It’s so hot that we move in quick staggered vectors between areas of shade. I decline to take my shirt off because there’d be no way to display my Credentials. We zigzag gradually westward across the Hollow. I am keen to hit the Junior Beef Show which starts at 1300h. Then there are, of course, the Dessert Competition tents.
One of the fully assembled rides near the Hollow’s west end is something called The Zipper. It’s riderless but in furious motion, a kind of Ferris Wheel on amphetamines. Individual caged cars are hinged to spin on their own axes as they go around in a tight vertical ellipse. The machine looks less like a zipper than the head of a chain saw. Its off-white paint is chipped, and it sounds like a shimmying V-12, and in general it’s something I’d run a mile in tight shoes to avoid riding. But Native Companion starts clapping and hopping around excitedly as we approach The Zipper. (This is a person who bungee jumps, to give you an idea.) And the operator at the controls sees her, waves back, and shouts down to Git on over and git some if she’s a mind to. He claims they want to test The Zipper somehow. He’s up on a kind of steel platform, elbowing a colleague next to him in a way I don’t much like. We have no tickets, I point out, and none of the cash-for-ticket booths are manned. By now we’re somehow at the base of the stairway up to the platform and control panel. The operator says without looking at me that the matter of tickets this early on Opening Day “Ain’t no sweat off my balls.” The operator’s colleague conducts Native Companion up the waffled-steel steps and straps her into a cage, upping a thumb at the operator, who gives a sort of Rebel Yell and pulls a lever. Native C.’s cage begins to ascend. Pathetic little fingers appear in the cage’s mesh. The Zipper operator is ageless and burnt-brown and has a mustache waxed to wicked points like steers’ horns, rolling a Drum cigarette with one hand as he nudges levers upward and the ellipse speeds up and the individual cages start to spin independently on their hinges. Native Companion is a blur of color inside her cage, but the operator and colleague (whose jeans have worked down his hips to the point where the top of his butt-crack is clearly visible) watch studiously as her spinning cage and the clanking empty cages circle the ellipse approx. once a second. I have a particular longstanding fear of things that spin independently inside a larger spin. I can barely even watch this. The Zipper is the color of unbrushed teeth, with big scabs of rust. The operator and colleague sit on a little steel bench before a panel full of black-knobbed levers. Do testicles themselves sweat? They’re supposed to be very temperature-sensitive. The colleague spits Skoal into a can he holds and tells the operator to “Well then take her to Eight then you pussy.” The Zipper begins to whine and the thing to spin so fast that a detached car would surely be hurled into orbit. The colleague has a small American flag folded into a bandanna around his head. The empty cages shudder and clank as they whirl, spinning independently. One long scream, wobbled by Doppler, is coming from Native C.’s cage, which is going around and around on its hinges while a shape inside tumbles like stuff in a dryer. My particular neurological makeup (extremely sensitive: carsick, airsick, heightsick; my sister likes to say I’m “lifesick”) makes even just watching this an act of enormous personal courage. The scream goes on and on; it’s nothing like a swine’s. Then the operator stops the ride abruptly with Native C.’s car at the top, so she’s hanging upside down inside the cage. I call up Is she OK, but the response is just high-pitched noises. I see the two carnies gazing upward very intently, shading their eyes. The operator’s stroking his mustache contemplatively. The cage’s inversion has made Native Companion’s dress fall up. They’re ogling her nethers, obviously. As they laugh, the sound literally sounds like “Tee hee hee hee.” A less sensitive neurological specimen probably would have stepped in at this point and stopped the whole grotesque exercise. My own makeup leans more toward disassociation when under stress. A mother in shorts is trying to get a stroller up the steps of the Funhouse. A kid in a Jurassic Park T-shirt is licking an enormous flat lollipop with a hypnotic spiral on it. A sign at a gas station we passed on Sangamon Avenue was hand-lettered and said “BLU-BLOCK SUNGLASSES—Like Seen On TV.” A Shell station off I-55 near Elkhart sold cans of snuff out of a vending machine. 