CONTENTS
   By the Same Author
   Supporters
   Author’s Note
   Chapter One
   Chapter Two
   Chapter Three
   Chapter Four
   Chapter Five
   Chapter Six
   Chapter Seven
   Chapter Eight
   Chapter Nine
   Chapter Ten
   Copyright
   Jonathan Coe was born in Birmingham, UK, in 1961. He began writing at an early age. His first surviving story, a detective thriller called The Castle of Mystery, was written when he was eight. His first published novel was The Accidental Woman in 1987, but it was his fourth, What a Carve Up!, which established his reputation as one of England’s finest comic novelists, winning the John Llewellyn Rhys Prize in 1985 and being translated into many languages. Seven bestselling novels and many other awards have followed, including the 2005 Samuel Johnson Prize for Like a Fiery Elephant, a biography of the experimental novelist, B. S. Johnson. Jonathan Coe lives in London.
   BY THE SAME AUTHOR
   Fiction
   The Accidental Woman
   A Touch of Love
   The Dwarves of Death
   What a Carve Up!
   The House of Sleep
   The Rotters’ Club
   The Closed Circle
   The Rain Before It Falls
   The Terrible Privacy of Maxwell Sim
   Expo 85
   Number 11
   Short Fiction
   Loggerheads and Other Stories
   Non-fiction
   Like a Fiery Elephant: The Story of B. S. Johnson
   Marginal Notes, Doubtful Statements
   Dear Reader,
   The book you are holding came about in a rather different way to most others. It was funded directly by readers through a new website: Unbound. Unbound is the creation of three writers. We started the company because we believed there had to be a better deal for both writers and readers. On the Unbound website, authors share the ideas for the books they want to write directly with readers. If enough of you support the book by pledging for it in advance, we produce a beautifully bound special subscribers’ edition and distribute a regular edition and e-book wherever books are sold, in shops and online.
   This new way of publishing is actually a very old idea (Samuel Johnson funded his dictionary this way). We’re just using the internet to build each writer a network of patrons. Over the page, you’ll find the names of all the people who made it happen.
   Publishing in this way means readers are no longer just passive consumers of the books they buy, and authors are free to write the books they really want. They get a much fairer return too – half the profits their books generate, rather than a tiny percentage of the cover price.
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   Thank you for your support,
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   Founders, Unbound
   SUPPORTERS
   Unbound is a new kind of publishing house. Our books are funded directly by readers. This was a very popular idea during the late eighteenth and early nineteenth centuries. Now we have revived it for the internet age. It allows authors to write the books they really want to write and readers to support the books they would most like to see published.
   The names listed below are of readers who have pledged their support and made this book happen. If you’d like to join them, visit www.unbound.com.
   Pamela Abbott
   Alice Adams
   Geoff Adams
   John Adams
   David Adger
   Phil Agius
   Moose Allain
   Sergio Amadori
   Robert Andrews
   Sandra Armor
   Philippe Auclair
   Clare Barker
   Sophie Barker
   Ruby Bastiman
   David Belbin
   Emma Bell
   Daryl Berrell
   Jonathan Blackie
   Nadia Bouzidi
   Joanna Bowen
   John Boxall
   John Boyne
   Richard W H Bray
   Jonathan Bridgland
   Emma Brown
   Nicky Brown
   Simon J. Brown
   Gareth Buchaillard-Davies
   Steven Buckeridge
   Freya Bullock
   Paul Bussey
   John Caley
   Jonathan Cole
   Stephen Cooper
   Elizabeth Harper Cowan
   Paul Daintry
   Harriet Fear Davies
   Remembering Owen Davies
   Royce Cerf Dehmer
   Rob Delaney
   Tasja Dorkofikis
   Chris Dottie
   Jenny Doughty
   John Dunbar
   Valerie Duskin
   Jez Fielder
   Paul Fielder
   Julia Fox
   Mark Fraser
   Babette Gallard
   Annabel Gaskell
   Mike Gautrey
   Jane Gibbs
   Ben Golding
   Giles Goodland
   Tom Goodrich
   Lucille Grant
   Jason Hares
   Sean Harkin
   Claire R E Harris
   Amanda Hart
   Barry Hasler
   Andrew Hearse
   Barry Hecker
   Caroline Hennigan
   Patrick Heren
   Philip Hewitt
   Matthew H. Hill
   Greg Hitchcock
   Paul Hodgson
   Peter Hogan
   Janice Holve
   Mary Horlock
   Jeff Horne
   Jacob Howe
   Sarah A Hubert
   Matthew Iles
   Caroline Irby
   Rivka Isaacson
   Natascha Jaeger
   Stephen Jessop & Donna Laurie
   Mark Jones
   Julia Jordan
   Peter Jordan
   Ros Kennedy
   Dan Kieran
   Patrick Kincaid
   Mit Lahiri
   Basia Lautman
   Garth Leder
   Bridget Caron Lee
   Justin Lewis
   Marina Lewycka
   Diana Lilley
   Rebecca Lovett
   Seonaid Mackenzie
   Koukla MacLehose
   M. J. Magee
