"Mr. Sen says that once I receive my license, everything will improve. What do you think, Eliot? Will things improve?"

  "You could go places," Eliot suggested. "You could go anywhere."

  "Could I drive all the way to Calcutta? How long would that take, Eliot? Ten thousand miles, at fifty miles per hour?"

  Eliot could not do the math in his head. He watched Mrs. Sen adjust the driver's seat, the rearview mirror, the sunglasses on top of her head. She tuned the radio to a station that played symphonies. "Is it Beethoven?" she asked once, pronouncing the first part of the composer's name not "bay," but "bee," like the insect. She rolled down the window on her side, and asked Eliot to do the same. Eventually she pressed her foot to the brake pedal, manipulated the automatic gear shift as if it were an enormous, leaky pen, and backed inch by inch out of the parking space. She circled the apartment complex once, then once again.

  "How am I doing, Eliot? Am I going to pass?"

  She was continuously distracted. She stopped the car without warning to listen to something on the radio, or to stare at something, anything, in the road. If she passed a person, she waved. If she saw a bird twenty feet in front of her, she beeped the horn with her index finger and waited for it to fly away. In India, she said, the driver sat on the right side, not the left. Slowly they crept past the swing set, the laundry building, the dark green trash bins, the rows of parked cars. Each time they approached the grove of pine trees where the asphalt loop met the main road, she leaned forward, pinning all her weight against the brake as cars hurtled past. It was a narrow road painted with a solid yellow stripe, with one lane of traffic in either direction.

  "Impossible, Eliot. How can I go there?"

  "You need to wait until no one's coming."

  "Why will not anybody slow down?"

  "No one's coming now."

  "But what about the car from the right, do you see? And look, a truck is behind it. Anyway, I am not allowed on the main road without Mr. Sen."

  "You have to turn and speed up fast," Eliot said. That was the way his mother did it, as if without thinking. It seemed so simple when he sat beside his mother, gliding in the evenings back to the beach house. Then the road was just a road, the other cars merely part of the scenery. But when he sat with Mrs. Sen, under an autumn sun that glowed without warmth through the trees, he saw how that same stream of cars made her knuckles pale, her wrists tremble, and her English falter.

  "Everyone, this people, too much in their world."

  Two things, Eliot learned, made Mrs. Sen happy. One was the arrival of a letter from her family. It was her custom to check the mailbox after driving practice. She would unlock the box, but she would ask Eliot to reach inside, telling him what to look for, and then she would shut her eyes and shield them with her hands while he shuffled through the bills and magazines that came in Mr. Sen's name. At first Eliot found Mrs. Sen's anxiety incomprehensible; his mother had a p.o. box in town, and she collected mail so infrequently that once their electricity was cut off for three days. Weeks passed at Mrs. Sen's before he found a blue aerogram, grainy to the touch, crammed with stamps showing a bald man at a spinning wheel, and blackened by postmarks.

  "Is this it, Mrs. Sen?"

  For the first time she embraced him, clasping his face to her sari, surrounding him with her odor of mothballs and cumin. She seized the letter from his hands.

  As soon as they were inside the apartment she kicked off her slippers this way and that, drew a wire pin from her hair, and slit the top and sides of the aerogram in three strokes. Her eyes darted back and forth as she read. As soon as she was finished, she cast aside the embroidery that covered the telephone, dialed, and asked, "Yes, is Mr. Sen there, please? It is Mrs. Sen and it is very important."

  Subsequently she spoke in her own language, rapid and riotous to Eliot's ears; it was clear that she was reading the contents of the letter, word by word. As she read her voice was louder and seemed to shift in key. Though she stood plainly before him, Eliot had the sensation that Mrs. Sen was no longer present in the room with the pear-colored carpet.

  Afterward the apartment was suddenly too small to contain her. They crossed the main road and walked a short distance to the university quadrangle, where bells in a stone tower chimed on the hour. They wandered through the student union, and dragged a tray together along the cafeteria ledge, and ate french fries heaped in a cardboard boat among students chatting at circular tables. Eliot drank soda from a paper cup, Mrs. Sen steeped a tea bag with sugar and cream. After eating they explored the art building, looking at sculptures and silk screens in cool corridors thick with the fragrance of wet paint and clay. They walked past the mathematics building, where Mr. Sen taught his classes.

