When John E. Kennedy took office, he launched the Alliance for Progress, a program of help for Latin America, emphasizing social reform to better the lives of people. But it turned out to be mostly military aid to keep in power right-wing dictatorships and enable them to stave off revolutions.

  From military aid, it was a short step to military intervention. What Truman had said at the start of the Korean war about "the rule of force" and the "rule of law" was again and again, under Truman and his successors, contradicted by American action. In Iran, in 1953, the Central Intelligence Agency succeeded in overthrowing a government which

  nationalized the oil industry. In Guatemala, in 1954, a legally elected government was overthrown by an invasion force of mercenaries trained by the CLA at military bases in Honduras and Nicaragua and supported by four American fighter planes flown by American pilots. The invasion put into power Colonel Carlos Castillo Annas, who had at one time received military training at Fort Leavenworth, Kansas.

  The government that the United States overthrew was the most democratic Guatemala had ever had. The President, Jacobo Arbenz, was a left-of-center Socialist; four of the fifty-six seats in the Congress were held by Communists. What was most unsettling to American business interests was that Arbenz had expropriated 234,000 acres of land owned by United Fruit, offering compensation that United Fruit called "unacceptable." Annas, in power, gave the land hack to United Fruit, abolished the tax on interest and dividends to foreign investors, eliminated the secret ballot, and jailed thousands of political critics.

  In 1958, the Eisenhower government sent thousands of marines to Lebanon to make sure the pro-American government there was not toppled by a revolution, and to keep an armed presence in that oil-rich area.

  The Democrat-Republican, liberal-conservative agreement to prevent or overthrow revolutionary governments whenever possible— whether Communist, Socialist, or anti-United Emit—became most evident in 1961 in Cuba. That little island 90 miles from Florida had gone through a revolution in 1959 by a rebel force led hy Fidel Castro, in which the American-backed dictator, Fulgencio Batista, was overthrown. The revolution was a direct threat to American business interests. Franklin D. Roosevelt's Good Neighbor Policy had repealed the Platt Amendment (which permitted American intervention in Cuba), but the United States still kept a naval base in Cuba at Guantanamo, and U.S. business interests still dominated the Cuban economy. American companies controlled 80 to 100 percent of Cuba's utilities, mines, cattle ranches, and oil refineries, 40 percent of the sugar industry, and 50 percent of the public railways.

  Fidel Castro had spent time in prison after he led an unsuccessful attack in 1953 on an army barracks in Santiago. Out of prison, he went to Mexico, met Argentine revolutionary Che Guevara, and returned in 1956 to Cuba. Flis tiny force fought guerrilla warfare from the jungles and mountains against Batista's army, drawing more and more popular support, then came out of the mountains and marched across the country to Havana. The Batista government fell apart on New Year's Day 1959.

  In power, Castro moved to set up a nationwide system of education, of housing, of land distribution to landless peasants. The government

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  A PEOPLE'S HISTORY OF THE UNITED STATES

  confiscated over a million acres of land from three American companies, including United Fruit.

  Cuba needed money to finance its programs, and the United States was not eager to tend it. The International Monetary Fund, dominated by the United States, would not loan money to Cuba because Cuba would not accept its "stabilization" conditions, which seemed to undermine the revolutionary program that had begun. When Cuba now signed a trade agreement with the Soviet Union, American-owned oil companies in Cuba refused to refine crude oil that came from the Soviet Union. Castro seized these companies. The United States cut down on its sugar buying from Cuba, on which Cuba's economy depended, and the Soviet Union immediately agreed to buy all the 700,000 tons of sugar that the United States would not buy.

  Cuba had changed. The Good Neighbor Policy did not apply. In the spring of 1960, President Eisenhower secretly authorized the Central Intelligence Agency to arm and train anti-Castro Cuban exiles in Guatemala for a future invasion of Cuba. When Kennedy took office in the spring of 1961 the C1A had 1,400 exiles, armed and trained. He moved ahead with the plans, and on April 17, 1961, the CIA-trained force, with some Americans participating, landed at the Bay of Pigs on the south shore of Cuba, 90 miles from Havana, They expected to stimulate a general rising against Castro. But it was a popular regime. There was no rising. In three days, the C1A forces were crushed by Castro's

  army.

