they might be planning to--"
"To get even with you."
"For killing them."
"So don't go, Ender. Don't do what they want you to do."
"If they want to get revenge, Abra, I don't mind. But perhaps they don't. Perhaps this is the closest they could come to talking. To writing me a note."
"They didn't know how to read and write."
"Maybe they were learning when they died."
"Well, I'm sure as hell not sticking around here if you're taking off some-where. I'm going with you."
"No. You're too young to take the risk of--"
"Come on! You're Ender Wiggin. Don't tell me what eleven-year-old kids can do!"
Together they flew in the copter, over the playground, over the woods, over the well in the forest clearing. Then out to where there was, indeed, a cliff, with a cave in the cliff wall and a ledge right where the End of the World should be. And there in the distance, just where it should be in the fantasy game, was the castle tower.
He left Abra with the copter. "Don't come after me, and go home in an hour if I don't come back."
"Eat it, Ender, I'm coming with you."
"Eat it yourself, Abra, or I'll stuff you with mud."
Abra could tell, despite Ender's joking tone, that he meant it, and so he stayed.
The walls of the tower were notched and ledged for easy climbing. They meant him to get in.
The room was as it had always been. Ender remembered well enough to look for a snake on the floor, but there was only a rug with a carved snake's head at one corner. Imitation, not duplication; for a people who made no art, they had done well. They must have dragged these images from Ender's own mind, finding him and learning his darkest dreams across the lightyears. But why? To bring him to this room, of course. To leave a message for him. But where was the message, and how would he understand it?
The mirror was waiting for him on the wall. It was a dull sheet of metal, in which the rough shape of a human face had been scratched. They tried to draw the image I should see in the picture.
And looking at the mirror he could remember breaking it, pulling it from the wall, and snakes leaping out of the hidden place, attacking him, biting him wherever their poisonous fangs could find purchase.
How well do they know me, wondered Ender. Well enough to know how often I have thought of death, to know that I am not afraid of it. Well enough to know that even if I feared death, it would not stop me from taking that mirror from the wall.
He walked to the mirror, lifted, pulled away. Nothing jumped from the space behind it. Instead, in a hollo wed-out place, there was a white ball of silk with a few frayed strands sticking out here and there. An egg? No. The pupa of a queen bugger, already fertilized by the larval males, ready, out of her own body, to hatch a hundred thousand buggers, including a few queens and males. Ender could see in his mind the slug-like males clinging to the walls of a dark tunnel, and the large adults carrying the infant queen to the mating room; each male in turn penetrated the larval queen, shuddered in ecstasy, and died, dropping to the tunnel floor and shriveling. Then the new queen was laid before the old, a magnificent creature clad in soft and shimmering wings, which had long since lost the power of flight but still contained the power of majesty. The old queen kissed her to sleep with the gentle poison in her lips, then wrapped her in threads from her belly, and commanded her to become herself, to become a new city, a new world, to give birth to many queens and many worlds--
How do I know this, thought Ender. How can I see these things, like memories in my own mind.
As if in answer, he saw the first of all his battles with the bugger fleets. He had seen it before on the simulator; now he saw it as the hive-queen saw it, through many different eyes. The buggers formed their globe of ships, and then the terrible fighters came out of the darkness and the Little Doctor destroyed them in a blaze of light. He felt then what the hive-queen felt, watching through her workers' eyes as death came to them too quickly to avoid, but not too quickly to be anticipated. There was no memory of pain or fear, though. What the hive-queen felt was sadness, a sense of resignation. She had not thought these words as she saw the humans coming to kill, but it was in words that Ender understood her: The humans did not forgive us, she thought. We will surely die.
"How can you live again?" he asked.
The queen in her silken cocoon had no words to give back; but when he closed his eyes and tried to remember, instead of memory came new images. Putting the cocoon in a cool place, a dark place, but with water, so she wasn't dry, so that certain reactions could take place in the cocoon. Then time. Days and weeks, for the pupa inside to change. And then, when the cocoon had changed to a dusty brown color, Ender saw himself splitting open the cocoon, and helping the small and fragile queen emerge. He saw himself taking her by the forelimb and helping her walk from her birthwater to a nesting place, soft with dried leaves on sand. Then I am alive, came the thought in his mind. Then I am awake. Then I make my ten thousand children.
"No," said Ender. "I can't."
Anguish.
"Your children are the monsters of our nightmares now. If I awoke you, we would only kill you again."
There flashed through his mind a dozen images of human beings being killed by buggers, but with the image came a grief so powerful he could not bear it, and he wept their tears for them.
"If you could make them feel as you can make me feel, then perhaps they could forgive you."
