perches on the glossy black furze at the back of his head, but no beard will grow on his chin. There is not a beard to be found on the chins of any of the men in his maternal family, reaching back all the way, no doubt, to the time when Raven created everything (apart from the sun, which he stole). Berko Shemets is observant, but in his own way and for his own reasons. He is a minotaur, and the world of Jews is his labyrinth.
He came to live with the Landsmans in the house on Adler Street on a day in late spring 1981, a shambling giant boy known, in the Sea Monster House of the Raven Moiety of the Longhair Tribe, a
s Johnny “the Jew” Bear. He stood five feet nine inches in his mukluks that afternoon, thirteen years old and only an inch shorter than Landsman at eighteen. Until that moment no one had ever mentioned this boy to Landsman or his little sister. Now the kid was going to be sleeping in the bedroom that had once served Meyer and Naomi’s father as Klein bottle for the infinite loop of his insomnia.
“Who the hell are you?” Landsman asked him as the kid stole sideways into the living room. Twisting a billed cap in his hands, taking everything in with his dark, all-consuming gaze. Hertz and Freydl were standing out on the front walk, screaming at each other. Apparently, Landsman’s uncle had neglected to mention to his sister that his son was coming to live at her house.
“My name is Johnny Bear,” Berko said. “I’m part of the Shemets Collection.”
Hertz Shemets remains a noted expert on Tlingit art and artifacts. At one time this hobby or pastime sent him wandering deeper and farther into the Indianer-Lands than any other Jew of his generation. So, yes, his study of Native culture and his trips into the Indianer-Lands were a beard for his COINTELPRO work during the sixties. But they were not only a beard. Hertz Shemets was drawn to the Indian way of life. He learned to gaff a seal with a steel hook, through the eye, and to slaughter and put up a bear, and to enjoy the flavor of candlefish grease as much as that of schmaltz. And he fathered a child on Miss Laurie Jo Bear of Hoonah. When she was killed during the so-called Synagogue Riots, her half-Jew son, an object of torment and scorn among the Raven Moiety, appealed for rescue to the father he barely knew. It was a zwischenzug, an unexpected move in the orderly unfolding of a game. It caught Uncle Hertz off guard.