She glanced quickly at her watch and decided she had time to take a closer look. She went into the store, not surprised to discover that the shop owner was the cashier, that she still carried a bit of an Irish accent and that she was delighted with Moira’s interest in the item.
“My mother would absolutely love that piece,” Moira told her, and asked the price.
It was high, but the woman quickly explained. “The piece is one of a kind. The fairies and leprechauns, you see. The porcelain fairies are limited, but the carved pieces are handcrafted by two brothers in Dublin. Each is individual, and signed. I believe they’ll be very popular in the future, but it’s not the fact that they may be highly collectible one day that makes them so dear. It’s the time taken for the work that goes into each one.”
“I hate to ask you to take it out of the window.”
“Oh, no, dear, I love the darling little things. Please, it’s my pleasure, even if you don’t buy. You seem to truly appreciate the art of it.”
Moira assured her that she did, indeed. And when the woman took the piece from the window and put it before her, she found that it was even more beautiful than she had thought. The carving of the face was exquisite. The fairy created a feeling that was totally ethereal. She was simply magical. All that is good and enchanting about the Irish people, Moira thought.
“I’ll take her,” Moira said.
“Don’t you wish to hear her play?” the woman asked, twisting the key at the bottom of the small pedestal.
“Sure, thank you. What song does she play?”
The woman laughed softly. She allowed her accent to deepen as she jokingly said, “Why, besure and begorrah, dear. She plays ‘Danny Boy.’ You know, ‘Londonderry Air.”’
The little fairy began to spin, to fly on her pedestal. The music tinkled out, charming, beautiful, sweet, the haunting melody familiar and yet light, different.
“Danny Boy.” Of course. What else? There were so many beautiful old Irish tunes, but naturally this box would play “Danny Boy.”
“Is something wrong?” the woman asked.
“No, she’s lovely, thank you so much. I’ll definitely buy her for my mum.”
“I’ll wrap her very carefully for you.”
“Thanks so much.”
As Moira waited, she realized that she would be spending the next week listening to “Danny Boy.” Might as well get used to it now.
“Are you sure there’s nothing wrong, dear?”
“Not at all. In fact, I’d like both of those little stuffed leprechauns, please. They’ll make cute little gifts for my nieces. Then I need something for a boy.”
“I have a small, hand-held video game just in. Banshees against fairies, with the leprechauns being the chance factor, some of them good, some of them bad.”
“Sounds perfect,” Moira said. “Thank you so much.”
Tomorrow she was going home. And suddenly, here in this shop, anticipation mingled with her dread.
Kelly’s Pub was already in full nightly swing when Dan O’Hara emerged from the back room of the tavern, the guest quarters, where he had been staying. The pub band, Blackbird, was already playing a mixture of old and new Irish music with a bit of American pop thrown in here and there. He knew all the members from way back.
It was the first time he had come into the pub during opening hours, and he was ready for the greeting he knew he would receive.
“And there he is!” Eamon Kelly called from behind the bar. “The best and brightest of you lot of reprobates, Mr. Daniel O’Hara.”
“Hey, Danny, how are you?” asked old Seamus.
“Danny boy, you’re back in town!” Liam McConnahy said.
The lineup at the bar was made up of Eamon’s longtime friends, some old country, some born and bred in the USA. He recognized Sal Costanza, an old school chum who had grown up in the Italian sector along the North Shore. Eamon Kelly had created his own little Gaelic empire here, but he was a good-hearted, friendly fellow, with a keen interest in everyone around him and—usually—a nose for a decent character in any man. But now Dan didn’t like what was happening here. He would have done anything in his power to keep Kelly’s Pub and the Kellys themselves out of what was happening. But things had been set in motion; he had no choice. Whatever was going down had been given the code name Blackbird, and that could only refer to Kelly’s Pub.
Hell, a Kelly could be involved.
“Back in town,” Dan said easily, embracing both old Seamus and Liam, then shaking hands with the others as each man spoke a quick greeting.
“So,” Seamus said, his thick, snow-white brows rising over cloudy blue eyes, “have you been hanging around back in the old country or gallivantin’ around the States?”
“A bit of both,” Dan said.
“You’ve been in Ireland recently?” Liam asked. He had the same cap of white hair as Seamus, except that his was thinning now.
“That I have,” Dan said.
“The Republic—or the North?” Seamus asked, a slight frown denoting his worry.
“A bit of both,” Dan said. “Eamon, how about a round for my old friends at the bar? It’s good to see them again. Sal, how’s it going in the pasta business in Little Italy? I’ve been hankering for a taste of your mom’s lasagna. No one makes it as good as she does.”
Sal answered, and Dan kept smiling, nodding in reply to the thanks he received for the round of drinks. But as he engaged in the banter at the bar, he looked around the room. Though the band was in action at one end, the scene remained fairly quiet. An attractive young couple, with either his or her parents, were having dinner at a center table. A group just off from work—probably from the IBM offices or the bank around the corner—huddled around a couple of tables near the band, winding down from their nine-to-five workday. Patrick Kelly was in. Eamon’s son, tall, with a head full of dark hair touched by a reddish sheen. He was a good-looking fellow, on stage now with the band, playing along with the violinist. He saw Daniel and gave him a wave and a grin, beckoning to him. Daniel nodded and smiled in return, motioning that he would join them all soon. Patrick nudged Jeff Dolan, lead guitarist and group leader, and Jeff, too, nodded Dan’s way.
