Since they couldn’t be opened, the third-floor rooms were constantly refreshed by the whisper of forced air from ventilators. Tiny ventilators. A tiny ninja-assassin mouse might get in through those ventilators if it weren’t for all the layers of active filters and screens. Nick held his hand close. The air was moving so the central system was still active.
“So Keigo and his hired girlfriend weren’t up here screwing,” Nick said to himself. “Maybe Keigo was just waiting for someone.”
“Waiting for whom?” Sato asked in low tones.
Without putting on his glasses to look at the victims a last time—but carefully steering wide of the bloodstained tatami and the invisible corpse of Keigo on the floor—Nick said, “Let’s go up on the roof.”
In the foyer, Nick paused to study the door to the stairway to the roof. Except for little black boxes at both top corners and one on the side where a card-swiper would be, it looked like any other metal door. But Nick knew that the damned thing cost more than he earned in ten years. It not only checked retina and fingerprints—how many movies had Nick seen where the good guy or bad guy just brought along someone’s hand or eyeball to defeat those simple security checks?—but scraped and sniffed the person’s DNA, measured his brainwaves, and performed about a dozen other acts of identification that would only work with a living, breathing person. Six years ago this coming October, all that technology had been keyed on Keigo Nakamura’s retina, prints, DNA, brainwaves, and all the rest.
Now it seemed to be keyed on Hideki Sato. At least the heavy door clicked open after Sato had leaned close to one of the black boxes, scraped his thumb against it, and made his other contacts and magical passes. At the top of the stairway, he did the same thing with the magic door there.
Nick asked the same question he’d asked six years ago. “How do the maids and janitors get in and out of this apartment?”
There had been no answer from anyone six years ago and Sato did not answer now.
1.06
Wazee Street, Denver—Saturday, Sept. 11
IT WAS RAINING harder but the clouds and fog had lifted. To the east rose the shrouded towers of downtown Denver; to the west the condo towers clustered along the river; to the south the large masses of the Pepsi Center and Mile High DHS Detention Center; to the north more low buildings and the two-hundred-foot-tall spike that anchored a pedestrian overpass connecting LoDo to the river region over train tracks. West of everything, just visible through the low clouds, were the foothills. The high peaks were absent this morning.
There was nothing special about the rooftop of Keigo Nakamura’s three-story building here on Wazee Street. A patio/garden area was delineated by a slightly raised wooden floor and vined latticework on two sides to give some privacy to the hot tub. On that October night six years ago, Nick knew, the hot tub had been burbling and preheated to the proper temperature—but unused by the victims, the coroners stated—but this mid-September morning it was cold and covered by a mildewing yellow tarp. The garden part of the rooftop was represented by several long planters lining the edge of the patio area and made of the same light wood, but no one had been gardening up here in recent years. There were a few weeds still growing and the desiccated skeletons of nobler plants.
Sato grunted as he leaned over to tie his polished black shoes.
Nick struggled to remember the security details of this unprepossessing rooftop. He recalled that there were multiple-wavelength invisible sensor-beams and waveguides extending ten feet high around the full perimeter… yes, there were the poles at the corners holding the projectors and equipment… and pressure sensors everywhere on the tarpaper and gravel rooftop except for the raised wooden patio area.
“Someone could have pole-vaulted in from the neighboring rooftops,” Nick muttered. Sato ignored him.
Yes, someone could have pole-vaulted in, but unless they’d landed on the wooden patio, the pressure sensors would have recorded their landing. And none did.
But the doors…
“The doors were open… what?” said Nick, expecting an answer this time. “Two and a half minutes?”
“Two minutes and twenty-one seconds,” said Sato.
Nick nodded. He remembered joking with his partner, then detective sergeant (now lieutenant) K. T. Lincoln, that he could kill a dozen Keigo Nakamuras in two minutes and twenty-one seconds.
“Speak for yourself” had been K.T.’s response. “I could kill a hundred fucking Keigos in two minutes and twenty-one seconds.”
