"He is a minor," Leo said.
The paper boy slid himself up onto the stool. His ear beneath the upturned flap of the helmet was very small and red. The man was nodding at him soberly. "It is important," he said. Then he reached in his hip pocket and brought out something which he held up in the palm of his hand for the boy to see.
"Look very carefully," he said.
The boy stared, but there was nothing to look at very carefully. The man held in his big, grimy palm a photograph. It was the face of a woman, but blurred, so that only the hat and the dress she was wearing stood out clearly.
"See?" the man asked.
The boy nodded and the man placed another picture in his palm. The woman was standing on a beach in a bathing suit. The suit made her stomach very big, and that was the main thing you noticed.
"Got a good look?" He leaned over closer and finally asked: "You ever seen her before?"
The boy sat motionless, staring slantwise at the man. "Not so I know of."
"Very well." The man blew on the photographs and put them back into his pocket. "That was my wife."
"Dead?" the boy asked.
Slowly the man shook his head. He pursed his lips as though about to whistle and answered in a long-drawn way: "Nuuu—" he said. "I will explain."
The beer on the counter before the man was in a large brown mug. He did not pick it up to drink. Instead he bent down and, putting his face over the rim, he rested there for a moment. Then with both hands he tilted the mug and sipped.
"Some night you'll go to sleep with your big nose in a mug and drown," said Leo. "Prominent transient drowns in beer. That would be a cute death."
The paper boy tried to signal to Leo. While the man was not looking he screwed up his face and worked his mouth to question soundlessly: "Drunk?" But Leo only raised his eyebrows and turned away to put some pink strips of bacon on the grill. The man pushed the mug away from him, straightened himself, and folded his loose crooked hands on the counter. His face was sad as he looked at the paper boy. He did not blink, but from time to time the lids closed down with delicate gravity over his pale green eyes. It was nearing dawn and the boy shifted the weight of the paper sack.
"I am talking about love," the man said. "With me it is a science."
The boy half slid down from the stool. But the man raised his forefinger, and there was something about him that held the boy and would not let him go away.
"Twelve years ago I married the woman in the photograph. She was my wife for one year, nine months, three days, and two nights. I loved her. Yes..." He tightened his blurred, rambling voice and said again: "I loved her. I thought also that she loved me. I was a railroad engineer. She had all home comforts and luxuries. It never crept into my brain that she was not satisfied. But do you know what happened?"
"Mgneeow!" said Leo.
The man did not take his eyes from the boy's face. "She left me. I came in one night and the house was empty and she was gone. She left me."
"With a fellow?" the boy asked.
Gently the man placed his palm down on the counter. "Why naturally, Son. A woman does not run off like that alone."
The café was quiet, the soft rain black and endless in the street outside. Leo pressed down the frying bacon with the prongs of his long fork. "So you have been chasing the floozie for eleven years. You frazzled old rascal!"
For the first time the man glanced at Leo. "Please don't be vulgar. Besides, I was not speaking to you." He turned back to the boy and said in a trusting and secretive undertone: "Let's not pay any attention to him. O.K.?"
The paper boy nodded doubtfully.
"It was like this," the man continued. "I am a person who feels many things. All my life one thing after another has impressed me. Moonlight. The leg of a pretty girl. One thing after another. But the point is that when I had enjoyed anything there was a peculiar sensation as though it was laying around loose in me. Nothing seemed to finish itself up or fit in with the other things. Women? I had my portion of them. The same. Afterwards laying around loose in me. I was a man who had never loved."
Very slowly he closed his eyelids, and the gesture was like a curtain drawn at the end of a scene in a play. When he spoke again his voice was excited and the words came fast—the lobes of his large, loose ears seemed to tremble.
"Then I met this woman. I was fifty-one years old and she always said she was thirty. I met her at a filling station and we were married within three days. And do you know what it was like? I just can't tell you. All I had ever felt was gathered together around this woman. Nothing lay around loose in me any more but was finished up by her."
