The tomb is the final resting place of the one who killed the gods. When belief in the gods vanishes, when the worshippers of the gods turn away their faces, then the gods themselves vanish. Like the mist that climbs and implores, they go. And the one who lies encrypted there, guarded by the lord of the funeral, is the one who brought the world to forget Isis and Osiris and Horus and Anubis. He is the one who opened the sea, and the one who wandered in the desert. He is the one who went to the mountaintop, and he is the one who brought back the word of yet another god. He is Moses, and for Anubis revenge is not only sweet, it is everlasting. Moses—denied both Heaven and Hell—will never rest in the Afterlife. Revenge without pity has doomed him to eternal exclusion, buried in the sepulcher of the gods he killed.
I sink this now, in an unmarked meter of dirt, at a respectable depth; and I go my way, bearing the great secret, no longer needing to “rush headlong,” as I have already committed what suicide is necessary. I go my way, for however long I have, leaving only this warning for anyone who may yet seek the lost Shrine of Ammon. In the words of Amy Guiterman of New York City, spoken to a jackal-headed deity, “I’ve got to tell you, Anubis, you are one tough grader.” She was not smiling when she said it.
* * *
The Human Operators (written with A.E. van Vogt)
2000 Writers Guild of Canada Award
[To be read while listening to Chronophagie, “The Time Eaters”: Music of Jacques Lasry, played on Structures Sonores Lasry-Baschet (Columbia Masterworks Stereo MS 7314).]
Ship: the only place.
Ship says I’m to get wracked today at noon. And so I’m in grief already.
It seems unfair to have to get wracked three whole days ahead of the usual once-a-month. But I learned long ago not to ask Ship to explain anything personal.
I sense today is different; some things are happening. Early, I put on the spacesuit and go outside—which is not common. But a screen got badly scored by meteor dust; and I’m here, now, replacing it. Ship would say I’m being bad because: as I do my job, I sneak quick looks around me. I wouldn’t dare do it in the forbidden places, inside. I noticed when I was still a kid that Ship doesn’t seem to be so much aware of what I do when I’m outside.
And so I carefully sneak a few looks at the deep black space. And at the stars.
I once asked Ship why we never go toward those points of brilliance, those stars, as Ship calls them. For that question, I got a whole extra wracking, and a long, ranting lecture about how all those stars have humans living on their planets; and of how vicious humans are. Ship really blasted me that time, saying things I’d never heard before, like how Ship had gotten away from the vicious humans during the big war with the Kyben. And how, every once in a long while Ship has a “run-in” with the vicious humans but the defractor perimeter saves us. I don’t know what Ship means by all that; I don’t even know what a “run-in” is, exactly.
The last “run-in” must have been before I was big enough to remember. Or, at least, before Ship killed my father when I was fourteen. Several times, when he was still alive, I slept all day for no reason that I can think of. But since I’ve been doing all the maintenance work—since age fourteen—I sleep only my regular six-hour night. Ship tells me night and Ship tells me day, too.
I kneel here in my spacesuit, feeling tiny on this gray and curving metal place in the dark. Ship is big. Over five hundred feet long, and about a hundred and fifty feet thick at the widest back there. Again, I have that special out-here thought: suppose I just give myself a shove, and float right off toward one of those bright spots of light? Would I be able to get away? I think I would like that; there has to be someplace else than Ship.
As in the past, I slowly and sadly let go of the idea. Because if I try, and Ship catches me, I’ll really get wracked.
The repair job is finally done. I clomp back to the airlock, and use the spider to dilate it, and let myself be sucked back into what is, after all—I’ve got to admit it—a pretty secure place. All the gleaming corridors, the huge storerooms with their equipment and spare parts, and the freezer rooms with their stacks of food (enough, says Ship, to last one person for centuries), and the deck after deck of machinery that it’s my job to keep in repair. I can take pride in that. “Hurry! It is six minutes to noon!” Ship announces. I’m hurrying now.
I strip off my spacesuit and stick it to the decontamination board and head for the wracking room. At least, that’s what I call it. I suppose it’s really part of the engine room on Underdeck Ten, a special chamber fitted with electrical connections, most of which are testing instruments. I use them pretty regularly in my work. My father’s father’s father installed them for Ship, I think I recall.
There’s a big table, and I climb on top of it and lie down. The table is cold against the skin of my back and butt and thighs, but it warms me up as I lie here. It’s now one minute to noon. As I wait, shuddering with expectation, the ceiling lowers toward me. Part of what comes down fits over my head, and I feel the two hard knobs pressing into the temples of my skull. And cold; I feel the clamps coming down over my middle, my wrists, my ankles. A strap with metal in it tightens flexibly but firmly across my chest.
“Ready!” Ship commands.
It always seems bitterly unfair. How can I ever be ready to be wracked? I hate it! Ship counts: “Ten…nine…eight…one!”
The first jolt of electricity hits and everything tries to go in different directions; it feels like someone is tearing something soft inside me—that’s the way it feels.
