Page 7 of The Devil's Bed


  Although he tried not to show it, Clay Dixon was angry. Not so much at his father’s barb as at the obvious fact that someone on the White House staff had been talking indiscreetly about the current sleeping arrangements in the Executive Residence. The telephone rang and he grabbed at it. “Yes?” He listened and said, “Send them up.” He put the phone down. “John Llewellyn’s on his way with McGill and Bobby Lee.”

  “They’ve got the most recent polls, I’d bet,” William Dixon said. “By the way, how is Tom Jorgenson?”

  “I spoke with Kate this afternoon. He’s still unconscious.”

  “An unfortunate accident. Still, it will probably work to your advantage. Sympathy vote and all.”

  “What the hell kind of thing is that to say?”

  “Nothing personal. You take your votes however you can get them.” The elder Dixon rose, put his cigar in his left hand, took up his cane in his right, and walked to the door. He moved stiff as a man made of pipe cleaners. War had done much of that, time the rest. He put a hand on his son’s shoulder. “Listen to me and to Llewellyn, Clay, and you’ll be fine. You hear me?”

  At the door to the Treaty Room, the senator encountered Llewellyn and the others.

  “John,” he said, extending his hand. “Good to see you.”

  “Senator.”

  “How’s Doris?”

  “Good. Waiting for an RSVP about Saturday night.”

  “RSVP? You know I’ll be there.”

  “That’s what I told her.”

  “I can see that you and the president have business. Good night, John. Gentlemen.” He nodded to McGill and Lee, and he caned his way down the center hall toward the elevator.

  “Was your father here on business or pleasure?” Llewellyn asked as he entered the study.

  “The senator is never all about one thing. Brandy?” Dixon offered the others after they’d come in.

  They declined, and the president decided that he’d had enough.

  “How’s Kate holding up?” his chief counsel asked.

  “Fine, Bobby. I spoke with her this afternoon. She’s hanging in there. Ed, I thought you’d gone home for the day.”

  “I was hoping to get an early report on the polls,” McGill said.

  “And did you?”

  “Yes.”

  “Well?”

  “Wayne White still has you by a margin that concerns us.” He seemed to have more to say, but was reluctant.

  “Go on.”

  “We believe it’s because you didn’t accompany the First Lady to Minnesota,” McGill said.

  “What?”

  “It may have made you appear callous.”

  “It might help if you were to join her in Minnesota,” Llewellyn said.

  “Jesus Christ, John. This isn’t a national disaster. I can’t simply drop everything and go running to Kate. I leave for the Pan-American summit in less than two weeks. Before that I have a dozen campaign appearances. To say nothing of a government to run.”

  “This is different,” Ed McGill argued cautiously. “He’s your father-in-law, a man much in the hearts of Americans these days. Also, maintaining proximity to the First Lady would be helpful.”

  “It sounds like everybody’s suggesting I ride into the White House on Kate’s skirt.”

  “It will show your compassionate side,” McGill said.

  Clay Dixon exploded. “I showed my compassionate side by throwing my support behind the Basic Human Services Bill.”

  “This is different,” Bobby Lee said quietly. “This is about family.”

  “You agree I should go?”

  “I do.”

  “Tom Jorgenson doesn’t like me.”

  “He’s comatose. He won’t even know you’re there,” Llewellyn said. “It would be very good for your image, sir.”

  Lee said, “You could easily join Kate for a day or two as a show of concern, of marital solidarity in this difficult time.”

  Dixon breathed out his anger. “When?”

  “It will take a couple of days to set up,” his chief of staff replied. “But Ed will have Patricia give a statement at the press briefing tomorrow morning.”

  “All right.” Now Dixon felt ready for another brandy. “Is there something else?”

  “No, sir,” Llewellyn said. “I’ll bid you good night.”

  “Bobby?” Dixon said as Lee turned to leave. “Could I have a word with you?”

  The president closed the door behind the others, then walked to the window and stared through his own reflection into the night. “The economy’s healthy. We’re not at war. Crime is on the decline. But what do the American people care about? They care whether I scurry to the side of a man who doesn’t particularly like me and a woman who, at the moment, treats me like a leper.”