15% of the female Fairgoers here have their hair in curlers. 25% are clinically fat. Midwestern fat people have no compunction about wearing shorts or halter-tops. A radio reporter had held his recorder’s mike up too close to a speaker during Governor E.’s opening remarks, causing hellacious feedback. Now the operator’s joggling the choke-lever so The Zipper stutters back and forth, forward and backward, making N.C.’s top car spin around and around on its hinges. His colleague’s T-shirt has a stoned Ninja Turtle on it, toking on a joint. There’s a distended A# scream from the whirling cage, as if Native C.’s getting slow-roasted. I summon saliva to step in and really say something stern, but at this point they start bringing her down. The operator is deft at his panel; the car’s descent is almost fluffy. His hands on the levers are a kind of parody of tender care. The descent takes forever—ominous silence from Native Companion’s car. The two carnies are laughing and slapping their knee. I clear my throat twice. There’s a trundly sound as Native Companion’s car gets locked down at the platform. Jiggles of movement in the cage, and the door’s latch slowly turns. I expect whatever husk of a human being emerges from the car to be hunched and sheet-white, dribbling fluids. Instead she sort of bounds out:
“That was fucking great. Joo see that? Son bitch spun that car sixteen times, joo see it?” This woman is native Midwestern, from my hometown. My prom date a dozen years ago. Now married, with three children, teaches water-aerobics to the obese and infirm. Her color is high. Her dress looks like the world’s worst case of static cling. She’s still got her chewing gum in, for God’s sake. She turns to the carnies: “You sons bitches that was fucking great. Assholes.” The colleague is half-draped over the operator; they’re roaring with laughter. Native Companion has her hands on her hips sternly, but she’s grinning. Am I the only one who was in touch with the manifestly overt sexual-harassment element in this whole episode? She takes the steel stairs down three at a time and starts up the hillside toward the food booths. There is no sanctioned path up the incredibly steep hill on the Hollow’s western side. Behind us the operator calls out: “They don’t call me King of The Zipper for nuthin’, sweet thang.” She snorts and calls back over her shoulder “Oh you and whose fucking platoon?” and there’s more laughter behind us.
I’m having a hard time keeping up on the slope. “Did you hear that?” I ask her.
“Jesus I thought I bought it for sure at the end that was so great. Fucking cornholers. But’d you see that one spin up top at the end, though?”
“Did you hear that Zipper King comment?” I say. She has her hand around my elbow and is helping me up the hillside’s slick grass. “Did you sense something kind of sexual-harassmentish going on through that whole little sick exercise?”
“Oh for fuck’s sake Slug it was fun.” (Ignore the nickname.) “Son of a bitch spun that car eighteen times.”
“They were looking up your dress. You couldn’t see them, maybe. They hung you upside down at a great height and made your dress fall up and ogled you. They shaded their eyes and made comments to each other. I saw the whole thing.”
“Oh for fuck’s sake.”
I slip a little bit and she catches my arm. “So this doesn’t bother you? As a Midwesterner, you’re unbothered? Or did you just not have an accurate sense of what was going on back there?”
“So if I noticed or I didn’t, why does it have to be my deal? What, because there’s assholes in the world I don’t get to ride on The Zipper? I don’t get to ever spin? Maybe I shouldn’t ever go to the pool or ever get all girled up, just out of fear of assholes?” Her color is still high.
“So I’m curious, then, about what it would have taken back there, say, to have gotten you to lodge some sort of complaint with the Fair’s management.”
“You’re so fucking innocent, Slug,” she sa
ys. (The nickname’s a long story; ignore it.) “Assholes are just assholes. What’s getting hot and bothered going to do about it except keep me from getting to have fun?” She has her hand on my elbow this whole time—the hillside’s a bitch.
“This is potentially key,” I’m saying. “This may be just the sort of regional politico-sexual contrast the swanky East-Coast magazine is keen for. The core value informing a kind of willed politico-sexual stoicism on your part is your prototypically Midwestern appreciation of fun—”
“Buy me some pork skins, you dipshit.”