Blackness swirls into my head and I forget everything. I am unconscious for a while. Just before I regain myself, before I am finished and Ship will permit me to go about my duties, I remember a thing I have remembered many times. This isn’t the first time for this memory. It is of my father and a thing he said once, not long before he was killed. “When Ship says vicious, Ship means smarter. There are ninety-eight other chances.”
He said those words very quickly. I think he knew he was going to get killed soon. Oh, of course, he must have known, my father must, because I was nearly fourteen then, and when he had become fourteen, Ship had killed his father, so he must have known.
And so the words are important. I know that; they are important; but I don’t know what they mean, not completely.
“You are finished!” Ship says.
I get off the table. The pain still hangs inside my head and I ask Ship, “Why am I wracked three days earlier than usual?”
Ship sounds angry. “I can wrack you again!”
But I know Ship won’t. Something new is going to happen and Ship wants me whole and alert for it. Once, when I asked Ship something personal, right after I was wracked, Ship did it again, and when I woke up Ship was worrying over me with the machines. Ship seemed concerned I might be damaged. Ever after that, Ship has not wracked me twice close together. So I ask, not really thinking I’ll get an answer; but I ask just the same.
“There is a repairing I want you to do!”
Where, I ask.
“In the forbidden part below!”
I try not to smile. I knew there was a new thing going to happen and this is it. My father’s words come back again. Ninety-eight other chances.
Is this one of them?
I descend in the dark. There is no light in the dropshaft. Ship says I need no light. But I know the truth. Ship does not want me to be able to find my way back here again. This is the lowest I’ve ever been in Ship.
So I drop steadily, smoothly, swiftly. Now I come to a slowing place and slower and slower, and finally my feet touch the solid deck and I am here.
Light comes on. Very dimly. I move in the direction of the glow, and Ship is with me, all around me, of course. Ship is always with me, even when I sleep. Especially when I sleep.
The glow gets brighter as I round a curve in the corridor, and I see it is caused by a round panel that blocks the passage, touching the bulkheads on all sides, flattened at the bottom to fit t
he deckplates. It looks like glass, that glowing panel. I walk up to it and stop. There is no place else to go.
“Step through the screen!” Ship says.
I take a step toward the glowing panel but it doesn’t slide away into the bulkhead as so many other panels that don’t glow slide. I stop.
“Step through!” Ship tells me again.
I put my hands out in front of me, palms forward, because I am afraid if I keep walking I will bang my nose against the glowing panel. But as my fingers touch the panel they seem to get soft, and I can see a light yellow glow through them, as if they are transparent. And my hands go through the panel and I can see them faintly, glowing yellow, on the other side. Then my naked forearms, then I’m right up against the panel, and my face goes through and everything is much lighter, more yellow, and I step onto the other side, in a forbidden place Ship has never allowed me to see.
I hear voices. They are all the same voice, but they are talking to one another in a soft, running-together way; the way I sound when I am just talking to myself sometimes in my cubicle with my cot in it.
I decide to listen to what the voices are saying, but not to ask Ship about them, because I think it is Ship talking to itself, down here in this lonely place. I will think about what Ship is saying later, when I don’t have to make repairs and act the way Ship wants me to act. What Ship is saying to itself is interesting.
This place does not look like other repair places I know in Ship. It is filled with so many great round glass balls on pedestals, each giving off its yellow light in pulses, that I cannot count them. There are rows and rows of clear glass balls, and inside them I see metal…and other things, soft things, all together. And the wires spark gently, and the soft things move, and the yellow light pulses. I think these glass balls are what are talking. But I don’t know if that’s so. I only think it is.
Two of the glass balls are dark. Their pedestals look chalky, not shining white like all the others. Inside the two dark balls, there are black things, like burned-out wires. The soft things don’t move.
“Replace the overloaded modules!” Ship says.
I know Ship means the dark globes. So I go over to them and I look at them and after a while I say, yes, I can repair these, and Ship says it knows I can, and to get to it quickly. Ship is hurrying me; something is going to happen. I wonder what it will be?
I find replacement globes in a dilation chamber, and I take the sacs off them and do what has to be done to make the soft things move and the wires spark, and I listen very carefully to the voices whispering and warming each other with words as Ship talks to itself, and I hear a great many things that don’t mean anything to me, because they are speaking about things that happened before I was born, and about parts of Ship I’ve never seen. But I hear a great many things that I do understand, and I know Ship would never let me hear these things if it wasn’t absolutely necessary for me to be here repairing the globes. I remember all these things.
Particularly the part where Ship is crying.
When I have the globes repaired and now all of them are sparking and pulsing and moving, Ship asks me, “Is the intermind total again!”
So I say yes it is, and Ship says get upshaft, and I go soft through that glowing panel and I’m back in the passage. I go back to the dropshaft and go up, and Ship tells me, “Go to your cubicle and make yourself clean!”
I do it, and decide to wear a clothes, but Ship says be naked, and then says, “You are going to meet a female!” Ship has never said that before. I have never seen a female.
It is because of the female that Ship sent me down to the forbidden place with the glowing yellow globes, the place where the intermind lives. And it is because of the female that I am waiting in the dome chamber linked to the airlock. I am waiting for the female to come across from—I will have to understand this—another ship. Not Ship, the Ship I know, but some other ship with which Ship has been in communication. I did not know there were other ships.
