He listened to Stoat's telephone messages on the answering machine, and jotted some notes. Then he got up to inspect a third wall of the den, a burnished floor-to-ceiling bookcase that was, predictably, devoid of books. Twilly found three thin volumes of golfing wisdom, and a glossy coffee-table opus commemorating the first and last World Series championship of the Florida Marlins baseball franchise. That was it—Palmer Stoat's whole library; not even the obligatory leather-bound set of Faulkner or Steinbeck for decoration.
Exquisite tropical mahogany had been used to craft the bookshelves, which Stoat had filled with, of all things, cigar boxes—empty cigar boxes, presumably displayed in a way that would impress other smokers. Montecristo #1, Cohiba, Empress of Cuba Robusto, Don Mateo, Partagas, Licenciados, H. Upmann, Bauza—Twilly knew nothing about the pedigree of tobacco products, but he realized that for Stoat the empty boxes were trophies, like the stuffed animal heads. Prominently displayed on its own shelf was more proof of the man's fixation: a framed mock cover of Cigar Aficionado magazine featuring a nine-by-twelve photograph of Stoat wearing a white tuxedo and puffing a large potent-looking stogie. The dummy caption said "Man of the Year."
Twilly heard a noise at the door and spun around—the Labrador, done with his snack. Twilly said, "Hey, bruiser, come here." The dog gazed around the den at the dead fish and dead mammals, then walked off. Twilly sympathized. A rolling library ladder provided convenient access to the taxidermy. Twilly glided from one mount to the next, using his pocketknife to pry out the glass eyeballs, which he arranged with pupils skyward in a perfect pentagram on Palmer Stoat's desk blotter.
"What is it you want, Willie?"
Palmer Stoat had waited until they reached the back nine before bracing the cagey vice chairman of the House Appropriations Committee.
And Representative Willie Vasquez-Washington replied: "What kind of fool question is that?" He was looking at a four-footer for a double bogey. "Makes you think I want something?"
Stoat shrugged. "Take your time, Willie. I'm on the clock." But he was thinking how he'd undercharged Robert Clapley for the job, because one hundred grand was seeming more and more like a dirt-cheap fee for spending a whole wretched day on the golf course with Willie Vasquez-Washington.
Who, after missing his putt, now asked Palmer Stoat: "Is this about that damn bridge?"
Stoat turned away and rolled his eyes.
"What's the name of that island again?"
"What's the fucking difference, Willie?"
"The governor told me but I forgot."
They rode the cart to the eleventh tee. Stoat hit first, slicing his drive deep into the pines. Willie Vasquez-Washington sculled his shot fifty yards down the right side of the fairway.
"What is it you want?"
Sometimes Stoat was too direct, Willie thought. The question had sounded so common and venal, the way it came out.
"It's not about wanting, Palmer, it's about needing. There's a neighborhood in my district that needs a community center. A nice auditorium, you know. Day-care facilities. A decent gym for midnight basketball."
"How much?" Stoat asked.
"Nine million, give or take. It was all there in the House version," said Willie Vasquez-Washington, "but for some reason the funding got nuked in the Senate. I think it was those Panhandle Crackers again."
Stoat said, "A community center is a fine idea. Something for the kids."
"Exactly. Something for the kids."
And also something for Willie's wife, who would be appointed executive director of the center at an annual salary of $49,500, plus major-medical and the use of a station wagon. And another something for Willie's best friend, who owned the company that would get the $200,000 drywalling contract for the new building. And another something for the husband of Willie's campaign manager, whose company would be supplying twenty-four-hour security guards for the center. And, last but not least, something for Willie's deadbeat younger brother, who happened to own a bankrupt grocery store on the southwest corner of the proposed site for the community center, a grocery store that would need to be condemned and purchased by the state, for at least five or six times what Willie's brother had paid for it.