Nick remembered thinking that she probably could. K.T. was half-black, a bit more than half-lesbian, a fiercely secular converted Jew who had worn black in civilian life ever since the death of Israel, a beautiful woman in her own scowling way, and probably the best and most honest cop he’d ever worked with. And for some reason she hated Japs.
Now standing in the rain and looking at the unused patio and rooftop, Nick said, “I think I’ve solved the murder.”
Sato leaned on the hot tub and cocked his head to show he was listening.
“There was all that newsblog blather about a locked-room mystery,” continued Nick, “but the goddamned room wasn’t even locked when the murders happened. Keigo unlocked the lower door, climbed the stairs, unlocked the upper door, and came out here. Wherever you were—a van, command post RV, a goddamned blimp—the remote door alarms showed you he’d opened them and you must have phoned Keigo to check that everything was all right.”
Sato grunted. But this time Nick needed more than that.
“Did you phone him? Or contact him some other way?” he demanded.
“How do you say it,” growled Sato, “when you interrupt static on an open line without speaking?”
“Breaking squelch,” said Nick. At least that’s the way he and a lot of former-military Denver cops had said it. Breaking squelch—just clicking to interrupt the carrier static—was as old as radios. When he’d been a patrolman, the guys out in their patrol cars had an entire code of breaking squelch—ways to tell each other things that no one wanted the dispatcher to hear or record.
Sato grunted again.
“So you broke squelch and Keigo broke squelch back and you knew he was okay when the doors opened,” said Nick. “One interrogative break and two back?”
“Two interrogative and three back, Bottom-san.”
“How many times did you do that before he quit answering because he was dead?”
“Twice.”
“How long before he quit answering was the second query and answer… how long before you had Satoh break the door down and check on him?”
“One minute, twelve seconds.”
Nick rubbed his chin again, hearing the scrape of whiskers.
“You said you had solved the murder,” said Sato.
“Oh, yeah. Keigo didn’t have sex with the girl because he was waiting for someone. Someone to arrive on the roof.”
“Without tripping the perimeter and pressure sensors?”
“Exactly. The person arrived by helicopter and just stepped out onto the patio boards here. No sensors there.”
“This was a busy night on Wazee Street, Bottom-san. Many people coming to and leaving this party alone. You think that they would not have noticed a helicopter hovering above the building?” Hericopter.
“Not if it was a stealth ’copter with that whisper technology that your dragonfly chopper had when you got picked up yesterday. What do you call those machines?”
“Sasayaki-tonbo,” said Sato.
“And what does that mean?”
“Whisper-dragonfly.”
“Okay,” said Nick. “So you’d been holding back, running the security from the background before that night, letting your cutely named Satoh-san appear to be running the show—just for purposes of later interviews should things go south, which they did—but that night you told Keigo that you wanted to meet him at one-thirty a.m…”
“One twenty-five it would have to be,” said Sato.
Nick ignored
him. “So Keigo kills some time with his sex toy, who doesn’t even bother to get undressed for the heir apparent, and then comes up on the roof to meet you. You step out of the whisper-dragonfly, which probably goes up to hover until you are done with what you have to do, Keigo unlocks the door to lead you back down into his apartment, and the second you enter the room you shoot the girl in the forehead and then use a big knife on a very surprised Keigo.”
Sato seemed to be considering the explanation. “How did I get back out to the roof, Bottom-san? Only young Mr. Nakamura could open the doors.”
Nick laughed at that. “I don’t know how you got out. Maybe you had an override code on those goddamned doors…”
“Then I would not have required arranging a meeting with young Mr. Nakamura to open them, would I, Bottom-san? I could have surprised him at any time.”
“Whatever,” snapped Nick. “Maybe you just propped the doors open with two of those rocks in the dead planter there. But you had plenty of time to kill both of them and then be airlifted off the roof again—without the whisper-dragonfly tripping any of the alarms up here.”