   Paul Main
   Marianthi Makra
   Philippa Manasseh
   David Manns
   Milcah Marcelo
   Katrin Mäurich
   Tom McDermott
   Brigid McDonough
   Roy McMillan
   Sam McNabb
   Jenny Middleton
   John Mitchinson
   Chris Monk
   Mark Muldowney
   Linda Nathan
   Carlo Navato
   Jay Newman
   Jules McNally Norman
   Ashley Norris
   Julia O’Brien
   Rodney O’Connor
   Catherine O’Flynn
   Michele O’Leary
   Misha and Marlon Owen
   Scott Pack
   Rina Palumbo
   Janice Parsons
   Finley Peake
   Tony Peake
   Pernilla Pearce
   Bianca Pellet
   Edward Penning
   Sonya Permyakova
   Cynda Pierce
   Justin Pollard
   Lorca and Llara Prado
   Rhian Heulwen Price
   Dylan & Esme Price-Davey
					     					 			br />   David Quantick
   Julia Raeside
   Alice Rees
   Paul Rhodes
   Rachael Robinson
   David Roche
   Alun Roderick
   Taylor Royle
   Anna Sambles
   Libby Sambles
   Susan Sandon
   Tim Saxton
   David Sayers
   Dean Scott
   Dr David A Seager
   Alan Searl
   John Sheehan
   Joanne Sheppard
   David Shriver
   Caroline Shutter
   Harry Simeone
   Diane Sinclair
   John Skelton
   Hazel Slavin
   Nicholas Snowdon
   Stuart Southall
   Loredana Spadola
   Ian Spence
   Clive Stock
   Ewan Tant
   Steve Thorp
   Jem Thorpe-Woods
   Linda Todgers
   Graham Tomlinson
   Transreal Fiction
   Annabel Turpin
   Anne Tyley
   Despina Vassiliadou
   Mark Vent
   Paul Vincent
   John Wagstaff
   Steve Walsh
   Jeremy Warmsley
   Alan Webster
   Alice Wenban-Smith
   Elsie Mai Hâf Westmore
   Wiz Wharton
   Vicki Whittaker
   Patrick Wildgust
   Mike Williams & Munson the Alaskan Malamute
   Reuben Willmott
   Sarah Wilson
   Sophie Wilson
   Steve Woodward
   AUTHOR’S NOTE
   The town in this story is called Kennoway, which is the name of a real town in Fife, Scotland, where my great-great-grandparents used to live. But this story is set somewhere in England, and the real town and the fictional town have got nothing to do with each other.
   ONE
   Claire was eight years old when she found the mirror.
   It was raining that day. Not heavy rain, but warm summer rain, with thick, occasional drops, falling from a dull, slate-grey sky. These were the last few days of the school holidays, and the weather had only just changed. They had been lucky this year: the sun had shone for almost the whole of their two weeks away. As usual, Claire and her parents had been to Wales for their holiday, staying in a small rented cottage a few miles from the sea. They had gone to the beach every day and for a short time Claire had forgotten her pervasive sense of loneliness. Towards the end of the holiday she had even made friends with another little girl, a nine-year-old called Lisa who was an only child, just like her. They had promised to keep in touch, but Lisa lived hundreds of miles away so there wasn’t really much point. Meanwhile Claire’s best friend Aggie was still on holiday somewhere with her mum and dad, so Claire had nobody to play with for the time being.
   It had been a lovely two weeks but now, after only one day at home, everybody’s mood had changed. As soon as they returned, Claire’s father had sat down on the sofa with a pile of unread letters, and after he had finished reading them, he seemed angry with everyone and everything. Now her parents were talking earnestly in the kitchen about something to do with his job, and Claire could think of nothing to do except wander out into the garden. It was a small garden, and it didn’t take her long to get bored, out there by herself. She would have played on the swing, but one of the ropes was broken. So instead, she walked down to the bottom of the garden, and slipped out through the hole in the fence, where one of the posts had rotted away.
   From here, you could soon reach the rubbish dump. In the distance there rose a modest, grassy hill, dotted with rocks and heather, where Claire’s parents would sometimes take her for walks on Sunday afternoons. There was a fantastic view of the whole town from the top. But before you got very far along the path towards this hill, there was a clump of dense, stubbly bushes on the left, and once you had pushed your way through those, the ground fell away at your feet into a sheer slope, like the edge of a cliff. But if you trod carefully, you could scramble down the slope – clutching for support onto the weeds which sprung out of the chalky soil – and that was how you got to the dump.
   Claire didn’t come here often. This was only the third or fourth time. To be honest, it wasn’t a very nice place at all. It was full of big plastic bags with their contents spilling out, sharp pieces of metal which might catch you in the leg if you weren’t looking out for them, and rotting items of food which people had thrown away and which had started to smell terrible. In fact the smell was the worst thing about it.