  “If he dies and you didn’t make a visit, you risk appearing heartless,” Lee pointed out.

  The president put out his hand and touched his image in the glass. “Before I married Kate, I asked him for his daughter’s hand, did you know that, Bobby? I thought it was respectful. He said it didn’t matter what he thought. The choice was Kate’s. When I pressed him, he said, ‘It’s a rare man who doesn’t become his father.’ He never did give me his blessing. And when I ran for president, same thing. Because of who my father is, he refused to give me his endorsement.” He turned back to his chief counsel. “I’m not my father.”

  “No,” Bobby said. “You’re not. But almost everyone who advises you now speaks for the senator. The truth is he’s casting a huge shadow over the White House, Clay.”

  “He’ll get me reelected.”

  “Will he? The polls don’t seem to be saying that. You know what I think? The American people want you to step away from your father so they can see clearly again just who you are. They’d love to see you leading the team.”

  “Do you have any numbers to back that up?”

  “Gut feeling.”

  “Thanks, Bobby. I’ll take that under advisement.”

  “Are you all right, Clay?”

  “Just tired. I’ll see you in the morning.”

  Dixon picked up the report Lorna Channing had delivered to him a couple of days earlier. So far, he’d had time only to glance at it. He took the document to his bedroom where he put on his pajamas, washed his face, brushed his teeth, and donned his reading glasses. He lay down on his bed, but found that he couldn’t concentrate.

  He was thinking about the things Bobby Lee had said. And he was thinking about Alan Carpathian, the man who’d been more a father to him than the senator had ever been.

  When Carpathian died, something significant inside Clay Dixon had died with him. Certainty. That cocky assuredness that Carpathian had teased him about but loved. What replaced it was something very like terror. Without Carpathian’s game plan, Carpathian’s political savvy, Carpathian’s unflagging optimism, Dixon felt paralyzed, absolutely afraid to move. It was like the nightmares he’d had while he was a quarterback, that he was on the field in the middle of an important game and he’d forgotten every play.

  The senator had saved him, in a way. But you had to pay the devil sometime, and Dixon was feeling more and more that what was required of him was nothing less than his soul.

  He put the report aside, took off his glasses, and thought about something more pleasant. Lorna Channing. Lately, a lot of his thinking eventually worked its way around to Lorna Channing. In the middle of briefings with her, he sometimes found himself amazed at the beautiful green of her eyes, the way she held her lips when she listened. He realized that whenever she walked away, he was already looking forward to the time when she would return. He didn’t fool himself with the idea that it was love. But he knew that in its way, it was a force nearly as compelling.

  He glanced at the heavy document that lay on the pillow where Kate’s head used to rest. He’d requested the study to fulfill his promise to his wife and to please her, but she hadn’t even bothered to look at it. The silence of its company was
a bitter and lonely statement.

  He closed his eyes, and when he fell asleep, it wasn’t the voice of Kate he heard in his dreaming but the soft, chocolate laugh of the woman he’d known so well on the Purgatoire River.

  chapter

  eleven

  When Nightmare was very young, his mother sometimes slept with him. He remembered the feel of her, warm through the flannel of her nightgown, her arms around him protectively. Her smell would stay on his thin pillow and unwashed sheets for a long time. When he was alone, he would bury himself there and breathe in the ghost of her presence.

  Often he wouldn’t see her for days. He would find plates of food on the basement stairs, left when he was sleeping, and after he put the empty plates back, they would eventually be gone. When she next appeared, her face would be pale, occasionally bruised, and her eyes would be distant. Her hair was long and dirty. Her clothes were drab. He would sit with her on the bed and they would be quiet together. Sometimes her lips moved as if she were talking to someone in the basement shadows, but if she spoke loud enough for him to hear, her words made little sense. Even these visits he cherished, for she was all he had.