Sato nodded as if convinced. “And my motive?”
“How the fuck should I know what your motive was?” Nick laughed again. “Sibling rivalry. Something that happened in Japan that we’ll never find out about. Maybe you were sweet on little Miss Keli Bracque…”
“Sweet on her,” repeated Sato, “so I shot her in the head.”
“Yeah,” said Nick. “Exactly.”
“And then murdered young Mr. Nakamura out of some sort of jealousy.”
Nick held up his hands. “I said I don’t know the motive. I just know you had the opportunity and the access to weapons and the technology to get you in and out of Keigo’s apartment.”
“The technology being the Sasayaki-tonbo,” said Sato.
“Yeah.”
“You should really look into whether there were any Sasayaki-tonbo in America six years ago,” said the security chief. “Or in Japan yet, for that matter.”
Nick said nothing. After another minute of looking at the depressing rooftop and depressing low clouds, he said, “Let’s go down and get out of the fucking rain.”
LATER, NICK DIDN’T KNOW why he hadn’t just left the damn building. His work there was done. There was nothing else to be discovered by gawking at the six-year-cold crime scene. He should have just left. Everything would have been different if he’d just left.
But he didn’t.
They came out into the third-floor foyer and once again Nick imagined that he could smell the faded stench of spilled blood and brains from the bedroom two rooms away. Sato turned left toward the exit, but instead of waiting for Sato to unlock the door to the stairway down, Nick turned right in the foyer and then left through the hall doorway into the large room that looked out onto Wazee Street.
This was the library in Keigo Nakamura’s permanent residence during the months he’d spent in the United States before being murdered, and it was the kind of space that young readers could only dream about. The floorboards were Brazilian cherry, the built-in bookcases on three walls were mahogany, the molding was handcrafted, the carpets were Persian, the long tables with their built-in magazine shelves and giant dictionaries atop them looked like they’d come out of Columbus’s map room, and the two tiers of elegant wooden blinds on each of the eight tall windows were also cherry. The huge mahogany desk in front of the windows was regal and solid enough to have served some American president in the Oval Office and the piano on its raised dais was a Steinway. Club chairs scattered around the room and the long couch were of a leather so dark and soft that they looked to have come from some eighteenth-century British club.
Nick looked at the two thousand three hundred and nine books on the shelves. He knew there were precisely two thousand three hundred and nine books on those shelves because he’d had his people look through each and every one of them. The only clues they’d uncovered were three almost-century-old Polaroid snapshots of a naked young man asleep on a couch. The photos had been tucked into a hundred-and-fifty-year-old third volume of The History of the Decline and Fall of the Roman Empire. Since the naked young man in the photos—his face was averted—was sporting a semi-erection, some of Nick’s sharper detectives had deduced some sort of connection with the title of the book. Others had decided that Keigo Nakamura, known both in Japan and the States as a ladies’ man, had been secretly gay and probably killed by one of his young gay lovers.
In the end, neither the DPD’s forensic people nor the FBI’s experts had been able to track down either the photographer or his young subject, but Nick had found the interior designer who’d worked for Keigo Nakamura and the designer had confirmed that he’d bought all the library books by the yard at various California and Colorado estate auctions. And the books had been chosen primarily for the quality of their leather bindings, the interior designer had said.
As far as Nick’s and the FBI’s best analysts could tell, Keigo Nakamura had never cracked a single book on any of these shelves or tables and the naked young man in the Polaroid’s story belonged to some other mystery.
The paperback that Keli Bracque had been reading on the day she was killed—Shgun—hadn’t come from the library.
Nick unhooked and parted the center set of wooden shutters and looked down at the rain falling on Wazee Street. He set his fingers against the cool glass, trying to fight the strange—almost forgotten—energies rising in him like a sudden spur of hunger.