  The whole Bay of Pigs affair was accompanied by hypocrisy and lying. The invasion was a violation—recalling Truman's "rule of law"— of a treaty tbe U.S. had signed, the Charter of the Organization of American States, which reads: "No state or group of states has the right to intervene, directly or indirectly, for any reason whatever, in the internal or external affairs of any other state."

  Four days before the invasion—because there had been press reports of secret bases and CIA training for invaders—President Kennedy told a press conference: "... there will not be, under any conditions, any intervention in Cuba by United States armed forces." True, the landing force was Cuban, but it was all organized by the United States, and American war planes, including American pilots, were involved; Kennedy had approved the use of unmarked navy jets in the invasion. Four American pilots of those planes were killed, and their families were not told the truth about how those men died.

  The success of the liberal-conservative coalition in creating a national anti-Communist consensus was shown by how certain impor-

  A PEOPLE'S WAR?

  44T

  tant news publications cooperated with the Kennedy administration in deceiving the American public on the Cuban invasion. The New Republic was about to print an article on the CTA training of Cuban exiles, a few weeks before the invasion. Historian Arthur Schlesinger was given copies of the article in advance. He showed them to Kennedy, who asked that the article not be printed, and The New Republic went along.

  James Reston and Turner Catledge of the Nnv York Time.*, on the government's request, did not run a story about the imminent invasion. Arthur Schlesinger said of the New York Times action: "This was another patriotic act, but in retrospect I have wondered whether, if the press had behaved irresponsibly, it would not have spared the country a disaster." What seemed to bother him, and other liberals in the cold war consensus, was not that the United States was interfering in revolutionary movements in other countries, but that it was doing so unsuccessfully.

  Around 1960, the fifteen-year effort since the end of World War II to break up the Communist-radical upsurge of the New Deal and wartime years seemed successful. The Communist party was in disarray—its leaders in jail, its membership shrunken, its influence in the trade union movement very small. The trade union movement itself had become more controlled, more conservative. The military budget was taking half of the national budget, but the public was accepting this.

  The radiation from the testing of nuclear weapons had dangerous possibilities for human health, but the public was not aware of that. The Atomic Energy Commission insisted that die deadly effects of atomic tests were exaggerated, and an article in 1955 in the Reader's Digest (the largest-circulation magazine in the United States) said: "The scare stories about this country's atomic tests are simply not justified."

  In the mid-fifties, there was a flurry of enthusiasm for air-raid shelters; the public was being told these would keep them safe from atomic blasts. A government consultant and scientist, Herman Kahn, wrote a book, On Thermonuclear War, in which he explained that it was possible to have a nuclear war without total destruction of the world, that people should not be so frightened of it. A political scientist named Henry Kissinger wrote a book published in 1957 in which he said: "With proper tactics, nuclear war need not be as destructive as it appears. . . ."

/>   The country was on a permanent war economy which had big pockets of poverty, but there were enough people at work, making enough money, to keep things quiet. The distribution of wealth was still unequal. From 1944 to 1961, it had not changed much: the lowest fifth of the families received 5 percent of all the income; the highest fifth received 45 percent of all the income. In 1953, 1.6 percent of the adult

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  A PEOPLE'S HISTORY OF THE UNTIED STATES

  population owned more than 80 percent of the corporate stock and nearly 90 percent of the corporate bonds. About 200 giant corporations out of 200,000 corporations—one-tenth of 1 percent of all corporations—controlled about 60 percent of the manufacturing wealth of the

  nation.