  When he was older, she would unlock the basement door after the old man had gone to sleep. She held a finger to her lips to keep him silent, and she led him outside, where they would walk together in the night. She couldn’t see well, not like him for whom the dark was an old friend. He would take her hand and lead her. Away from the rotting old house. Away from the barn that was little more than a loose skeleton of weathered boards. Away from the monster sleeping in the second-floor bedroom. In the winter, nights were silent except for the crunch of their feet on the snow. In summer, the night air was alive with music, the song of tree frogs from the woods and bullfrogs in the marshy meadow and crickets everywhere. Mostly, she was sad, and he never tried to make her happy. He was sad, too, alone all day in the dark beneath the house. That’s just the way people were. Sad. Or they were angry, like his grandfather. They were monsters, or they were the servants of monsters. Their souls were corrupt—born corrupt, beyond redemption—and they deserved to live in the dark, or they lived in the light, as his grandfather did. Above in the light. His mother lived there, too, but she would often visit Nocturne at night, in the basement where the old man seldom came.

  Nocturne. That was how he thought of himself then, for that was what she called him. He’d never been given a real name. His existence had never been officially recorded. His grandfather sometimes called him “boy” or “spawn,” but his mother called him Nocturne. It was the music of the night, she explained to him in one of her more lucid moments. Among the junk on the shelves in the basement, he’d found an old phonograph. It hadn’t worked when he discovered it, but he tinkered, something he had a lot of time to do, and he coaxed the turntable into motion and began to listen to the old 78s he found boxed on the shelves. His mother told him they’d belonged to his grandmother and that when she died, the old man had put them in the basement, put away all reminders of her, and that he’d buried her in the fields somewhere. Some nights when Nocturne walked with his mother, she stopped and listened for a long time. She’s crying, she would say. Do you hear her?

  Yes, he would answer, although he heard only the frogs and the crickets.

  They would walk in silence back to the house, to the basement, and Nocturne would put something gentle and sad on the phonograph, and they would sit on his old bed together in the dark while she wept.

  At 10:30 P.M., in the laundry of the St. Croix Regional Medical Center, the man known to his coworkers as Max Ableman turned off his boom box. It had been a good evening. Except for the interruption by the Secret Service agent, everything had been quiet. Although Thorsen had surprised him, Nightmare wasn’t greatly alarmed. In fact, there was one aspect of Thorsen’s presence and questions that pleased him. If Thorsen was nosing around the hospital, it meant he was concerned about Jorgenson as well as Jorgenson’s daughter. He was looking in two directions. His attention was divided. Nightmare knew the first rule of any successful operation was focus.

  From his clothes locker, Nightmare took a roll of silver duct tape and a sealed glass cylinder fifteen inches long and five inches in diameter. He also lifted a small armload of dirty linen from a pile in front of one of the washers. He descended the stairs to the tunnel, selected a laundry cart, put the cylinder in the cart, and covered it with the soiled linen. Then he headed to the main hospital building. He rode the freight elevator to the fourth floor. The nurses in trauma ICU paid no attention to him as he went about his normal duty of collecting the laundry. He spent a few extra minutes in the room of a man who’d flatlined the night before, then he crossed to the room where Tom Jorgenson lay comatose. He had to wait less than thirty seconds before the alarm went off, signaling another cardiac arrest on the far side of the ICU. He heard the nurses call a Code Blue, and they directed their attention to the situation. He had a window of a few minutes.

  He reached into the cart and drew out the glass cylinder and the duct tape. Inside the cylinder, cradled among Styrofoam pellets, was a length of one-and-a-quarter-inch PVC pipe. The pipe, capped and sealed to be airtight, contained C-4, a volatile plastic explosive. The C-4 was fitted with a detonator that could be triggered remotely. A vacuum surrounded the pipe, a precaution that would prevent the scent of the C-4 from being detected by bomb dogs. The inner surface of the glass was coated with common airplane glue. There was enough air in the sealed PVC pipe itself to allow detonation of the C-4. In addition to the destruction caused by the explosion, the glue-coated fragments of glass would be like burning shrapnel, setting the room ablaze. Nightmare intended to attach the device to the underside of the bed with the duct tape and to detonate it the next time the First Lady visited.

  He knelt beside the bed and leaned close to the man who lay there.

