'When you talk about trees,' Paul Bees said, pouring water into the pot, 'it sounds like you want a fuck.'
Which, in a rough and ready bush-carpentered sort of way, described Harry Joy's tone rather well.
He chose a certain route up the ridge so that he skirted the edge of Paul's small banana plantation which was still too young to bear any fruit. Then into some scrubby untidy bush which gave way to more lantana scrub and it was here, below Crystal's house, amongst the rusting Peugots, that the Cadillac waited for him, like a great dull beast, a stinking stranded whale he could not forget no matter how much he might like to ignore this painful reminder of his disgraceful past.
He had a new happiness at Bog Onion Road but he also had a new burden: he had done bad things in Hell. The guilt he felt about his past was the worst of the pains he now carried, but not the only one, for he had, if not daily, at least weekly, the reminder of Honey Barbara's hostility towards him. The Cadillac also reminded him of that pain.
'You stole it, didn't you?' she said to him on the day he came to her door.
'Stole what?'
'That car. That American thing.' She stood at the door naked but there was no invitation. Behind her he could see the shape of a body lying in her bed.
'Yes,' he said.
'How could I ever trust you?' she said.
There were dry leaves around the ground below her step. He touched them with his toe – the dry leaves and hard woody cases that had once held blossom – and he turned away without looking up. He had gone back to his holes in the road even though it was a rest day.
He had gained his burdens so quickly that the load was sometimes almost too much and he could physically stagger beneath them as if someone had dumped a bag of fertilizer too heavily on to his back. He felt some guilt, some remorse, about almost everybody he had known in Palm Avenue and although his work with the trees had begun as Honey Barbara had correctly guessed as a fearful response to his new environ-ment, it had slowly become different, and from his fear, through his fear, he had discovered love and with his love he was trying to make amends.
He skirted around Crystal's house (where, living alone, she was making plans for the return of Paul Bees) and entered the big bush beyond it. On the edge of this bush there was only a little scrub, some groundsel, odd straggling lantana (yellow-flowered here) and then a patch of bracken, and beyond that: tallow wood, blood wood, red stringybark, blackbutt, and the forest floor luxuriant with great black-boys, their thick black trunks hidden by their shining tussock-like crowns. This hillside had been cleared some thirty or forty years before but there were still a few giants left behind, trees so noble, Harry imagined, that no man could bring himself to cut them down, great gnarled old creatures which could harbour possums in their scarred wounds, white ants, insects, grubs and fungi, and still have the strength to draw water and nutrients into their tough old roots, suck them right up the enormous height of their sapwood, hold their leaves out to the sunshine and exchange gases with the world.
There was no wind. It was a perfect day for dropping trees, but he was not ready to start. There was something to do before the others arrived. Something to be done without rush. He leant his axe against the trunk of a young stringybark and went around gathering rocks which poked out here and there from the ground-cover of deep dead leaves. They were not the sort of rocks he would have preferred. He had imagined (that long time ago) something grey with a touch of some sparkling mineral (mica? anthracite?) which would later catch the sun. These rocks which littered the hillside were soft and red and looked like broken housebricks.
As he gathered the rocks the forest seemed to become very quiet. A solitary honey-eater set up a sharp chatter down in the gully below him as he carried the rocks to the first tree which would provide him with stumps for his hut. It was already scarred, a small mark made by his own axe. Its base was half hidden by a tangled pile of twigs and leaves. He began talking, but not before he had looked around.
'I'm sorry,' he said, 'we have to do this. I need a house to live in. That's why we put the mark on you yesterday.'
His voice sounded very thin and insignificant in the forest. He was not unaware of how he might look to people but was more aware of how he stood in comparison to an eighty-foot-high tree. If he was shy, it was not because of people. He was shy in the presence of the tree. He did not use the full words.
'I'm putting these stones here,' he said, 'as a promise. I will plant another tree here tonight, another tallow wood. I will dig a hole here beside you and plant it where these rocks are.'