The man stopped suddenly and stroked his long nose. His voice sank down to a steady and reproachful undertone: "I'm not explaining this right. What happened was this. There were these beautiful feelings and loose little pleasures inside me. And this woman was something like an assembly line for my soul. I run these little pieces of myself through her and I come out complete. Now do you follow me?"
"What was her name?" the boy asked.
"Oh," he said. "I called her Dodo. But that is immaterial."
"Did you try to make her come back?"
The man did not seem to hear. "Under the circumstances you can imagine how I felt when she left me."
Leo took the bacon from the grill and folded two strips of it between a bun. He had a gray face, with slitted eyes, and a pinched nose saddled by faint blue shadows. One of the mill workers signaled for more coffee and Leo poured it. He did not give refills on coffee free. The spinner ate breakfast there every morning, but the better Leo knew his customers the stingier he treated them. He nibbled his own bun as though he grudged it to himself.
"And you never got hold of her again?"
The boy did not know what to think of the man, and his child's face was uncertain with mingled curiosity and doubt. He was new on the paper route; it was still strange to him to be out in the town in the black, queer early morning.
"Yes," the man said. "I took a number of steps to get her back. I went around trying to locate her. I went to Tulsa where she had folks. And to Mobile. I went to every town she had ever mentioned to me, and I hunted down every man she had formerly been connected with. Tulsa, Atlanta, Chicago, Cheehaw, Memphis.... For the better part of two years I chased around the country trying to lay hold of her."
"But the pair of them had vanished from the face of the earth!" said Leo.
"Don't listen to him," the man said confidentially. "And also just forget those two years. They are not important. What matters is that around the third year a curious thing begun to happen to me."
"What?" the boy asked.
The man leaned down and tilted his mug to take a sip of beer. But as he hovered over the mug his nostrils fluttered slighdy; he sniffed the staleness of the beer and did not drink. "Love is a curious thing to begin with. At first I thought only of getting her back. It was a kind of mania. But then as time went on I tried to remember her. But do you know what happened?"
"No," the boy said.
"When I laid myself down on a bed and tried to think about her my mind became a blank. I couldn't see her. I would take out her pictures and look. No good. Nothing doing. A blank. Can you imagine it?"
"Say Mac!" Leo called down the counter. "Can you imagine this bozo's mind a blank!"
Slowly, as though fanning away flics, the man waved his hand. His green eyes were concentrated and fixed on the shallow little face of the paper boy.
"But a sudden piece of glass on a sidewalk. Or a nickel tune in a music box. A shadow on a wall at night. And I would remember. It might happen in a street and I would cry or bang my head against a lamppost. You follow me?"
"A piece of glass..." the boy said.
"Anything. I would walk around and I had no power of how and when to remember her. You think you can put up a kind of shield. But remembering don't come to a man face forward—it corners around sideways. I was at the mercy of everything I saw and heard. Suddenly in
stead of me combing the countryside to find her she begun to chase me around in my very soul. She chasing me, mind you! And in my soul."
The boy asked finally: "What part of the country were you in then?"
"Ooh," the man groaned. "I was a sick mortal. It was like smallpox. I confess, Son, that I boozed. I fornicated. I committed any sin that suddenly appealed to me. I am loath to confess it but I will do so. When I recall that period it is all curdled in my mind, it was so terrible."
The man leaned his head down and tapped his forehead on the counter. For a few seconds he stayed bowed over in this position, the back of his stringy neck covered with orange furze, his hands with their long warped fingers held palm to palm in an attitude of prayer. Then the man straightened himself; he was smiling and suddenly his face was bright and tremulous and old.
"It was in the fifth year that it happened," he said. "And with it I started my science."
Leo's mouth jerked with a pale, quick grin. "Well none of we boys are getting any younger," he said. Then with sudden anger he balled up a dishcloth he was holding and threw it down hard on the floor. "You draggle-tailed old Romeo!"
"What happened?" the boy asked.