  They ended up in the noisy, chlorine-scented wing of the athletic building where, through a wide window on the fourth floor, they watched swimmers crossing from end to end in glaring turquoise pools. Mrs. Sen took the aerogram from India out of her purse and studied the front and back. She unfolded it and reread to herself, sighing every now and then. When she had finished she gazed for some time at the swimmers.

  "My sister has had a baby girl. By the time I see her, depending if Mr. Sen gets his tenure, she will be three years old. Her own aunt will be a stranger. If we sit side by side on a train she will not know my face." She put away the letter, then placed a hand on Eliot's head. "Do you miss your mother, Eliot, these afternoons with me?"

  The thought had never occurred to him.

  "You must miss her. When I think of you, only a boy, separated from your mother for so much of the day, I am ashamed."

  "I see her at night."

  "When I was your age I was without knowing that one day I would be so far. You are wiser than that, Eliot. You already taste the way things must be."

  The other thing that made Mrs. Sen happy was fish from the seaside. It was always a whole fish she desired, not shellfish, or the fillets Eliot's mother had broiled one night a few months ago when she'd invited a man from her office to dinner—a man who'd spent the night in his mother's bedroom, but whom Eliot never saw again. One evening when Eliot's mother came to pick him up, Mrs. Sen served her a tuna croquette, explaining that it was really supposed to be made with a fish called bhetki. "It is very frustrating," Mrs. Sen apologized, with an emphasis on the second syllable of the word. "To live so close to the ocean and not to have so much fish." In the summer, she said, she liked to go to a market by the beach. She added that while the fish there tasted nothing like the fish in India, at least it was fresh. Now that it was getting colder, the boats were no longer going out regularly, and sometimes there was no whole fish available for weeks at a time.

  "Try the supermarket," his mother suggested.

  Mrs. Sen shook her head. "In the supermarket I can feed a cat thirty-two dinners from one of thirty-two tins, but I can never find a single fish I like, never a single." Mrs. Sen said she had grown up eating fish twice a day. She added that in Calcutta people ate fish first thing in the morning, last thing before bed, as a snack after school if they were lucky. They ate the tail, the eggs, even the head. It was available in any market, at any hour, from dawn until midnight. "All you have to do is leave the house and walk a bit, and there you are."

  Every few days Mrs. Sen would open up the yellow pages, dial a number that she had ticked in the margin, and ask if there was any whole fish available. If so, she would ask the market to hold it. "Under Sen, yes, S as in Sam, N as in New York. Mr. Sen will be there to pick it up." Then she would call Mr. Sen at the university. A few minutes later Mr. Sen would arrive, patting Eliot on the head but not kissing Mrs. Sen. He read his mail at the Formica table and drank a cup of tea before heading out; half an hour later he would return, carrying a paper bag with a smiling lobster drawn on the front of it, and hand it to Mrs. Sen, and head back to the university to teach his evening class. One day, when he handed Mrs. Sen the paper bag, he said, "No more fish for a while. Cook the chicken in the freezer. I need to start ho
lding office hours."

  For the next few days, instead of calling the fish market, Mrs. Sen thawed chicken legs in the kitchen sink and chopped them with her blade. One day she made a stew with green beans and tinned sardines. But the following week the man who ran the fish market called Mrs. Sen; he assumed she wanted the fish, and said he would hold it until the end of the day under her name. She was flattered. "Isn't that nice of him, Eliot? The man said he looked up my name in the telephone book. He said there is only one Sen. Do you know how many Sens are in the Calcutta telephone book?"

  She told Eliot to put on his shoes and his jacket, and then she called Mr. Sen at the university. Eliot tied his sneakers by the bookcase and waited for her to join him, to choose from her row of slippers. After a few minutes he called out her name. When Mrs. Sen did not reply, he untied his sneakers and returned to the living room, where he found her on the sofa, weeping. Her face was in her hands and tears dripped through her fingers. Through them she murmured something about a meeting Mr. Sen was required to attend. Slowly she stood up and rearranged the cloth over the telephone. Eliot followed her, walking for the first time in his sneakers across the pear-colored carpet. She stared at him. Her lower eyelids were swollen into thin pink crests. "Tell me, Eliot. Is it too much to ask?"

