Wing was not a miner when he arrived at Bundok, but he is now. He is baffled. As he should be. “Ventilation shafts? To where?”
“To nowhere,” Goto Dengo says.
Wing’s face is still blank. He thinks Goto Dengo’s bad Shanghainese is preventing understanding. But Goto Dengo knows that Wing will figure it out soon, some night during the bad fretful moments that always come just before sleep.
And then he will lead the rebellion, and Lieutenant Mori’s men will be ready for it; they will open fire with their mortars, they will detonate the mines, use the machine guns, sweeping across their carefully plotted interlocking fields of fire. None of them will survive.
Goto Dengo doesn’t want that. So he reaches out and slaps Wing on the shoulder. “I will give you instructions. We will make a special shaft.” Then he turns around and leaves; he has surveying to do. He knows that Wing will put it all together in time to save himself.
Filipino prisoners arrive, in columns that have degenerated into ragged skeins, shuffling on bare feet, leaving a wet red trail up the road. They are prodded onwards by the boots and bayonets of Nipponese Army troops, who look almost as wretched. When Goto Dengo sees them staggering into the camp, he realizes that they must have been on their feet continuously since the order was given by The General, two days ago. The General promised five hundred new workers; slightly fewer than three hundred actually arrive, and from the fact that none of them is being carried on stretchers—a statistical impossibility, given their average physical condition—Goto Dengo assumes that the other two hundred must have stumbled or passed out en route, and been executed where they hit the ground.
Bundok is eerily well stocked with fuel and rations, and he sees to it that the prisoners and the Army troops alike are well fed, and given a day of rest.
Then he puts them to work. Goto Dengo has been commanding men long enough, now, that he picks out the good ones right away. There is a toothless, pop-eyed character named Rodolfo with iron-grey hair and a big cyst on his cheek, arms that are too long, hands like grappling hooks, and splay-toed feet that remind him of the natives he lived with on New Guinea. His eyes are no particular color—they seem to have been put together from shards of other people’s eyes, scintillas of grey, blue, hazel, and black all sintered together. Rodolfo is self-conscious about his lack of teeth and always holds one of his sprawling, prehensile paws over his mouth when he speaks. Whenever Goto Dengo or another authority figure comes nearby, all of the young Filipino men avert their gaze and look significantly at Rodolfo, who steps forward, covers his mouth, and fixes his weird, alarming stare upon the visitor.
“Form your men into half a dozen squads and give each squad a name and a leader. Make sure each man knows the name of his squad and of his leader,” Goto Dengo says rather loudly. At least some of the other Filipinos must speak English. Then he bends closer and says quietly, “Keep a few of the best and strongest men for yourself.”
Rodolfo blinks, stiffens, steps back, removes his hand from his mouth and uses it to snap out a salute. His hand is like an awning that throws a shadow over his entire face and chest. It is obvious that he learned to salute from Americans. He turns on his heel.
“Rodolfo.”
Rodolfo turns around again, looking so irritated that Goto Dengo must stifle a laugh.
“MacArthur is on Leyte.”
Rodolfo’s chest inflates like a weather balloon and he gains about three inches in height, but the expression on his face does not change.
The news ramifies through the Filipino camp like lightning seeking the ground. The tactic has the desired effect of giving the Filipinos a reason to live again; they suddenly display great energy and verve. A supply of badly worn drills and air compressors has arrived on carabao-drawn carts, evidently brought in from one of the other Bundok-like sites around Luzon. The Filipinos, experts at internal combustion, cannibalize some compressors to fix others. Meanwhile the drills are passed around to Rodolfo’s squads, who drag them up onto the top of the ridge between the rivers and begin sinking the new “ventilation shafts” while Wing’s Chinese men put the last touches on the Golgotha complex below.
The carts that brought in the equipment were simply grabbed off the roads by the Nipponese Army, along with their drivers—mostly farmboys—and pressed into service on the spot. The farmboys can never leave Bundok, of course. The weaker carabaos are slaughtered for meat, the stronger ones put to work on Golgotha, and the drivers are assimilated into the workforce. One of these is a boy named Juan with a big round head and a distinctly Chinese cast to his features. He turns out to be trilingual in English, Tagalog, and Cantonese. He can communicate in a sort of pidgin with Wing and the other Chinese, frequently by using a finger to draw Chinese characters on the palm of his hand. Juan is small, healthy, and has a kind of wary agility that Goto Dengo thinks may be useful in what is to come, and so he becomes one of the special crew.