Still scanning the room, Dan saw a lone man in a business suit seated at a far corner table, a darkened table. A stranger. Dan had the feeling the man was surveying the occupants of the pub, just as he was doing himself.
“What are you drinking yourself?” Eamon asked him.
“What’s he drinking?” Seamus said indignantly. “Give him a whiskey and a Guinness!”
“Now, Seamus, I’m in the grand old USA,” Dan protested. “A Bud Lite on draft, if you will, Eamon. It may prove to be a long night—back with a party of Boston’s black sheep!”
“How’s the place look, Danny?” Liam asked. “You miss it when you’re away?”
“Why, the pub looks just fine, and old friends look even better,” Dan replied. He lifted the stein Eamon had brought him. “Slainte! To old times, old friends.”
“And to the old country!” Eamon declared.
“Aye, to the old country,” Dan said softly.
The sky was overcast when Moira’s shuttle from New York to Boston made its initial descent for landing. Even so, she stared out the window for a bird’s-eye view of the city where she had grown up, and which she still loved so much. Coming home. She was excited; she loved her family dearly. They were all entirely crazy, of course. She was convinced of that. But she loved them and was happy at the prospect of seeing them.
But then…then there was this whole Danny thing.
The plane landed. She was slow to take off her seat belt and slow to deplane. No one was picking her up; she had made the last-minute decision to take an earlier shuttle than the rest of the cast and crew, who would be taking the last flight. When the people in the seats behind her had filed out, she grabbed her overnight bag and walked out, thanking the flight attendant and the pilots, who were waiting for her exit to leave t
hemselves.
Outside Logan, she hailed a taxi. Once seated, she realized that the driver, a young man of twenty-something with a lean face and amber eyes, was staring at her by way of the rearview mirror.
“You’re Moira Kelly!” he said, flushing as she caught his eye.
“Yes.”
“In my cab! Fancy that. You just travel on a regular plane and get in a regular taxi?”
“Seems to be the best way to get around,” she told him, smiling.
“You mean you don’t have a private jet and a limo waiting?” the man demanded.
She laughed. “I don’t have a private jet at all, though sometimes we do hire private cars.”
“And no one recognizes you—and hounds you?”
“I’m afraid that all of America doesn’t tune in to the Leisure Channel. And even those who do don’t necessarily watch our show.”
“Well, they should.”
“Thank you. Very much.”
“What are you doing in Boston?”
“I’m from here.”
“Wow. Right. And you’re Irish, right? Are you home to see family, or are you going to film stuff here?”
“Both.”
“Wow. Well, great. Hey, it’s a privilege. If you need more transportation while you’re here, call me. I’ve got the cleanest cab in the city. I grew up here, too. I know the place backward and forward. No charge, even. Honest.”
“I’d never take advantage that way of anyone making a living,” Moira said. “But give me your card, and I promise when we need transportation we’ll call you.” In fact, he did seem to be a good driver. Boston’s traffic was as crazy as ever. There was always construction; the freeway was as often as not a stop-and-go place. Once they were out of the tunnel and off the highway, the streets were narrow and one-way. And then there were the traffic circles…. The old character and ultra-thin roadways were part of the charm of the city—and the bane of it, as well.
The young man kept his right hand solidly on the steering wheel and slipped her a card with his left hand.
“Hey, I’m Irish, too.”
“Your name is Tom Gambetti.”
He grinned at her in the rearview mirror. “My mom is Irish, Dad is Italian. Hey, this is Boston. There are lots of us living on pasta and potatoes! Both your folks are Irish?”
“Oh, Lord, yes!” Moira laughed.
“Right off the old potato boat, eh?”
“Something like that,” she said, then leaned forward, pointing. “There it is—Kelly’s Pub.”
The street was narrow. Though both corners held large new office buildings, the rest of the block still had a lot of old character. The building that housed the pub was two stories, with a basement and an attic. It dated from Colonial days, as did many of its nudged-in neighbors. An old iron tethering pole remained in front, from the days when the country’s forefathers had come to knock back a pint or two. Kelly’s Pub was lettered on an attractive board above the door, and there were soft friendly lights issuing from lamps on either side. When the weather was warm, tables spilled onto the narrow enclosed patio in front. There were two windows in the front, as well; they were closed now, in deference to the winter, but within the pub, the lace-edged curtains were drawn back so that passersby could see the welcoming coziness to be found inside.
“Want your suitcase right in the pub?” Tom asked.
“No, thanks, just on the sidewalk. I’m going upstairs first.”
“I’ll be happy to take it up for you,” he suggested.
She shook her head. “No, thanks. I appreciate it, but—”
“But a homecoming is best alone,” he said.
She paid him as he set her bag down. “Thanks. And I will call you if we need transportation.”