  Before he could answer, she took him by the hand and led him to the bedroom, whose door was normally kept shut. Apart from the bed, which lacked a headboard, the only other things in the room were a side table with a telephone on it, an ironing board, and a bureau. She flung open the drawers of the bureau and the door of the closet, filled with saris of every imaginable texture and shade, brocaded with gold and silver threads. Some were transparent, tissue thin, others as thick as drapes, with tassels knotted along the edges. In the closet they were on hangers; in the drawers they were folded flat, or wound tightly like thick scrolls. She sifted through the drawers, letting saris spill over the edges. "When have I ever worn this one? And this? And this?" She tossed the saris one by one from the drawers, then pried several from their hangers. They landed like a pile of tangled sheets on the bed. The room was filled with an intense smell of mothballs.

  "'Send pictures,' they write. 'Send pictures of your new life.' What picture can I send?" She sat, exhausted, on the edge of the bed, where there was now barely room for her. "They think I live the life of a queen, Eliot." She looked around the blank walls of the room. "They think I press buttons and the house is clean. They think I live in a palace."

  The phone rang. Mrs. Sen let it ring several times before picking up the extension by the bed. During the conversation she seemed only to be replying to things, and wiping her face with the ends of one of the saris. When she got off the phone she stuffed the saris without folding them back into the drawers, and then she and Eliot put on their shoes and went to the car, where they waited for Mr. Sen to meet them.

  "Why don't you drive today?" Mr. Sen asked when he appeared, rapping on the hood of the car with his knuckles. They always spoke to each other in English when Eliot was present.

  "Not today. Another day."

  "How do you expect to pass the test if you refuse to drive on a road with other cars?"

  "Eliot is here today."

  "He is here every day. It's for your own good. Eliot, tell Mrs. Sen it's for her own good."

  She refused.

  They drove in silence, along the same roads that Eliot and his mother took back to the beach house each evening. But in the back seat of Mr. and Mrs. Sen's car the ride seemed unfamiliar, and took longer than usual. The gulls whose tedious cries woke him each morning now thrilled him as they dipped and flapped across the sky. They passed one beach after another, and the shacks, now locked up, that sold frozen lemonade and quahogs in summer. Only one of the shacks was open. It was the fish market.

  Mrs. Sen unlocked her door and turned toward Mr. Sen, who had not yet unfastened his seat belt. "Are you coming?"

  Mr. Sen handed her some bills from his wallet. "I have a meeting in twenty minutes," he said, staring at the dashboard as he spoke. "Please don't waste time."

  Eliot accompanied her into the dank little shop, whose walls were festooned with nets and starfish and buoys. A group of tourists with cameras around their necks huddled by the counter, some sampling stuffed clams, others pointing to a large chart illustrating fifty different varieties of North Atlantic fish. Mrs. Sen took a ticket from the machine at the counter and waited in line. Eliot stood by the lobsters, which stirred one on top of another in their murky tank, their claws bound by yellow rubber bands. He watched as Mrs. Sen laughed and chatted, when it was her turn in line, with a man with a bright red face and yellow teeth, dressed in a black rubber apron. In either hand he held a mackerel by the tail.

  "You are sure what you sell me is very fresh?"

  "Any fresher and they'd answer that question themselves."

  The dial shivered toward its verdict on the scale.

  "You want this cleaned, Mrs. Sen?"

  She nodded. "Leave the heads on, please."

  "You got cats at home?"

  "No cats. Only a husband."

  Later, in the apartment, she pulled the blade out of the cupboard, spread newspapers across the carpet, and inspected her treasures. One by one she drew them from the paper wrapping, wrinkled and tinged with blood. She stroked the tails, prodded the bellies, pried apart the gutted flesh. With a pair of scissors she clipped the fins. She tucked a finger under the gills, a red so bright they made her vermilion seem pale. She grasped the body, lined with inky streaks, at either end, and notched it at intervals against the blade.