The submerged plumbing in Lake Yamamoto needs to be inspected. Goto Dengo has Rodolfo ask around and see if there are any men among them who have worked as pearl divers. He quickly finds one, a lithe, frail-looking fellow from Palawan, named Agustin. Agustin is weak from dysentery, but he seems to perk up around water, and after a couple of days’ rest is diving down to the bottom of Lake Yamamoto with no trouble. He becomes another one of Rodolfo’s picked men.
There are really too many Filipinos for the number of tools and holes that they have available, and so the work goes quickly at first as fresh men are quickly rotated through by the squad leaders. Then, one night at about two in the morning, an unfamiliar sound reverberates through the jungle, filtering up from the lowlands where the Tojo River meanders through cane fields and rice paddies.
It is the sound of vehicles. Masses of them. Since the Nipponese have been out of fuel for months, Goto Dengo’s first thought is that it must be MacArthur.
He throws on a uniform and runs down to Bundok’s main gate along with the other officers. Dozens of trucks, and a few automobiles, are queued up there, engines running, headlights off. When he hears a Nipponese voice coming from the lead car, his heart sinks. He long ago stopped feeling bad about wanting to be rescued by General Douglas MacArthur.
Many soldiers ride atop the trucks. When the sun rises, Goto Dengo savors the novel and curious sight of fresh, healthy, well-fed Nipponese men. They are armed with light and heavy machine guns. They look like Nipponese soldiers did way back in 1937, when they were rolling across northern China. It gives Goto Dengo a strange feeling of nostalgia to remember a day when a terrible defeat was not imminent, when they were not going to lose everything horribly. A lump actually gathers in his throat, and his nose begins to run.
Then he snaps out of it, realizing that the big day has finally arrived. The part of him that is still a loyal soldier of the emperor has a duty to see that the vital war materiel, which has just arrived, is stored away in the big vault of Golgotha. The part of him that isn’t a loyal soldier anymore still has a lot to accomplish.
In war, no matter how much you plan and prepare and practice, when the big day actually arrives, you still can’t find your ass with both hands. This day is no exception. But after a few hours of chaos, things get straightened out, people learn their roles. The heavier trucks cannot make it up the rough road that Goto Dengo has had built up the streambed of the Tojo River, but a couple of the small ones can, and these become the shuttles. So the big trucks pull, one by one, into a heavily fenced and guarded area—well sheltered from MacArthur’s observation planes—that was built months ago. Filipinos swarm into these trucks and unload crates, which are small, but evidently quite heavy. Meanwhile the smaller trucks shuttle the crates up the Tojo River Road to the entrance of Golgotha, where they are unloaded onto hand cars and rolled into the tunnel to the main vault. As per the instructions handed down from on high, Goto Dengo sees to it that every twentieth crate is diverted to the fool’s chamber.
The unloading proceeds automatically from there, and Go
to Dengo devotes most of these days to supervising the final stages of the digging. The new ventilation shafts are proceeding on schedule, and he only needs to check them once a day. The diagonal is now only a few meters away from the bottom of Lake Yamamoto. Groundwater has begun to seep through small cracks in the bedrock and trickle down the diagonal into Golgotha, where it collects in a sump that drains into the Tojo. Another few meters of cutting and they will break through into the short stub tunnel that Wing and his men created many months ago, digging downwards from what later became the bottom of the lake.
Wing himself is otherwise engaged these days. He and Rodolfo and their special crew are completing final preparations. Rodolfo and company are digging down from the top of the ridge, cutting what looks like just another vertical ventilation shaft. Wing and company are directly below, engaged in a complicated subterranean plumbing project.
Goto Dengo has entirely lost track of what day it is. About four days after the trucks come, though, he gets a clue. The Filipinos spontaneously break into song over their evening rice bowls. Goto Dengo recognizes the tune vaguely; he occasionally heard the American Marines singing it in Shanghai.
What child is this,
Who laid to rest,
On Mary’s lap is sleeping?