None of this would be laid out explicitly for Palmer Stoat, because it wasn't necessary. He didn't need or want the sticky details. He assumed that somebody near and dear to Willie Vasquez-Washington stood to profit from the construction of a new $9 million community center, and he would have been flabbergasted to learn otherwise. Pork was the essential nutrient of politics. Somebody always made money, even from the most noble-sounding of tax-supported endeavors. Willie Vasquez-Washington and his pals would get their new community center, and the governor and his pals would get their new bridge to Shearwater Island. A slam dunk, Palmer Stoat believed. He would arrange for Willie's project to be inserted into the next draft of the Senate budget, and from there it would easily pass out of conference committee and go to the governor's desk. And, his private concern for the Shearwater development notwithstanding, Governor Dick Artemus would never in a million years veto the funding for a community center in a poor minority neighborhood, particularly when the elected representative from that district could claim—as Willie Vasquez-Washington had at various times—to be part Afro-American, part Hispanic, part Haitian, part Chinese, and even part Miccosukee. Nobody ever pressed Willie for documentation of his richly textured heritage. Nobody wanted to be the one to ask.
"I'll fix everything tomorrow," Stoat assured Willie Vasquez-Washington. "Listen, I'm kind of late for a meeting at the capitol."
"What're you talkin' about, 'late'? We got eight holes to play." Willie was gesticulating with a three iron. "You can't quit in the middle of a fairway. Specially when I'm down twenty-six bucks!"
"Keep the money, Willie, and the cart, too. I'll walk back." Stoat hung his golf bag over one shoulder and took a beer from the cooler. He gave a genial but firm wave to the vice chairman of the House Appropriations Committee, then began the trudge to the clubhouse.
"Hey, Palmer! One more thing!" Willie Vasquez-Washington called out.
Stoat turned and cupped a hand to his ear. Willie motioned him closer. Stoat cursed sharply under his breath and walked back.
"It's about the name," said Willie, dropping his voice.
"What about it?"
"Didn't you see the name? In the House budget item."
Palmer Stoat said, "I don't read the House budget word for word, Willie. I don't read the Miami phone book word for word, either. So help me out here, OK?"
"The name should be the same in the Senate version. That's all I'm saying."
Stoat had an urge to snatch Willie's three iron and wrap it around his blotched sweaty neck. "What name," he said thinly, "would you like me to put in the Senate bill?"
"The Willie Vasquez-Washington Community Outreach Center."
"Done," said Stoat. Once again he turned for the clubhouse.
"Shouldn't you maybe write it down?"
"No, I'll remember." Stoat thinking: Community Outreach Center? Willie's not reaching out, he's just reaching.
"Hey, Palmer, what about your new bridge?"
"I'll fax you the draft language. And it's not my bridge." Stoat was moving away briskly now; long purposeful strides.
"What I meant, is it gonna be named after somebody in particular?" Willie called after him. "You want, I could name it after the governor. Or maybe even you!"
"No thanks!" Palmer Stoat shouted pleasantly, but he kept his back to the man and continued walking. "Maggot," he grumbled. "Another greedy little maggot on the make."
The human population of Toad Island was 217 and in decline. Repeated efforts had been made to develop the place, and many of its remaining inhabitants were casualties of those doomed enterprises. The unofficial mayor was Nils Fishback, former landscape architect of an ambitious project that had promised three high-rise beachfront condominiums, a total of 660 units, called the Towers of Tarpon Island. (Everyone who sough
t to develop Toad Island renamed it as the first order of business. In addition to Tarpon Island, it had been incorporated fleetingly as Snook Island, Dolphin Island, Blue Heron Island, White Heron Island, Little Spoonbill Island, Big Spoonbill Island, Sandpiper Key, Sandpiper Cay, Sandpiper Isle and Sandpiper Shoals. The circumstances of failure varied from one busted scheme to the next, but a cheerlessly detailed history was available for scrutiny in the bankruptcy files of the federal courthouse at Gainesville.)