   None the less, there was something about the dump that Claire liked. She felt somehow at home in the company of all these thrown-away things. And just occasionally, you might find something useful. Once she had found a radio here, which she had taken back to her bedroom, and although she had never been able to get it to work, it had looked nice, sitting on the table beside her bed, until her parents had eventually persuaded her to get rid of it and bought her a new one for her birthday. The other thing she wanted for her bedroom was an alarm clock so she wondered if today she might be lucky enough to find one.
   Almost immediately, however, something quite different caught her eye. There was a flash of light from the top of one of the rubbish piles and when Claire went over to see what it was, she found a fragment of broken mirror, just a couple of inches wide, but with rough, jagged edges forming a shape like an irregular star. She bent down and picked it up – very gingerly, because she didn’t want to cut herself. As she took it in her hand, she was dazzled by the clear, pale blue of the sky reflected on the mirror’s surface, and the sudden play of sunlight flung back by the glass as she held it and turned it this way and that. The brightness of the light even hurt her eyes for a moment or two, so that she had to shield them with her arm as she looked down at the mirror.
   Holding the mirror cautiously between finger and thumb, Claire scrambled back to the edge of the dump and found a spot to sit down. Then she laid it flat in her palm and took a closer look Leaning over, she could see the reflection of her own pale, freckly, enquiring face, and beyond that, the blueness of the sky which, the more she looked at it, seemed to be one of the purest and most beautiful colours she had ever seen. She was staring into the depths of the mirror, enjoying the richness of this colour in an almost dreamlike state, when a couple of raindrops fell onto the surface of the glass and startled her out of her daydream. She wiped them away with her sleeve and then glanced up at the sky, frowning. How could raindrops be falling from such a blue sky? Except that – and here was the strange thing – now that she looked at it, the sky wasn’t blue at all. It was just as grey as it had been when she first left the house: and not just grey, in fact, but mottled over with shifting, fast-moving clouds that were as black as charcoal.
   Claire looked again into the mirror lying in the palm of her hand. The same pale, freckly face looked back at her. And behind it was the same blue, cloudless sky. And then she saw something fly through the sky, directly behind her head. It was a huge bird – flying so close above her that she could see the soft texture of its feathers and the beady gleam of its fast, searching eye; so close above her that in an involuntary movement she ducked and covered her head with one arm, afraid that the bird was going to fly into her. But it made no sound; and when she looked up into the sky again a second later, there was nothing there.
   TWO
   Claire was almost certain that the bird she had seen was an eagle. An eagle was the only bird she could think of that was as large as this one, and whose feathers would send off the same wonderful golden shimmer. But even she (who had very little knowledge of birds) knew that there were no eagles in this part of the country.
   She looked up again, and scanned the sky from one end to the other. Where had the eagle gone, in any case? It couldn’t have disappeared completely. But try as she might, she could not see it anywhere in the lowering, cloudy sky.
   Claire was getting cold now, and 
					     					 			 was also convinced that it was going to rain very soon. So she put the fragment of mirror carefully into the pocket at the front of her dress, and scrambled up the side of the dump towards the bushes at the top. In a few minutes she had squeezed through the hole in the fence and was back at the bottom of her garden. She had not been away for long: she could still see her mum and dad sitting at the kitchen table, talking to each other and surrounded by papers. Her mum got up and went over to the sink by the window to fill the kettle. She saw Claire and waved. Claire waved back.
   Turning away from the house, she took the mirror out of her pocket and looked at it again. Instead of leaning over it, this time, she held it at arm’s length, level with her face. At first everything seemed normal but then she looked into it more carefully and noticed something odd about the reflection behind her.
   Claire’s house was part of an estate on the outskirts of the town, and it had been built about five years ago. All the houses were the same size, the same shape, and were built of the same modern red brick. And sure enough, she could see a house – or at least a building – reflected in the mirror, beyond the image of her own face, but it didn’t appear to be Claire’s house at all. The bricks were much bigger, and were made of much older stone, and were a sandy, yellowy sort of colour. As Claire tilted the mirror in her hand, she could see more of this building: the windows were not square and ugly like theirs, but all sorts of different shapes – arched, round, oval, hexagonal – and they were criss-crossed with metalwork arranged into complex and wonderful patterns. Sunlight glinted back off the windows, dazzling her once again and prompting her seriously to wonder if none of this was real at all, and her eyes were somehow starting to play tricks on her. Maybe this mirror was just a bit dirty: the surface did seem to be streaked with faint marks that wouldn’t come off, no matter how hard she rubbed, and Claire supposed that this might account for the way it didn’t appear to reflect things properly. And yet, the building she could see behind her own face did seem to be awfully clear. She looked at it again, tilting the mirror further upwards so that she could see higher and higher up the surface of the sandstone walls, right up to the top. The roof, she noticed, was made of tiles that were also yellowish, and there were some flags planted at the crest, rippling in a gentle breeze. (She couldn’t make all of them out, but one of them showed a red dragon, against a backdrop of green and white.) Also on the roof was—