The Filipinos sing that and other songs, in English and Spanish and Latin, all evening long. After they get their lungs unlimbered they sing astonishingly well, occasionally breaking into two- and three-part harmony. At first, Lieutenant Mori’s guards get itchy trigger fingers, thinking it’s some kind of a signal for a mass breakout. Goto Dengo doesn’t want to see his work cut short by a massacre, and so he explains to them that it is a religious thing, a peaceful celebration.
That night, another midnight truck convoy arrives and the workers are rousted to unload it. They work cheerfully, singing Christmas carols and making jokes about Santa Claus.
The whole camp stays up well past sunrise unloading trucks. Bundok has gradually become a nocturnal place anyway, to avoid the gaze of observation planes. Goto Dengo is just thinking of hitting the sack when a fusillade of sharp crackling noises breaks out up above the camp on the Tojo River. Ammunition being in short supply, hardly anyone actually fires guns anymore, and he almost doesn’t recognize the sound of the Nambu.
Then he jumps onto the running board of a truck and tells the driver to head upstream. The shooting has died down as suddenly as it started. Beneath the bald tires of the truck, the river has turned opaque and bright red.
About two dozen corpses lie in the water before the entrance to Golgotha. Nipponese soldiers stand around them, up to their calves in the red water, their weapons slung from their shoulders. A sergeant is going around with a bayonet, stirring the guts of the Filipinos who are still moving.
“What is going on?” Goto Dengo says. No one answers. But no one shoots him, either; he will be allowed to figure it out himself.
The workers had clearly been unloading another small truck, which is still parked there at the head of the road. Resting beneath its tailgate is a wooden crate that was apparently dropped. Its heavy contents have exploded the crate and spilled across the uneven conglomerate of river rocks, poured concrete, and mine tailings that make up the riverbed here.
Goto Dengo sloshes up to it and looks. He sees it clearly enough, but he can’t somehow absorb the knowledge until he feels it in his hands. He bends down, wraps his fingers around a cold brick on the bottom of the river, and heaves it up out of the water. It is a glossy ingot of yellow metal, incredibly heavy, stamped with words in English: BANK OF SINGAPORE.
There is a scuffle behind him. The sergeant stands at the ready as two of his men jerk the Filipino driver out of the cab of his truck that Goto Dengo rode in on. Calmly—looking almost bored—the sergeant bayonets the driver. The men drop him in the red water and he disappears. “Merry Christmas” one of the soldiers cracks. Everyone laughs, except for Goto Dengo.
PULSE
* * *
AS AVI WALKS BACK THROUGH HIS HOUSE, HE UTTERS something biblical-sounding in Hebrew that causes his kids to burst into tears, and his nannies to rise from the kid-mat and begin shoving stuff into bags. Devorah emerges from a back room where she’s been sleeping off some morning sickness. She and Avi embrace tenderly in the hallway and Randy begins to feel like a fleck of debris lodged in someone’s eye. So he heads straight for an exit, goes out to his car and starts driving. He winds through the hills over the San Andreas Fault to Skyline and then heads south. Ten minutes later, Avi’s car howls past him in the left lane, doing ninety or a hundred. Randy barely has time to read the bumper sticker: MEAN PEOPLE SUCK.
Randy’s looking for a totally anonymous location where he can patch into the Internet. A hotel doesn’t work because a hotel keeps good records of outgoing telephone calls. What he should really do is use this packet radio interface he has for his laptop, but even that requires a place to sit down and work undisturbed for a while. Which gets him thinking in terms of a fast food joint, not to be found in the mid-peninsular wasteland. By the time he has reached the northern skirts of the Valley—Menlo Park and Palo Alto—he has decided fuck it, he’ll just go to the scene of the action. Maybe he could be of some use there. So he gets off at the El Monte exit and heads into the business district of Los Altos, a pretty typical mid-twentieth-century American downtown gradually being metabolized by franchises.
A major street intersects, at something other than a ninety-degree angle, a smaller commercial street, defining two (smaller) acute-angle lots and two (larger) obtuse-angle lots. On one side of the major street, the obtuse-angle lot is occupied by a two-storey office building, home of Ordo’s offices and Tombstone. The acute-angle lot is occupied by the McDonald’s. On the opposite side of the major street, the acute-angle lot is occupied by, weirdly enough, a 24 Jam, the only one Randy has ever seen in the Western Hemisphere. The obtuse-angle lot is occupied by a Park ‘n’ Lock, where you can park for the old-fashioned purpose of wandering around the business district from store to store.