I had to go down to the place of the intermind, to repair it, so Ship could let this other ship get close without being destroyed by the defractor perimeter. Ship has not told me this; I overheard it in the intermind place, the voices talking to one another. The voices said, “His father was vicious!”
I know what that means. My father told me when Ship says vicious, Ship means smarter. Are there ninety-eight other ships? Are those the ninety-eight other chances? I hope that’s the answer, because many things are happening all at once, and my time may be near at hand. My father did it, broke the globe mechanism that allowed Ship to turn off the defractor perimeter, so other ships could get close. He did it many years ago, and Ship did without it for all those years rather than trust me to go to the intermind, to overhear all that I’ve heard. But now Ship needs to turn off the perimeter so the other ship can send the female across. Ship and the other ship have been in communication. The human operator on the other ship is a female, my age. She is going to be put aboard Ship and we are to produce one and, maybe later on, another human child. I know what that means. When the child reaches fourteen, I will be killed.
The intermind said while she’s “carrying” a human child, the female does not get wracked by her ship. If things do not come my way, perhaps I will ask Ship if I can “carry” the human child; then I won’t be wracked at all. And I have found out why I was wracked three days ahead of time: the female’s period—whatever that is; I don’t think I have one of those—ended last night. Ship has talked to the other ship and the thing they don’t seem to know is what the “fertile time” is. I don’t know, either, otherwise I would try and use that information. But all it seems to mean is that the female will be put aboard Ship every day till she gets another “period.”
It will be nice to talk to someone besides Ship.
I hear the high sound of something screaming for a long drawn-out time and I ask Ship what it is. Ship tells me it is the defractor perimeter dissolving so the other ship can put the female across.
I don’t have time to think about the voices now.
When she comes through the inner lock she is without a clothes like me. Her first words to me are, “Starfighter Eighty-eight says to tell you I am very happy to be here; I am the human operator of Starfighter Eighty-eight and I am very pleased to meet you.”
She is not as tall as me. I come up to the line of fourth and fifth bulkhead plates. Her eyes are very dark, I think brown, but perhaps they are black. She has dark under her eyes and her cheeks are not full. Her arms and legs are much thinner than mine. She has much longer hair than mine, it comes down her back and it is that dark brown like her eyes. Yes, now I decide her eyes are brown, not black. She has hair between her legs like me but she does not have a penis or scrotum sac. She has larger breasts than me, with very large nipples that stand out, and dark brown slightly-flattened circles around them. There are other differences between us: her fingers are thinner than mine, and longer, and aside from the hair on her head that hangs so long, and the hair between her legs and in her armpits, she has no other hair on her body. Or if she does, it is very fine and pale and I can’t see it.
Then I suddenly realize what she has said. So that’s what the words dimming on the hull of Ship mean. It is a name. Ship is called Starfighter 31 and the female human operator lives in Starfighter 88.
There are ninety-eight other chances. Yes.
Now, as if she is reading my thoughts, trying to answer questions I haven’t yet asked, she says, “Starfighter Eighty-eight has told me to tell you that I am vicious, that I get more vicious every day…” and it answers the thought I have just had—with the memory of my father’s frightened face in the days before he was killed—of my father saying, When Ship says vicious, Ship means smarter.
I know! I suppose I have always known, because I have always wanted to leave Ship and go to those brilliant lights that are stars. But I now make the hook-up. Human operators grow more vicious as they grow older. Older, more vicious: vicious me
ans smarter: smarter means more dangerous to Ship. But how? That is why my father had to die when I was fourteen and able to repair Ship. That is why this female has been put on board Ship. To carry a human child so it will grow to be fourteen years old and Ship can kill me before I get too old, too vicious, too smart, too dangerous to Ship. Does this female know how? If only I could ask her without Ship hearing me. But that is impossible. Ship is always with me, even when I am sleeping.
I smile with that memory and that realization. “And I am the vicious—and getting more vicious—male of a ship that used to be called Starfighter 31.”
Her brown eyes show intense relief. She stands like that for a moment, awkwardly, her whole body sighing with gratitude at my quick comprehension, though she cannot possibly know all I have learned just from her being here. Now she says, “I’ve been sent to get a baby from you.”
I begin to perspire. The conversation which promises so much in genuine communication is suddenly beyond my comprehension. I tremble. I really want to please her. But I don’t know how to give her a baby.
“Ship?” I say quickly, “can we give her what she wants?”
Ship has been listening to our every word, and answers at once, “I’ll tell you later how you give her a baby! Now, provide her with food!”
We eat, eyeing each other across the table, smiling a lot, and thinking our private thoughts. Since she doesn’t speak, I don’t either. I wish Ship and I could get her the baby so I can go to my cubicle and think about what the intermind voices said.
The meal is over; Ship says we should go down to one of the locked staterooms—it has been unlocked for the occasion—and there we are to couple. When we get to the room, I am so busy looking around at what a beautiful place it is, compared to my little cubicle with its cot, Ship has to reprimand me to get my attention.