  When John F. Kennedy presented his budget to the nation after his first year in office, it was clear that, liberal Democrat or not, there would be no major change in the distribution of income or wealth or tax advantages. New York Times columnist James Reston summed up Kennedy's budget messages as avoiding any "sudden transformation of the home front" as well as "a more ambitious frontal attack on the unemployment problem." Reston said:

  He agreed to a tax break for business investment in plant expansion and modernization. He is not spoiling for a fight with die Southern conservatives over civil rights. He has been urging the unions to keep wage demands down so that prices can be competitive in die world markets and jobs increased- And he has been trying to reassure die business community that lie does not want any cold war with them on the home front.

  ... this week in his news conference he refused to carry out his promise to bar discrimination in Government-insured housing, but talked instead of postponing this until there was a "national consensus" in its favor. . . .

  During these twelve months the President has moved over into the decisive middle ground of American politics.. . .

  On this middle ground, all seemed secure. Nothing had to be done for blacks. Nothing had to be done to change the economic structure. An aggressive foreign policy could continue. The country seemed under control. And then, in the 1960s, came a series of explosive rebellions in every area of American life, which showed that all the system's estimates of security and success were wrong.

  17 "OR DOES IT EXPLODE?"

  The black revolt of the 1950s and 1960s—North and South—came as a surprise. But perhaps it should not have. The memory of oppressed people is one thing that cannot be taken away, and for such people, with such memories, revolt is always an inch below the surface. For blacks in the United States, there was the memory of slavery, and after that of segregation, lynching, humiliation. And it was not just a memory but a living presence—part of the daily lives of blacks in generation after generation. In the 1930s, Langston Hughes wrote a poem, "Lcnox Avenue Mural":

  What happens to a dream deferred?

  Does it dry up

  like a raisin in tbe sun?

  Or fester like a sore—

  And then run?

  Does it stink like rotten meat? Or crust and sugar over— like a syrupy sweet?

  Maybe it just sags like a heavy load. Or does it explode?

  In a society of complex controls, both crude and refined, secret thoughts can often he found in the arts, and so it was in black society. Perhaps the hlues, however pathetic, concealed anger; and the jazz, how-

  A PEOPLE'S HISTORY OF THE UNITED STATES

  ever joyful, portended rebellion. And then the poetry, the thoughts no longer so secret. In the 1920s, Claude McKay, one of the figures of what came to be called the "Harlem Renaissance," wrote a poem that Henry Cabot Lodge put in the Concessional Record as an example of dangerous currents among young blacks:

  If we must die, let it not lie like hogs limited and penned in an inglorious spot. . .. Like men we'll face the murderous cowardly pack, Pressed to die wall, dying, but fighting buck!

  Cotintee Cullen's poem "Incident" evoked memories—all different, all die same—out of every black American's childhood:

  Once riding in old Baltimore, Heart-filled, head-filled with glee, I saw a Baltimorean Keep looking straight at me.

  Now I was eight and very small, And he was no whit bigger, And so I smiled, but he poked out His tongue, and called me, "Nigger,"

  I saw the whole of Baltimore From May until December; Of all the things that happened there That's all that I remember.

  At the time of the Scottsboro Boys incident, Cullen wrote a bitter poem noting that white poets had used their pens to protest in other cases of injustice, but now that blacks were involved, most were silent. His last stanza was:

  Surely, I said,

  Now will the poets sing. But they have raised no cry.

  I wonder why.

  Even outward subservience—Uncle Tom behavior in real situations, the comic or fawning Negro on the stage, the self-ridicule, the

  "OR DOES IT EXPLODE?"

  445

  caution—concealed resentment, anger, energy. The black poet Paul Laurence Dunbar, in the era of the black minstrel, around the turn of the century, wrote "We Wear the Mask":

  We wear the mask that grins and lies,

  It hides our cheeks and shades our eyes,—

  . . . We sing, but oh, the clay is vile Beneath our feet, and long the mile; But let the world dream otherwise, We wear the mask.