He was actually beginning to be interested in solving this goddamned murder case. Why? Keigo Nakamura meant less than nothing to him. The arrogant rich kid had probably deserved to be murdered. His little movie documentary about flashback addiction in the United States wouldn’t have been of interest to the Japanese or Americans.
But it was interesting enough to someone that they murdered him because of it, thought Nick. Keigo’s phone and video camera and the camera’s last three fingernail-drives with all the recent interviews on them had been missing. Was there something in those interviews that had doomed Keigo Nakamura?
Personally, Nick liked Hideki Sato as the new prime suspect. It would certainly explain why Sato had gone to such lengths to hide his very existence in the original investigations. As for motive—who would ever know? Keigo Nakamura had made at least one enemy willing and able to cut his throat. Sato would certainly have been capable of that.
And Nick also liked his little speech about the helicopter, the whisper-dragonfly. What had Sato called the silent chopper in Japanese? Sasayaki-tonbo. Nick loved the elegance, the sweet-solution quotient, of a DA explaining to a jury that Chief of Security Hideki Sato had stepped out of a Sasayaki-tonbo to kill his master’s son.
The only problem with the Sasayaki-tonbo part of the theory was that Keigo Nakamura wasn’t the only resident of Wazee Street six years ago who had a hot tub bubbling away on the roof. Both the FBI and the plodding DPD led by Detective Sergeant Nick Bottom had found a certain James Oliver Jackson, who’d been in his rooftop Jacuzzi—along with four young female friends—during the time of the Keigo party and murder. Mr. Jackson’s hot tub was across the street and three buildings east and although that building was only two stories tall and had no view of Keigo’s patio area due to the doorway superstructure and patio fence on the Nakamura building, Jackson and his giggling guests stated that they certainly would have noticed a helicopter hovering over a building so close. James Oliver Jackson’s seat in the hot tub—Nick had checked—did have a perfect view of the airspace over the taller three-story Nakamura building, and Jackson and the co-eds had stated that there’d been a lot of uplight from the street that night, what with all the cars coming and going from Keigo’s party.
But one man, dressed in black, coming down one of those long rappel ropes from a black and silent stealth helicopter? wondered Nick. He had to smile when he imagined any district attorney presenting this James Bond/killer-ninja story to a jury.
He sm
iled again when he tried to picture the bull-chested mass of Hideki Sato, all dressed up in his ninja-suit and mask, rappelling down a two-hundred-foot-long rope in the night. It had damned well better be a sturdy helicopter.
“Bottom-san, do we await something?” asked Sato from his place just inside the library’s door.
Nick ignored him and ran his finger along the slightly fogged glass of the blastproof, bombproof, bulletproof window. He took the tactical glasses from his pocket and put them on. “You said you have the digital recordings for seven minutes after your Mr. Satoh broke down the door and rushed in to find Keigo’s body. Show me those minutes, please.”
“There were no cameras on this third floor…,” began Sato.
“I know that. I don’t want to be in the re-creation like down below. I just want to see it. Like any video. But I’m interested in a view from an external camera, one as close to this view”—Nick tapped the glass—“as possible.”
“One minute, please,” said Sato and tapped at his phone’s diskey.
Everything shifted again. Suddenly it was night and there was confusion on the dark street three floors below. The viewpoint wasn’t perfect—the camera must be up under the third-floor eaves on the outside of the building—and the effect it created in Nick’s inner ear was that he had instantly swooped up higher and to his right. The exterior cameras were in night-vision mode and things glowed greenly, turning passing headlights into blurred and streaking white-green blobs. Faces of people fleeing the party before the cops arrived were quite visible although the audio pickup would have to be filtered and cleaned up to pull individual voices from the distant babble.
Nick saw an older, bald Naropa Institute savant he recognized, looking cold in his thin cotton robe and rope sandals, running to a waiting van. Four or five of his acolytes, including the sandy-haired Derek Somebody, whom, Nick knew, Keigo had interviewed the day before his death, hurried to keep up.