“You may not have to call me. It looks like a great pub.”
“It is,” she murmured, listening to the laughter and music coming from within. “It’s everything a pub is supposed to be. Céad mile fáilte.”
“What does that mean?”
She looked at him, smiling wryly. “A hundred thousand welcomes.”
“Nice. Well, good luck. I’ll be seeing you.”
“Thanks.”
He got in his car and drove away, it seemed regretfully. Nice kid, she thought. Then she hefted her suitcase and started up the outside stairs that led to the family living quarters above the thriving business.
Her mother was a model of domesticity. The porch beside the front door of the home area was set with white wicker café tables, and the canvas overhang was clean as a whistle, even in the dying days of winter. Moira set her case down by the door and knocked, her fingers colder than she had realized inside her gloves. Knocking was easier than trying to find her key.
The door opened. Her mother was there, taking one look at her face and giving her the kind of smile that would have made a trek halfway around the world worthwhile. “Moira Kathleen!” And then, though Katy Kelly was thin as a reed and two inches shorter than Moira’s five feet eight, she enveloped her daughter in a fierce hug with the strength of a grizzly.
“Moira Kathleen, you’re home!” Katy said, stepping back at last, hands on her hips as she surveyed her daughter.
“Mum, of course I’m home. You knew I was coming.”
“Seems so long, Moira,” Katy said, shaking her head. “And you look like a million.”
Moira laughed. “Thanks, Mum. Good genes,” she said affectionately. Her mother was a beautiful woman. Katy didn’t dye the tendrils of silver threading through her auburn hair. God was granting her age, in her words. A head full of silver wasn’t going to matter. Katy was trim from moving a thousand miles an hour every day of her life. Her eyes were the green of her old County Cork, and her face had a classical beauty.
“Ah, sweetie, I miss you so!” Katy said, kissing her. “It’s been so long.”
“Mum, we’re just heading into Saint Patrick’s day. I spent Christmas here. And we all did First Night in the city together, remember?”
“Aye, and maybe it’s not so long, but your brother, Patrick, you know, manages to get back at least once a month, he does.”
“Ah, yes, my brother. Saint Patrick,” Moira murmured.
“Now would you be mocking the likes of your brother?” The question came from behind Katy. Moira looked past her mother to see her grandmother standing there, Granny Jon. On a good day, Granny Jon might be considered an even five feet. At ninety something—no one, including Granny Jon, was quite sure what year she’d been born—she was still as straight as a ramrod and spry as a young girl. Her keen sense of humor sparkled in hazel eyes as she playfully accosted Moira.
“And there—the heart of Eire herself!” Moira laughed, stepping forward to hug her grandmother. As she hugged Granny Jon, she felt the old woman shake a little. Spry and straight she might be, but her grandmother was still a tiny mass of delicate bones, and Moira adored her. She’d given Moira leprechauns and legends, wonderful tales about the banshees being tricked or bribed to go away, and then, when she’d been older, true tales of the fight for freedom for the Irish through long years of mayhem throughout history. She was keen and wise and had seen the battlefield of her city torn to shreds, yet had somehow maintained a love for all the humanity around her, a glorious sense of humor, and a sound judgment regarding both politics and people.
“Why, Moira, you haven’t aged a day,” Granny Jon teased. “Katy, have a heart now. The girl is out there doing us proud. And she is living in New York, while Patrick has stayed in the state of Massachusetts.”
“Um. As if western Mass weren’t nearly as far away as New York City,” Katy said.
“But it hasn’t the traffic,” Granny Jon said.
“Then there’s my evil younger sister,” Moira teased, rolling her eyes.
Katy inclined her head with a wry smile for the two of them. “Well, then, Colleen has gone as far as the west of the entire country now, hasn’t she? And she’d never even consider not being here for Saint
Patrick’s Day.”
Moira sighed. “Mum, I’m here, and I’m even bringing in the non-Irish for you to convert,” Moira told her.
“Ah, now, ’tis enough,” Katy said. “We’ll give you a quick cup of tea. Granny Jon was just brewing—”
“And it will be strong enough to pick itself up and walk itself right across the table, eh?” Moira said, teasing her grandmother and putting on her accent.
“We’ll have none of that,” Granny Jon said. “And I do make a good pot of tea, a real pot of tea, nothing wishy-washy about it. And what have we here?”
The main entry to the living quarters was a foyer, with the kitchen—a very large room with added warmth in winter from the oven—and a hallway leading to the bedrooms, library and office straight ahead. Moira hadn’t heard a thing, but when she looked beyond Granny Jon, she saw three little heads bobbing into sight.
Patrick and his wife, Siobhan, had nearly repeated her parents’ pattern of procreation; their son Brian was nine and daughters Molly and Shannon were six and four respectively.
“Hey, guys!” Moira called delightedly, hunching down on the balls of her feet and putting her arms out for the kids. They came running to her with whoops and hollers, kissing her, hugging her.
“Auntie Mo,” Brian said. As a baby, he’d never quite gotten her name right. She’d been Auntie Mo to the kids ever since. “Is it true we’re going to be on the telly?”