  “Do you remember your Iliad? ‘The day shall come, that great avenging day, which Troy’s proud glories in the dust shall lay, when Priam’s powers and Priam’s self shall fall, and one prodigious ruin swallow all.’ Old man, that great avenging day has come. You will die and the Troy you built on your lies will crumble.” He glanced back through the door. The nurses were still occupied with the Code Blue. “But I wanted to give you something to take into the darkness with you. I wanted you to know s he’s going to die with you. That’s why I didn’t kill you in the orchard. I knew they would bring you here, and I knew she would come.”

  “Ableman, what are you doing?” The security guard filled the doorway.

  Nightmare stood up and quickly tucked loose bedding into the mattress. “Straightening his bed.”

  “That’s the nurses’ job,” Randy O’Meara said.

  “They’re busy trying to save a life.” Nightmare dropped the bomb and tape back into the laundry cart.

  “You were saying something to him,” O’Meara pressed him.

  “Praying for him.”

  “Didn’t sound like a prayer to me.”

  Nightmare slipped past the guard and shoved his cart down the hallway. He made for the stairway.

  The guard followed him. “Ableman, what did you put in that cart?”

  Nightmare reached the stairway door and abandoned his cart. He hurried through the doorway into the concrete shaft of the stairwell, pressed himself against the wall, and waited.

  Damn. He’d given in to weakness, to a desire to taunt his enemy, the mistake of a green recruit. And this was the result. This was always the result when you let yourself go, even for a moment. Now he would have to risk much.

  When Randy O’Meara swept through in pursuit, Nightmare leaped at his back. He used the bigger man’s momentum, pushed him forward, and hooked the guard’s ankle with his foot. O’Meara didn’t even have time to call out before he tumbled down the hard, concrete steps. He lay on the next landing, groaning. Nightmare sailed down the stairs, knelt, grasped the guard’s head in the crook of his arm, and gave his neck a powerful twist. He could feel the satis
fying snap of bone against his own muscle. Afterward, he quickly mounted the stairs and checked the hallway. The nurses were still working on the Code Blue patient. No one seemed to have noticed him or O’Meara. He glanced back down at the dead man. Something more had to be done to cover the deed, and Nightmare, who was no stranger to tense situations, knew exactly what that was.

  chapter

  twelve

  Bo woke before dawn, as he sometimes did, from a dream of the days with his street family, Egg and Pearl and Otter and Freak. In the dream, they were all in the abandoned school bus, which floated on a river that was sweeping them away. Slowly, the bus was going under. Bo fought the steering wheel, but he could not make it turn toward shore. The dream was no mystery to him. He was still trying to save them. And still failing.

  As a gray light crept over the orchards at Wildwood, Bo left his bed and checked in with Nick Pappas, the agent on duty in the Op Center. It had been a quiet night. Bo changed into his sweats and went for a run. He headed to the edge of the orchard along the river bluff and ran the perimeter of the Jorgenson land twice, a total distance of two miles. The grass was covered with dew, and his leather running shoes were soaked by the time he returned to the barn. He took a pair of four-ounce fingerless bag gloves and a black leather heavybag from where he kept them stored in a long bin. He hung the bag from a hook he’d installed long ago in one of the crossbeams.

  Along with hay bales and orchard implements, he shared the barn with a plasma cutter, an angle grinder, a heating torch, and several half-formed iron sculptures taken from the studio of Roland Jorgenson when it was converted into the guesthouse. The dusty unfinished pieces and the equipment were among the few reminders left at Wildwood that once a famous artist had been at work there. The sculptures were wild things that gave the feel of monstrous forces barely contained. He didn’t know much about Roland Jorgenson, but there was definitely something about the man’s work that Bo found disturbing. In the bin where he kept his heavybag, Bo had come upon a portfolio containing early sketches for the sculpture Goddess. Accompanying the sketch on one of the pages was a note scribbled in what he guessed was the artist’s hand: For Kathleen. Bo was no judge of art, but he thought the sculpture, if indeed it was supposed to represent Kate Dixon, did her no justice. He’d given the portfolio to Annie Jorgenson and had no idea what had become of it.