Resistance to the latest Toad Island makeover came from a small core of embittered landholders masquerading as environmentalists. In protest they had begun circulating an impassioned, Thoreau-quoting petition, the true purpose of which was not to protect pristine shores from despoliation but to extort more money from the builders. Among the private-property owners it was strongly felt that Robert Clapley was being stingy about buying them out, and that he could easily afford to overpay for their property, just as previous developers had overpaid previous Toad Island inhabitants. The petition strategy had worked well before, stirring up legitimate conservation organizations and luring big-city editorial writers and columnists to Toad Island's cause. Lacerated by headlines, the developers usually caved in and doubled their offers. There was no reason to believe Clapley wouldn't do the same, to expedite groundbreaking on his luxury resort community.
Fame and seniority handed Nils Fishback the lead role in the anti-Shearwater Island petition drive. He'd bought thirty-three lots there, having invested his life savings—unwisely, it had turned out—during the euphoric first gush of hype for what was then Tarpon Island. It had been Fishback's fantasy to escape Miami and retire to a placid Gulf Coast paradise, surrounded by water. He planned to keep four of the most scenic lots and, using his landscaping earnings from the high-rise project, build a grand plantation-style estate house for himself and his wife. Unfortunately for the Fishbacks, the Towers of Tarpon Island went belly-up shortly after the first slab was poured, due to the unexpected incarceration of its principal backers, two young gentlemen cousins from Barranquilla. At that point, Fishback had decorated only the sixty-by-sixty-foot parcel upon which the Towers of Tarpon Island sales kiosk had been assembled—an admittedly modest landscaping chore, but one for which Nils Fishback nonetheless expected compensation. He was not paid, nor were any of the other subcontractors. Worse: After eight years and three more failed Toad Island ventures, Fishback remained stuck with seventeen barren lots of the original thirty-three. His dream home had never advanced beyond blueprints; Fishback lived alone in the abandoned Tarpon Island sales hut, one of the few company assets in which the U.S. Drug Enforcement Administration showed no interest.
Fishback's wife long ago had given up hope and bolted for the mainland, leaving him with an unhealthy amount of solitude and free time. He went through a stretch of hard drinking, during which he regularly neglected to shave, bathe, floss or change clothes. He commonly passed out for days on the beach, and his skin became as brown and crinkled as a walnut. One morning, while drunkenly urinating off the old wooden bridge, Nils Fishback was approached by an impressionable young feature writer for a St. Petersburg newspaper. The following week, a long story appeared under a headline christening him "The Mayor of Toad Island." Although Fishback could not recall giving the interview, or any of the wild lies he told, he embraced his colorful new title with zest. He grew out his beard and bleached it snowy white, and took to going shirtless and barefoot and sporting bright bandannas. Deftly, Fishback re-created himself as a crusty and reclusive defender of Nature who had settled on the island purely for its grandeur, not to make a real estate killing. He happily posed for photographers, pretending to smooch one of the tiny striped oak toads that had given the place its name. Fishback was always good for a wistful quote or bittersweet adage about the demise of old Florida. For that reason he had been sought out over the years by the Washington Post, Newsweek, CNBC and the Turner networks, not to mention local media outlets. In this manner, he had evolved into a regional celebrity eccentric.
In truth, Nils Fishback didn't give a damn what happened to Toad Island or the squirmy creatures that lived there. The most breathtakingly beautiful sight he could imagine in all God's kingdom would be a cashier's check from Robert Clapley's company for the sum of $510,000, which was Fishback's preposterous asking price for his seventeen orphan lots. He would, of course, ecstatically accept half as much and be gone from Toad Island before sunset. He feigned horror when Clapley's crew started bulldozing the toad habitat, but Nils Fishback was secretly delighted. He had never been fond of the toads, especially during mating season when their high-pitched stridulations rang all night long in his skull. Second, and more important, Clapley's mechanized assault on the petite amphibians was potent public-relations ammunition for the petition drive—the man was a monster, was he not? Smushing innocent creatures by the thousands. Fishback kept a Rolodex of media contacts, for precisely such occasions. He would personally lead the TV crews across the old bridge and down the beach road to the site of the massacre, and show them where to set up their cameras. The Shearwater Island Company couldn't afford such gruesome publicity! Nils Fishback would warn Robert Clapley an hour or so in advance, giving him just enough time to call the bank and get a check cut for the escrow deposit on Fishback's property.