  "Why do you do that?" Eliot asked.

  "To see how many pieces. If I cut properly, from this fish I will get three meals." She sawed off the head and set it on a pie plate.

  In November came a series of days when Mrs. Sen refused to practice driving. The blade never emerged from the cupboard, newspapers were not spread on the floor. She did not call the fish store, nor did she thaw chicken. In silence she prepared crackers with peanut butter for Eliot, then sat reading old aerograms from a shoebox. When it was time for Eliot to leave she gathered together his things without inviting his mother to sit on the sofa and eat something first. When, eventually, his mother asked him in the car if he'd noticed a change in Mrs. Sen's behavior, he said he hadn't. He didn't tell her that Mrs. Sen paced the apartment, staring at the plastic-covered lampshades as if noticing them for the first time. He didn't tell her she switched on the television but never watched it, or that she made herself tea but let it grow cold on the coffee table. One day she played a tape of something she called a raga; it sounded a little bit like someone plucking very slowly and then very quickly on a violin, and Mrs. Sen said it was supposed to be heard only in the late afternoon, as the sun was setting. As the music played, for nearly an hour, she sat on the sofa with her eyes closed. Afterward she said, "It is more sad even than your Beethoven, isn't it?" Another day she played a cassette of people talking in her language—a farewell present, she told Eliot, that her family had made for her. As the succession of voices laughed and said their bit, Mrs. Sen identified each speaker. "My third uncle, my cousin, my father, my grandfather." One speaker sang a song. Another recited a poem. The final voice on the tape belonged to Mrs. Sen's mother. It was quieter and sounded more serious than the others. There was a pause between each sentence, and during this pause Mrs. Sen translated for Eliot: "The price of goat rose two rupees. The mangoes at the market are not very sweet. College Street is flooded." She turned off the tape. "These are things that happened the day I left India." The next day she played the same cassette all over again. This time, when her grandfather was speaking, she stopped the tape. She told Eliot she'd received a letter over the weekend. Her grandfather was dead.

  A week later Mrs. Sen began cooking again. One day as she sat slicing cabbage on the living room floor, Mr. Sen called. He wanted to take Eliot and Mrs. Sen to the seaside. For the occasion Mrs. Sen put on a red sari and red lipstick; she fr
eshened the vermilion in her part and rebraided her hair. She knotted a scarf under her chin, arranged her sunglasses on top of her head, and put a pocket camera in her purse. As Mr. Sen backed out of the parking lot, he put his arm across the top of the front seat, so that it looked as if he had his arm around Mrs. Sen. "It's getting too cold for that top coat," he said to her at one point. "We should get you something warmer." At the shop they bought mackerel, and butterfish, and sea bass. This time Mr. Sen came into the shop with them. It was Mr. Sen who asked whether the fish was fresh and to cut it this way or that way. They bought so much fish that Eliot had to hold one of the bags. After they put the bags in the trunk, Mr. Sen announced that he was hungry, and Mrs. Sen agreed, so they crossed the street to a restaurant where the take-out window was still open. They sat at a picnic table and ate two baskets of clam cakes. Mrs. Sen put a good deal of Tabasco sauce and black pepper on hers. "Like pakoras, no?" Her face was flushed, her lipstick faded, and she laughed at everything Mr. Sen said.

  Behind the restaurant was a small beach, and when they were done eating they walked for a while along the shore, into a wind so strong that they had to walk backward. Mrs. Sen pointed to the water, and said that at a certain moment, each wave resembled a sari drying on a clothesline. "Impossible!" she shouted eventually, laughing as she turned back, her eyes teary. "I cannot move." Instead she took a picture of Eliot and Mr. Sen standing on the sand. "Now one of us," she said, pressing Eliot against her checkered coat and giving the camera to Mr. Sen. Finally the camera was given to Eliot. "Hold it steady," said Mr. Sen. Eliot looked through the tiny window in the camera and waited for Mr. and Mrs. Sen to move closer together, but they didn't. They didn't hold hands or put their arms around each other's waists. Both smiled with their mouths closed, squinting into the wind, Mrs. Sen's red sari leaping like flames under her coat.