"Here a terrible depression reigns" (210): Judit Ringelblum, Beit Lohamei ha-Getaot (Haifa, Israel: Berman Archives); quoted in Paulsson, Secret City, p. 121.
Chapter 24
"For him, I would do anything," he once told a friend. "Believe me, if Hitler were to say I should shoot my mother, I would do it and be proud of his confidence" (211): Otto Strasser, Mein Kampf (Frankfurt am Main: Heinrich Heine Verlag, 1969), p. 35.
"Nearby, on the other side of the wall, life flowed on as usual" (212): Cywia Lubetkin, Extermination and Uprising (Warsaw: Jewish Historical Institute, 1999); quoted in Robertson, Don't Go to Uncle's Wedding, p. 93.
"the Germans have removed, murdered, or burned alive tens of thousands of Jews" (213): Stefan Korbónski, Fighting Warsaw: The Story of the Polish Underground State, 1939–1945 (New York: Hippocrene Books, 2004), p. 261.
Chapter 25
"There I saw a dozen more or less undressed ladies" (220): From the account of Władysław Smólski in Righteous Among Nations: How Poles Helped the Jews, 1939–1945, edited by Władysław Barloszewski and Zofia Lewin (London: Earlscourt Publications Ltd., 1969), pp. 255–59.
operated on Jewish men to restore foreskins (222): Schultheiss, Dirk, M.D., et al., "Uncircumcision: A Historical Review of Preputial Restoration," Plastic and Reconstructive Surgery, vol. 101, no. 7 (June 1998): pp. 1990–98.
"Suffering took hold of me" (222): a personal reminiscence deposited with the Jewish Historical Institute after World War II, and published in Righteous Among Nations, p. 258.
Chapter 27
"man as a sensitive receiver" (236): Goodrick-Clark, The Occult Roots of Nazism, p. 161.
Chapter 28
"It is the imaginary perils, [the] supposed observation by the neighbour, porter, manager, or passer-by" (241): Ringelblum, Polish-Jewish Relations, p. 101.
"A picture falling off a wall" (242): Sophie Hodorowicz Knab, Polish Customs, Traditions, and Folklore (New York: Hippocrene Books, 1996), p. 259.
people "walking on quicksand" (244): Janina in Righteous Among Nations, p. 502.
"I am lucky. . .I can do wonders" (244): Rachela "Aniela" Auerbach, postwar testimony in Righteous Among Nations, p. 491.
"the perennial protector of the underdog" (245): Basia in Righteous Among Nations, p. 498.
In a postwar interview with London's White Eagle-Mermaid(248): May 2, 1963.
Chapter 29
"If I maintain my silence about my secret" (255): Arthur Schopenhauer, Parerga and Paralipomena, trans. E. F. J. Payne (New York: Oxford University Press, 2000), vo1. 1, p. 466 (chap. 5, "Counsels and Maxims").
Chapter 30
blanket-bomb German cities, including Dresden (265): In the ensuing firestorm, counting victims became impossible, though it's now estimated that 35,000 people perished in Dresden. The rare manuscripts of eighteenth-century Italian composer Tomaso Albinoni, whose Adagio in G Minor has become synonymous with mournfulness, also vanished in flames.
the most superstitious of cultures (267): Many Poles believed in signs and witchery. It was once common for Warsawians to read their fate in a deck of regular (not tarot) cards, or predict the future, especially marriage, by melting wax on a spoon and slowly pouring it into a bowl of cold water. Supposedly, the shape the wax took revealed one's fate—a hammer or helmet shape told a boy he'd be soldiering soon, and a girl that she'd marry a blacksmith or soldier. If a girl dripped wax resembling a cabinet or other furniture, she'd marry a carpenter; if it looked more like wheat or a wagon, she'd marry a farmer. A violin or trumpet meant the person would become a musician.
According to Polish lore, Death appears to humans as an old woman in a white winding sheet carrying a scythe, and dogs can easily spot her. So one can glimpse Death "by stepping on a dog's tail and looking between his ears."
Chapter 31
Russians (271): The wild-eyed Russian soldiers, known as "Wlasowcy," were soldiers of the Russian general Wlasow, who was collaborating with the Third Reich.
"The tram-cars were crowded with young boys" (272): Stefan Korbónski, Fighting Warsaw: The Story of the Polish Underground State, 1939–1945, trans. F. B. Czarnomski (New York: Hippocrene Books, 2004), p. 352.
"I will never forget that sound" (282): Jacek Fedorowicz quoted in Davies, Rising '44, p. 360–61.
Chapter 32
"on the fences of all the stations" (297): Korbónski, Fighting Warsaw, p. 406.
Chapter 34
Captions read: "dead city," "a wilderness of ruins," "mountains of rubble" (303): archival photographs reproduced in Davies, Rising '44.
Chapter 35
"half a million at most" (307): Joseph Tenenbaum, In Search of a Lost People: The Old and New Poland (New York: Beechhurst Press, 1948), pp. 297–98.
"Anyone who dared to praise prewar independence" (309): Davies, Rising '44, p. 511.
"I only did my duty" (315): Rostal, "In the Cage of the Pheasant."
Chapter 36
"the little iridescent green glossy starling" (319): Heck, Animals, p. 61.
"what the French call a polemique" (320): Herman Reichenbach, International Zoo News, vol. 50/6, no. 327 (September 2003).
"some of the pale pink of human skin, some golden, some blue-gray, all flat" (322): Bruno Schulz, The Street of Crocodiles, trans. Celina Wieniewska (New York: Penguin Books, 1977), pp. 27–28.
In 2003, Magdalena Gross's sculpture Chicken was auctioned by the Piasecki Foundation to help raise money for autism research in Poland.
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