“—whereas on the East Coast, politico-sexual indignation is the fun. In New York, a woman who’d been hung upside down and ogled would go get a whole lot of other women together and there’d be this frenzy of politico-sexual indignation. They’d confront the ogler. File an injunction. Management’d find itself litigating expensively—violation of a woman’s right to nonharassed fun. I’m telling you. Personal and political fun merge somewhere just east of Cleveland, for women.”
Native Companion kills a mosquito without looking at it. “And they all take Prozac and stick their finger down their throat too out there. They might ought to try just climbing on and spinning and ignoring assholes and saying Fuck ’em. That’s pretty much all you can do with assholes.”
“This could be integral.”
08/13/1235h. Lunchtime. The Fairgrounds are a St. Vitus’s dance of blacktop footpaths, the axons and dendrites of mass spectation, connecting buildings and barns and corporate tents. Each path is flanked, pretty much along its whole length, by booths hawking food. There are tall Kaopectate-colored shacks that sell Illinois Dairy Council milkshakes for an off-the-scale $2.50—though they’re mindbendingly good milkshakes, silky and so thick they don’t even insult your intelligence with a straw or spoon, giving you instead a kind of small plastic trowel. There are uncountable pork options: Paulie’s Pork Out, the Pork Patio, Freshfried Pork Skins, the Pork Street Cafe. The Pork Street Cafe is a “One Hundred Percent All-Pork Establishment,” says its loudspeaker. “Ever last thing.” I’m praying this doesn’t include the beverages. No way I’m eating any pork after this morning’s swine stress, anyway. And it’s too hot even to think about the Dessert Competitions. It’s at least 95° in the shade here due east of Livestock, and the breeze is shall we say fragrant. But food is getting bought and ingested at an incredible clip all up and down the path. The booths are ubiquitous, and each one has a line in front of it. Everybody’s packed in together, eating as they walk. A peripatetic feeding frenzy. Native Companion is agitating for pork skins. Zipper or no, she’s “storvin’,” she says, “to daith.” She likes to put on a parodic hick accent whenever I utter a term like “peripatetic.”
(You do not want details on what pork skins are.)
So along the path there are I.D.C. milkshakes (my lunch), Lemon Shake-Ups, Ice Cold Melon Man booths, Citrus Push-Ups, and Hawaiian Shaved Ice you can suck the syrup out of and then crunch the ice (my dessert). But a lot of what’s getting bought and gobbled is to my mind not hot-weather food at all: bright-yellow popcorn that stinks of salt; onion rings big as leis; Poco Penos Stuffed Jalapeño Peppers; Zorba’s Gyros; shiny fried chicken; Bert’s Burritos—“BIG AS YOU’RE HEAD” (sic); hot Italian beef; hot New York City Beef (?); Jojo’s Quick Fried Donuts (the only booth selling coffee, by the way); pizza by the shingle-sized slice and chitlins and Crab Rangoon and Polish sausage. (Rural Illinois’ complete lack of ethnic identity creates a kind of postmodern embarrassment of riches—foods of every culture and creed become our own, quick-fried and served on cardboard and consumed on foot.) There are towering plates of “Curl Fries,” which are pubic-hair-shaped and make people’s fingers shine in the sun. Cheez-Dip Hot Dogs. Pony Pups. Hot Fritters. Philly Steak. Ribeye BBQ Corral. Joanie’s Original ½-lb Burgers’ booth’s sign says 2 CHOICES—RARE OR MOOIN’. I can’t believe people eat this kind of stuff in this kind of heat. The sky is cloudless and galvanized; the sun fairly pulses. There’s the green reek of fried tomatoes. (Midwesterners say “tomāto.”) The sound of myriad deep fryers forms a grisly sound-carpet all up and down the gauntlet of booths. The Original 1-lb Butterfly Pork Chop booth’s sign says PORK: THE OTHER WHITE MEAT, the only discernible armwave to the health-conscious so far. Non-natives note, it’s the Midwest: no nachos, no chili, no Evian, nothing Cajun.