  Two black performers of that time played the minstrel and satirized it at the same time. When Bert Williams and George Walker billed themselves as "Two Real Coons," they were, Nathan Huggins says, "intending to give style and comic dignity to a fiction that white men had created...."

  By the 1930s the mask was off for many black poets. Langston Hughes wrote "I, Too."

  I, too, sing America

  I am the darker brother.

  They send me to eat in the kitchen

  When company comes,

  But I laugh,

  And eat well,

  And grow strong.

  Tomorrow,

  I'll be at the table

  When company comes. . ..

  Gwendolyn Bennett wrote:

  I want to see lithe Negro girls, Etched dark against the sky While sunset lingers. ...

  I want to hear the chanting

  Around a heathen fire

  Of a strange black race....

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  A PEOPLE'S HISTORY OF THE UNITED STATES^

  I want to feel the surging Of my sad people's soul Hidden by a rninstrel-sniile.

  There was Margaret Walker's prose-poem "For My People":

  . . . Let a new earth rise. Let another world be born. Let a bloody peaee be written in the sky. Let a second generation full of courage issue forth, let a people loving freedom come to growth, let a beauty full of healing and a strength of final clenching be the pulsing in our spirits and our blood. Let the martial songs be written, let the dirges disappear. Let a race of men now rise and take control!

  By the 1940s there was Richard Wright, a girted novelist, a black man. His autobiography of 1937, Black Boy, gave endless insights: for instance, how blacks were set against one another, when he told how he was prodded to fight another black boy for the amusement of white men. Black Boy expressed unashamedly every humiliation and then:

  The white South said that it knew "niggers," and I was what the white South called a "nigger." Well, the white South had never known me—never known what I thought, what I felt. The white South said that I had a "place" in life. Well, 1 had never felt my "place"; or, rather, my deepest instincts had always made me reject the "place" to which the white South had assigned me. It had never occurred to me that I was in any way an inferior being. And no word that T had ever heard fall from the lips of southern white men had ever made me really doubt the worth of my own humanity.

  It was all there in the poetry, the prose, the music, sometimes masked, sometimes unmistakably clear—the signs of a people unbeaten,

  waiting, hot, coiled.

  In Black Boy, Wright told about the training of black children in

&n
bsp; America to keep them silent. But also:

  How do Negroes feel about the way they have to live? How do they diseuss it when alone among themselves? 1 think this question can be answered in a single sentence, A friend of mine who ran an elevator once told me:

  "Lawd, man! Ef it wuz.n't fer them polices 'n' them oP lynch mobs, there wouldn't be nothin' but uproar down here!"

  "OR DOES IT EXPLODE?"

  447

  Richard Wright, for a time, joined the Communist party (he tells of this period of his life, and his disillusionment with the party, in The God That Failed). The Communist party was known to pay special attention to the problem of race equality. When the Scottsboro case unfolded in the 1930s in Alabama, it was the Communist party that had become associated with the defense of these young black men imprisoned, in the early years of the Depression, by southern injustice.

  The party was accused by liberals and the NAACP of exploiting the issue for its own purposes, and there was a half-truth in it, but black people were realistic about the difficulty of having white allies who were pure in motive. The other half of the truth was that black Communists in die South had earned the admiration of blacks by their organizing work against enormous obstacles. There was Hosea Hudson, the black organizer of the unemployed in Birmingham, for instance. And in Georgia, in 1932, a nineteen-year-old black youth named Angelo Hemdon, whose father died of miners pneumonia, who had worked in mines as a boy in Kentucky, joined an Unemployment Council in Birmingham organized by the Communist party, and then joined the party. He wrote later:

  All my life I'd been sweated and stepped-on and Jim-Crowed. T lay on my belly in die mines for a few dollars a week, and saw my pay stolen and slashed, and my buddies killed. T lived in the worst section of town, and rode behind the "Colored" signs on streetcars, as though there was something disgusting about me. I heard myself called "nigger" and "darky" and 1 had to say "Yes, sir" to every white man, whether he had my respect or not.