The old man's voice was high and clear: "Peace," he answered.
"Huh?"
"It is hard to explain scientifically, Son," he said. "I guess the logical explanation is that she and I had fleed around from each other for so long that finally wc just got tangled up together and lay down and quit. Peace. A queer and beautiful blankness. It was spring in Portland and the rain came every afternoon. All evening I just stayed there on my bed in the dark. And that is how the science come to me."
The windows in the streetcar were pale blue with light. The two soldiers paid for their beers and opened the door—one of the soldiers combed his hair and wiped off his muddy puttees before they went outside. The three mill workers bent silently over their breakfasts. Leo's clock was ticking on the wall.
"It is this. And listen carefully. I meditated on love and reasoned it out. I realized what is wrong with us. Men fall in love for the first time. And what do they fall in love with?"
The boy's soft mouth was partly open and he did not answer.
"A woman," the old man said. "Without science, with nothing to go by, they undertake the most dangerous and sacred experience in God's earth. They fall in love with a woman. Is that correct, Son?"
"Yeah," the boy said faintly.
"They start at the wrong end of love. They begin at the climax. Can you wonder it is so miserable? Do you know how men should love?"
The old man reached over and grasped the boy by the collar of his leather jacket. He gave him a gentle little shake and his green eyes gazed down unblinking and grave.
"Son, do you know how love should be begun?"
The boy sat small and listening and still. Slowly he shook his head. The old man leaned closer and whispered:
"A tree. A rock. A cloud."
It was still raining outside in the street: a mild, gray, endless rain. The mill whistle blew for the six o'clock shift and the three spinners paid and went away. There was no one in the café but Leo, the old man, and the little paper boy.
"The weather was like this in Portland," he said. "At the time my science was begun. I meditated and I started very cautious. I would pick up something from the street and take it home with me. I bought a goldfish and I concentrated on the goldfish and I loved it. I graduated from one thing to another. Day by day I was getting this technique. On the road from Portland to San Diego—"
"Aw shut up!" screamed Leo suddenly. "Shut up! Shut up!"
The old man still held the collar of the boy's jacket; he was trembling and his face was earnest and bright and wild. "For six years now I have gone around by myself and built up my science. And now I am a master, Son. I can love anything. No longer do I have to think about it even. I see a street full of people and a beautiful light comes in me. I watch a bird in the sky. Or I meet a traveler on the road. Everything, Son. And anybody. All stranger and all loved! Do you realize what a science like mine can mean?"
The boy held himself stiffly, his hands curled tight around the counter edge. Finally he asked: "Did you ever really find that lady?"
"What? What say, Son?"
"I mean," the boy asked timidly. "Have you fallen in love with a woman again?"
The old man loosened his grasp on the boy's collar. He turned away and for the first time his green eyes had a vague and scattered look. He lifted the mug from the counter, drank down the yellow beer. His head was shaking slowly from side to side. Then finally he answered: "No, Son. You see that is the last step in my science. I go cautious. And I am not quite ready yet."
"Well!" said Leo. "Well well well!"
The old man stood in the open doorway. "Remember," he said. Framed there in the gray damp light of the early morning he looked shrunken and seedy and frail. But his smile was bright. "Remember I love you," he said with a last nod. And the door closed quietly behind him.
The boy did not speak for a long time. He pulled down the bangs on his forehead and slid his grimy little forefinger around the rim of his empty cup. Then without looking at Leo he finally asked:
"Was he drunk?"
"No," said Leo shortly.
The boy raised his clear voice higher. "Then was he a dope fiend?"
"No."
The boy looked up at Leo, and his flat little face was desperate, his voice urgent and shrill. "Was he crazy? Do you think he was a lunatic?" The paper boy's voice dropped suddenly with doubt. "Leo? Or not?"
But Leo would not answer him. Leo had run a night cafe for fourteen years, and he held himself to be a critic of craziness. There were the town characters and also the transients who roamed in from the night. He knew the manias of all of them. But he did not want to satisfy the questions of the waiting child. He tightened his pale face and was silent.