Daze sat quietly on the edge of the circle made by the trees they planned to drop. He had come down to tell Harry that Clive would be late with the horse. He had heard Harry's voice come through the forest and he had stopped to listen. He was going to roll a joint, but he decided not to. As he listened to what Harry had to say he was very moved. This was no bullshit story. This was a man saying something that he felt. It was not the silky voice that Harry Joy had used in his city life, but something at once coarser and softer.
When Harry had done the first tree Daze gathered some rocks and came and stood behind him. He nodded his sharp, inquisitive face and offered Harry two rocks.
'Go on,' he said.
Harry began to shake his head, stepping backwards, colouring.
'Go on,' Daze said.
Harry nodded. This time he used the proper words, the formal words, as they are known. His face burned bright red, but his eyes were bright.
'You have grown large and powerful. I have to cut you. I know you have knowledge in you from what happens around you. I am sorry, but I need your strength and power. I will give you these stones, but I must cut you down. These stones and my thoughts will make sure another tree will take your place:
Thus, with their stones, they moved from tree to tree. A small wind came and stirred the upper branches. Clive arrived with the old Clydesdale. Paul Bees came rubbing sleep from his eyes and yawning. Margot arrived too, and then Honey Barbara who remained standing at a distance with her arms folded across her chest.
'Stand around the tree,' Daze suggested.
They joined hands around the tree and Daze said some of the words with Harry.
When it was time to chop the first tree they were all very quiet and it seemed to Harry that when he began to chop, the wood, famous for its hardness, was soft and yielding. Huge chips flew through the bush. (Later, when the logs had been snigged down to the site, Harry barked the logs and the flesh of the wood was yellow and slippery like a skinned animal.)
When the first tree fell, Daze walked back to where Honey Barbara was standing.
'Well... ' he said.
'Well what?' Honey Barbara said.
'That was really amazing.'
'I came to work,' Honey Barbara said, 'not to get involved in this Hippy mumbo-jumbo.'
And to show she meant business she took one end of the cross-cut saw that Margot had placed across the fallen tree. 'Come on, Margot,' she said, 'or did you only come for the mumbo-jumbo too.'
Honey Barbara worked hard all day. She did not talk to Harry once and every time he passed her, she looked the other way.
The man with the clenched whiskered face wore suit trousers and a suit jacket which could never, in even the most bizarre time, have been part of the same suit. Heavy work boots showed beneath the trousers and there was string where once there may have been proper black laces. Above the right-hand boot was a white sockless ankle that something, perhaps a bush rat, had gnawed at before passing on to something else. This man (Jerusalem John by name) was lying in the sunlight on Daze's open verandah. A cheap thriller was sticking out of his jacket pocket. A couple of flies laid their eggs on his gnawed ankle and he was, of course, perfectly dead.
It was still early enough in the day for one half of the valley to be in sunlight and the other in shadow, but up here on the ridge there was no shortage of sunshine. The trees, incorrectly known as wattles, glistened and two big king
parrots swung around the branches of the one that grew over Daze's forever unfinished house, noisily eating the blossoms and dropping the hard wood casings on to the tin roof.
Honey Barbara, sitting with the others beside the rusting metal pipe which Daze had converted into a fireplace and boiler, did not need to be told what those small pinging noises on the roof were and, in her mind's eyes, she could see the red and green birds clearly against the bright blue sky. It had not been a good year for honey. Perhaps she might get a bit of a flow out of these wattles.
Daze was there, of course, fussing about washing cups. Paul Bees squatted on his big heels with his back to the fire and Crystal had moved a small three-legged child's stool to be close to him. She wore a long crushed-velvet dress on to which she had fastidiously stitched tiny shells. She wore wooden beads around her neck (the remnants of Paul's failed abacus) and the crystals from which she took her name were arranged, just two of them, in her jet-black hair.