The parking lot of the McDonald’s is full, and so Randy pulls through its drive-through window, chooses n, where n is a random number between one and six, and asks for Value Meal n with super-size fries. This having been secured, he guns the Acura directly across the big street into the Park ’n’ Lock just in time to see its last available space being seized by a minivan bearing the logo of a San Jose television station. Randy is not planning to stray far from his car, so he just blocks in another car. But as he is setting the parking brake, he notices movement inside it, and with a bit of further attention realizes he is watching a man with long hair and a beard methodically ramming shells into a pump shotgun. The man catches sight of Randy in his rearview mirror and turns around with a scrupulously polite pardon-me-sir-but-you-seem-to-have-blocked-me-in look. Randy recognizes him as Mike or Mark, a graphics card hacker who farms ostriches in Gilroy (quirky hobbies being de rigueur in the high-tech world). He moves the Acura, blocking in what looks like an abandoned van from the Starsky and Hutch epoch.
Randy climbs up on the roof of his car with his laptop and his Value Meal n. Until recently he would never have sat on top of his Acura because his considerable mass would dimple the sheet metal. But after Amy rammed it with the truck, Randy became much less anal, and now sees it as a tool to be used until it is just a moraine of rusted shards. He happens to have a twelve-volt adapter for the laptop, so he runs that down into his cigarette lighter socket. Finally, he’s settled, and gets a chance to take a good look around.
The parking lot of Novus Ordo Seclorum’s office building is filled with cop cars, and BMWs and Mercedes Benzes that Randy assumes belong to lawyers. Avi’s Range Rover is parked jauntily on top of some landscaping, and a few TV camera crews have set up, as well. In front of the building’s main entrance a lot of people are jammed into the smallest possible space screaming at each other. They are surrounded by ring after concentric ring of cops, media, and law-firm minions—collectivel
y, what Tolkien would call Men—and a few non- or post-human creatures imbued with peculiar physiognomies and vaguely magical powers: Dwarves (steady, productive, surly) and Elves (brilliant in a more ethereal way). Randy, a Dwarf, has begun to realize that his grandfather may have been an Elf. Avi is a Man with a strong Elvish glow about him. Somewhere in the center of this whole thing, presumably, is Gollum.
There is a little window on the screen of Randy’s laptop showing a cheesy 1940s-newsreel-style animation of a radio tower, with zigzaggy conceptual radio waves radiating outwards from it over the whole earth, which is shown ludicrously not to scale in this rendering—the diameter of the earth is about equal to the height of the radio tower. That these Jovian info-bolts are visible and moving is a visual cue that his radio adapter has managed to patch itself into the packet radio network. Randy opens a terminal window and types
telnet laundry.org
and in a few seconds bang! he gets a login prompt. Randy now has another look at the animated window, and notes with approval that the info-bolts have been replaced with gouts of question marks. This means that his computer has recognized laundry.org as a S/WAN machine—running the Secure Wide Area Network protocol—which means that every packet going back and forth between Randy’s laptop and laundry.org is encrypted. Definitely a good idea when you are about to do something illegal over the radio.
Mike or Mark gets out of his car, cutting a dramatic figure in a long black Western-style coat, a look rather spoiled by the t-shirt he’s got on underneath it: black with a fat red question mark in the middle. He hitches the strap of his shotgun up onto his shoulder and leans into his back door to retrieve a large black cowboy hat, which he places on the roof of his car. He thrusts his elbows into the air and gathers his long hair back behind his ears, staring up at the sky, and then clamps the cowboy hat down on his head. Tied loosely around his neck is a black bandanna with a question-mark pattern, which he now pulls up over the bridge of his nose so that just an eye-slit shows between it and the cowboy hat. Randy would be really alarmed if it weren’t for the fact that several of his friends, such as John Cantrell, often go around looking this way. Mike or Mark strides across the Park ‘n’ Lock, tracked carefully by a panning cameraman, and jogs across the street to the 24 Jam.