But holy mackerel are there sweets: Fried Dough; Black Walnut Taffy; Fiddlesticks; Hot Crackerjack. Caramel apples for a felonious $1.50. Angel’s Breath, known also as Dentist’s Delight. Vanilla fudge that breaks a kind of weird sweat the minute it leaves its booth’s freezer. The crowd moves at one slow pace, eating, dense-packed between the rows of booths. No ag-pros in sight. The crowd’s adults are either pale or with the pink tinge of new burn, thin-haired and big-bellied in tight jeans, some downright fat and moving by sort of shifting their weight from side to side; boys minus shirts and girls in primary-colored halters; littler boys and girls in squads; parents with strollers; terribly pale academics in Bermudas and sandals; big women in curlers; lots of people carrying shopping bags; absurd floppy hats; almost all with ’80s-fashion sunglasses—all seemingly eating, crowded together, twenty abreast, moving slowly, packed in, sweating, shoulders rubbing, the air deep-fried and spicy with antiperspirant and Coppertone, jowl to jowl. Picture Tokyo’s rush-hour subway on an epic scale. It’s a rare grand mass of Midwest humanity, eating and shuffling and rubbing, moving toward the Coliseum and Grandstand and Expo Building and the Livestock shows beyond. It’s maybe significant that nobody looks like they’re feeling oppressed or claustrophobic or bug-eyed at being airlessly hemmed in by the endless crowd we’re all part of. Native Companion cusses and laughs when people step on her feet. Something East-Coast in me prickles at the bovine and herdlike quality of the crowd, though, i.e. us, hundreds of hands rising from paper tray to mouth as we jostle and press toward our respective attractions. From the air we’d look like some kind of Bataan March of docile consumption. (Native Companion laughs and says the batons aren’t ever till the second day.) We’re Jr.-Beef-Show-bound. You do not want to know what appalling combination of high-lipid foods N. Companion lunches on as we’re borne by a living river toward prizewinning beef. The booths keep rolling past. There’s Ace-High All-Butter Fudge. There are Rice-Krispie-squarish things called Krakkles. Angel Hair Cotton Candy. There are Funnel Cakes, viz. cake batter quick-fried to a tornadic spiral and rolled in sugared butter. Eric’s Salt Water Taffy. Something called Zak’s Fried Ice Cream. Another artery-clogger: Elephant Ears. An Elephant Ear is an album-sized expanse of oil-fried dough slathered with butter and cinnamon-sugar, sort of cinnamon toast from hell, really and truly shaped like an ear, surprisingly yummy, it turns out, but sickly soft, the texture of adipose flesh, and undeniably elephant-sized—no one’s in line for Ears except the morbidly obese.
One food venue we fight across the current to check out special is a huge high-tech neonated stand: DIPPIN DOTS—“Ice Cream Of The Future.” The countergirl sits on a tall stool shrouded in dry-ice steam and is at most thirteen years old, and my Press Credentials for the first time make someone’s eyes widen, and we get free samples, little cups of what seem to be tiny little ice-cream pellets, fluorescent BB’s that are kept, the countergirl swears to God, at 55° below 0—Oh God she doesn’t know whether it’s 0°C or 0°F; that wasn’t in the DIPPIN DOTS training video. The pellets melt in your mouth, after a fashion. More like evaporate in your mouth. The taste is vivid, but the Dots’ texture’s weird, abstract. Futuristic. The stuff’s intriguing but just too Jetsonian to really catch on. The countergirl spells her last name for us and wants to say Hey to someone named Jody in return for the samples.
08/13/1310h. “Here we’ve got as balanced in dimension as any heifer you’ll see today. A high-volume heifer but also solid on mass. Good to look at in terms of rib-length to -depth. Depth of forerib. Notice the depth of flank on the front quarter. We’d like to see maybe perhaps a little more muscle mass on the rear fla
nk. Still, an outstanding heifer.”