Clive was there wearing, as usual, nothing but his boots. Richard was there, and Dani. Assorted children were sent outside occasionally where they could be seen squatting around the dead man. No meeting had been called. The gathering was prompted by the mysterious workings of the bush telegraph.
'What does he know about trees anyway?' Honey Barbara said to Daze. 'He doesn't know anything. You don't know him like I know him. He's only into saving his neck. He doesn't believe in anything.'
Daze didn't say anything, which irritated her even more.
'He knows good stories,' Paul Bees said, 'that's the point.'
'You call yourself an anarchist!' she said to her father. 'You people will follow anyone. You're all so bored that when someone new comes along you practically rape them. So the man's got nice stories. They're not his stories anyway. They're his father's. He even stole his stories.'
'I don't see that that matters,' Richard said.
'I think,' Dani said, 'that it's O.K., so long as he wants to tell a story.'
Honey Barbara groaned quietly.
Clive was leaning against a bushpole with his arms folded above his furry bear's belly. 'I don't see why we don't do what we did for little Billy.'
'What was that?' Crystal asked.
'We dug a fucking big hole: Clive said, and it was difficult not to believe that he was relishing it. 'We dug a fucking big hole and we buried the bugger.'
'We dig a hole for a person the same way we dig a hole for a shit bucket,' Paul said.
'Well, that's right, isn't it?' Clive said. 'It's the same. All goes back into the soil. I don't want any of you lot doing OMs over me.'
'I think we should do something better for Jerusalem John than we'd do for a bucket of shit,' Paul insisted.
'He's dead, mate,' Clive said. 'It won't worry him one way or the other.'
Jerusalem John was not really their responsibility at all. He had made it his business in life to be no one's responsibility. He was an old hermit, a loner, who lived at the bottom of the gully that ran between Bog Onion and the Ananda Marga. He shot wallabies and read thrillers and the only thing that flushed him out were bushfires where, suddenly, you would find him stumbling out of the smoke to stand beside you with his wet sack or his hoe. No one would have found him but Richard had heard his fox terrier howling.
'You should have left him in the hut,' Clive said, 'and we could have just burnt it all down. Nothing in the place worth saving. The tin's rotted.'
'I think we should get Harry to tell a story.'
'You people are full of shit,' Honey Barbara said, standing up and rubbing her bee-keeper's biceps angrily. 'You're going to let him get control of you. You elevate him into something he's not.'
'We're not elevating him into anything. He knows stories. He knows stories for trees…'
'He doesn't know shit about trees,' Honey Barbara said. 'You ask him to tell you the difference between a red stringy and a yellow, get him to show you a narrow-leaved ironbark, get him to tell you how old the buds on any of them are. He doesn't know. He can't do it.'
But she knew she had made too much noise, gone on too long, and the only effect her speech was having was to annoy everyone except Clive who looked like he agreed with her. She was being negative, uncool, ungenerous, and there was no doubt that she had made them decide to ask Harry Joy to tell the story for the burial of Jerusalem John.
The next five years should have been the richest and happiest period of Harry's life, not only in Hell, but in any life he could remember. He built his hut above the creek on high stumps of tallow wood. He learned how to use a saw and chisel, and hammer in a six-inch nail. He built a fireplace from rocks and suspended a wide verandah over the creek and inside this new house you could tell, the way his silk shirts had become cushions around the walls, that this dry-looking man still loved his comfort.
He had many friends. He was not only liked, he was also necessary. He could dig a decent-sized hole for a tree; he could tell a story for a funeral and a story for a birth. When they sat around the fire at night he could tell a long story just for fun, in the same way Richard might play his old accordion and Dani her Jew's harp. He never thought of what he did as original. It wasn't either. He told Vance's old stories, but told them better because he now understood them. He retold the stories of Bog Onion Road. And when he told stories about the trees and the spirits of the forest he was only dramatizing things that people already knew, shaping them just as you pick up rocks scattered on the ground to make a cairn. He was merely sewing together the bright patchworks of lives, legends, myths, beliefs, hearsay into a splendid cloak that gave a richer glow to all their lives. He knew when it was right to tell one story and not another. He knew how a story could give strength or hope. He knew stories, important stories, so sad he could hardly tell them for weeping.