Only me, he realized. They found me through the ansible, followed it and dwelt in my mind. In the agony of my tortured dreams they came to know me, even as I spent my days destroying them; they found my fear of them, and found also that I had no knowledge I was killing them. In the few weeks they had, they built this place for me, and the Giant's corpse and the playground and the ledge at the End of the World, so I would find this place by the evidence of my eyes. I am the only one they know, and so they can only talk to me, and through me. We are like you; the thought pressed into his mind. We did not mean to murder, and when we understood, we never came again. We thought we were the only thinking beings in the universe, until we met you, but never did we dream that thought could arise from the lonely animals who cannot dream each other's dreams. How were we to know? We could live with you in peace. Believe us, believe us, believe us.
He reached into the cavity and took out the cocoon. It was astonishingly light, to hold all the hope and future of a great race within it.
"I'll carry you," said Ender, "I'll go from world to world until I find a time and a place where you can come awake in safety. And I'll tell your story to my people, so that perhaps in time they can forgive you, too. The way that you've forgiven me."
He wrapped the queen's cocoon in his jacket and carried her from the tower.
"What was in there?" asked Abra.
"The answer," said Ender.
"To what?"
"My question." And that was all he said of the matter; they searched for five more days and chose a site for the colony far to the east and south of the tower.
Weeks later he came to Valentine and told her to read something he had written; she pulled the file he named from the ship's computer, and read it.
It was written as if the hive-queen spoke, telling all that they had meant to do, and all that they had done. Here are our failures, and here is our greatness; we did not mean to hurt you, and we forgive you for our death. From their earliest awareness to the great wars that swept across their home world, Ender told the story quickly, as if it were an ancient memory. When he came to the tale of the great mother, the queen of all, who first learned to keep and teach the new queen instead of killing her or driving her away, then he lingered, telling how many times she had finally to destroy the child of her body, the new self that was not herself, until she bore one who understood her quest for harmony. This was a new thing in the world, two queens that loved and helped each other instead of battling, and together they were stronger than any other hive. They prospered; they had more daughters who joined them in peace; it was the beginning of wisdom.
If only we could have talked to you, the hive-queen said in Ender's words. But since it could not be, we ask only this: that you. remember us, not as enemies, but as tragic sisters, changed into a foul shape by fate or God or evolution. If we had kissed, it would have been the miracle to make us human in each other's eyes. Instead we killed each other. But still we welcome you now as guestfriends. Come into our home, daughters of Earth; dwell in our tunnels, harvest our fields; what we cannot do, you are now our hands to do for us. Blossom, trees; ripen, fields; be warm for them, suns; be fertile for them, planets: they are our adopted daughters, and they have come home.
The book that Ender wrote was not long, but in it was all the good and all the evil that the hive-queen knew. And he signed it, not with his name, but with a title:
SPEAKER FOR THE DEAD
On Earth, the book was published quietly, and quietly it was passed from hand to hand, until it was hard to believe that anyone on Earth might not have read it. Most who read it found it interesting; some who read it refused to set it aside. They began to live by it as best they could, and when their loved ones died, a believer would arise beside the grave to be the Speaker for the Dead, and say what the dead one would have said, but with full candor, hiding no faults and pretending no virtues. Those who came to such services sometimes found them painful and disturbing, but there were many who decided that their life was worthwhile enough, despite their errors, that when they died a Speaker should tell the truth for them.
On Earth it remained a religion among many religions. But for those who traveled the great cave of space and lived their lives in the hive-queen's tunnels and harvested the hive-queen's fields, it was the only religion. There was no colony without its Speaker for the Dead.
No one knew and no one really wanted to know who was the original Speaker. Ender was not inclined to tell them.
When Valentine was twenty-five years old, she finished the last volume of her history of the bugger wars. She included at the end the complete text of Ender's little book, but did not say that Ender wrote it.
By ansible she got an answer from the ancient Hegemon, Peter Wiggin, seventy-seven years old with a failing heart.
"I know who wrote it," he said. "If he can speak for the buggers, surely he can speak for me."
Back and forth across the ansible Ender and Peter spoke, with Peter pouring out the story of his days and years, his crimes and his kindnesses. And when he died, Ender wrote a second volume, again signed by the Speaker for the Dead. Together, his two books were called the Hive-Queen and the Hegemon, and they were holy writ.
"Come on," he said to Valentine one day. "Let's fly away and live forever."
"We can't," she said. "There are miracles even relativity can't pull off, Ender."
"We have to go. I'm almost happy here."
"So stay."
"I've lived too long with pain. I won't know who I am without it."
So they boarded a starship and went from world to world. Wherever they stopped, he was always Andrew Wiggin, itinerant speaker for the dead, and she was always Valentine, historian errant, writing down the stories of the living while Ender spoke the stories of the dead. And always Ender carried with him a dry white cocoon, looking for the world where the hive-queen could awaken and thrive in peace. He looked a long time.
Orson Scott Card, Ender's Game
(Series: Ender's Saga # 1)
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