The only question in Fishback's mind was when to pick up the phone. If he waited too long, the toad massacre would be over and there'd be nothing left for the TV people to film. On the other hand, if he intervened too swiftly, the toad infestation would remain substantially undiminished, with the spring breeding season only weeks away.
Fishback stood up and dusted off the seat of his tattered cutoffs. He jerked two beers from the cooler; one he opened, the other he tucked under an arm. Then he ambled down the hill into the trees, where one of the big yellow bulldozers was being refueled. Fishback handed the unopened beer to the driver and said, "How long you boys gonna be at it?"
The driver grunted. "Years, pop. Get used to it."
"No," Fishback said, "I mean this part here." He waved a hand, as bony and gnarled as driftwood. "Buryin' all these damn toads."
The driver's gaze narrowed. "What're you talkin' about?"
"Check out your boots, jocko. That's toad guts, if I'm not mistaken."
The driver stepped back, wiping his soles across the pine needles. "You're fuckin' nuts," he said to the old man.
Fishback sighed impatiently. "Fine. There's no happy hoppers around here. Not a one. So just tell me how long it'll take."
The bulldozer driver glanced appreciatively at the cold beer in his hand. Hell, he thought, the old fart seems harmless enough. Probably just the racket he cares about.
"One week," the driver said to Fishback. "That's what the work order says."
"Perfect." Fishback pointed into the woods. "There's a freshwater pond a quarter mile or so down that path. Be a good place to dump some dirt. I mean lotsa dirt."
"Yeah?" The driver sounded interested.
Nils Fishback offered a conspiratorial wink. "Oh yeah," he said. "We're talking Toad Central, partner."
5
In the week that followed, a conference committee of the Florida Legislature agreed to appropriate $9.2 million for a neighborhood development project in southwest Miami called the Willie Vasquez-Washington Community Outreach Center. The same committee approved $27.7 million in transportation funds toward the design and construction of an elevated four-lane concrete bridge to replace the creaky two-lane wooden span that connected Toad Island to the mainland. Governor Dick Artemus declared his strong support for both projects, and praised lawmakers for their "bipartisan commitment to progress." A few days later, as the last of the oak toads were being plowed under, Nils Fishback and twenty-two other signatories of the anti-Shearwater Island petition met with Robert Clapley and his attorneys in a private dining salon at a fashionable Cuban restaurant in Ybor City. A deal was reached in which Clapley would purchase Fishback's seventeen vacant lots for $19,000 each,
which was $16,500 more than Fishback originally had paid for them. The other Toad Island "protesters" received, and eagerly accepted, comparable offers. They were flown home on a Gulfstream jet, and the next morning Nils Fishback called a press conference at the foot of the old wooden bridge. With a handful of local reporters present, "the mayor" announced he was terminating the petition drive because the Shearwater Island Company had "caved in to virtually all our demands." Wielding a sheath of legal-sized papers, Fishback revealed that Robert Clapley had promised in writing to preserve the natural character of the barrier island, and had agreed to provide on-site biologists, botanists and hydrologists to supervise all phases of construction. In addition, Clapley had endorsed an ambitious mitigation program that required replanting three acres of new trees for each acre sacrificed to development. What Nils Fishback didn't tell the press was that Clapley legally was not compelled to revegetate Toad Island itself, and that the new trees could be put anywhere else in Florida—including faraway Putnam County, where Clapley happened to own nine hundred acres of fresh-cut timber-land that needed replanting.