And also he gave value to a story so that it was something of worth, as important, in its way, as a strong house or a good dam. He insisted that the story was not his, and not theirs either. You must give something, he told the children, a sapphire or blue bread made from cedar ash. And what began as a game ended as a ritual.
They were the refugees of a broken culture who had only the flotsam of belief and ceremony to cling to or, sometimes, the looted relics from other people's temples. Harry cut new wood grown on their soil and built something solid they all felt comfortable with. They were hungry for ceremony and story. There was no embarrassment in these new constructions.
He did not become a leader or a strange man with a long white robe, not a shaman, a magician or a priest. He was a bushman. He was a bushman in the way he stood with one leg out and the back of his wrist propped on his hip. He dug holes, used flooded gum trees to out-grow and conquer the groundsel weed; he won Clive's respect by the energy with which he helped at the mill, where they cut packing-case timber from blackbutt and sold it to pineapple farmers in the world outside.
Yet the more he gained pleasure from his relationship with the people of Bog Onion (and the more he came to appreciate that Hell was a place of the most subtle construction which, on balance, he preferred to his other life), the more Honey Barbara's coldness towards him ate at his heart.
It came to dominate both their lives like a yellow cloud of smog that lay across an otherwise unpolluted sky.
Perhaps if they had been left alone, if well-meaning people who loved them both had not continually tried to help them, had not carried their not-quite-accurate messages from Honey Barbara's hut in the morning sunlight to Harry's hut in the shaded east, perhaps if they had just left it alone it would have sorted itself out in its own good time. But it was like a mosquito bite which is scratched and then scratched again until some organism hidden in otherwise benevolent soil can enter the broken skin and turn that mild irritation into a raging tropical ulcer with an inch-wide pus-filled centre reaching down as far as the bone, and there is no natural way to heal it, and only a trip into town to the hospital with all the attendant antibiotics and expense will effect a cure.
S
he had begun by being irritated at his lack of consideration in arriving at Bog Onion without being asked, but his own guilty confessions to Paul Bees had naturally leaked out on to the gossip circuit and they had come to fuel her indignation. She painted a big sign on the Cadillac which read: STOLEN BY HARRY JOY FROM HIS 'FRIENDS'.
She did herself a disservice. For, as anybody could see, Harry Joy was pretty much like anybody else, having his fair share of stupidities and conceits but also some reserves of kindness and love. For the most part he talked about the same things anyone else did: the state of the vegetable garden, how well the hens were laying, whether there would be a good wet and, although Honey Barbara mightn't like it, he could now tell the state of development of a swamp mahogany bud, whether it was one or two or even three years from blossoming, and by a series of questions and cross-questions and simple observ-ation he had learned as much about trees as anyone in Bog Onion.
It is also possible that the sore might have cured faster if Harry Joy had not continued to love Honey Barbara, but he did, and she knew he did because he kept telling people that he did. No matter what she said about him, no matter what gossip reached his ears (and she made sure that there was plenty to gossip about) he refused to speak badly of her. He spoke of her only with admiration and when she heard about it, it made her angry – it seemed a trick, to make people side with him against her. When Daze came to discuss 'these negative feelings you keep projecting on to Harry' she told him to fuck off and get out.
Sometimes she found Harry standing quietly on the edge of the clearing where her hut stood, the same hut which was still portrayed on the wall of the bedroom in the deserted house at Palm Avenue. She tried to ignore him. He would leave some infantile present: a pumpkin, a wallaby, a handful of ironbark blossom he may or may not have climbed a tall tree to pick.