So the boy pulled down the right flap of his helmet and as he turned to leave he made the only comment that seemed safe to him, the only remark that could not be laughed down and despised:
"He sure has done a lot of traveling."
Art and Mr. Mahoney
He was a large man, a contractor, and he was the husband of the small, sharp Mrs. Mahoney who was so active in club and cultural affairs. A canny businessman (he owned a brick yard and planing mill), Mr. Mahoney lumbered with tractable amiability in the lead of the artistic Mrs. Mahoney. Mr. Mahoney was well drilled; he was accustomed to speak of "repertory," to listen to lectures and concerts with the proper expression of meek sorrow. He could talk about abstract art, he had even taken part in two of the Little Theatre productions, once as a butler, the other time as a Roman soldier. Mr. Mahoney, diligently trained, so many times admonished—how could he have brought upon them such disgrace?
The pianist that night was José Iturbi, and it was the first concert of the season, a gala night. The Mahoneys had worked very hard during the Three Arts League drive. Mr. Mahoney had sold more than thirty season tickets on his own. To business acquaintances, the men downtown, he spoke of the projected concerts as "a pride to the community" and "a cultural necessity." The Mahoneys had donated the use of their car and had entertained subscribers at a lawn fete—with three white-coated colored boys handing refreshments, and their newly built Tudor house waxed and flowered for the occasion. The Mahoneys' position as sponsors of art and culture was well earned.
The start of the fatal evening gave no hint of what was to come. Mr. Mahoney sang in the shower and dressed himself with detailed care. He had brought an orchid from Duffs Flower Shop. When Ellie came in from her room—they had adjoining separate rooms in the new house—he was brushed and gleaming in his dinner jacket, and Ellie wore the orchid on the shoulder of her blue crepe dress. She was pleased and, patting his arm, she said: "You look so handsome tonight, Terence. Downright distinguished."
Mr. Mahoney's stout body bridled with happiness, and his ruddy face with the forked-veined temples blushe
d. "You are always beautiful, Ellie. Always so beautiful. Sometimes I don't understand why you married a—"
She stopped him with a kiss.
There was to be a reception after the concert at the Harlows', and of course the Mahoneys were invited. Mrs. Harlow was the "bell cow" in this pasture of the finer things. Oh, how Ellie did despise such country-raised expressions! But Mr. Mahoney had forgotten all the times he had been called down as he gallantly placed Elbe's wrap about her shoulders.
The irony was that, up until the moment of his ignominy, Mr. Mahoney had enjoyed the concert more than any concert that he had ever heard. There was none of that wriggling, tedious Bach. There was some marchy-sounding music and often he was on foot-patting familiarity with the tunes. As he sat there, enjoying the music, he glanced occasionally at Ellie. Her face bore the expression of fixed, inconsolable grief that it always assumed when she listened to classical concert music. Between the numbers she put her hand to her forehead with a distracted air, as though the endurance of such emotion had been too much for her. Mr. Mahoney clapped his pink, plump hands with gusto, glad of a chance to move and respond.
In the intermission the Mahoneys filed sedately down the aisle to the lobby. Mr. Mahoney found himself stuck with old Mrs. Walker.
"I'm looking forward to the Chopin," she said. "I always love minor music, don't you?"
"I guess you enjoy your misery," Mr. Mahoney answered.
Miss Walker, the English teacher, spoke up promptly. "It's Mother's melancholy Celtic soul. She's of Irish descent, you know."
Feeling he had somehow made a mistake, Mr. Mahoney said awkwardly, "I like minor music all right."
Tip Mayberry took Mr. Mahoney's arm and spoke to him chummily. "This fellow can certainly rattle the old ivories."
Mr. Mahoney answered with reserve, "He has a very brilliant technique."
"It's still an hour to go," Tip Mayberry complained. "I wish me and you could slip out of here."